I think the distinction between ‘how it works’ and ‘how it looks’ is blurrier than we think.
A walkthrough on using the iOS app Workflow to huffduff audio files from just about any app.
An important clarification from Stephen:
You don’t actually design in the browser
When I speak of designing in the browser, I mean creating browser-based design mockups/comps (I use the terms interchangeably), as opposed to static comps (like the PSDs we’re all used to). So it’s not the design. It’s the visualization of the design—the one you present to stakeholders.
Personally, I think it’s as crazy to start in the browser as it is to start with Photoshop—both have worldviews and constraints that will affect your thinking. Start with paper.
A nice summation by Dan of when it makes sense to use a graphic design tool like Photoshop and when it makes sense to use a web browser.
Some great thoughts in here about web development workflow and communication between designers and developers.
I believe that the solution is made up of a variety of tools that encourage conversation and improve our shared lexicon. Tools such as styleguides, pattern libraries, elemental and modular systems that encourage access not only by developers, but by designers, shareholders and editors as well.
A great write-up of the design process behind The Guardian’s responsive site. It’s really gratifying to see UX designers talking about performance.
Des is right, y’know.
Scope grows in minutes, not months. Look after the minutes, and the months take care of themselves.
Trent hammers home the point that the kind of compartmentalisation that’s traditionally been part and parcel of the web dev workflow just won’t cut it anymore.
A nice write-up of the Responsive Day Out with all the right take-aways.
This was the crux of Elliot’s excellent talk at the Responsive Day Out. I heartily concur with this:
Once you overcome that initial struggle of adapting to a new process, designing and building responsive sites needn’t take any longer, or cost any more money. The real obstacle is designers and developers being set in their ways.
Here’s a really useful case study for anyone who wants to do “guerrilla” responsive design: when you’re handed a fixed-width mockup but you know that responsive is the way to go:
I started by styling up every element, without layout. The result was a fully elastic layout that effectively served as a mobile, or small screen, layout, which just needed some tweaking of horizontal spacing.
Bingo! And this approach had knock-on benefits as it “supported writing component-based, or modular, CSS”.
I love seeing the process behind responsive projects. This one is particularly nice.
A peak behind the scenes at the responsive design and development workflow at Bearded. It makes a lot of sense.
A nice look at some possible ways to approach workflow on a responsive project.
Amen, Lyza, Amen. Instead of treating web development for the multitude of devices out there as an overwhelming nigh-on-impossible task, let’s accept the fact that there are certain things that are beyond our control. And that’s okay.
Let’s build on the commonality core to the web where we can. To do this, I think we need to let go of a few things, to lay down our burdens.
Related: do websites need to look the same in every browser? NO!
Andy’s talk from the Smashing Conference in Freiburg.
Some more thoughts on how our workflow needs to adapt to the current ever-changing device landscape.
Andy remarks on the same synchronicity I talked about at An Event Apart Austin:
Every An Event Apart conference feels special, but at this one the (unplanned) recurring themes were spooky.
Leisa nails it. The real stumbling block with trying to change the waterfall-esque nature of agency work (of which Clearleft has certainly been guilty) can be summed up in two words: sign off.
And from a client’s perspective, this emphasis on sign-off is completely understandable.
It takes a special kind of client to take the risk and develop the level of trust and integration required to work the way that Mr Popoff-Walker any many, many other inhabitants of agency world would like to work.
This resonates a lot with me. It also hits very close to home: at Clearleft, we’ve definitely been guilty of taking the wrong approach as described here.
One developer shares how his workflow has changed thanks to responsive design. It’s insightful.
Paul interviews the team behind Kiwibank’s responsive homepage. There are some great insights into their process here, like the way that copywriters worked side by side with developers.
This seems like an eminently sensible thing to do when building responsive sites: ditch mock-ups entirely. The reasons and the workflow outlined here make a lot of sense.
Jeff documents some of the techniques he’s using to tackle responsive design, with some tips specifically for SASS.
Elliot jots down some of the issues discussed at the responsive summit.
Josh goes through the talking points from the recent Responsive Summit he attended. Sounds like it was a great get-together.
Samantha gives the rundown of a hands-on use of Style Tiles.
A wonderful post by Trent Walton on the thinking and workflows we can employ with responsive design. So many opportunities!
Web designers will have to look beyond the layout in front of them to envision how its elements will reflow & lockup at various widths while maintaining form & hierarchy. Media queries can be used to do more than patch broken layouts: with proper planning, we can begin to choreograph content proportional to screen size, serving the best possible experience at any width.
On the two-year anniversary of his arrival at Clearleft, Paul takes a look at where the craft of web design is today and where it’s heading tomorrow.
Ethan shares his thoughts on the role of the reference design in the responsive workflow.
Colly shows the results of his dConstruct workshop: great stuff!
Yes, yes, yes: "A PSD is a painting of a website.” We don’t spend weeks or months understanding a client’s complex needs and issues to make them paintings.
Andy's excellent presentation from An Event Apart in Boston and @media in London. Required reading/viewing.