Archive: August 23rd, 2017
Alla looks at ways of documenting animations into a pattern library. I tell ya, her book is going to be unmissable!
Paul Ford jots down his thoughts on that report on Ev’s blog:
The web is inherently decentralized, which has made it much easier for large companies to create large, centralized platforms. It’s a paradox and very thorny. I’m writing this on a centralized platform called Medium. Clap!
I like his geeky idea for mini self-contained social networks:
What I want is like, 5 of these little computers and whenever I see a truly trusted friend, I just give them one. And they take it home, and plug it in somewhere, and now we’re on the same, secure network together. Sharing files and with a little messageboard. Maybe after 5 computers the network can’t get any bigger. And if you unplug one your whole archive goes down. I don’t know. I’m riffing here.
A report by the Digital Currency Initiative and the Center for Civic Media. Download the PDF or read the executive summary.
In this report, we explore two important ways structurally decentralized systems could help address the risks of mega-platform consolidation: First, these systems can help users directly publish and discover content directly, without intermediaries, and thus without censorship. All of the systems we evaluate advertise censorship-resistance as a major benefit. Second, these systems could indirectly enable greater competition and user choice, by lowering the barrier to entry for new platforms. As it stands, it is difficult for users to switch between platforms (they must recreate all their data when moving to a new service) and most mega-platforms do not interoperate, so switching means leaving behind your social network.
He had a good innings. A very good innings. He lived to 92 and was writing right up to the end.
I’m trying to remember the first thing I read by Brian Aldiss. I think it might have been The Billion Year Spree, his encyclopaedia of science fiction. The library in my hometown had a copy when I was growing up, and I was devouring everything SF-related.
Decades later I had the great pleasure of meeting the man. It was 2012 and I was in charge of putting together the line-up for that year’s dConstruct. I had the brilliant Lauren Beukes on the line-up all the way from South Africa and I thought it would be fun to organise some kind of sci-fi author event the evening before. Well, one thing led to another: Rifa introduced me to Tim Aldiss, who passed along a request to his father, who kindly agreed to come to Brighton for the event. Then Brighton-based Jeff Noon came on board. The end result was an hour and a half in the company of three fantastic—and fantastically different—authors.
That evening and the subsequent dConstruct talks—including the mighty James Burke—combined to create one of the greatest weekends of my life. Seriously. I thought it was just me, but Chris has also written about how special that author event was.
Brian Aldiss was simply wonderful that evening. He regaled us with the most marvellous stories, at times hilarious, at other times incredibly touching. He was a true gentleman.
I’m so grateful that I’ll always have the memory of that evening. I’m also very grateful that I have so many Brian Aldiss books still to read.
I’ve barely made a dent into the ludicrously prolific output of the man. I’ve read just some of his books:
- Non-stop—I’m a sucker for generation starship stories,
- Hothouse—ludicrously lush and trippy,
- Greybeard—a grim vision of a childless world before Children Of Men,
- The Hand-reared Boy—filthy, honest and beautifully written,
- Heliconia Spring—a deep-time epic …and I haven’t even read the next two books in the series!
Then there are the short stories. Hundreds of ‘em! Most famously Super-Toys Last All Summer Long—inspiration for the Kubrick/Spielberg A.I. film. It’s one of the most incredibly sad stories I’ve ever read. I find it hard to read it without weeping.
Whenever a great artist dies, it has become a cliché to say that they will live on through their work. In the case of Brian Aldiss and his astounding output, it’s quite literally true. I’m looking forward to many, many years of reading his words.
My sincerest condolences to his son Tim, his partner Alison, and everyone who knew and loved Brian Aldiss.
Interface is a font for highly legible text on computer screens.
And it’s free!