Going to Miltown Malbay. brb
Jeremy KeithMaking websites. Writing books. Hosting a podcast. Speaking at events. Living in Brighton. Working at Clearleft. Playing music. Taking photos. Answering email.
Journal 2886 Links 9542 Articles 82 Notes 6478
Friday, July 1st, 2022
Thursday, June 30th, 2022
While I’ve always been bothered by the downsides of SPAs, I always thought the gap would be bridged sooner or later, and that performance concerns would eventually vanish thanks to things like code splitting, tree shaking, or SSR. But ten years later, many of these issues remain. Many SPA bundles are still bloated with too many dependencies, hydration is still slow, and content is still duplicated in memory on the client even if it already lives in the DOM.
Yet something might be changing: for whatever reason, it feels like people are finally starting to take note and ask why things have to be this way.
Interesting to see a decade-long perspective. I especially like how Sacha revisits and reasseses design principles from ten years ago:
- Data on the Wire. Don’t send HTML over the network. Send data and let the client decide how to render it.
It’s since become apparent that you often do need to send HTML over the network, and things seem to be moving back towards handling as much as possible of your HTML compilation on the server, not on the client.
I no longer have Covid. I am released from isolation.
Alas, my negative diagnosis came too late for me to make it to UX London. But that’s okay—by the third and final day of the event, everything was running smooth like buttah! Had I shown up, I would’ve just got in the way. The Clearleft crew ran the event like a well-oiled machine.
I am in the coronaclear just in time to go away for a week. My original thinking was this would be my post-UX-London break to rest up for a while, but it turns out I’ve been getting plenty of rest during UX London.
I’m heading to the west coast of Ireland for The Willie Clancy Summer School, a trad music pilgrimage.
Well, a global pandemic put paid to that. The event ran online for the past two years. But now that it’s back for real, I wouldn’t miss it for the world.
My mandolin and I are bound for Miltown Malbay!
Wednesday, June 29th, 2022
I’ve mentioned before that I like to read a mixture of fiction of non-fiction. In fact, I try to alternate between the two. If I’ve just read some non-fiction, then I’ll follow it with a novel and I’ve just read some fiction, then I’ll follow it with some non-fiction.
But those categorisations can be slippery. I recently read two books that were ostensibly fiction but were strongly autobiographical and didn’t have the usual narrative structure of a novel.
Just to clarify, I’m not complaining! Quite the opposite. I enjoy the discomfort of not being able to pigeonhole a piece of writing so easily.
Also, both books were excellent.
The first one was A Ghost In The Throat by Doireann Ní Ghríofa. It’s sort of about the narrator’s obsessive quest to translate the Caoineadh Airt Uí Laoghaire. But it’s also about the translator’s life, which mirrors the author’s. And it’s about all life—life in its bodily, milky, bloody, crungey reality. The writing is astonishing, creating an earthy musky atmosphere. It feels vibrant and new but somehow ancient and eternal at the same time.
By contrast, No One Is Talking About This by Patricia Lockwood is rooted in technology. Reading the book feels like scrolling through Twitter, complete with nervous anxiety. Again, the narrator’s life mirrors that of the author, but this time the style has more of the arch detachment of the modern networked world.
It took me a little while at first, but then I settled into the book’s cadence and vibe. Then, once I felt like I had a handle on the kind of book I was reading, it began to subtly change. I won’t reveal how, because I want you to experience that change for yourself. It’s like a slow-building sucker punch.
When I started reading No One Is Talking About This, I thought it might end up being the kind of book where I would admire the writing, but it didn’t seem like a work that invited emotional connection.
I couldn’t have been more wrong. I can’t remember the last time a book had such an emotional impact on me. Maybe that’s because it so deliberately lowered my defences, but damn, when I finished reading the book, I was in pieces.
This is such a great clear explanation from Lynn on how to add some tasteful parallax depth to scrolling pages.
That’s the way to do it!
Concepts like progressive enhancement allow us to deliver the best experience possible to the majority of customers, while delivering a useful experience to those using older browsers.
Read on for the nitty-gritty details…
Tuesday, June 28th, 2022
I love these notes on my recent talk!
I’m still testing positive although I’m almost certainly near the end of my infection. But I don’t want to take any chances. Much as I hate to miss out on UX London, I would hate passing this on even more. So my isolation continues.
Chris jumped in at the last minute to do the hosting duties—thanks, Chris!
From the buzz I’m seeing on Twitter, it sounds like everything is going just great without me, which is great to see. Still, I’m experiencing plenty of FOMO—even more than the usual levels of FOMO I’d have when there’s a great conference happening that I’m not at.
