Journal tags: cc



Accessibility on the Clearleft podcast

We’re halfway through the second season of the Clearleft podcast already!

The latest episode is on a topic close to my heart: accessibility. But I get out of the way early on and let much smarter folks do the talking. In this case, it’s a power trio of Laura, Cassie, and Léonie. It even features a screen-reader demo by Léonie.

I edited the episode pretty tightly so it comes in at just under 15 minutes. I’m sure you can find 15 minutes of your busy day to set aside for a listen.

If you like what you hear, please spread the word about the Clearleft podcast and pop that RSS feed into your podcast player of choice.


I spent the last couple of weekends rolling out a new feature on The Session. It involves playing audio in a web page. No big deal these days, right? But the history involves some old file formats…

The first venerable format is ABC notation. File extension: .abc, mime type: text/ It’s an ingenious text format for musical notation using ASCII. The metadata of the piece of music is defined in JSON-like key/value pairs. Then the contents are encoded with letters: A, B, C, etc. Uppercase and lowercase denote different octaves. Numbers can be used for note lengths.

The format was created by Chris Walshaw in 1997 when dial-up was the norm. With ABC, people were able to swap tunes on email lists or bulletin boards without transferring weighty image or sound files. If you had ABC software on your computer, you could convert that lightweight text file into sheet music …or audio.

That brings me to the second old format: midi files. File extension: .mid, mime-type: audio/midi. Like ABC, it’s a lightweight format for encoding the instructions for music instead of the music itself.

Think of it like SVG: instead of storing the final pixels of an image, SVG stores the instructions for drawing the image instead. The instructions in a midi file are like “play this note for this long on this instrument.” Again, as with ABC, you need some software to turn the instructions into sound.

There was a time when lots of software could play midi files. Quicktime on the Mac, for example. You could even embed midi files in web pages. I mean literally embed them …with the embed element. No Geocities page was complete without an autoplaying midi file.

On The Session, people submit tunes in ABC format. Then, using the amazing ABCJS JavaScript library, the ABC is turned into SVG on the fly! For years I’ve also offered midi files, generated on the server from the ABC notation.

But times have changed. These days it’s hard to find software that plays midi files. Quicktime doesn’t do it anymore. And you’d need to go to the app store on iOS to find a midi file player. It’s time to phase out the midi files on The Session.

I still want to provide automatically-generated audio though. Fortunately ABCJS gives me a way to do this. But instead of using the old technology of midi files, it uses a more modern browser feature: the Web Audio API.

The end result sounds like a midi file, but the underlying technique is more like a synthesiser. There’s a separate mp3 file for each note. The JavaScript figures out how long each “sample” needs to be played for, strings them all together, and outputs them with Web Audio. So you’ve got cutting-edge browser technology recreating a much older file format. Paul Rosen—the creator of ABCJS—has a presentation explaining how it all works under the hood.

Not only is there a separate short mp3 file for each note in seven octaves, but if you want the sound of a different instrument, you need samples for all seven octaves in that instrument. They’re called soundfonts.

Paul provides soundfonts for ABCJS. It’s a repo that was forked from this repo from Benjamin Gleitzman. And here’s where it gets small worldy…

The reason why Benjamin has a repo of soundfonts is because he needed to create midi-like audio in the browser. He wanted to do this for a project on September 28th and 29th, 2013 …at Science Hack Day San Francisco!

I was there too—working on my own audio-related hack—and I remember the excellent (and winning) hack that Benjamin worked on. It was called Symphony of Satellites and it’s still online along with the promo video. Here’s Benjamin’s post-hackday write-up from seven years ago.

It’s rare that the worlds of the web and Irish music cross over. When I got to meet Paul—creator of ABCJS—at a web conference a couple of years ago it kind of blew my mind. Last weekend when I set out to dabble with a feature on The Session, I certainly didn’t expect to stumble on a connection to Science Hack Day! (Aside: the first Science Hack Day was ten years ago—yowzers!)

Anyway, I was able to get that audio playback working on The Session. Except for some weirdness on iOS that I had to fix. But that’s a hack for another day.


We often have brown bag lunchtime presentations at Clearleft. In the Before Times, this would involve a trip to Pret or Itsu to get a lunch order in, which we would then proceed to eat in front of whoever was giving the presentation. Often it’s someone from Clearleft demoing something or playing back a project, but whenever possible we’d rope in other people to swing by and share what they’re up to.

We’ve continued this tradition since making the switch to working remotely. Now the brown bag presentations happen over Zoom. This has two advantages. Firstly, if you don’t want the presenter watching you eat your lunch, you can switch your camera off. Secondly, because the presenter doesn’t have to be in Brighton, there’s no geographical limit on who could present.

Our most recent brown bag was truly excellent. I asked Léonie if she’d be up for it, and she very kindly agreed. As well as giving us a whirlwind tour of how assistive technology works on the web, she then invited us to observe her interacting with websites using a screen reader.

I’ve seen Léonie do this before and it’s always struck me as a very open and vulnerable thing to do. Think about it: the audience has more information than the presenter. We can see the website at the same time as we’re listening to Léonie and her screen reader.

We got to nominate which websites to visit. One of them—a client’s current site that we haven’t yet redesigned—was a textbook example of how important form controls are. There was a form where almost everything was hunky-dory: form fields, labels, it was all fine. But one of the inputs was a combo box. Instead of using a native select with a datalist, this was made with JavaScript. Because it was lacking the requisite ARIA additions to make it accessible, it was pretty much unusable to Léonie.

And that’s why you use the right HTML element wherever possible, kids!

The other site Léonie visited was Clearleft’s own. That was all fine. Léonie demonstrated how she’d form a mental model of a page by getting the screen reader to read out the headings. Interestingly, the nesting of headings on the Clearleft site is technically wrong—there’s a jump from an h1 to an h3—probably a result of the component-driven architecture where you don’t quite know where in the page a heading will appear. But this didn’t seem to be an issue. The fact that headings are being used at all was the more important fact. As Léonie said, there’s a lot of incorrect HTML out there so it’s no wonder that screen readers aren’t necessarily sticklers for nesting.

I’ve said it before and I’ll say it again: if you’re using headings, labelling form fields, and providing alternative text for images, you’re already doing a better job than most websites.

Headings weren’t the only way that Léonie got a feel for the page architecture. Landmark roles—like header and nav—really helped too. Inside the nav element, she also heard how many items there were. That’s because the navigation was marked up as a list: “List: six items.”

And that reminded me of the Webkit issue. On Webkit browsers like Safari, the list on the Clearleft site would not be announced as a list. That’s because the lists’s bullets have been removed using CSS.

Now this isn’t the only time that screen readers pay attention to styling. If you use display: none to hide an element from sight, it will also be unavailable to screen reader users. Makes sense. But removing the semantic meaning of lists based on CSS? That seems a bit much.

There are good reasons for it though. Here’s a thread from James Craig on where this decision came from (James, by the way, is an absolute unsung hero of accessibility). It turns out that developers went overboard with lists a while back and that’s why we can’t have nice things. In over-compensating from divitis, developers ended up creating listitis, marking up anything vaguely list-like as an unordered list with styling adjusted. That was very annoying for screen reader users trying to figure out what was actually a list.

And James also asks:

If a sighted user doesn’t need to know it’s a list, why would a screen reader user need to know or want to know? Stated another way, if the visible list markers (bullets, image markers, etc.) are deemed by the designers to be visually burdensome or redundant for sighted users, why burden screen reader users with those semantics?

That’s a fair point, but the thing is …bullets maketh not the list. There are many ways of styling something that is genuinely a list that doesn’t involve bullets or image markers. White space, borders, keylines—these can all indicate visually that something is a list of items.

If you look at, say, the tunes page on The Session, you can see that there are numerous lists—newest tunes, latest comments, etc. In this case, as a sighted visitor, you would be at an advantage over a screen reader user in that you can, at a glance, see that there’s a list of five items here, a list of ten items there.

So I’m not disagreeing with the thinking behind the Webkit decision, but I do think the heuristics probably aren’t going to be quite good enough to make the call on whether something is truly a list or not.

Still, while I used to be kind of upset about the Webkit behaviour, I’ve become more equanimous about it over time. There are two reasons for this.

Firstly, there’s something that Eric said:

We have come so far to agree that websites don’t need to look the same in every browser mostly due to bugs in their rendering engines or preferences of the user.

I think the same is true for screen readers and other assistive technology: Websites don’t need to sound the same in every screen reader.

That’s a really good point. If we agree that “pixel perfection” isn’t attainable—or desirable—in a fluid, user-centred medium like the web, why demand the aural equivalent?

The second reason why I’m not storming the barricades about this is something that James said:

Of course, heuristics are imperfect, so authors have the ability to explicitly override the heuristically determined role by adding role="list”.

That means more work for me as a developer, and that’s …absolutely fine. If I can take something that might be a problem for a user, and turn into something that’s a problem for me, I’ll choose to make it my problem every time.

I don’t have to petition Webkit to change their stance or update their heuristics. If I feel strongly that a list styled without bullets should still be announced as a list, I can specificy that in the markup.

It does feel very redundant to write ul role="list”. The whole point of having HTML elements with built-in semantics is that you don’t need to add any ARIA roles. But we did it for a while when new structural elements were introduced in HTML5—main role="main", nav role="navigation", etc. So I’m okay with a little bit of redundancy. I think the important thing is that you really stop and think about whether something should be announced as a list or not, regardless of styling. There isn’t a one-size-fits-all answer (hence why it’s nigh-on impossible to get the heuristics right). Each list needs to be marked up on a case-by-case basis.

