or: how I learnt to stop worrying and love the blog.
This is a really nice introduction to the basics of the Indie Web …with nice illustrations too.
or: how I learnt to stop worrying and love the blog.
This is a really nice introduction to the basics of the Indie Web …with nice illustrations too.
A thoughtful in-depth piece that pulls together my hobby horses of independent publishing, responsive design, and digital preservation, all seen through the lens of music:
Music, Publishing, Art and Memory in the Age of the Internet
A great talk by Amber on the history of personal publishing and the ideas and technologies driving the Indie Web movement.
Well, this is pretty nifty: Dan Gilmour is at Indie Web Camp in San Francisco and he’s already got some code up and running on his site.
Y’know, I’m not missing South by Southwest in the slightest this year …but I’m really missing Indie Web Camp.
I did some consulting with the Wellcome Trust on this new magazine-like project, and it’s great to see it go live—excellent stories of science, all published under a Creative Commons licence.
I’m with Frank. He’s going Indie Web for 2014:
I’m returning to a personal site, which flips everything on its head. Rather than teasing things apart into silos, I can fuse different kinds of content together.
Homesteading instead of sharecropping:
So, I’m doubling down on my personal site in 2014.
We were struggling, whether we knew it or not, to found a more fluid society. A place where everyone, not just appointed apologists for the status quo, could be heard. That dream need not die. It matters more now than ever.
This is a great idea from A Book Apart—the more different books you buy at the same time, the more of a discount you get.
Got to get ‘em all!
Copyright correlates significantly with the disappearance of works rather than with their availability.
Some good advice on how to mothball (rather than destroy) a project when it reaches the end of its useful life. In short, build a switch so that, when the worst comes to the worst, you can output static files and walk away.
In all your excitement starting a new project, spend a little time thinking about the end.
A heartfelt response from Vitaly to .net magazine’s digital destruction.
I had a lot of fun chatting with Jen on this week’s episode of The Web Ahead. Wind me up and let me loose; I ended up rambling on about blogging, the indie web movement, progressive enhancement, and just about everything in between.
A rallying cry for the Indie Web.
Let’s build this.
Shutterstock are running a series on their blog called “The Best Thing I Ever Created” and they asked me for a contribution. So I wrote about The Session.
A profile of the Indie Web movement in Wired.
Go! Fight! Win!
If this sounds like your kind of hackery, be sure to come along to Indie Web Camp UK in Brighton right after dConstruct.
This is quite remarkable. Now that the Galaxy Zoo project from Zooniverse has successfully classified all its data (already a remarkable achievement), its volunteers are now collaborating on writing a scientific paper.
There’s something going on here. This isn’t just a “cool” or “cute” link—this is the first stirring of something entirely new that is made possible by network technology.
The Internet, day one. A sad tale of data loss.
The politics of code.
H.P. Lovecraft meets James Bridle in this great little story commissioned by the Institute For The Future.
I approve of this message.
This is a great piece of writing by Lance Arthur. It breaks my heart that I have to read it on Medium instead of Glassdog.
A good article on Medium on Medium.
I love this. I love this sooooo much! The perfect reminder of what makes the web so bloody great:
You and I have been able to connect because I wrote this and you’re reading it. That’s the web. Despite our different locations, devices, and time-zones we can connect here, on a simple HTML page.
This is what Medium is for.
If you want to read some of Dan Catt’s lesser thoughts, he has his own blog.
A lovely site with thoughtful articles on the long-term future of the web.
There’s audio too, which is unfortunately locked up in the unhuffduffable roach motel that is Soundcloud, but I’m hoping that might change.
This is nice lightweight writing tool, kinda like Editorially without the collaboration. Just right for working on a blog posts.
It authenticates with Twitter and doesn’t ask for write permissions. Bravo!
Aw, my l’il ol’ book is three years old!
To celebrate, you can get 15% off any title from A Book Apart with this discount code for the next few days: HAPPY3RD.
The news is finally public: Bobbie’s Matter has been bought my Ev’s Medium. Fingers crossed that they don’t fuck it up.
A wonderful rallying cry from Drew.
Ever since the halcyon days of Web 2.0, we’ve been netting our butterflies and pinning them to someone else’s board.
Hope that what you’ve created never has to die. Make sure that if something has to die, it’s you that makes that decision. Own your own data, friends, and keep it safe.
David gets physidigital.
Honestly, if you value the content you create and put online, then you need to be in control of your own stuff.
I like the sound of the book that Chris is writing for Smashing Magazine. It sounds like a very future-friendly approach to front-end development.
A really nice write-up of issue four of Offscreen magazine, wherein I was featured.
