Writers and artists have long been fascinated by the idea of an English eerie – ‘the skull beneath the skin of the countryside’. But for a new generation this has nothing to do with hokey supernaturalism – it’s a cultural and political response to contemporary crises and fears
I liked it a lot. One of the reasons I liked it was not just for the text of the writing, but the hypertext of the writing. Throughout the piece there are links off to other articles, books, and blogs. For me, this enriches the piece and it set me off down some rabbit holes of hyperlinks with fascinating follow-ups waiting at the other end.
Back in 2010, Scott Rosenberg wrote a series of three articles over the course of two months called In Defense of Hyperlinks:
They’re all well worth reading. The whole thing was kicked off with a well-rounded debunking of Nicholas Carr’s claim that hyperlinks harm text. Instead, Rosenberg finds that hyperlinks within a text embiggen the writing …providing they’re done well:
I see links as primarily additive and creative. Even if it took me a little longer to read the text-with-links, even if I had to work a bit harder to get through it, I’d come out the other side with more meat and more juice.
Links, you see, do so much more than just whisk us from one Web page to another. They are not just textual tunnel-hops or narrative chutes-and-ladders. Links, properly used, don’t just pile one “And now this!” upon another. They tell us, “This relates to this, which relates to that.”
Imagine if you were to take away all the regular text and only left the hyperlinks on Wikipedia, you could still get the gist, right? Every single link there is like a wormhole to another part of this “choose your own adventure” game that we’re playing every day on the web. I love that. I love the way that Wikipedia uses links.
That ability of the humble hyperlink to join concepts together lies at the heart of Tim Berners Lee’s World Wide Web …and Ted Nelson’s Project Xanudu, and Douglas Engelbart’s Dynamic Knowledge Environments, and Vannevar Bush’s idea of the Memex. All of those previous visions of a hyperlinked world were—in many ways—superior to the web. But the web shipped. It shipped with brittle, one-way linking, but it shipped. And now today anyone can create a connection between two ideas by linking to resources that represent those ideas. All you need is an HTML document that contains some A elements with href attributes, and a URL to act as that document’s address.
Inventing the next twenty years, strategic foresight, fictional futurism and English rural magic: Warren Ellis attempts to convince you that they are all pretty much the same thing, and why it was very important that some people used to stalk around village hedgerows at night wearing iron goggles.
There is definitely the same feeling of “the eeriness of the English countryside” in Warren’s talk. If you haven’t listened to it yet, set aside some time. It is enticing and disquieting in equal measure …like many of the works linked to from the piece on the Guardian.
There’s another link I’d like to make, and it happens to be to another dConstruct speaker.
From that Guardian piece:
Yet state surveillance is no longer testified to in the landscape by giant edifices. Instead it is mostly carried out in by software programs running on computers housed in ordinary-looking government buildings, its sources and effects – like all eerie phenomena – glimpsed but never confronted.
James Bridle has been confronting just that. His recent series The Nor took him on a tour of a parallel, obfuscated English countryside. He returned with three pieces of hypertext:
I love being able to do this. I love being able to add strands to this world-wide web of ours. Not only can I say “this idea reminds me of another idea”, but I can point to both ideas. It’s up to you whether you follow those links.
I like this nice straightforward approach. Instead of jumping into the complexities of the final interactive component, Chris starts with the basics and layers on the complexity one step at a time, thereby creating a more robust solution.
If I had one small change to suggest, maybe aria-label might work better than offscreen text for the controls …as documented by Heydon.
In an article entitled The future of loneliness Olivia Laing writes about the promises and disappointments provided by the internet as a means of sharing and communicating. This isn’t particularly new ground and she readily acknowledges the work of Sherry Turkle in this area. The article is the vanguard of a forthcoming book called The Lonely City. I’m hopeful that the book won’t be just another baseless luddite reactionary moral panic as exemplified by the likes of Andrew Keen and Susan Greenfield.
But there’s one section of the article where Laing stops providing any data (or even anecdotal evidence) and presents a supposition as though it were unquestionably fact:
With this has come the slowly dawning realisation that our digital traces will long outlive us.
I recently wrote a short list of three things that are not true, but are constantly presented as if they were beyond question:
Personal publishing is dead.
Privacy is dead.
But I didn’t include the most pernicious and widespread lie of all:
The internet never forgets.
This truism is so pervasive that it can be presented as a fait accompli, without any data to back it up. If you were to seek out the data to back up the claim, you would find that the opposite is true—the internet is in constant state of forgetting.
Faced with the knowledge that nothing we say, no matter how trivial or silly, will ever be completely erased, we find it hard to take the risks that togetherness entails.
The problem here is a mismatch of expectations. We expect everything that we post online, no matter how trivial or silly, to remain forever. When instead it is callously destroyed, our expectation—which was fed by the “knowledge” that the internet never forgets—is turned upside down. That’s where the anger comes from; the mismatch between expected behaviour and the reality of this digital dark age.
Being frightened of an internet that never forgets is like being frightened of zombies or vampires. These things do indeed sound frightening, and there’s something within us that readily responds to them, but they bear no resemblance to reality.
If you want to imagine a truly frightening scenario, imagine an entire world in which people entrust their thoughts, their work, and pictures of their family to online services in the mistaken belief that the internet never forgets. Imagine the devastation when all of those trivial, silly, precious moments are wiped out. For some reason we have a hard time imagining that dystopia even though it has already played out time and time again.
I am far more frightened by an internet that never remembers than I am by an internet that never forgets.
And worst of all, by propagating the myth that the internet never forgets, we are encouraging people to focus in exactly the wrong area. Nobody worries about preserving what they put online. Why should they? They’re constantly being told that it will be there forever. The result is that their history is taken from them:
If we lose the past, we will live in an Orwellian world of the perpetual present, where anybody that controls what’s currently being put out there will be able to say what is true and what is not. This is a dreadful world. We don’t want to live in this world.