We become obsessed with tools and methods, very rarely looking at how these relate to the fundamental basics of web standards, accessibility and progressive enhancement. We obsess about a right way to do things as if there was one right way rather than looking at the goal; how things fit into the broader philosophy of what we do on the web and how what we write contributes to us being better at what we do.
Will the Big Think piece you just posted to Medium be there in 2035? That may sound like it’s very far off in the future, and who could possibly care, but if there’s any value to your writing, you should care. Having good records is how knowledge builds.
Twenty-six letters of independent publishing building blocks.
Benjamin documents his experience at the first Brighton Homebrew Website Club: a most pleasant evening.
Tantek posts a belated round-up of indie web activity in 2014:
2014 was a year of incredible gains, and yet, a very sad loss for the community. In many ways I think a lot of us are still coping, reflecting. But we continue, day to day to grow and improve the indieweb, as I think Chloe would have wanted us to, as she herself did.
A fantastic piece by David Weinberger on the changing uses of the internet—apparently in contradiction of the internet’s original architecture.
Some folks invented the Internet for some set of purposes. They gave it a name, pointed to some prototypical examples—sharing scientific papers and engaging in email about them—shaping the way the early adopters domesticated it.
But over time, the Internet escaped from its creators’ intentions. It became a way to communicate person-to-person via email and many-to-many via Usenet. The web came along and the prototypical example became home pages. Social networking came along and the prototype became Facebook.
I really like this impassioned love letter to the web. This resonates:
The web is a worthy monument for society. It cannot be taken away by apps in the app store or link bait on Facebook, but it can be lost if we don’t continue to steward this creation of ours. The web is a garden that needs constant tending to thrive. And in the true fashion of the world wide web, this is no task for one person or entity. It will require vigilance and work from us all.
If you’re not sure if Indie Web Camp is for you, have a read of Charlotte’s take on it:
The reason I didn’t attend last time is because I didn’t know if I had enough experience to spend a weekend working on something completely new. Turns out it doesn’t matter how much coding experience you have. I know I won’t be the only new person at Indie Web Camp. The idea is that we figure out solutions together.
Grant, like Emma, has recently started blogging again. This makes me very, very happy. And he’s doing it for what I consider to be all the right reasons:
But this is mostly a place for me to capture my thoughts, and an excuse to consider them, and an opportunity to understand them more fully.
The Indieweb approach has a lot in common with Ev’s ideas for Medium, but the key difference is that we are doing it in a way that works across websites, not just within one.
Bastian sums up his experience of attending Indie Web Camp:
But this weekend brought a new motivational high that I didn’t expect to go that far. I attended the Indie Web Camp in Düsseldorf, Germany and I’m simply blown away.
François is here at Indie Web Camp Germany helping out anyone who wants to get their site running on https. He wrote this great post to get people started.
Sorting out hosting is a big stumbling block for people who want to go down the Indie Web route. Frankly it’s much easier to just use a third-party silo like Facebook or Twitter. I’ve been saying for a while now that I’d really like to see “concierge” services for hosting—”here, you take care of all this hassle!”
Well, this initiative looks like exactly that.
There’s more than a whiff of Indie Web thinking in this sequel to the Cluetrain Manifesto from Doc Searls and Dave Weinberger.
The Net’s super-power is connection without permission. Its almighty power is that we can make of it whatever we want.
It’s quite lawn-off-getty …but I also happen to agree with pretty much all of it.
Although it’s kind of weird that it’s published on somebody else’s website.
This cat believes in owning its own data.
Chloe would’ve loved this.
This is a nifty little service: if your site has a webmention endpoint, people can comment on your articles by sending an email.
That means you can comment on any post on my site by sending an email to email@example.com (in the email, include the URL of the post you’re commenting on).
If your site is written in Ruby (even if it’s made with a static site generator like Jekyll), you can add webmention support with Jason’s newly-open-sourced code.
I had the great honour of being invited to speak on the 200th edition of the Working Draft podcast (there are a few sentences in German at the start, and then it switches into English).
I had a lot of fun talking about indie web building blocks (rel=me, indieauth, webmention, h-entry, etc.). Best of all, while I was describing these building blocks, one of the hosts started implementing them!
Stuart has implemented webmentions on his site, which is great. It’s also fitting, as he is the inventor of pingback (of which webmention is a simpler reformulation).
Aaron documents the process of adding webmention support to a static site. He came with an ingenious three-tiered approach:
It’s been a pretty fun mini-project. In the end, I created a useful bit of kit that provides three distinct experiences:
- Static webmentions collected when the site was generated form the baseline experience;
Aaron raises a point that I’ve discussed before in regards to the indie web (and indeed, the web in general): we don’t buy domain names; we rent them.
It strikes me that all the good things about the web are decentralised (one-way linking, no central authority required to add a node), but all the sticking points are centralised: ICANN, DNS.
Aaron also points out that we are beholden to our hosting companies, although—having moved hosts a number of times myself—that’s an issue that DNS (and URLs in general) helps alleviate. And there’s now some interesting work going on in literally owning your own website: a web server in the home.