And I wouldn’t advise spending too much time thinking about this either. There are other, more important areas to consider. Like I said, headings, forms, and images really matter. I’d prioritise those elements above thinking about lists. And it’s worth pointing out that Webkit doesn’t remove all semantic meaning from styled lists—it updates the role value from list to group. That seems sensible to me.

In the case of that page on The Session, I don’t think I’m guilty of listitis. Yes, there are seven lists on that page (two for navigation, five for content) but I’m reasonably confident that they all look like lists even without bullets or markers. So I’ve added role="list" to some ul elements.

As with so many things related to accessibility—and the web in general—this is a situation where the only answer I can confidentally come up with is …it depends.


I wrote a little something recently about using ARIA attributes as selectors in CSS. For me, one of the advantages is that because ARIA attributes are generally added via JavaScript, the corresponding CSS rules won’t kick in if something goes wrong with the JavaScript:

Generally, ARIA attributes—like aria-hidden—are added by JavaScript at runtime (rather than being hard-coded in the HTML).

But there’s one instance where I actually put the ARIA attribute directly in the HTML that gets sent from the server: aria-live.

If you’re not familiar with it, aria-live is extremely useful if you’ve got any dynamic updates on your page—via Ajax, for example. Let’s say you’ve got a bit of your site where filtered results will show up. Slap an aria-live attribute on there with a value of “polite”:

<div aria-live="polite">
...dynamic content gets inserted here

You could instead provide a value of “assertive”, but you almost certainly don’t want to do that—it can be quite rude.

Anyway, on the face it, this looks like exactly the kind of ARIA attribute that should be added with JavaScript. After all, if there’s no JavaScript, there’ll be no dynamic updates.

But I picked up a handy lesson from Ire’s excellent post on using aria-live:

Assistive technology will initially scan the document for instances of the aria-live attribute and keep track of elements that include it. This means that, if we want to notify users of a change within an element, we need to include the attribute in the original markup.

Good to know!


Sara tweeted something recently that resonated with me:

Also, Pro Tip: Using ARIA attributes as CSS hooks ensures your component will only look (and/or function) properly if said attributes are used in the HTML, which, in turn, ensures that they will always be added (otherwise, the component will obv. be broken)

Yes! I didn’t mention it when I wrote about accessible interactions but this is my preferred way of hooking up CSS and JavaScript interactions. Here’s old Codepen where you can see it in action:

[aria-hidden='true'] {
  display: none;

In order for the functionality to work for everyone—screen reader users or not—I have to make sure that I’m toggling the value of aria-hidden in my JavaScript.

There’s another advantage to this technique. Generally, ARIA attributes—like aria-hidden—are added by JavaScript at runtime (rather than being hard-coded in the HTML). If something goes wrong with the JavaScript, the aria-hidden value isn’t set to “true”, which means that the CSS never kicks in. So the default state is for content to be displayed. There’s no assumption that the JavaScript has to work in order for the CSS to make sense.

It’s almost as though accessibility and progressive enhancement are connected somehow…

Accessible interactions

Accessibility on the web is easy. Accessibility on the web is also hard.

I think it’s one of those 80/20 situations. The most common accessibility problems turn out to be very low-hanging fruit. Take, for example, Holly Tuke’s list of the 5 most annoying website features she faces as a blind person every single day:

  • Unlabelled links and buttons
  • No image descriptions
  • Poor use of headings
  • Inaccessible web forms
  • Auto-playing audio and video

None of those problems are hard to fix. That’s what I mean when I say that accessibility on the web is easy. As long as you’re providing a logical page structure with sensible headings, associating form fields with labels, and providing alt text for images, you’re at least 80% of the way there (you’re also doing way better than the majority of websites, sadly).

Ah, but that last 20% or so—that’s where things get tricky. Instead of easy-to-follow rules (“Always provide alt text”, “Always label form fields”, “Use sensible heading levels”), you enter an area of uncertainty and doubt where there are no clear answers. Different combinations of screen readers, browsers, and operating systems might yield very different results.

This is the domain of interaction design. Here be dragons. ARIA can help you …but if you overuse its power, it may cause more harm than good.

When I start to feel overwhelmed by this, I find it’s helpful to take a step back. Instead of trying to imagine all the possible permutations of screen readers and browsers, I start with a more straightforward use case: keyboard users. Keyboard users are (usually) a subset of screen reader users.

The pattern that comes up the most is to do with toggling content. I suppose you could categorise this as progressive disclosure, but I’m talking about quite a wide range of patterns:

  • accordions,
  • menus (including mega menu monstrosities),
  • modal dialogs,
  • tabs.

In each case, there’s some kind of “trigger” that toggles the appearance of a “target”—some chunk of content.

The first question I ask myself is whether the trigger should be a button or a link (at the very least you can narrow it down to that shortlist—you can discount divs, spans, and most other elements immediately; use a trigger that’s focusable and interactive by default).

As is so often the case, the answer is “it depends”, but generally you can’t go wrong with a button. It’s an element designed for general-purpose interactivity. It carries the expectation that when it’s activated, something somewhere happens. That’s certainly true in all the examples I’ve listed above.

That said, I think that links can also make sense in certain situations. It’s related to the second question I ask myself: should the target automatically receive focus?

Again, the answer is “it depends”, but here’s the litmus test I give myself: how far away from each other are the trigger and the target?

If the target content is right after the trigger in the DOM, then a button is almost certainly the right element to use for the trigger. And you probably don’t need to automatically focus the target when the trigger is activated: the content already flows nicely.

<button>Trigger Text</button>
<div id="target">
<p>Target content.</p>

But if the target is far away from the trigger in the DOM, I often find myself using a good old-fashioned hyperlink with a fragment identifier.

<a href="#target">Trigger Text</a>
<div id="target">
<p>Target content.</p>

Let’s say I’ve got a “log in” link in the main navigation. But it doesn’t go to a separate page. The design shows it popping open a modal window. In this case, the markup for the log-in form might be right at the bottom of the page. This is when I think there’s a reasonable argument for using a link. If, for any reason, the JavaScript fails, the link still works. But if the JavaScript executes, then I can hijack that link and show the form in a modal window. I’ll almost certainly want to automatically focus the form when it appears.

The expectation with links (as opposed to buttons) is that you will be taken somewhere. Let’s face it, modal dialogs are like fake web pages so following through on that expectation makes sense in this context.

So I can answer my first two questions:

  • “Should the trigger be a link or button?” and
  • “Should the target be automatically focused?”

…by answering a different question:

  • “How far away from each other are the trigger and the target?”

It’s not a hard and fast rule, but it helps me out when I’m unsure.

At this point I can write some JavaScript to make sure that both keyboard and mouse users can interact with the interactive component. There’ll certainly be an addEventListener(), some tabindex action, and maybe a focus() method.

Now I can start to think about making sure screen reader users aren’t getting left out. At the very least, I can toggle an aria-expanded attribute on the trigger that corresponds to whether the target is being shown or not. I can also toggle an aria-hidden attribute on the target.

When the target isn’t being shown:

  • the trigger has aria-expanded="false",
  • the target has aria-hidden="true".

When the target is shown:

  • the trigger has aria-expanded="true",
  • the target has aria-hidden="false".

There’s also an aria-controls attribute that allows me to explicitly associate the trigger and the target:

<button aria-controls="target">Trigger Text</button>
<div id="target">
<p>Target content.</p>

But don’t assume that’s going to help you. As Heydon put it, aria-controls is poop. Still, Léonie points out that you can still go ahead and use it. Personally, I find it a useful “hook” to use in my JavaScript so I know which target is controlled by which trigger.

Here’s some example code I wrote a while back. And here are some old Codepens I made that use this pattern: one with a button and one with a link. See the difference? In the example with a link, the target automatically receives focus. But in this situation, I’d choose the example with a button because the trigger and target are close to each other in the DOM.

At this point, I’ve probably reached the limits of what can be abstracted into a single trigger/target pattern. Depending on the specific component, there might be much more work to do. If it’s a modal dialog, for example, you’ve got to figure out where to put the focus, how to trap the focus, and figure out where the focus should return to when the modal dialog is closed.

I’ve mostly been talking about websites that have some interactive components. If you’re building a single page app, then pretty much every single interaction needs to be made accessible. Good luck with that. (Pro tip: consider not building a single page app—let the browser do what it has been designed to do.)

Anyway, I hope this little stroll through my thought process is useful. If nothing else, it shows how I attempt to cope with an accessibility landscape that looks daunting and ever-changing. Remember though, the fact that you’re even considering this stuff means you care more than most web developers. And you are not alone. There are smart people out there sharing what they learn. The A11y Project is a great hub for finding resources.

And when it comes to interactive patterns like the trigger/target examples I’ve been talking about, there’s one more question I ask myself: what would Heydon do?

Web browsers on iOS

Safari is the only browser on iOS devices.

I don’t mean it’s the only browser that ships with iOS devices. I mean it’s the only browser that can be installed on iOS devices.

You can install something called Chrome. You can install something called Firefox. Those aren’t different web browsers. Under the hood they’re using Safari’s rendering engine. They have to. The app store doesn’t allow other browsers to be listed. The apps called Chrome and Firefox are little more than skinned versions of Safari.

If you’re a web developer, there are two possible reactions to hearing this. One is “Duh! Everyone knows that!”. The other is “What‽ I never knew that!”

If you fall into the first category, I’m guessing you’ve been a web developer for a while. The fact that Safari is the only browser on iOS devices is something you’ve known for years, and something you assume everyone else knows. It’s common knowledge, right?

But if you’re relatively new to web development—heck, if you’ve been doing web development for half a decade—you might fall into the second category. After all, why would anyone tell you that Safari is the only browser on iOS? It’s common knowledge, right?

