Had anyone from the archive been in touch with ESPN? Was there any hope that the treasured collection of Grantland stories might remain accessible?
“We don’t ‘get in touch,’” Jason Scott, a digital historian at the Internet Archive, told me in an email. “We act.”
The significant challenges in archiving audio.
The promise of the web is that Alexandria’s library might be resurrected for the modern world. But today’s great library is being destroyed even as it is being built.
A fascinating account of one story’s linkrot that mirrors the woeful state of our attitude to cultural preservation on the web.
Historians and digital preservationists agree on this fact: The early web, today’s web, will be mostly lost to time.
I absolutely love the way that my archive is presented here. Matt and Hannah have set the bar in how to shut down a service in an honest, dignified way.
Exemplars proposing various solutions for the resilience of digital data and computation over long timeframes include the Internet Archive; redundantly distributed storage platforms such GlusterFS, LOCKSS, and BitTorrent Sync; and the Lunar supercomputer proposal of Ouliang Chang.
Each of these differs in its approach and its focus; yet each shares with Vessel and with one another a key understanding: The prospects of Earth-originating life in the future, whether vast or diminishing, depend upon our actions and our foresight in this current cultural moment of opportunity, agency, awareness, ability, capability, and willpower.
‘That pig was a good influence’ with Jeremy Keith and Jeffrey Zeldman on Unfinished Business on Huffduffer
I had a lot of fun recording this episode with Andrew and Jeffrey. It is occasionally surreal.
Stick around for the sizzling hot discussion of advertising at the end in which we compare and contrast Mad Men and Triumph Of The Will.
Because in 10 years nothing you built today that depends on JS for the content will be available, visible, or archived anywhere on the web.
A profile of the wonderful Internet Archive.
No one believes any longer, if anyone ever did, that “if it’s on the Web it must be true,” but a lot of people do believe that if it’s on the Web it will stay on the Web. Chances are, though, that it actually won’t.
Brewster Kahle is my hero.
Kahle is a digital utopian attempting to stave off a digital dystopia. He views the Web as a giant library, and doesn’t think it ought to belong to a corporation, or that anyone should have to go through a portal owned by a corporation in order to read it. “We are building a library that is us,” he says, “and it is ours.”
The brilliant George Oates has started a new design company with an emphasis on cultural heritage: “explicit notes to the future, local archives of global content.” Watch this space
We need a web design museum.
I am, unsurprisingly, in complete agreement. And let’s make lots of copies while we’re at it.
I like the way Aaron thinks. I also like the way he makes.
Thoughts from Luke Bacon on two topics that fascinate me: archives and design principles.
Craig recently had a piece published in the New Yorker called Goodbye, Cameras. It’s good …but this follow-on piece on his own site is truly wonderful.
Read. Absorb. Ponder.
Being close to the network does not mean being on Facebook, thought it can mean that, too. It does not mean pushing low-res images to Instagram, although there’s nothing wrong with that. What the network represents, in my mind, is a sort of ledger of humanity. The great shared mind. An image’s distance to it is the difference between contributing or not contributing to that shared ledger.
The internet never forgets? Bollocks!
We were told — warned, even — that what we put on the internet would be forever; that we should think very carefully about what we commit to the digital page. And a lot of us did. We put thought into it, we put heart into, we wrote our truths. We let our real lives bleed onto the page, onto the internet, onto the blog. We were told, “Once you put this here, it will remain forever.” And we acted accordingly.
This is a beautiful love-letter to the archival web, and a horrifying description of its betrayal:
When they’re erased by a company abruptly and without warning, it’s something of a new-age arson.
A really lovely piece on the repositories of information that aren’t catalogued—a fourth quadrant in the Rumsfeldian taxonomy, these dark archives are the unknown knowns.
Reminiscences of the BBSs of yesteryear that could in time be applied to the social networking sites of today.
Here’s one to add to Instapaper or Readability to savour at your leisure: Aaron Straup Cope’s talk at Museums and the Web 2010:
This paper examines the act of association, the art of framing and the participatory nature of robots in creating artifacts and story-telling in projects like Flickr Galleries, the API-based Suggestify project (which provides the ability to suggest locations for other people’s photos) and the increasing number of bespoke (and often paper-based) curatorial productions.
FamilySearch Shares Plans to Digitize Billions of Records Stored at Granite Mountain Records Vault - LDS Newsroom
How the Mormon Church are storing and preserving genealogical data inside a mountain.
The editor of New Scientist writes about deletionists and preservationists while adding his own personal poignant perspective.
A detailed look at how French archivists go about preserving websites.