I hope that many of you will watch me on this journey, and follow in my wagon tracks as I leave the walled cities and strike out for the wilderness ahead.
A look back at how Twitter evolved over time, with examples of seemingly-trivial changes altering the nature of the discourse.
Kevin finishes with a timely warning for those of us building alternatives:
Companies go out of business, get bought and change policies, so what if you had one place to originate all of your content then publish it out to those great social services? And hey, why not pull comments from those services back to your original post?
That’s the idea behind Indie Web Camp: have your own website be the canonical source of what your publish. But right now, getting all of the moving parts up and running requires a fair dollop of tech-savviness. That’s where Known comes in:
It’s similar to the WordPress model: you can create a blog on their servers, or you can download the software and host it on your own.
This post is a good run-down of what’s working well with Known, and what needs more work.
I’d go along with pretty much everything Anil says here. Wise words from someone who’s been writing on their own website for fifteen years (congratulations!).
Link to everything you create elsewhere on the web. And if possible, save a copy of it on your own blog. Things disappear so quickly, and even important work can slip your mind months or years later when you want to recall it. If it’s in one, definitive place, you’ll be glad for it.
I really like this comparison:
As a zinester and zine librarian, I see the Indie Web as a pretty direct correlation to 1980’s and 1990’s zine culture. The method of production may be completely different (photocopiers and direct mail vs web posts and servers) but the goals are almost identical – controlling the way in which your message and identity are displayed, crafted, and stored while avoiding censorship that corporate media might impose. The end goal of both zine and indieweb technologies is ownership of your own identity without a filter.
But there also challenges:
The key issue right now for diverse populations utilizing the Indie Web is accessibility. As long as the tools for creating & controlling your own identity online are still relatively obtuse & technical to implement, we won’t have great diversity within the Indie Web.
A really handy bit of code from Aaron for building a robust file uploader. A way to make your web-based photo sharing more Instagrammy-clever.
There is something about the personal blog, yourname.com, where you control everything and get to do whatever the hell pleases you. There is something about linking to one of those blogs and then saying something. It’s like having a conversation in public with each other. This is how blogging was in the early days. And this is how blogging is today, if you want it to be.
In the days before comments on blogs, you could generally have a thoughtful conversation online without everything degenerating into madness and chaos simply because responding to a post required that you wrote a post on your own blog and linked back. This created a certain level of default accountability because if someone wanted to flame you, they had to do it on their own real estate, and couldn’t just crap all over yours anonymously.
Glenn eloquently gives his reasons for building Transmat:
When I was a child, my brothers and I all had a shoebox each. In these we kept our mementoes. A seashell from a summer holiday where I played for hours in the rock pools, the marble from the schoolyard victory against a bully and a lot of other objects that told a story.
Tantek’s great talk on the Indie Web from Web Directions Code in Melbourne earlier this year.
Here’s the very brief talk I gave about Indie Web Camp at Aral’s Indie Tech Summit here in Brighton a little while back (I was in the slightly-demeaningly-titled “stop gaps” section).
If you like what you hear, come along to the next Indie Web Camp—also in Brighton—in just over three weeks.
The Internet forgets every single day.
I’m with Jason.
I encourage you all to take a moment and consider the importance of preserving your online creations for yourself, your family, and for future generations.
Almost six minutes of me squinting in the sun and sharing my reckons while seagulls squawk in the background.
Tantek’s talk at the Personal Democracy Forum on the past, present, and future of independent publishing on the web.
There are many services out there for keeping track of what you’re reading. Susan has found the best one:
Slowly, ever so slowly, as I realize how things come and go on the web, I realize that this is my home. Because this is my home, I want all the things that matter to me to reside here.
Here’s a nice little UI addition to Chrome. When you focus on the URL bar, if the current site has site-specific search discoverable via rel=”search”, then you get a greyed-out hint to press tab so you can start searching the site.
A great little piece by Russell Davies on the Indie Web movement.
When I’ve been banging on at conferences about digital preservation, personal publishing and the indie web, I’ve been at pains to point out that there are huge opportunities here for startups looking to build valet services to help people publish on their own domain.
Ben and Erin at Known are doing just that, with some backing from KQED, PRX and the Knight Foundation instead of the usual short-sighted Silicon Valley venture capitalism.
One of the jobs of a startup is to look at where the world is going, extrapolating from current trends and domain knowledge, and meet a future need with a product at exactly the right time. We think the time is right for an independent web that is owned by content creators and readers alike.
I’ll be speaking at this event that Aral is putting on here in Brighon on the fourth of July (independence day — geddit?).
A truly wonderful piece by Mandy detailing why and how she writes, edits, and publishes on her own website:
No one owns this domain but me, and no one but me can take it down. I will not wake up one morning to discover that my service has been “sunsetted” and I have some days or weeks to export my data (if I have that at all). These URLs will never break.
A decisive Indie Web move:
This site has become the place that I’m ready to host almost everything I make.
Slides from Tantek’s recent talk at Web Directions Code about the Indie Web.
