When I was travelling back from Webstock in New Zealand at the start of this year, I had a brief stopover in Sydney. It coincided with one of John and Maxine’s What Do I Know? events so I did a little stint on five things I learned from the internet.
It was a fun evening and I had a chance to chat with many lovely Aussie web geeks. There was this one guy, Christian, that I was chatting with for quite a bit about all sorts of web-related stuff. But I could tell he wasn’t Australian. The Northern Ireland accent was a bit of a giveaway.
“You’re not from ‘round these parts, then?” I asked.
“Actually,” he said, “we’ve met before.”
I started racking my brains. Which geeky gathering could it have been?
“In Freiburg” he said.
Freiburg? But that was where I lived in the ’90s, before I was even making websites. I was drawing a complete blank. Then he said his name.
“Christian!” I cried, “Kerry and Christian!”
With a sudden shift of context, it all fit into place. We had met on the streets of Freiburg when I was a busker. Christian and his companion Kerry were travelling through Europe and they found themselves in Freiburg, also busking. Christian played guitar. Kerry played fiddle.
I listened to them playing some great Irish tunes and then got chatting with them. They didn’t have a place to stay so I offered to put them up. We had a good few days of hanging out and playing music together.
And now, all these years later, here was Christian …in Sydney, Australia …at a web event! Worlds were colliding. But it was a really great feeling to have that connection between my past and my present; between my life in Germany and my life now; between the world of Irish traditional music and the world of the web.
One of the other things that connects those two worlds is The Session. I’ve been running that website for about twelve or thirteen years now. It’s the thing I’m simultaneously most proud of and most ashamed of.
I’m proud of it because it has genuinely managed to contribute something back to the tradition: it’s handy resource for trad players around the world.
I’m ashamed of it because it has been languishing for so long. It has so much potential and I haven’t been devoting enough time or energy into meeting that potential.
At the end of 2009, I wrote:
I’m not going to make a new year’s resolution—that would just give me another deadline to stress out about—but I’m making a personal commitment to do whatever I can for The Session in 2010.
Well, it only took me another two years but I’ve finally done it.
I’ve spent a considerable portion of my spare time this year overhauling the site from the ground up, completely refactoring the code, putting together a new mobile-first design, adding much more location-based functionality and generally tilting at my own personal windmills. Trying to rewrite a site that’s been up and running for over a decade is considerably more challenging than creating a new site from scratch.
Luckily I had some help. Christian, for example, helped geocode all the sessions and events that had been added to the site over the years.
That’s one thing that the worlds of Irish music and the web have in common: people getting together to share and collaborate.