A fascinating discussion on sharecropping vs. homesteading. Josh Miller from Branch freely admits that he’s only ever known a web where your content is held by somone else. Gina Trapani’s response is spot-on:
For me, publishing on a platform I have some ownership and control over is a matter of future-proofing my work. If I’m going to spend time making something I really care about on the web—even if it’s a tweet, brevity doesn’t mean it’s not meaningful—I don’t want to do it somewhere that will make it inaccessible after a certain amount of time, or somewhere that might go away, get acquired, or change unrecognizably.
When you get old and your memory is long and you lose parents and start having kids, you value your own and others’ personal archive much more.
There’s an interview with me in the new issue of Offscreen Magazine. Some of sort of clerical error, I’m guessing.
The out-of-copyright books of Olaf Stapledon are available to download from the University of Adelaide. Be sure to grab Starmaker and First And Last Men.
Some of the past year’s best long-form non-fiction, gathered together into a handy readlist for your portable epub pleasure.
Eight of Jan White’s excellent books on graphic design are now available for free online, licensed under CC0 …they’re in the public domain now.
All he asks in return is that you might buy one of his books still in print, and maybe make a donation to the Internet Archive.
Jan V. White is a mensch.
Excellent journalism combined with excellent art direction into something that feels just right for the medium of the web.
An excerpt from Mark’s forthcoming book, which promises to be magnificent.
A nice Readlist based on that excellent article by Craig on digital publishing:
This reader is made up of Craigmod’s essay “Subcompact Publishing” and essays linked to in the footnotes.
Very smart thinking from Craig about digital publishing.
Laura explains the problems with hiding content for small screens, and uses this as an opportunity to elucidate why you should blog, even if you’re think that no-one would be interested in what you have to say:
The point I’m trying to make is that we shouldn’t be fearful of writing about what we know. Even if you write from the most basic point of view, about something which has been ‘around for ages’, you’ll likely be saying something new to someone. They might be new to the industry, you might just be filling in the holes in someone’s knowledge.
Just a few hours after launch, here’s the first review of Matter complete with some speculation on where it might go.
Documenting all the ways you could die in a choose-your-own-adventure book.
A step-by-step guide to unDRMing your Kindle books—a prudent course of action given Amazon’s recent unilateral wiping of Kindles.
Celebrating the work of the tireless men and women who shorten headlines so they’ll fit on your iPhone.
Smashing Magazine are publishing a book on mobile and the web. I’m writing the foreword. I should really get on that.
Ooh, these look nice! Smaller, more manageable newspapers from Newspaper Club.
This looks like an excellent deal: buy eight sci-fi books for as much money as you think is fair. Lauren Beukes, Paolo Bacigalupi, Cory Doctorow …all good stuff.
I like this skewering of the cult of so-called-neuroscience; the self-help book equivalent of eye-tracking.
This (free!) PDF looks like it could be a nice companion piece to Chris and Nathan’s recent book:
Human-computer interaction in science-fiction movies and television.
It’s a work in progress. You’ll notice a lot of placeholders where the images should be. That’s because the studios are demanding extortionate rates for screenshots.
These short pocketbooks from Five Simple Steps look like they’ll be very handy indeed. Shame they won’t be available in dead-tree format: I bet they’d be really cute.
Excellent! Scott has his own URL now. If you haven’t read everything he has written so far, start from the start and read every single post.
Chris and Nathan’s book is finally out. I’m going to enjoy reading through this.
This looks great! It’s a CC-licensed book by Cody Lindley (whose work I’ve admired for many years) aimed at teaching DOM Scripting for modern browsers. You can read the whole thing online or wait for the paper version from O’Reilly.
Jeffrey quite rightly singles out Derek Powazek for praise.
It was his site Fray that made me realise I wanted to build things on the web.
James muses on the physicality of ebooks in this week’s Observer.
Craig describes the many different ways he’s publishing his book, including putting the whole thing on the web for free:
Why do this? I strongly believe digital books benefit from public endpoints. The current generation of readers (human, not electronic) have formed expectations about sharing text, and if you obstruct their ability to share — to touch — digital text, then your content is as good as non-existent. Or, in the least, it’s less likely to be engaged.
I also believe that we will sell more digital and physical copies of Art Space Tokyo by having all of the content available online.
Amen, Scott, A-MEN:
You are not blogging enough. You are pouring your words into increasingly closed and often walled gardens. You are giving control - and sometimes ownership - of your content to social media companies that will SURELY fail.
This post is ten years old, but I think it might still be the best attempt to demarcate a difference between web “sites” and web “apps”: think of them as stories and tools.
It’s also remarkably prescient about the need for an effort exactly like HTML5:
A widely-distributed, standards-compliant, browser and platform-independent library of functions that would perform the basic user interface functions for a web-based tool, relying on the server side only for the logic and data sourcing.