Well, this is pretty bloody brilliant—Dan Gillmor has published an article on Slate about the Indie Web movement …but the canonical URL is on his own site.
We’re in danger of losing what’s made the Internet the most important medium in history – a decentralized platform where the people at the edges of the networks – that would be you and me – don’t need permission to communicate, create and innovate.
This isn’t a knock on social networks’ legitimacy, or their considerable utility. But when we use centralized services like social media sites, however helpful and convenient they may be, we are handing over ultimate control to third parties that profit from our work, material that exists on their sites only as long as they allow.
or: how I learnt to stop worrying and love the blog.
This is a really nice introduction to the basics of the Indie Web …with nice illustrations too.
A thoughtful in-depth piece that pulls together my hobby horses of independent publishing, responsive design, and digital preservation, all seen through the lens of music:
Music, Publishing, Art and Memory in the Age of the Internet
A great talk by Amber on the history of personal publishing and the ideas and technologies driving the Indie Web movement.
Well, this is pretty nifty: Dan Gilmour is at Indie Web Camp in San Francisco and he’s already got some code up and running on his site.
Y’know, I’m not missing South by Southwest in the slightest this year …but I’m really missing Indie Web Camp.
Fast Company features Aral’s tantalising Indie Phone project that he’s been working on at Clearleft Towers.
Good to see Oskar the dog getting the recognition he deserves.
On the top floor of a commercial building in the old maritime city of Brighton, England, Balkan has been quietly hacking away at Indie Phone for the last several months with the rest of his team—Victor Johansson, an industrial designer, Laura Kalbag, a professional web designer (and Balkan’s partner), and her Husky, Oskar.
Want to implement webmentions but you’re using static pages a-la Jekyll? No problem. Pelle’s got you covered.
I’m with Frank. He’s going Indie Web for 2014:
I’m returning to a personal site, which flips everything on its head. Rather than teasing things apart into silos, I can fuse different kinds of content together.
Homesteading instead of sharecropping:
So, I’m doubling down on my personal site in 2014.
We were struggling, whether we knew it or not, to found a more fluid society. A place where everyone, not just appointed apologists for the status quo, could be heard. That dream need not die. It matters more now than ever.
Some good brainstorming from Tantek that follows on nicely from Anne’s recent manifesto.
Chloe is going all in on the Indie Web. Here, she outlines how she’s posting to Twitter from her own site with a POSSE system (Post to Own Site, Syndicate Elsewhere).
I had a lot of fun chatting with Jen on this week’s episode of The Web Ahead. Wind me up and let me loose; I ended up rambling on about blogging, the indie web movement, progressive enhancement, and just about everything in between.
It’s sad to see MyOpenID shut down, but now I can simply use IndieAuth instead …which means my delegate URL is simply adactio.com: magic!
A rallying cry for the Indie Web.
Let’s build this.
A profile of the Indie Web movement in Wired.
Go! Fight! Win!
If this sounds like your kind of hackery, be sure to come along to Indie Web Camp UK in Brighton right after dConstruct.
Yet another cautionary tale on why you should be homesteading instead of sharecropping.
I approve of this message.
Dan’s blog is rapidly turning into one of my favourite destinations on the web.
I hope he comes to an Indie Web Camp.
A good article on Medium on Medium.
Six months ago, Bastian wrote this fantastic vision of decentralised social web. I want to start making this a reality at the next Indie Web Camp.
I need to get Matt to an Indie Web Camp.
A wonderful rallying cry from Drew.
Ever since the halcyon days of Web 2.0, we’ve been netting our butterflies and pinning them to someone else’s board.
Hope that what you’ve created never has to die. Make sure that if something has to die, it’s you that makes that decision. Own your own data, friends, and keep it safe.
Tantek steps back and offers some practical approaches to reclaiming a more open web from the increasingly tight clutches of the big dominant roach motels.
Notice that he wrote this on his own domain, not on Branch, Medium, Google+, Facebook, or any other black hole.
Honestly, if you value the content you create and put online, then you need to be in control of your own stuff.
A fascinating discussion on sharecropping vs. homesteading. Josh Miller from Branch freely admits that he’s only ever known a web where your content is held by somone else. Gina Trapani’s response is spot-on:
For me, publishing on a platform I have some ownership and control over is a matter of future-proofing my work. If I’m going to spend time making something I really care about on the web—even if it’s a tweet, brevity doesn’t mean it’s not meaningful—I don’t want to do it somewhere that will make it inaccessible after a certain amount of time, or somewhere that might go away, get acquired, or change unrecognizably.
When you get old and your memory is long and you lose parents and start having kids, you value your own and others’ personal archive much more.
Amen, Scott, A-MEN:
You are not blogging enough. You are pouring your words into increasingly closed and often walled gardens. You are giving control - and sometimes ownership - of your content to social media companies that will SURELY fail.
A truly excellent article outlining the difference between share-cropping and self-hosting. It may seem that the convenience of using a third-party service outweighs the hassle of owning your own URLs but this puts everything into perspective.
A superb post by David that ties together multiple strands of personal digital preservation through homesteading instead of sharecropping.