So that’s the situation. Safari is the only browser that can run on iOS. The obvious follow-on question is: why?

Apple at this point will respond with something about safety and security, which are certainly important priorities. So let me rephrase the question: why on iOS?

Why can I install Chrome or Firefox or Edge on my Macbook running macOS? If there are safety or security reasons for preventing me from installing those browsers on my iOS device, why don’t those same concerns apply to my macOS device?

At one time, the mobile operating system—iOS—was quite different to the desktop operating system—OS X. Over time the gap has narrowed. At this point, the operating systems are converging. That makes sense. An iPhone, an iPad, and a Macbook aren’t all that different apart from the form factor. It makes sense that computing devices from the same company would share an underlying operating system.

As this convergence continues, the browser question is going to have to be decided in one direction or the other. As it is, Apple’s laptops and desktops strongly encourage you to install software from their app store, though it is still possible to install software by other means. Perhaps they’ll decide that their laptops and desktops should only be able to install software from their app store—a decision they could justify with safety and security concerns.

Imagine that situation. You buy a computer. It comes with one web browser pre-installed. You can’t install a different web browser on your computer.

You wouldn’t stand for it! I mean, Microsoft got fined for anti-competitive behaviour when they pre-bundled their web browser with Windows back in the 90s. You could still install other browsers, but just the act of pre-bundling was seen as an abuse of power. Imagine if Windows never allowed you to install Netscape Navigator?

And yet that’s exactly the situation in 2020.

You buy a computing device from Apple. It might be a Macbook. It might be an iPad. It might be an iPhone. But you can only install your choice of web browser on one of those devices. For now.

It is contradictory. It is hypocritical. It is indefensible.

Design ops on the Clearleft podcast

The latest episode of the Clearleft podcast is out. If you’re a subscriber, it will magically appear in your podcast software of choice using the power of RSS. If you’re not a subscriber, it isn’t too late to change that.

This week’s episode is all about design ops. I began contructing the episode by gathering raw material from talks at Leading Design. There’s good stuff from Kim Fellman, Jacqui Frey, Courtney Kaplan, and Meredith Black.

But as I was putting the snippets together, I felt like the episode was missing something. It needed a bit of oomph. So I harangued Andy for some of his time. I wasn’t just fishing for spicy hot takes—something that Andy is known for. Andy is also the right person to explain design ops. If you search for that term, one of the first results you’ll get is a post he wrote on the Clearleft blog a few years back called Design Ops — A New Discipline.

I remember helping Andy edit that post and I distinctly recall my feedback. The initial post didn’t have a definition of the term, and I felt that a definition was necessary (and Andy added one to the post).

My cluenessness about the meaning of terms like “design ops” or “service design” isn’t some schtick I’m putting on for the benefit of the podcast. I’m genuinely trying to understand these terms better. I don’t like the feeling of hearing a term being used a lot without a clear understanding of what that term means. All too often my understanding feels more like “I think I know it means, but I’m not sure I could describe it.” I’m not comfortable with that.

Making podcast episodes on these topics—which are outside my comfort zone—has been really helpful. I now feel like I have a much better understanding of service design, design ops and other topical terms. I hope that the podcast will be just as helpful for listeners who feel as bamboozled as I do.

Ben Holliday recently said:

The secret of design being useful in many places is not talking about design too much and just getting on with it. I sometimes think we create significant language barriers with job titles, design theory and making people learn a new language for the privilege of working with us.

I think there’s some truth to that. Andy disagrees. Strongly.

In our chat, Andy and I had what politicians would describe as “a robust discussion.” I certainly got some great material for the podcast (though some of the more contentious bits remain on the cutting room floor).

Calling on Andy for this episode was definitely the right call. I definitely got the added oomph I was looking for. In fact, this ended up being one of my favourite episodes.

There’s a lot of snappy editing, all in service of crafting a compelling narrative. First, there’s the origin story of design ops. Then there’s an explanation of what it entails. From around the 13 minute mark, there’s a pivot—via design systems—into asking whether introducing a new term is exclusionary. That’s when the sparks start to fly. Finally, I pull it back to talking about how Clearleft can help in providing design ops as a service.

The whole episode comes out at 21 minutes, which feels just right to me.

I’m really pleased with how this episode turned out, and I hope you’ll like it too. Have a listen and decide for yourself.


There’s a new project from Igalia called Open Prioritization:

An experiment in crowd-funding prioritization of new feature implementations for web browsers.

There is some precedent for this. There was a crowd-funding campaign for Yoav Weiss to implement responsive images in Blink a while back. The difference with the Open Prioritization initiative is that it’s also a kind of marketplace for which web standards will get the funding.

Examples include implementing the CSS lab() colour function in Firefox or implementing the :not() pseudo-class in Chrome. There are also some accessibility features like the :focus-visible pseudo-class and the inert HTML attribute.

I must admit, it makes me queasy to see accessibility features go head to head with other web standards. I don’t think a marketplace is the right arena for prioritising accessibility.

I get a similar feeling of discomfort when a presentation or article on accessibility spends a fair bit of time describing the money that can be made by ensuring your website is accessible. I mean, I get it: you’re literally leaving money on the table if you turn people away. But that’s not the reason to ensure your website is accessible. The reason to ensure that your website is accessible is that it’s the right thing to do.

I know that people are uncomfortable with moral arguments, but in this case, I believe it’s important that we keep sight of that.

I understand how it’s useful to have the stats and numbers to hand should you need to convince a sociopath in your organisation, but when numbers are used as the justification, you’re playing the numbers game from then on. You’ll probably have to field questions like “Well, how many screen reader users are visiting our site anyway?” (To which the correct answer is “I don’t know and I don’t care”—even if the number is 1, the website should still be accessible because it’s the right thing to do.)

It reminds of when I was having a discussion with a god-bothering friend of mine about the existence or not of a deity. They made the mistake of trying to argue the case for God based on logic and reason. Those arguments didn’t hold up. But had they made their case based on the real reason for their belief—which is faith—then their position would have been unassailable. I literally couldn’t argue against faith. But instead, by engaging in the rules of logic and reason, they were applying the wrong justification to their stance.

Okay, that’s a bit abstract. How about this…

In a similar vein to talks or articles about accessibility, talks or articles about diversity often begin by pointing out the monetary gain to be had. It’s true. The data shows that companies that are more diverse are also more profitable. But again, that’s not the reason for having a diverse group of people in your company. The reason for having a diverse group of people in your company is that it’s the right thing to do. If you tie the justification for diversity to data, then what happens should the data change? If a new study showed that diverse companies were less profitable, is that a reason to abandon diversity? Absolutely not! If your justification isn’t tied to numbers, then it hardly matters what the numbers say (though it does admitedly feel good to have your stance backed up).

By the way, this is also why I don’t think it’s a good idea to “sell” design systems on the basis of efficiency and cost-savings if the real reason you’re building one is to foster better collaboration and creativity. The fundamental purpose of a design system needs to be shared, not swapped out based on who’s doing the talking.

Anyway, back to accessibility…

A marketplace, to me, feels like exactly the wrong kind of place for accessibility to defend its existence. By its nature, accessibility isn’t a mainstream issue. I mean, think about it: it’s good that accessibility issues affect a minority of people. The fewer, the better. But even if the number of people affected by accessibility were to trend downwards and dwindle, the importance of accessibility should remain unchanged. Accessibility is important regardless of the numbers.

Look, if I make a website for a client, I don’t offer accessibility as a line item with a price tag attached. I build in accessibility by default because it’s the right thing to do. The only way to ensure that accessibility doesn’t get negotiated away is to make sure it’s not up for negotiation.

So that’s why I feel uncomfortable seeing accessibility features in a popularity contest.

I think that markets are great. I think competition is great. But I don’t think it works for everything (like, could you imagine applying marketplace economics to healthcare or prisons? Nightmare!). I concur with Iain M. Banks:

The market is a good example of evolution in action; the try-everything-and-see-what- -works approach. This might provide a perfectly morally satisfactory resource-management system so long as there was absolutely no question of any sentient creature ever being treated purely as one of those resources.

If Igalia or Mozilla or Google or Apple implement an accessibility feature because they believe that accessibility is important and deserves prioritisation, that’s good. If they implement the same feature just because it received a lot of votes …that doesn’t strike me as a good thing.

I guess it doesn’t matter what the reason is as long as the end result is the same, right? But I suspect that what we’ll see is that the accessibility features up for bidding on Open Prioritization won’t be the winners.

Announcing the Clearleft podcast

I’ve been working on something new for the past few months and now I’d like to share it with you…

The Clearleft Podcast.

Now I know what you’re thinking: aren’t there enough podcasts in the world already? Well, frankly, no. Unless you also concede that there are enough books and records and films in the world already too (to be fair, this is a reasonable thought to have when you’re navigating Amazon, Spotify, and Netflix).

In any case, this podcast is going to be a bit different.

In our field, the usual podcast format is in the form of a conversation: a host or hosts interviewing a guest or guests. Those are great. I’ve certainly enjoyed being the guest on many a great podcast. But I wanted to do something a bit more like an audio documentary.

If you’ve seen a lot of documentaries you’ll know that there are two key factors to getting a great story:

  1. the source material and
  2. the editing.

That’s what makes the Clearleft podcast different.

For the source material, I’ve interviewed my colleagues at Clearleft as well as our peers in other companies. I’ve also gathered great material from conference talks—we’ve got a wealth of wonderful insights from multiple editions of events like UX London, Leading Design, Ampersand, Responsive Day Out, Patterns Day, and dConstruct.

