I invite you not just to follow along here as I expand into topics beyond design and technology, but to start your own personal blog up again if you’ve been neglecting it for a while. I’m really interested in the things you are passionate about. I want to learn from you.
Paul takes a look back at a time in his life one decade ago. This is a great piece of personal writing.
There’s something so beautifully, beautifully webbish about this: readings of blog posts found through a search for “no one will ever read this.”
Listen to all of them.
Companies go out of business, get bought and change policies, so what if you had one place to originate all of your content then publish it out to those great social services? And hey, why not pull comments from those services back to your original post?
That’s the idea behind Indie Web Camp: have your own website be the canonical source of what your publish. But right now, getting all of the moving parts up and running requires a fair dollop of tech-savviness. That’s where Known comes in:
It’s similar to the WordPress model: you can create a blog on their servers, or you can download the software and host it on your own.
This post is a good run-down of what’s working well with Known, and what needs more work.
I’d go along with pretty much everything Anil says here. Wise words from someone who’s been writing on their own website for fifteen years (congratulations!).
Link to everything you create elsewhere on the web. And if possible, save a copy of it on your own blog. Things disappear so quickly, and even important work can slip your mind months or years later when you want to recall it. If it’s in one, definitive place, you’ll be glad for it.
I really like this comparison:
As a zinester and zine librarian, I see the Indie Web as a pretty direct correlation to 1980’s and 1990’s zine culture. The method of production may be completely different (photocopiers and direct mail vs web posts and servers) but the goals are almost identical – controlling the way in which your message and identity are displayed, crafted, and stored while avoiding censorship that corporate media might impose. The end goal of both zine and indieweb technologies is ownership of your own identity without a filter.
But there also challenges:
The key issue right now for diverse populations utilizing the Indie Web is accessibility. As long as the tools for creating & controlling your own identity online are still relatively obtuse & technical to implement, we won’t have great diversity within the Indie Web.
There is something about the personal blog, yourname.com, where you control everything and get to do whatever the hell pleases you. There is something about linking to one of those blogs and then saying something. It’s like having a conversation in public with each other. This is how blogging was in the early days. And this is how blogging is today, if you want it to be.
In the days before comments on blogs, you could generally have a thoughtful conversation online without everything degenerating into madness and chaos simply because responding to a post required that you wrote a post on your own blog and linked back. This created a certain level of default accountability because if someone wanted to flame you, they had to do it on their own real estate, and couldn’t just crap all over yours anonymously.
Glenn eloquently gives his reasons for building Transmat:
When I was a child, my brothers and I all had a shoebox each. In these we kept our mementoes. A seashell from a summer holiday where I played for hours in the rock pools, the marble from the schoolyard victory against a bully and a lot of other objects that told a story.
A nice profile of BERG’s Little Printer. That Matt Webb is a smart cookie. He is also a very thoughtful cookie.
There are many services out there for keeping track of what you’re reading. Susan has found the best one:
Slowly, ever so slowly, as I realize how things come and go on the web, I realize that this is my home. Because this is my home, I want all the things that matter to me to reside here.
When I’ve been banging on at conferences about digital preservation, personal publishing and the indie web, I’ve been at pains to point out that there are huge opportunities here for startups looking to build valet services to help people publish on their own domain.
Ben and Erin at Known are doing just that, with some backing from KQED, PRX and the Knight Foundation instead of the usual short-sighted Silicon Valley venture capitalism.
One of the jobs of a startup is to look at where the world is going, extrapolating from current trends and domain knowledge, and meet a future need with a product at exactly the right time. We think the time is right for an independent web that is owned by content creators and readers alike.
A decisive Indie Web move:
This site has become the place that I’m ready to host almost everything I make.
or: how I learnt to stop worrying and love the blog.
This is a really nice introduction to the basics of the Indie Web …with nice illustrations too.
A great talk by Amber on the history of personal publishing and the ideas and technologies driving the Indie Web movement.
Words of wisdom from Seb when it comes to personal projects: finish what you start.
Most people don’t finish their projects so simply by getting it done, you’re way ahead of the crowd.
I’m with Frank. He’s going Indie Web for 2014:
I’m returning to a personal site, which flips everything on its head. Rather than teasing things apart into silos, I can fuse different kinds of content together.
Homesteading instead of sharecropping:
So, I’m doubling down on my personal site in 2014.
Yes! Yes! YES!
Tom is spot-on here: you shouldn’t be afraid of writing about yourself …especially not for fear of damaging some kind of “personal brand” or pissing off some potential future employer.
If your personal brand demands that you live your life in fear of disclosing important parts of your life or your experience, the answer is to reject the whole sodding concept of personal brands.
Do things I write about my personal life threaten my personal brand? Perhaps. Are there people who wouldn’t hire me based on things I write? Probably. Do I give even a whiff of a fuck? Absolutely not. I wouldn’t want to work for them anyway.
Some interesting questions (and one or two answers) about how responsive design affects publishing on the web.
Matt is wearing his musical heart on the sleeve of the web.
Unqualified and unabashedly personal remarks on those bits of sound that make it all worthwhile.
In which I answer some questions about the making of Huffduffer.
How does an object’s character and/or behaviour tie in with communicating its purpose in life, how it looks and how it should be used?
Personality in software. Pieces of technology are people too.
A wonderful trip down memory lane to the amateur web of the 90s.
An interview with Veronica McGregor, the human being behind the wonderful MarsPhoenix Twitter account.
I know it's childish but I think this may be my favourite 404 page ever.
An ongoing comic on Flickr where the subject matter comes from the "missed connections" posts on Craigslist.