Making Workshops for the Web

The latest Clearleft offering is Workshops for the Web. It made sense to move our workshop offerings out of the Clearleft site—where they were kind of distracting from the main message of the company—and give them their own home, just like our other events, dConstruct and UX London.

As well as the range of workshops that can be booked privately at any time, there’s a schedule of upcoming public workshops for 2010:

  1. CSS3 Wizardry on January 29th,
  2. Copywriting for the Web on March 5th,
  3. HTML5 for Web Designers on April 23rd,
  4. UX Fundamentals on June 11th and
  5. Usability Testing on July 16th.

The next workshop, CSS3 Wizardry with Rich and Nat, promises to be packed full of cutting-edge front-end techniques. Book a place if you want to have CSS3 kung-fu injected into your brainstem.

Visual Design

I’m pretty pleased with how the site turned out. When I began designing it initially, I thought I would give it a sort of Russian constructivist feeling: the title Workshops for the Web made me think of an international workers movement. I started researching political propaganda posters, beginning with the book Revolutionary Tides.

Revolutionary Tides

There’s also some fantastic propaganda material in The National Archives (and I just love the modern twist of World War Three propaganda posters). I found a treasure trove of images of American working life in the Flickr Commons collection from The Library of Congress. I started gathering these sources together and distilling some of the common components such as bold colours and diagonal lines.

Workers of the web: unite!

This was when Jon was working as an intern at Clearleft. I enlisted his help in brainstorming some ideas and he came up with some great stuff—like using Soviet space-race imagery—and we played around with proof-of-concept ideas for creating diagonal backgrounds using CSS3 transforms.

But it never really came together for me. Much as I loved the Russian constructivist propaganda angle, I ditched it and started from scratch.

IA

I scribbled down a page description diagram describing what the site needed to communicate in order of importance:

  1. The name of the site.
  2. A positioning statement.
  3. The next workshop.
  4. Other upcoming workshops.
  5. A list of all workshops available.
  6. A way of getting in touch.

The hierarchy for an individual workshop page looked pretty similar:

  1. The title of the workshop.
  2. The date of the workshop.
  3. The location of the workshop.
  4. The price of the workshop.
  5. Details of the workshop.

It was clear that the page needed to quickly answer some basic questions: what? where? how much?

I started marking up the answers to those questions from top to bottom. That’s when it started to come together. Working with markup and CSS in the browser felt more productive than any of the sketching I had done in Photoshop. I started really sweating the typography …to the extent that I decided that even the logotype should be created with “live” text rather than an image.

Build

From the start, I knew that I wanted the site to be a self-describing example of the technologies taught in the workshops. The site is built in HTML5, making good use of the new structural elements and the powerful outline algorithm. Marking up an events site with the hCalendar microformat was a no-brainer. There are hCards a-plenty too.

CSS3 nth-child selectors came in very handy and media queries are, quite simply, the bee’s knees when it comes to building a flexible site: just a few declarations allowed me to make sure the liquid layout could be optimised for different ranges of viewport size.

Workshops for the Web homepage Workshops for the Web homepage

Given the audience of the site, I could be fairly certain that Internet Explorer 6 wouldn’t be much of a hindrance. As it turns out, everything looks more or less okay even in that crappy browser. It looks different, of course, but then do websites need to look exactly the same in every browser?

Right before launch, Paul took a shot at tweaking the visual design, adding a bit more contrast and separation on the homepage with some horizontal banding. That’s a visual element that I had been subconsciously avoiding, probably because it’s already used on some of our other sites, but once it was added, it helped to emphasise the next upcoming workshop—the main purpose of the homepage.

Just because the site is live now doesn’t mean that I’ll stop working on it. I’d like to keep tweaking and evolving it. Maybe I’ll finally figure out a way of incorporating some elements of those great propaganda posters.

Propaganda

Thursday, January 14th, 2010 12:00am

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Comments

nice site dude, pictures look jacked up in IE 7/8 though

# Posted by meks on Thursday, January 14th, 2010 at 4:09am

Illustrations

Thanks to the magic of machine tags, you can illustrate this post by tagging a picture on Flickr with:

Workers of the web: unite! Revolutionary Tides Women at work on bomber, Douglas Aircraft Company, Long Beach, Calif. (LOC) Operating a hand drill at the North American Aviation, Inc., [a] woman is in the control surface department assembling a section of the leading edge for the horizontal stabilizer of a plane (LOC) Welders making boilers for a ship, Combustion Engineering Co., Chattanooga, Tenn. (LOC) An employee in the drill-press section of North American's huge machine shop runs mounting holes in a large dural casting, Inglewood, Calif. This plant produces the battle-tested B-25 ("Billy Mitchell") bomber, used in General Doolittle's raid on Tokyo, a Riveter at work on Consolidated bomber, Consolidated Aircraft Corp., Fort Worth, Texas (LOC) Lathe operator machining parts for transport planes at the Consolidated Aircraft Corporation plant, Fort Worth, Texas (LOC) Frances Eggleston, aged 23, came from Oklahoma, used to do office work. Removing paper from pilot's window(?), Consolidated Aircraft Corp., Fort Worth, Texas (LOC) Oyida Peaks riveting as part of her NYA training to become a mechanic at the Naval Air Base, in the Assembly and Repair Department, Corpus Christi, Texas (LOC) Women from all fields have joined the production army, Corpus Christi, Texas. Miss Grace Weaver, a civil service worker at the Naval Air Base, and a school teacher before the war, is doing her part for victory along with her brother who is a flying instru Oyida Peaks riveting as part of her NYA training to become a mechanic in the Assembly and Repair Department at the Naval Air Base, Corpus Christi, Texas (LOC) Propaganda Someone talked! Solidarność

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