A lot of work has gone into the editing. It probably works out at about an hour of work per minute of podcast. I know that seems excessive, but I really wanted to get a snappy feel for each episode, juxtaposing multiple viewpoints.

The focus of the episode will be around a particular topic rather than a person and will feature lots of different voices woven together. The really challenging part is threading a good narrative. It’s kind of like preparing a conference talk in that respect—I’ve always found the narrative thread to be the hardest but most rewarding part of putting a talk together.

It’s simultaneously exciting and nerve-wracking to put this out into the world. But I think you’re going to enjoy it.

Visit the website for the podcast and choose your preferred method of subscribing. There’s the RSS feed, but the Clearleft podcast is also available on Apple Podcasts, Google Podcasts, Spotify, Stitcher, Deezer, TuneIn, Castro, and Overcast.

The first episode will go live later this week. In the meantime, there’s a short trailer to give you a taste of what’s to come.

The episodes will be grouped together into seasons. I reckon a season will around six episodes long. So you can expect the first season to be released over the next six weeks.

Hope you like it!


Universal access is at the heart of the World Wide Web. It’s also something I value when I’m building anything on the web. Whatever I’m building, I want you to be able to visit using whatever browser or device that you choose.

Just to be clear, that doesn’t mean that you’re going to have the same experience in an old browser as you are in the latest version of Firefox or Chrome. Far from it. Not only is that not feasible, I don’t believe it’s desirable either. But if you’re using an old browser, while you might not get to enjoy the newest CSS or JavaScript, you should still be able to access a website.

Applying the principle of progressive enhancement makes this emminently doable. As long as I build in a layered way, everyone gets access to the barebones HTML, even if they can’t experience newer features. Crucially, as long as I’m doing some feature detection, those newer features don’t harm older browsers.

But there’s one area where maintaining backward compatibility might well have an adverse effect on modern browsers: security.

I don’t just mean whether or not you’re serving sites over HTTPS. Even if you’re using TLS—Transport Layer Security—not all security is created equal.

Take a look at Mozilla’s very handy SSL Configuration Generator. You get to choose from three options:

  1. Modern. Services with clients that support TLS 1.3 and don’t need backward compatibility.
  2. Intermediate. General-purpose servers with a variety of clients, recommended for almost all systems.
  3. Old. Compatible with a number of very old clients, and should be used only as a last resort.

Because I value universal access, I should really go for the “old” setting. That ensures my site is accessible all the way back to Android 2.3 and Safari 1. But if I do that, I will be supporting TLS 1.0. That’s not good. My site is potentially vulnerable.

Alright then, I’ll go for “intermediate”—that’s the recommended level anyway. Now I’m no longer providing TLS 1.0 support. But that means some older browsers can no longer access my site.

This is exactly the situation I found myself in with The Session. I had a score of A+ from SSL Labs. I was feeling downright smug. Then I got emails from actual users. One had picked up an old Samsung tablet second hand. Another was using an older version of Safari. Neither could access the site.

Sure enough, if you cut off TLS 1.0, you cut off Safari below version six.

Alright, then. Can’t they just upgrade? Well …no. Apple has tied Safari to OS X. If you can’t upgrade your operating system, you can’t upgrade your browser. So if you’re using OS X Mountain Lion, you’re stuck with an insecure version of Safari.

Fortunately, you can use a different browser. It’s possible to install, say, Firefox 37 which supports TLS 1.2.

On desktop, that is. If you’re using an older iPhone or iPad and you can’t upgrade to a recent version of iOS, you’re screwed.

This isn’t an edge case. This is exactly the kind of usage that iPads excel at: you got the device a few years back just to do some web browsing and not much else. It still seems to work fine, and you have no incentive to buy a brand new iPad. And nor should you have to.

In that situation, you’re stuck using an insecure browser.

As a site owner, I can either make security my top priority, which means you’ll no longer be able to access my site. Or I can provide you access, which makes my site less secure for everyone. (That’s what I’ve done on The Session and now my score is capped at B.)

What I can’t do is tell you to install a different browser, because you literally can’t. Sure, technically you can install something called Firefox from the App Store, or you can install something called Chrome. But neither have anything to do with their desktop counterparts. They’re differently skinned versions of Safari.

Apple refuses to allow browsers with any other rendering engine to be installed. Their reasoning?


Design systems roundup

When I started writing a post about architects, gardeners, and design systems, it was going to be a quick follow-up to my post about web standards, dictionaries, and design systems. I had spotted an interesting metaphor in one of Frank’s posts, and I thought it was worth jotting it down.

But after making that connection, I kept writing. I wanted to point out the fetishism we have for creation over curation; building over maintenance.

Then the post took a bit of a dark turn. I wrote about how the most commonly cited reasons for creating a design system—efficiency and consistency—are the same processes that have led to automation and dehumanisation in the past.

That’s where I left things. Others have picked up the baton.

Dave wrote a post called The Web is Industrialized and I helped industrialize it. What I said resonated with him:

This kills me, but it’s true. We’ve industrialized design and are relegated to squeezing efficiencies out of it through our design systems. All CSS changes must now have a business value and user story ticket attached to it. We operate more like Taylor and his stopwatch and Gantt and his charts, maximizing effort and impact rather than focusing on the human aspects of product development.

But he also points out the many benefits of systemetising:

At the same time, I have seen first hand how design systems can yield improvements in accessibility, performance, and shared knowledge across a willing team. I’ve seen them illuminate problems in design and code. I’ve seen them speed up design and development allowing teams to build, share, and validate prototypes or A/B tests before undergoing costly guesswork in production. There’s value in these tools, these processes.

Emphasis mine. I think that’s a key phrase: “a willing team.”

Ethan tackles this in his post The design systems we swim in:

A design system that optimizes for consistency relies on compliance: specifically, the people using the system have to comply with the system’s rules, in order to deliver on that promised consistency. And this is why that, as a way of doing something, a design system can be pretty dehumanizing.

But a design system need not be a constraining straitjacket—a means of enforcing consistency by keeping creators from colouring outside the lines. Used well, a design system can be a tool to give creators more freedom:

Does the system you work with allow you to control the process of your work, to make situational decisions? Or is it simply a set of rules you have to follow?

This is key. A design system is the product of an organisation’s culture. That’s something that Brad digs into his post, Design Systems, Agile, and Industrialization:

I definitely share Jeremy’s concern, but also think it’s important to stress that this isn’t an intrinsic issue with design systems, but rather the organizational culture that exists or gets built up around the design system. There’s a big difference between having smart, reusable patterns at your disposal and creating a dictatorial culture designed to enforce conformity and swat down anyone coloring outside the lines.

Brad makes a very apt comparison with Agile:

Not Agile the idea, but the actual Agile reality so many have to suffer through.

Agile can be a liberating empowering process, when done well. But all too often it’s a quagmire of requirements, burn rates, and story points. We need to make sure that design systems don’t suffer the same fate.

Jeremy’s thoughts on industrialization definitely struck a nerve. Sure, design systems have the ability to dehumanize and that’s something to actively watch out for. But I’d also say to pay close attention to the processes and organizational culture we take part in and contribute to.

Matthew Ström weighed in with a beautifully-written piece called Breaking looms. He provides historical context to the question of automation by relaying the story of the Luddite uprising. Automation may indeed be inevitable, according to his post, but he also provides advice on how to approach design systems today:

We can create ethical systems based in detailed user research. We can insist on environmental impact statements, diversity and inclusion initiatives, and human rights reports. We can write design principles, document dark patterns, and educate our colleagues about accessibility.

Finally, the ouroboros was complete when Frank wrote down his thoughts in a post called Who cares?. For him, the issue of maintenance and care is crucial:

Care applies to the built environment, and especially to digital technology, as social media becomes the weather and the tools we create determine the expectations of work to be done and the economic value of the people who use those tools. A well-made design system created for the right reasons is reparative. One created for the wrong reasons becomes a weapon for displacement. Tools are always beholden to values. This is well-trodden territory.

Well-trodden territory indeed. Back in 2015, Travis Gertz wrote about Design Machines:

Designing better systems and treating our content with respect are two wonderful ideals to strive for, but they can’t happen without institutional change. If we want to design with more expression and variation, we need to change how we work together, build design teams, and forge our tools.

Also on the topic of automation, in 2018 Cameron wrote about Design systems and technological disruption:

Design systems are certainly a new way of thinking about product development, and introduce a different set of tools to the design process, but design systems are not going to lessen the need for designers. They will instead increase the number of products that can be created, and hence increase the demand for designers.

And in 2019, Kaelig wrote:

In order to be fulfilled at work, Marx wrote that workers need “to see themselves in the objects they have created”.

When “improving productivity”, design systems tooling must be mindful of not turning their users’ craft into commodities, alienating them, like cogs in a machine.

All of this is reminding me of Kranzberg’s first law:

Technology is neither good nor bad; nor is it neutral.

I worry that sometimes the messaging around design systems paints them as an inherently positive thing. But design systems won’t fix your problems:

Just stay away from folks who try to convince you that having a design system alone will solve something.

It won’t.

It’s just the beginning.

At the same time, a design system need not be the gateway drug to some kind of post-singularity future where our jobs have been automated away.

As always, it depends.

Remember what Frank said:

A well-made design system created for the right reasons is reparative. One created for the wrong reasons becomes a weapon for displacement.

The reasons for creating a design system matter. Those reasons will probably reflect the values of the company creating the system. At the level of reasons and values, we’ve gone beyond the bounds of the hyperobject of design systems. We’re dealing in the area of design ops—the whys of systemising design.

