Jeremy KeithMaking websites. Writing books. Speaking at events. Living in Brighton. Working at Clearleft. Playing music. Taking photos. Answering email.
Journal 2658 Links 8613 Articles 76 Notes 5158
Wednesday, April 8th, 2020
Consider what React and other SPA frameworks are good for: stateful, extensible component-driven applications. Now consider what a résumé’s goals are.
A 2015 paper by Long Tien Nguyen and Alan Kay with a proposal for digital preservation.
We discuss the problem of running today’s software decades,centuries, or even millennia into the future.
80 geocoding service plans to choose from.
I’m going to squirrel this one away for later—I’ve had to switch geocoding providers in the past, so I have a feeling that this could come in handy.
Tuesday, April 7th, 2020
Monday, April 6th, 2020
Tom’s videos are so good! Did you see his excellent in-depth piece on copyright?
This one is all about APIs and the golden age of Web 2.0 when we were free to create mashups.
It pairs nicely with a piece by another Tom from a couple of years back on the joy of Twitterbots.
Two observations of websites on mobile devices today:
- They are beautifully designed, with great typography, clear branding, all optimized for readability.
- I had to install Firefox, Adblock Plus and uBlock Origin, as well as manually select and remove additional elements such as subscription overlays.
Both observations are the result of conscious design decisions.
Human consciousness is the most astonishing thing, and most of it happened in deep time, beyond the reach of any writing and most legends. Human experience, in general, is prehistoric. And prehistoric experience was just as full as yours and mine: just as deeply felt, just as intelligent, just as real. What we know of it is mostly from durable artifacts and graves. I’m thinking of the woman found near the Snake River, buried at the end of the ice age with a perfectly crafted and unused stone knife tucked under her head. I’m thinking of the huge conical hats, beaten from single pieces of gold and inscribed with calendars, found north of the Alps. I’m thinking of Grave 8 at Vedbæk, where a woman held her premature baby on the spread wing of a swan. These are snapshot that experts can assemble into larger ideas, but what they tell all of us is that we’ve been people, not just humans, for a very long time.
Chromium browsers—Chrome, Edge, et al.—are getting a much-needed update to some interface elements like the
progess element, the
meter element, and the
color input types.
I wrote something recently about telling the story of performance. Sue Loh emphasis the importance of understanding what makes people tick:
Performance engineers need to be an interesting mix of data-lovers and people-whisperers.
The cloud gives us collaboration, but old-fashioned apps give us ownership. Can’t we have the best of both worlds?
We would like both the convenient cross-device access and real-time collaboration provided by cloud apps, and also the personal ownership of your own data embodied by “old-fashioned” software.
This is a very in-depth look at the mindset and the challenges involved in building truly local-first software—something that Tantek has also been thinking about.
Sunday, April 5th, 2020
Saturday, April 4th, 2020
Cooking up a batch of my chili sin carne:
(that recipe has been online for fifteen years now!)
A bit of Blarney
No, my life’s work is connected to Irish traditional music. Not as a musician, I hasten to clarify—while I derive enormous pleasure from playing tunes on my mandolin, that’s more of a release than a vocation.
My real legacy, it turns out, is being the creator and caretaker of The Session, an online community and archive dedicated to Irish traditional music. I might occassionally mention it here, but only when it’s related to performance, accessibility, or some other front-end aspect. I’ve never really talked about the history, meaning, and purpose of The Session.
I’ve been huffduffing episodes of this podcast for quite a while now. It’s really quite excellent. If you’re at all interested in Irish traditional music, the interviews with the likes of Kevin Burke, John Carty, Liz Carroll and Catherine McEvoy are hard to beat.
So imagine my surprise when they contacted me to ask me to chat and play some tunes! It really was an honour.
I was also a bit of guinea pig. Normally they’d record these kinds of intimate interviews face to face, but what with The Situation and all, my chat was the first remotely recorded episode.
I’ve been on my fair share of podcasts—most recently the Design Systems Podcast—but this one was quite different. Instead of talking about my work on the web, this focussed on what I was doing before the web came along. So if you don’t want to hear me talking about my childhood, give this a miss.
But if you’re interested in hearing my reminisce and discuss the origin and evolution of The Session, have a listen. The chat is interspersed with some badly-played tunes from me on the mandolin, but don’t let that put you off.
Friday, April 3rd, 2020
The return of NASA’s iconic “worm” logo (for some missions).