Cinema Space Tribute on Vimeo
Scenes of space from sci-fi films.
Scenes of space from sci-fi films.
With all my talk about extending existing elements instead of making new ones, I was reminded of one of my favourite examples of custom elements in action: Github’s extensions of the
James takes a tour through the English countryside, while venturing into areas of the electromagnetic spectrum that may as well be labelled “Private Property. No Trespassing. Keep Out.”
My contribution to this year’s edition of the web’s best advent calendar.
You can’t win the game. It exists only to destroy your mind.
A superb article by Josh on planning for progressive enhancement—clearly laid out and carefully explained.
Sounds like a cute idea, right?
In fact it’s the best thing you’re ever likely to read on Peruvian ursine immigration.
This is an awareness project I can get behind: a Clarke-like Project Spaceguard to protect the Earth from asteroid collisions. This campaign will focus awareness of this issue on one single day…
Now if only the front page of this website actually said when that day will be.
Update: And now it does.
A fascinating look at how the humble password gets imbued with incredible levels of meaning.
It reminds me of something I heard Ze Frank say last year: “People fill up the cracks with intimacy.”
This is a superbly-written, empathetic, nuanced look at the issues around Creative Commons licensing, particularly the danger of inferring a “spirit” in a legal agreement.
“Spirit” as it’s being used in this conversation is a relative term. You have the spirit of the user, the spirit of the license, the spirit of the community, the spirit of the service, and the spirit of the law. All these can align and all these can diverge and that’s OK. It is also the reason we have a legal system that sets clear parameters for how things can be interpreted: Spirit is relative, legal decisions and documents are not (at least in theory). The whole idea of a legal contract (under which we can find CC licenses) is that there is no room for interpretation. The meaning of the document is singular, unambiguous, and not up for debate. Of course this is purely theoretical, but that’s the idea anyway.
The problem arises when the spirit – or intent – of the user when applying a license differs from the actual legal interpretation of that same license.
The title is harsh, but this is a good summation of the issues involved in choosing a Creative Commons licence.
Open licensing is about giving up control so that other people can benefit. That’s all it will cost you: control. Having control feels nice. But you should ask yourself what it really gets you. And you should think about what others might gain if you were able to let go.
Think carefully and decide what you need. No one is going to make you tick that Creative Commons box. But when you do, it’s a promise.
A concept browser from Yandex that takes an interesting approach to URLs: on the one hand, hiding them …but then putting them front and centre.
But the main focus of this concept browser is to blur the line between browser chrome and the website it’s displaying.
Typeset In The Future is back with another cracking analysis. This time—following on from 2001 and Moon—we’ve got Alien.
In her final recorded message before hypersleep, Ripley notes that she is the sole survivor of the Nostromo. What she forgets to mention is that she has not once in the past two hours encountered any Eurostile Bold Extended.
I completely share Bruce’s concern about the year-zero thinking that’s accompanying a lot of the web components marketing:
Snarking aside, why do so few people talk about extending existing HTML elements with web components? Why’s all the talk about brand new custom elements? I don’t know.
I’m a fan of web components. But I’m increasingly worried about the messaging surrounding them.
A history lesson and a love letter to the early web, taking in HTML, Photoshop, and the web standards movement.
Those were long years, the years of drop-shadows. Everything was jumping just slightly off the screen. For a stretch it seemed that drop-shadows and thin vertical columns of text would define the web. That was before we learned that the web is really a medium to display slideshows, as many slideshows as possible, with banner ads.
Stuart has implemented webmentions on his site, which is great. It’s also fitting, as he is the inventor of pingback (of which webmention is a simpler reformulation).
Many of the free fonts available from Google are pretty bad, but this site showcases how some of them can be used to great effect.
This strikes me as an eminently sensible idea by Emil: using the picture element to begin providing WebP alternatives to JPG.
Of course, picture-supporting browsers will have to adjust their decision-making algorithm to support this pattern.
A vision of humanity’s exploration of our solar system.