This is why I’m so wary of selling the benefits of design systems in terms of consistency and efficiency. Those are obviously tempting money-saving benefits, but followed to their conclusion, they lead down the dark path of enforced compliance and eventually, automation.

But if the reason you create a design system is to empower people to be more creative, then say that loud and proud! I know that creativity, autonomy and empowerment is a tougher package to sell than consistency and efficiency, but I think it’s a battle worth fighting.

Design systems are neither good nor bad (nor are they neutral).

Addendum: I’d just like to say how invigorating it’s been to read the responses from Dave, Ethan, Brad, Matthew, and Frank …all of them writing on their own websites. Rumours of the demise of blogging may have been greatly exaggerated.

The Mythology of Design Systems by Mina Markham

It’s day two of An Event Apart San Francisco. The brilliant Mina Markham is here to talk to us about design systems (so hot right now!). I’m going to attempt to liveblog it:

Design systems have dominated web design conversations for a few years. Just as there’s no one way to make a website, there is no one way to make a design system. Unfortunately this has led to a lot of misconceptions around the creation and impact of this increasingly important tool.

Drawing on her experiences building design systems at two highly visible and vastly different organizations, Mina will debunk some common myths surrounding design systems.

Mina is a designer who codes. Or an engineer who designs. She makes websites. She works at Slack, but she doesn’t work on the product; she works on and the Slack blog. Mina also makes design systems. She loves design systems!

There are some myths she’s heard about design systems that she wants to dispel. She will introduce us to some mythological creatures along the way.

Myth 1: Designers “own” the design system

Mina was once talking to a product designer about design systems and was getting excited. The product designer said, nonplussed, “Aren’t you an engineer? Why do you care?” Mina explained that she loved design systems. The product designer said “Y’know, design systems should really be run by designers” and walked away.

Mina wondered if she had caused offense. Was she stepping on someone’s toes? The encounter left her feeling sad.

Thinking about it later, she realised that the conversation about design systems is dominated by product designers. There was a recent Twitter thread where some engineers were talking about this: they felt sidelined.

The reality is that design systems should be multi-disciplinary. That means engineers but it also means other kinds of designers other than product designers too: brand designers, content designers, and so on.

What you need is a hybrid, or unicorn: someone with complimentary skills. As Jina has said, design systems themselves are hybrids. Design systems give hybrids (people) a home. Hybrids help bring unity to an organization.

Myth 2: design systems kill creativity

Mina hears this one a lot. It’s intertwined with some other myths: that design systems don’t work for editorial content, and that design systems are just a collection of components.

Components are like mermaids. Everyone knows what one is supposed to look like, and they can take many shapes.

But if you focus purely on components, then yes, you’re going to get frustrated by a feeling of lacking creativity. Mina quotes @brijanp saying “Great job scrapbookers”.

Design systems encompass more than components:

  • High level principles.
  • Brand guidelines.
  • Coding standards.
  • Accessibility compliance.
  • Governance.

A design system is a set of rules enforced by culture, process and tooling that govern how your organization creates products.


Rules and creativity are not mutually exclusive. Rules can be broken.

For a long time, Mina battled against one-off components. But then she realised that if they kept coming up, there must be a reason for them. There is a time and place for diverging from the system.

It’s like Alice Lee says about illustrations at Slack:

There’s a time and place for both—illustrations as stock components, and illustrations as intentional complex extensions of your specific brand.

Yesenia says:

Your design system is your pantry, not your cookbook.

If you keep combining your ingredients in the same way, then yes, you’ll keep getting the same cake. But if you combine them in different ways, there’s a lot of room for creativity. Find the key moments of brand expression.

There are strict and loose systems.

Strict design systems are what we usually think of. AirBnB’s design system is a good example. It’s detailed and tightly controlled.

A loose design system will leave more space for experimentation. TED’s design system consists of brand colours and wireframes. Everything else is left to you:

Consistency is good only insofar as it doesn’t prevent you from trying new things or breaking out of your box when the context justifies it.

Yesenia again:

A good design sytem helps you improvise.

Thinking about strict vs. loose reminds Mina of product vs. marketing. A design system for a product might need to be pixel perfect, whereas editorial design might need more breathing room.

Mina has learned to stop fighting the one-off snowflake components in a system. You want to enable the snowflakes without abandoning the system entirely.

A loose system is key for maintaining consistency while allowing for exploration and creativity.

Myth 3: a design system is a side project

Brad guffaws at this one.

Okay, maybe no one has said this out loud, but you definitely see a company’s priorities focused on customer-facing features. A design system is seen as something for internal use only. “We’ll get to this later” is a common refrain.

“Later” is a mythical creature—a phoenix that will supposedly rise from the ashes of completed projects. Mina has never seen a phoenix. You never see “later” on a roadmap.

Don’t treat your design system as a second-class system. If you do, it will not mature. It won’t get enough time and resources. Design systems require real investment.

Mina has heard from people trying to start design systems getting the advice, “Just do it!” It seems like good advice, but it could be dangerous. It sets you up for failure (and burnout). “Just doing it” without support is setting people up for a bad experience.

The alternative is to put it on the roadmap. But…

Myth 4: a design system should be on the product roadmap

At a previous company, Mina once put a design system on the product roadmap because she saw it wasn’t getting the attention it needed. The answer came back: nah. Mina was annoyed. She had tried to “just do it” and now when she tried to do it through the right channels, she’s told she can’t.

But Mina realised that it’s not that simple. There are important metrics she might not have been aware of.

A roadmap is multi-faceted thing, like Cerebus, the three-headed dog of the underworld.

Okay, so you can’t put the design sytem on the roadmap, but you can tie it to something with a high priority. You could refactor your way to a design system. Or you could allocate room in your timeline to slip in design systems work (pad your estimates a little). This is like a compromise between “Just do it!” and “Put it on the roadmap.”

A system’s value is realized when products ship features that use a system’s parts.

—Nathan Curtis

The other problem with putting a design system on the roadmap is that it implies there’s an end date. But a design system is never finished (unless you abandon it).

Myth 5: our system should do what XYZ’s system did

It’s great that there are so many public design systems out there to look to and get inspired by. We can learn from them. “Let’s do that!”

But those inspiring public systems can be like a succubus. They’re powerful and seductive and might seem fun at first but ultimately leave you feeling intimidated and exhausted.

Your design system should be build for your company’s specific needs, not Google’s or Github’s or anyone’s.

Slack has multiple systems. There’s one for the product called Slack Kit. It’s got great documentation. But if you go on Slack’s marketing website, it doesn’t look like the product. It doesn’t use the same typography or even colour scheme. So it can’t use the existing the design system. Mina created the Spacesuit design system specifically for the marketing site. The two systems are quite different but they have some common goals:

  • Establish common language.
  • Reduce technical debt.
  • Allow for modularity.

But there are many different needs between the Slack client and the marketing site. Also the marketing site doesn’t have the same resources as the Slack client.

Be inspired by other design systems, but don’t expect the same resutls.

Myth 6: everything is awesome!

When you think about design systems, everything is nice and neat and orderly. So you make one. Then you look at someone else’s design system. Your expectations don’t match the reality. Looking at these fully-fledged design systems is like comparing Instagram to real life.

The perfect design system is an angel. It’s a benevolent creature acting as an intermediary between worlds. Perhaps you think you’ve seen one once, but you can’t be sure.

The truth is that design system work is like laying down the railway tracks while the train is moving.

For a developer, it is a rare gift to be able to implement a project with a clean slate and no obligations to refactor an existing codebase.

Mina got to do a complete redesign in 2017, accompanied by a design system. The design system would power the redesign. Everything was looking good. Then slowly as the rest of the team started building more components for the website, unconnected things seemed to be breaking. This is what design systems are supposed to solve. But people were creating multiple components that did the same thing. Work was happening on a deadline.

Even on the Hillary For America design system (Pantsuit), which seemed lovely and awesome on the outside, there were multiple components that did the same thing. The CSS got out of hand with some very convoluted selectors trying to make things flexible.

Mina wants to share those stories because it sometimes seems that we only share the success stories.

Share work in progress. Learn out in the open. Be more vulnerable, authentic, and real.

Accessibility on The Session revisited

Earlier this year, I wrote about an accessibility issue I was having on The Session. Specifically, it was an issue with Ajax and pagination. But I managed to sort it out, and the lesson was very clear:

As is so often the case, the issue was with me trying to be too clever with ARIA, and the solution was to ease up on adding so many ARIA attributes.

Well, fast forward to the past few weeks, when I was contacted by one of the screen-reader users on The Session. There was, once again, a problem with the Ajax pagination, specifically with VoiceOver on iOS. The first page of results were read out just fine, but subsequent pages were not only never announced, the content was completely unavailable. The first page of results would’ve been included in the initial HTML, but the subsequent pages of results are injected with JavaScript (if JavaScript is available—otherwise it’s regular full-page refreshes all the way).

This pagination pattern shows up all over the site: lists of what’s new, search results, and more. I turned on VoiceOver and I was able to reproduce the problem straight away.

I started pulling apart my JavaScript looking for the problem. Was it something to do with how I was handling focus? I just couldn’t figure it out. And other parts of the site that used Ajax didn’t seem to be having the same problem. I was mystified.

Finally, I tracked down the problem, and it wasn’t in the JavaScript at all.

Wherever the pagination pattern appears, there are “previous” and “next” links, marked up with the appropriate rel="prev" and rel="next" attributes. Well, apparently past me thought it would be clever to add some ARIA attributes in there too. My thinking must’ve been something like this:

  • Those links control the area of the page with the search results.
  • That area of the page has an ID of “results”.
  • I should add aria-controls="results" to those links.

