Rhythm And Proportion In Grids And Type - Vanseo Design
A really nice piece on scale, ratio and rhythms in web design.
A really nice piece on scale, ratio and rhythms in web design.
This really is a ridiculously smart way of keeping third-party videos scalable in responsive layouts. I’ve just implemented it on this year’s dConstruct site.
A beautiful reminder from Ben of the scale-free nature of the web.
We must recover our sanity where 100 million users does not represent the goal criteria of every new service. We must recover the mindset where a service used by 10,000 users, or 1,000 users, or 100 users is admired, respected, and praised for its actual success. All of those could be sustainable, profitable ventures. If TechCrunch doesn’t care to write about you, all the better.
If you are fortunate enough to work on your own product, with your own idea, and build it, and ship it, and reach enough people willing to sustain you financially for that immense amount of work, you should be applauded. You have poured in inordinate effort, and succeeded in making something that improved lives.
Well, this is very intriguing: it turns out that the infamous orientation/scale bug in Mobile Safari isn’t present in in-app browsers (UIWebView). Most odd.
I should just have a recurring event in my calendar set for every week that says “Go watch this again to regain your sense of perspective.”
Jonathan has encapsulated his CSS methodology into a short online book. He isn’t presenting this as the “right” way to do things: he’s simply documenting what he does in the hope that it will help others.
Scott writes up some of the things he talked about at the Breaking Development conference: the just-in-time interactions that are inevitable in a heavily-instrumented world.
This web page is half a mile wide.
It turns out that the brain is a scale-free small-world network in a state of self-organised criticality. Just like the internet.
They never taught this in my school.
Duncan Watts works at Yahoo Research? I had no idea! Ironically, it was Gladwell's Tipping Point that first led me to Watts' work.
This is the plain vanilla look.
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