I quite the look of Medium, but Dave Winer absolutely nails it with this feature request:
Let me enter the URL of something I write in my own space, and have it appear here as a first class citizen. Indistinguishable to readers from something written here.
I think it might get a tattoo of this:
There’s art in each individual system, but there’s a much greater art in the union of all the systems we create.
A nice visualisation of Apple’s transition From desktop to mobile over ten years, one Daring Fireball article at a time.
Oh, and happy birthday, Daring Fireball.
Maybe HyperCard is an idea whose time has come. Think about it: the size of mobile screens: perfect for a HyperCard stack.
Those articles about the “Internet of Things” I linked to? Here they are in handy Readlist form.
Frank has published his book online in HTML. Very lovely it is too.
Tim’s book is ready for pre-order. Looks like it’s going to be good one.
How about this for a trip down memory lane—a compendium of articles from over a decade of A List Apart, also available as a Readlist epub. It’s quite amazing just how good this free resource is.
The only thing to fault is that, due to some kind of clerical error, one of my articles has somehow found its way onto this list.
If this were Twitter, you’d be at-replying me with the hashtag “humblebrag”, wouldn’t you?
I’ve written a piece for issue three of The Manual. Despite that, it’s well worth getting your hands on a copy.
Nine years and five months after he began publishing every entry in Samuel Pepys’ diary, Phil Gyford posts the last entry.
Like the Web Standards Project but for ePub. I approve of this message.
This looks like a really handy service from Readability: gather together a number of related articles from ‘round the web and then you can export them to a reading device of your choice. It’s like Huffduffer for text.
There’s two years(!) of doctored headlines here. Yes, it’s puerile but it’s also very funny (to my puerile sensibilities).
Anton is a fantastic artist. Therefore, this graphic novel will be fantastic. Therefore, you should back the hell out of it.
There’s a chain of hotels, one of which is in Brighton, called “My Hotel.” I bet they have stories like this one.
This is a terrific piece of writing from Robin Sloan, entertaining and cheeky. Plug in headphones, and start reading and scrolling.
The East Wind was about to get a call from an angry star.
A new publication from New Scientist dedicated to future thinking. The first issue has articles and stories from Bruce Sterling, Margaret Atwood, China Miéville, and Alastair Reynolds.
It’s a blog. It’s a bookmark. It’s a magazine.
A superb rallying cry from Mandy on the importance of markup literacy for professionals publishing on the web: writers, journalists, and most importantly, editors.
My short talk from Aral’s Update conference in Brighton last September. I’m pretty happy with how it turned out. If I only I had a handheld mic—then I could’ve done a microphone drop at the end.
Jon gives us a run-through on what to expect from his new book. I’ve had a sneak peek and it looks amazing—I can’t wait to get my hands on a copy.
Brent Simmons writes about the desire of regular web users—not just the geeks—to have a comfortable reading experience. Publishers ignore this at their peril.
Mandy’s inaugural article for Contents Magazine is a wonderful piece of thinking and writing.
Enjoy reading this.
Josh nails it: publishers need to stop thinking in terms of issues:
Publishers and designers have to start thinking about content at a more atomic level, not in aggregated issues. That’s how we already understand news as consumers, and we have to start thinking that way as publishers, too. This is why Flipboard, Instapaper, and other aggregators are so interesting: they give you one container for the whole universe of content, unbound to any one publisher.
A rallying cry from James: since when did we decide that text couldn’t stand by itself without extra layers of “interactive” shininess?
An excellent article that examines the supposed benefits of publishing through someone else’s app store instead of the web.
Craig has written down his dConstruct talk, the one that completely polarised opinion. Personally, I loved it.
Some interesting questions (and one or two answers) about how responsive design affects publishing on the web.
This comic is the result of a collaboration between Warren Ellis and BERG. It must, therefore, be splendid. I’ve ordered mine.
Take some time out to read this. Read all of this. Craig’s thoughts on the nature of publishing today:
Digital’s effect on how we produce, distribute and consume content.
An online book about website performance by Stoyan Steganov, released into the public domain. Excellent!
Mark, Richard and Jon are writing a book together (on web typography, of course). It will undoubtedly be excellent.
Rejoice! For Kevin Cornell’s new book is available to you through the power of print on demand. I’ve ordered mine. And should you.
A peek behind the scenes of the printing of the Korean version of HTML5 For Web Designers.
A wonderfully made video on the story of A Book Apart. Mandy should have her own show.
Buy. This. Book.
I mean it.
This looks like a beautiful way to present information, although it seems a real shame that the information is locked to just one class of device.
A great way of supporting the best podcast on the planet: a limited set of prints by five designers, illustrators and artists. Grab yours quick before they’re all gone.
I got your work/life balance right here. Merlin means it, man.
I love him.
This is the plain vanilla look.
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