That was the problem …which is kind of weird, because VoiceOver isn’t supposed to have any support for aria-controls. Anyway, once I removed that attribute from the links, everything worked just fine.

Just as the solution last time was to remove the aria-atomic attribute on the updated area, the solution this time was to remove the aria-controls attribute on the links that trigger the update. Maybe this time I’ll learn my lesson: don’t mess with ARIA attributes you don’t understand.

Cat encounters

The latest episode of Ariel’s excellent Offworld video series (and podcast) is all about Close Encounters Of The Third Kind.

I have such fondness for this film. It’s one of those films that I love to watch on a Sunday afternoon (though that’s true of so many Spielberg films—Jaws, Raiders Of The Lost Ark, E.T.). I remember seeing it in the cinema—this would’ve been the special edition re-release—and feeling the seat under me quake with the rumbling of the musical exchange during the film’s climax.

Ariel invited Rose Eveleth and Laura Welcher on to discuss the film. They spent a lot of time discussing the depiction of first contact communication—Arrival being the other landmark film on this topic.

This is a timely discussion. There’s a new book by Daniel Oberhaus published by MIT Press called Extraterrestrial Languages:

If we send a message into space, will extraterrestrial beings receive it? Will they understand?

You can a read an article by the author on The Guardian, where he mentions some of the wilder ideas about transmitting signals to aliens:

Minsky, widely regarded as the father of AI, suggested it would be best to send a cat as our extraterrestrial delegate.

Don’t worry. Marvin Minsky wasn’t talking about sending a real live cat. Rather, we transmit instructions for building a computer and then we can transmit information as software. Software about, say, cats.

It’s not that far removed from what happened with the Voyager golden record, although that relied on analogue technology—the phonograph—and sent the message pre-compiled on hardware; a much slower transmission rate than radio.

But it’s interesting to me that Minsky specifically mentioned cats. There’s another long-term communication puzzle that has a cat connection.

The Yukka Mountain nuclear waste repository is supposed to store nuclear waste for 10,000 years. How do we warn our descendants to stay away? We can’t use language. We probably can’t even use symbols; they’re too culturally specific. A think tank called the Human Interference Task Force was convened to agree on the message to be conveyed:

This place is a message… and part of a system of messages… pay attention to it! Sending this message was important to us. We considered ourselves to be a powerful culture.

This place is not a place of honor…no highly esteemed deed is commemorated here… nothing valued is here.

What is here is dangerous and repulsive to us. This message is a warning about danger.

A series of thorn-like threatening earthworks was deemed the most feasible solution. But there was another proposal that took a two pronged approach with genetics and folklore:

  1. Breed cats that change colour in the presence of radioactive material.
  2. Teach children nursery rhymes about staying away from cats that change colour.

This is the raycat solution.

The Weight of the WWWorld is Up to Us by Patty Toland

It’s Patty Toland’s first time at An Event Apart! She’s from the fantabulous Filament Group. They’re dedicated to making the web work for everyone.

A few years ago, a good friend of Patty’s had a medical diagnosis that required everyone to pull together. Another friend shared an article about how not to say the wrong thing. This is ring theory. In a moment of crisis, the person involved is in the centre. You need to understand where you are in this ring structure, and only ever help and comfort inwards and dump concerns and problems outwards.

At the same time, Patty spent time with her family at the beach. Everyone reads the same books together. There was a book about a platoon leader in Vietnam. 80% of the story was literally a litany of stuff—what everyone was carrying. This was peppered with the psychic and emotional loads that they were carrying.

A month later there was a lot of coverage of Syrian refugees arriving in Europe. People were outraged to see refugees carrying smartphones as though that somehow showed they weren’t in a desperate situation. But smartphones are absolutely a necessity in that situation, and most of the phones were less expensive, lower-end devices. was a useful site for people in crisis, but the navigation was designed to require JavaScript.

When people thing about mobile, they think about freedom and mobility. But with that JavaScript decision, the developers piled baggage on to the users.

There was a common assertion that slow networks were a third-world challenge. Remember Facebook’s network challenges? They always talked about new markets in India and Africa. The implication is that this isn’t our problem in, say, Omaha or New York.

Pew Research provided a lot of data back then that showed that this thinking was wrong. Use of cell phones, especially smartphones and tablets, escalated dramatically in the United States. There was a trend towards mobile-only usage. This was in low-income households—about one third of the population. Among 5,400 panelists, 15% did not have a JavaScript-enabled device.

Pew Research provided updated data this year. The research shows an increase in those trends. Half of the population access the web primarily on mobile. The cost of a broadband subscription is too expensive for many people. Sometimes broadband access simply isn’t available.

There’s a term called “the homework gap.” Two thirds of teachers assign broadband-dependent homework, while one third of students have no access to broadband.

At most 37% of people have unlimited data. Most people run out of data on a frequent basis.

Speed also varies wildly. 4G doesn’t really mean anything. The data is all over the place.

This shows that network issues are definitely not just a third world challenge.

On the 25th anniversary of the web, Tim Berners-Lee said the web’s potential was only just beginning to be glimpsed. Everyone has a role to play to ensure that the web serves all of humanity. In his contract for the web, Tim outlined what governments, companies, and users need to do. This reminded Patty of ring theory. The user is at the centre. Designers and developers are in the next circle out. Then there’s the circle of companies. Then there are platforms, browsers, and frameworks. Finally there’s the outer circle of governments.

Are we helping in or dumping in? If you look at the data for the average web page size (2 megabytes), we are definitely dumping in. The size of third-party JavaScript has octupled.

There’s no way for a user to know before clicking a link how big and bloated the page is going to be. Even if they abandon the page load, they’ve still used (and wasted) a lot of data.

Third party scripts—like ads—are really bad at dumping in (to use the ring theory model). The best practices for ads suggest that up to 100 additional HTTP requests is totally acceptable. Unbelievable! It doesn’t matter how performant you’ve made a site when this crap gets piled on top of it.

In 2018, the internet’s data centres alone may already have had the same carbon footprint as all global air travel. This will probably triple in the next seven years. The amount of carbon it takes to train a single AI algorithm is more than the entire life cycle of a car. Then there’s fucking Bitcoin. A single Bitcoin transaction could power 21 US households. It is designed to use—specifically, waste—more and more energy over time.

What should we be doing?

Accessibility should be at the heart of what we build. Plan, test, educate, and advocate. If advocacy doesn’t work, fear can be a motivator. There’s an increase in accessibility lawsuits.

Our websites should be as light as possible. Ask, measure, monitor, and optimise. RequestMap is a great tool for visualising requests. You can see the size and scale of third-party requests. You can also see when images are far, far bigger than they need to be.

Take a critical guide to everything and pare everything down. Set perforance budgets—file size budgets, for example. Optimise images, subset custom fonts, lazyload images and videos, get third-party tools out of the critical path (or out completely), and seek out lighter frameworks.

Test on real devices that real people are using. See Alex Russell’s data on the differences between the kind of devices we use and typical low-end devices. We literally need to stop people in JavaScript.

Push the boundaries. See the amazing work that Adrian Holovaty did with Soundslice. He had to make on-the-fly sheet music generation work on old iPads that musicians like to use. He recommends keeping old devices around to see how poorly your product is working on it.

If you have some power, then your job is to empower somebody else.

—Toni Morrison


When I talk about evaluating technology for front-end development, I like to draw a distinction between two categories of technology.

On the one hand, you’ve got the raw materials of the web: HTML, CSS, and JavaScript. This is what users will ultimately interact with.

On the other hand, you’ve got all the tools and technologies that help you produce the HTML, CSS, and JavaScript: pre-processors, post-processors, transpilers, bundlers, and other build tools.

Personally, I’m much more interested and excited by the materials than I am by the tools. But I think it’s right and proper that other developers are excited by the tools. A good balance of both is probably the healthiest mix.

I’m never sure what to call these two categories. Maybe the materials are the “external” technologies, because they’re what users will interact with. Whereas all the other technologies—that mosty live on a developer’s machine—are the “internal” technologies.

Another nice phrase is something I heard during Chris’s talk at An Event Apart in Seattle, when he quoted Brad, who talked about the front of the front end and the back of the front end.

I’m definitely more of a front-of-the-front-end kind of developer. I have opinions on the quality of the materials that get served up to users; the output should be accessible and performant. But I don’t particularly care about the tools that produced those materials on the back of the front end. Use whatever works for you (or whatever works for your team).

As a user-centred developer, my priority is doing what’s best for end users. That’s not to say I don’t value developer convenience. I do. But I prioritise user needs over developer needs. And in any case, those two needs don’t even come into conflict most of the time. Like I said, from a user’s point of view, it’s irrelevant what text editor or version control system you use.

Now, you could make the argument that anything that is good for developer convenience is automatically good for user experience because faster, more efficient development should result in better output. While that’s true in theory, I highly recommend Alex’s post, The “Developer Experience” Bait-and-Switch.

Where it gets interesting is when a technology that’s designed for developer convenience is made out of the very materials being delivered to users. For example, a CSS framework like Bootstrap is made of CSS. That’s different to a tool like Sass which outputs CSS. Whether or not a developer chooses to use Sass is irrelevant to the user—the final output will be CSS either way. But if a developer chooses to use a CSS framework, that decision has a direct impact on the user experience. The user must download the framework in order for the developer to get the benefit.

So whereas Sass sits at the back of the front end—where I don’t care what you use—Bootstrap sits at the front of the front end. For tools like that, I don’t think saying “use whatever works for you” is good enough. It’s got to be weighed against the cost to the user.