To be honest, nearly all of my work on UX London was completed before the event. My number one task was putting the line-up together, and I have to say, I think I nailed it.
If I were there to host the event, it would mostly be for selfish reasons. I’d get a real kick out of introducing each one of the superb speakers. I’d probably get very tedious, repeatedly saying “Oh, you’re going to love this next one!” followed by “Wasn’t that great‽”
But UX London isn’t about me. It’s about the inspiring talks and practical workshops.
I wish I were there to experience it in person but I can still bask in the glow of a job well done, hearing how much people are enjoying the event.
Monday, June 27th, 2022
At the risk of grossly oversimplifying things, I propose that the core of the debate can be summed up by these truisms:
- The best SPA is better than the best MPA.
- The average SPA is worse than the average MPA.
Everything old is new again:
In our current “information age,” or so the story goes, we suffer in new and unique ways.
But the idea that modern life, and particularly modern technology, harms as well as helps, is deeply embedded in Western culture: In fact, the Victorians diagnosed very similar problems in their own society.
On Tyranny by Timothy Snyder is a very short book. Most of the time, this is a feature, not a bug.
There are plenty of non-fiction books I’ve read that definitely could’ve been much, much shorter. Books that have a good sensible idea, but one that could’ve been written on the back of a napkin instead of being expanded into an arbitrarily long form.
In the world of fiction, there’s the short story. I guess the equivelent in the non-fiction world is the essay. But On Tyranny isn’t an essay. It’s got chapters. They’re just really, really short.
Sometimes that brevity means that nuance goes out the window. What might’ve been a subtle argument that required paragraphs of pros and cons in another book gets reduced to a single sentence here. Mostly that’s okay.
The premise of the book is that Trump’s America is comparable to Europe in the 1930s:
We are no wiser than the Europeans who saw democracy yield to fascism, Nazism, or communism. Our one advantage is that we might learn from their experience.
But in making the comparison, Synder goes all in. There’s very little accounting for the differences between the world of the early 20th century and the world of the early 21st century.
This becomes really apparent when it comes to technology. One piece of advice offered is:
Make an effort to separate yourself from the internet. Read books.
Wait. He’s not actually saying that words on screens are in some way inherently worse than words on paper, is he? Surely that’s just the nuance getting lost in the brevity, right?
Staring at screens is perhaps unavoidable but the two-dimensional world makes little sense unless we can draw upon a mental armory that we have developed somewhere else. … So get screens out of your room and surround yourself with books.
I mean, I’m all for reading books. But books are about what’s in them, not what they’re made of. To value words on a page more than the same words on a screen is like judging a book by its cover; its judging a book by its atoms.
For a book that’s about defending liberty and progress, On Tyranny is puzzingly conservative at times.
Do you like the ideas behind Utopia? Do you use Figma?
If the answer to both those questions is “yes”, then James has made a very handy Figma community file for you:
This work-in-progress is intended as a starting point for designers to start exploring the Utopia approach, thinking about type and space in fluid scales rather than device-based breakpoints.
Some thoughts—and kind words—prompted by my recent talk, In And Out Of Style.
Sunday, June 26th, 2022
What if it turns out that DALL·E2 is really a project to train humans how to write good descriptive
“Oh, you’d like an image? No problem. Describe it.”
“Here’s an image. Describe it.”
Saturday, June 25th, 2022
Web Push on iOS will change the “we need to build a native app” decision.
Push notifications are definitely not the sole reason to go native, but in my experience, it’s one of the first things clients ask for. They may very well be the thing that pushes your client over the edge and forces them, you and the entire project to accept the logic of the app store model.
Reading The Long Tomorrow by Leigh Brackett.
Friday, June 24th, 2022
Talking about style
I’ve published a transcription of the talk I gave at CSS Day:
The title is intended to have double meaning. The obvious reference is that CSS is about styling web pages. But the talk also covers some long-term trends looking at ideas that have appear, disappear, and reappear over time. Hence, style as in trends and fashion.
There are some hyperlinks in the transcript but I also published a list of links if you’re interested in diving deeper into some of the topics mentioned in the talk.
There are two videos of this talk. On Vimeo, there’s the version I pre-recorded for An Event Apart online. On YouTube, there’s the recording from CSS Day.
It’s kind of interesting to compare the two (well, interesting to me, anyway). The pre-recorded version feels like a documentary. The live version has more a different vibe and it obviously has more audience interaction. I think my style of delivery suits a live audience best.
Thursday, June 23rd, 2022
Waitaminute… did Google deliberately ship support for the HTTP 103 status code in Chrome version 103? Or is this a numeroligical coincidence?
I’m 100% convinced that working demo-to-demo is the secret formula to making successful creative products.