Historically, it’s been a similar story with JavaScript libraries. They’re written in JavaScript, and so they’re going to be executed in the browser. If a developer wanted to use jQuery to make their life easier, the user paid the price in downloading the jQuery library.

But I’ve noticed a welcome change with some of the bigger JavaScript frameworks. Whereas the initial messaging around frameworks like React touted the benefits of state management and the virtual DOM, I feel like that’s not as prevalent now. You’re much more likely to hear people—quite rightly—talk about the benefits of modularity and componentisation. If you combine that with the rise of Node—which means that JavaScript is no longer confined to the browser—then these frameworks can move from the front of the front end to the back of the front end.

We’ve certainly seen that at Clearleft. We’ve worked on multiple React projects, but in every case, the output was server-rendered. Developers get the benefit of working with a tool that helps them. Users don’t pay the price.

For me, this question of whether a framework will be used on the client side or the server side is crucial.

Let me tell you about a Clearleft project that sticks in my mind. We were working with a big international client on a product that was going to be rolled out to students and teachers in developing countries. This was right up my alley! We did plenty of research into network conditions and typical device usage. That then informed a tight performance budget. Every design decision—from web fonts to images—was informed by that performance budget. We were producing lean, mean markup, CSS, and JavaScript. But we weren’t the ones implementing the final site. That was being done by the client’s offshore software team, and they insisted on using React. “That’s okay”, I thought. “React can be used server-side so we can still output just what’s needed, right?” Alas, no. These developers did everything client side. When the final site launched, the log-in screen alone required megabytes of JavaScript just to render a form. It was, in my opinion, entirely unfit for purpose. It still pains me when I think about it.

That was a few years ago. I think that these days it has become a lot easier to make the decision to use a framework on the back of the front end. Like I said, that’s certainly been the case on recent Clearleft projects that involved React or Vue.

It surprises me, then, when I see the question of server rendering or client rendering treated almost like an implementation detail. It might be an implementation detail from a developer’s perspective, but it’s a key decision for the user experience. The performance cost of putting your entire tech stack into the browser can be enormous.

Alex Sanders from the development team at The Guardian published a post recently called Revisiting the rendering tier . In it, he describes how they’re moving to React. Now, if this were a move to client-rendered React, that would make a big impact on the user experience. The thing is, I couldn’t tell from the article whether React was going to be used in the browser or on the server. The article talks about “rendering”—which is something that browsers do—and “the DOM”—which is something that only exists in browsers.

So I asked. It turns out that this plan is very much about generating HTML and CSS on the server before sending it to the browser. Excellent!

With that question answered, I’m cool with whatever they choose to use. In this case, they’re choosing to use CSS-in-JS (although, to be pedantic, there’s no C anymore so technically it’s SS-in-JS). As long as the “JS” part is JavaScript on a server, then it makes no difference to the end user, and therefore no difference to me. Not my circus, not my monkeys. For users, the end result is the same whether styling is applied via a selector in an external stylesheet or, for example, via an inline style declaration (and in some situations, a server-rendered CSS-in-JS solution might be better for performance). And so, as a user-centred developer, this is something that I don’t need to care about.


I have misgivings. But just to be clear, these misgivings have nothing to do with users. My misgivings are entirely to do with another group of people: the people who make websites.

There’s a second-order effect. By making React—or even JavaScript in general—a requirement for styling something on a web page, the barrier to entry is raised.

At least, I think that the barrier to entry is raised. I completely acknowledge that this is a subjective judgement. In fact, the reason why a team might decide to make JavaScript a requirement for participation might well be because they believe it makes it easier for people to participate. Let me explain…

It wasn’t that long ago that devs coming from a Computer Science background were deriding CSS for its simplicity, complaining that “it’s broken” and turning their noses up at it. That rhetoric, thankfully, is waning. Nowadays they’re far more likely to acknowledge that CSS might be simple, but it isn’t easy. Concepts like the cascade and specificity are real head-scratchers, and any prior knowledge from imperative programming languages won’t help you in this declarative world—all your hard-won experience and know-how isn’t fungible. Instead, it seems as though all this cascading and specificity is butchering the modularity of your nicely isolated components.

It’s no surprise that programmers with this kind of background would treat CSS as damage and find ways to route around it. The many flavours of CSS-in-JS are testament to this. From a programmer’s point of view, this solution has made things easier. Best of all, as long as it’s being done on the server, there’s no penalty for end users. But now the price is paid in the diversity of your team. In order to participate, a Computer Science programming mindset is now pretty much a requirement. For someone coming from a more declarative background—with really good HTML and CSS skills—everything suddenly seems needlessly complex. And as Tantek observed:

Complexity reinforces privilege.

The result is a form of gatekeeping. I don’t think it’s intentional. I don’t think it’s malicious. It’s being done with the best of intentions, in pursuit of efficiency and productivity. But these code decisions are reflected in hiring practices that exclude people with different but equally valuable skills and perspectives.

Rachel describes HTML, CSS and our vanishing industry entry points:

If we make it so that you have to understand programming to even start, then we take something open and enabling, and place it back in the hands of those who are already privileged.

I think there’s a comparison here with toxic masculinity. Toxic masculinity is obviously terrible for women, but it’s also really shitty for men in the way it stigmatises any male behaviour that doesn’t fit its worldview. Likewise, if the only people your team is interested in hiring are traditional programmers, then those programmers are going to resent having to spend their time dealing with semantic markup, accessibility, styling, and other disciplines that they never trained in. Heydon correctly identifies this as reluctant gatekeeping:

By assuming the role of the Full Stack Developer (which is, in practice, a computer scientist who also writes HTML and CSS), one takes responsibility for all the code, in spite of its radical variance in syntax and purpose, and becomes the gatekeeper of at least some kinds of code one simply doesn’t care about writing well.

This hurts everyone. It’s bad for your team. It’s even worse for the wider development community.

Last year, I was asked “Is there a fear or professional challenge that keeps you up at night?” I responded:

My greatest fear for the web is that it becomes the domain of an elite priesthood of developers. I firmly believe that, as Tim Berners-Lee put it, “this is for everyone.” And I don’t just mean it’s for everyone to use—I believe it’s for everyone to make as well. That’s why I get very worried by anything that raises the barrier to entry to web design and web development.

I’ve described a number of dichotomies here:

  • Materials vs. tools,
  • Front of the front end vs. back of the front end,
  • User experience vs. developer experience,
  • Client-side rendering vs. server-side rendering,
  • Declarative languages vs. imperative languages.

But the split that worries the most is this:

  • The people who make the web vs. the people who are excluded from making the web.

Drag’n’drop revisited

I got a message from a screen-reader user of The Session recently, letting me know of a problem they were having. I love getting any kind of feedback around accessibility, so this was like gold dust to me.

They pointed out that the drag’n’drop interface for rearranging the order of tunes in a set was inaccessible.

Drag and drop

Of course! I slapped my forehead. How could I have missed this?

It had been a while since I had implemented that functionality, so before even looking at the existing code, I started to think about how I could improve the situation. Maybe I could capture keystroke events from the arrow keys and announce changes via ARIA values? That sounded a bit heavy-handed though: mess with people’s native keyboard functionality at your peril.

Then I looked at the code. That was when I realised that the fix was going to be much, much easier than I thought.

I documented my process of adding the drag’n’drop functionality back in 2016. Past me had his progressive enhancement hat on:

One of the interfaces needed for this feature was a form to re-order items in a list. So I thought to myself, “what’s the simplest technology to enable this functionality?” I came up with a series of select elements within a form.


The problem was in my feature detection:

There’s a little bit of mustard-cutting going on: does the dragula object exist, and does the browser understand querySelector? If so, the select elements are hidden and the drag’n’drop is enabled.

The logic was fine, but the execution was flawed. I was being lazy and hiding the select elements with display: none. That hides them visually, but it also hides them from screen readers. I swapped out that style declaration for one that visually hides the elements, but keeps them accessible and focusable.

It was a very quick fix. I had the odd sensation of wanting to thank Past Me for making things easy for Present Me. But I don’t want to talk about time travel because if we start talking about it then we’re going to be here all day talking about it, making diagrams with straws.

I pushed the fix, told the screen-reader user who originally contacted me, and got a reply back saying that everything was working great now. Success!

How to Think Like a Front-End Developer by Chris Coyier

Alright! It’s day two of An Event Apart in Seattle. The first speaker of the day is Chris Coyier. His talk is called How to Think Like a Front-End Developer. From the website:

The job title “front-end developer” is very real: job boards around the world confirm that. But what is that job, exactly? What do you need to know to do it? You might think those answers are pretty cut and dried, but they’re anything but; front-end development is going through something of an identity crisis. In this engaging talk, Chris will explore this identity through the lens of someone who has self-identified as a front-end developer for a few decades, but more interestingly, through many conversations he’s had with other successful front-end developers. You’ll see just how differently this job can be done and how differently people and companies can think of this role—not just for the sake of doing so, but because you’ll learn to be better at your own jobs by understanding how other people are good at theirs.

I’m going to see if I can keep up with Chris’s frenetic pace…

Chris has his own thoughts about what front-end dev is but he wants to share other ideas too. First of all, some grammar:

I work as a front-end developer.

I work on the front end.

Those are correct. These are not:

I work as a front end developer.

I work on the front-end.

And this is just not a word:


Lots of people are hiring front-end developers. So it’s definitely a job and a common job title. But what does it mean. Chris and Dave talked to eight different people on their Shop Talk Show podcast. Some highlights:

Eric feels that the term “front-end developer” is newer than the CSS Zen Garden. Everyone was a webmaster, or as we’d say now, a full-stack developer. But if someone back then used the term “front-end developer”, he’d know what it meant.

Mina says it deals with things you can see. If it’s a user-facing interface, that’s front-end development.

Trent says that he thinks of himself as a web designer and web builder. He doesn’t feel he has the deep expertise of a developer, and yet he spends all of his time in the browser.

So our job is in the browser. You deal with the browser (moreso than other roles). And by the way, there are a lot of browsers out there.

Maybe the user is what differentiates front-end work. Monica says that a back-end developer is allowed not to care about the user if their job is putting a database together. It’s totally fine not to call yourself a front-end developer, but if you do, you need to care about the user.

There are tons of different devices and browsers. It’s overwhelming. So we just gave up.

So, a front-end developer:

  • Is a job and a job title.
  • It deals with browsers, devices, and users.
  • But what skills does it involve?

It’s taken for granted that you can use a computer. There’s also the soft skills of interacting with co-workers. Then there are the language-specific core skills. Finally, there are the bonus skills—all the stuff that makes you you.

Core skills

The languages you need to strongly understand to read, write and maintain them.

HTML and CSS. Definitely. You don’t come across front-end developers who don’t do those languages. But what about JavaScript?

Eric says it’s fine if you know lots of JavaScript but it’s also fine if you don’t write everything from scratch. But you can’t be oblivious to it. You need to understand what it can do.

So let’s put JavaScript into the bucket of core skills too.

Peggy believes that as a front-end developer you need to have a basic proficiency in accessibility too. This is, after all, about user-facing interfaces.

Bonus skills

The Figma team have a somewhat over-engineered graphic of all the skillsets that people might have, between “baseline” and “supplementary”.

Perhaps we all share a common trunk of skills, and then we branch in different directions.

Right now though, it feels like front-end development is having an identity crisis. It’s all about JavaScript, which is eating the planet.


JavaScript is crazy popular now. It’s unignorable. Yes, it’s the language in the browser, but now it’s also the language in loads of other places too.

Steven Davis says maybe we need to fork the term front-end development. Maybe we need to have UX engineers and JavaScript engineers. Can one person be great at both? Maybe the trunk of skills forks in two very different directions.

Vernon Joyce called this an identity crisis. The concepts in JavaScript frameworks are very alien to people with a background in HTML, CSS, and basic interactive JavaScript.

You could imagine two people called front-end developers meeting, and having nothing in common to talk about. Maybe sports.

Brad says he doesn’t want to be configuring build tools. He thinks of himself as being at the front of front-end development, whereas other people are at the back of front-end development.

This divide is super frustrating to people right now.


Michael Schnarnagl brings up the point about how it’s affecting hiring. Back-end developers are being replaced with JavaScript engineers. Lots of things that used to be back-end tasks are now happening on the client side. Component-driven design, site-level architecture, routing, getting data from the back end, mutating data, talking to APIs, and managing state—all of those things are now largely a front-end concern.

Let’s look at CodePen. There’s a little heart icon on each pen. It’s an icon component. And the combination of the heart and the overall count is also a component. And the bar of items altogether—that’s also a component. And the pen it sits under is a component. And the page it’s in is a component. And the URL for that page is a component. Now the whole site is a front-end developer’s concern.

In the past, a front-end developer would ask a back-end developer for an API endpoint. Now with GraphQL, the front-end developer can craft a query to get exactly what they need. Sure, the GraphQL stuff had to be set up in the first place, but that’s one-time task. Once it’s set up, the front-end developer has everything they need.

All the old work hasn’t gone away either. Semantics, accessibility, styling—that’s still the work of a front-end developer as well as all of the new stuff listed above.

Hiring is a big part of this. Lara Schenk talks about going for an interview where she met 90% of the skills listed. Then in an interview, she was asked to do a fizzbuzz test. That’s not the way that Lara thinks. She would’ve been great for that job, but this single task derailed her. She wrote about it, and got snarky comments from people who thought she should’ve been able to do the task. But Lara’s main point was the mismatch between what was advertised and what was actually being hired for.

You see a job posting for front-end developer. Who is that for? Is it for someone into React, webpack, and GraphQL? Or is it for someone into SVG, interaction design, and accessibility? They’re both front-end developers. And remember, they can learn one another’s skills, but when it comes to hiring, it has to be about the skills people have right now.

Peggy talks about how specialised your work can be. You can specialise in SVG. You can specialise in APIs and data.

We’re probably not going to solve this right now. The hiring part is definitely the worst part right now. One solution is to use plain language in job posts. Make it clear what you’re looking for right now and explain what background you’re coming from. Use words instead of a laundry list of requirements.

Heydon Pickering talks about full-stack developers. Their core skills are hardcore computer science skills.

Brad Frost concurs. It tends not to be the other way around. The output tends to be the badly-sketched front of the horse.

Even if there is a divide, that doesn’t absolve any of us from doing a good job. That’s true whether it’s computer science tasks or markup and CSS.

Despite the divide, performance, accessibility, and user experience are all our jobs.

Maybe this term “front-end developer” needs rethinking.

The brain game

Let’s peak into the minds of very different front-end developers. Chris and Dave went to Dribbble, pulled up a bunch of designs and put them in front of their guests on the Shop Talk Show.

Here’s a design of a page.

  • Brad looks at the design and sees a lot of components of different sizes and complexity.
  • Mina sees a bunch of media objects.
  • Eric sees HTML structures. That’s a heading. That’s a list. Over there is an unordered list.
  • Sam sees a lot of typography. She sees a type system.
  • Trent immediately starts thinking about how the design is supposed to work in different screen sizes.

Here’s a different, more image-heavy design.

  • Mina would love to tackle the animations.
  • Trent sees interesting textures and noise. He wonders how he could achieve those effects without exporting giant image files.
  • Brad, unsurprisingly, sees components, even in a seemingly bespoke layout.
  • Eric immediately sees a lot of SVG.
  • Sam needs to know what the HTML is.

Here’s a more geometric design.

  • Sam is drawn to the typography.
  • Mina sees an opportunity to use writing modes.
  • Trent sees a design that would reflow and reshape itself well.
  • Eric sees something with writing mode, grid, and custom fonts.

Here’s a financial mobile UI.

  • Trent wants to run it through a colour-contrast analyser, and he wants to know if the font size is too small.

Here’s a crazy festival website.

  • Mina wonders if it needs a background video, but worries about the performance.

Here’s an on-trend mobile design.

  • Monica sees something that looks like every other website.
  • Ben wonders whether it will work in other parts of the world. How will the interactions work? Separate pages or transitions? How will it feel?

Here’s an image-heavy design.

  • Monica wonders about the priority of which images to load first.

Here’s an extreme navigation with big images.

  • Ben worries about the performance on slow connections.
  • Monica gets stressed out about how much happens when you just click on a link.
  • Peggy sees something static and imagines using Gatsby for it.

Here’s a design that’s map-based.

  • Ben worries about the size of the touch targets.
  • Monica sees an opportunity to use SVGs.

Here’s a card UI.

  • Ben wonders what the browser support is. Can we use CSS grid or do we have to use something older?
  • Monica worries that this needs drag’n’drop. Now you’ve got a nightmare scenario.

Chris has been thinking about and writing about this topic of what makes someone a front-end developer, and what makes someone a good front-end developer. The debate will continue…

Accessibility on The Session

I spent some time this weekend working on an accessibility issue over on The Session. Someone using VoiceOver on iOS was having a hard time with some multi-step forms.

These forms have been enhanced with some Ajax to add some motion design: instead of refreshing the whole page, the next form is grabbed from the server while the previous one swooshes off the screen.

You can see similar functionality—without the animation—wherever there’s pagination on the site.

The pagination is using Ajax to enhance regular prev/next links—here’s the code.

The multi-step forms are using Ajax to enhance regular form submissions—here’s the code for that.

Both of those are using a wrapper I wrote for XMLHttpRequest.

That wrapper also adds some ARIA attributes. The region of the page that will be updated gets an aria-live value of polite. Then, whenever new content is being injected, the same region gets an aria-busy value of true. Once the update is done, the aria-busy value gets changed back to false.

That all seems to work fine, but I was also giving the same region of the page an aria-atomic value of true. My thinking was that, because the whole region was going to be updated with new content from the server, it was safe to treat it as one self-contained unit. But it looks like this is what was causing the problem, especially when I was also adding and removing class values on the region in order to trigger animations. VoiceOver seemed to be getting a bit confused and overly verbose.

I’ve removed the aria-atomic attribute now. True to its name, I’m guessing it’s better suited to small areas of a document rather than big chunks. (If anyone has a good primer on when to use and when to avoid aria-atomic, I’m all ears).

I was glad I was able to find a fix—hopefully one that doesn’t negatively impact the experience in other screen readers. As is so often the case, the issue was with me trying to be too clever with ARIA, and the solution was to ease up on adding so many ARIA attributes.

It also led to a nice discussion with some of the screen-reader users on The Session.

For me, all of this really highlights the beauty of the web, when everyone is able to contribute to a community like The Session, regardless of what kind of software they may be using. In the tunes section, that’s really helped by the use of ABC notation, as I wrote five years ago:

One of those screen-reader users got in touch with me shortly after joining to ask me to explain what ABC was all about. I pointed them at some explanatory links. Once the format “clicked” with them, they got quite enthused. They pointed out that if the sheet music were only available as an image, it would mean very little to them. But by providing the ABC notation alongside the sheet music, they could read the music note-for-note.

That’s when it struck me that ABC notation is effectively alt text for sheet music!

Then, for those of use who can read sheet music, the text of the ABC notation is automatically turned into an SVG image using the brilliant abcjs. It’s like an enhancement that’s applied, I dunno, what’s the word …progressively.