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Talks and workshops at UX London 2023

Back in November of last year I announced that UX London would be returning in 2023 and that I’d be curating the line-up again. That’s where I’ve been putting a lot of my energy over the last six months.

The line-up is complete. If I step back and try to evaluate it objectively, I’ve gotta say …hot damn, that’s a fine roster of speakers!

Imran Afzal, Vimla Appadoo, Daniel Burka, Trine Falbe, Vitaly Friedman, Mansi Gupta, Stephen Hay, Asia Hoe, Amy Hupe, Paul Robert Lloyd, Stacey Mendez, Ignacia Orellana, Stefanie Posavec, Hannah Smith, and David Dylan Thomas.

Take a look at the complete schedule—a terrific mix of thought-provoking talks and practical hands-on workshops.

On day one, you’ve got these talks:

Then on day two:

And that’s just the talks! You’ve also got these four excellent workshops on both days:

That’s a lot of great stuff packed into two days!

In case you haven’t guessed, I am very excited about this year’s UX London. I would love to see you there.

As an appreciation for you putting up with my child-like excitement, I’d like to share a discount code with you. You can get 20%—that’s one fifth!—off the ticket price using the code CLEARLEFT20.

But note that the standard ticket pricing ends on Friday, May 26th so use that code in the next week to get the most bang for your buck. After that, there’ll only be last-chance tickets, which cost more.

Looking forward to seeing you at Tobacco Dock on June 22nd and 23rd!

More speakers for UX London 2023

I’d like to play it cool when I announce the latest speakers for UX London 2023, like I could be all nonchalant and say, “oh yeah, did I not mention these people are also speaking…?”

But I wouldn’t be able to keep up that façade for longer than a second. The truth is I am excited to the point of skittish gigglyness about this line-up.

Look, I’ll let you explore these speakers for yourself while I try to remain calm and simply enumerate the latest additions…

A smiling white woman with shoulder-length brown hair wearing a bright red top in a pink chair in front of a bright blue wall. A studio portrait of a white woman with long straight light brown hair wearing a black top. A smiling black man with glasses and close-cropped hair and beard wearing a leather jacket outdoors.

The line-up is almost complete now! Just one more speaker to announce.

I highly recommend you get your UX London ticket if you haven’t already. You won’t want to miss this!

Another three speakers for UX London 2023

I know I’m being tease, doling out these UX London speaker announcements in batches rather than one big reveal. Indulge me in my suspense-ratcheting behaviour.

Today I’d like to unveil three speakers whose surnames start with the letter H…

  • Stephen Hay, Creative Director at Rabobank,
  • Asia Hoe, Senior Product Designer, and
  • Amy Hupe, Design Systems consultant at Frankly Design.
A professional portrait of a smiling white man in a turtleneck jumper and suit jacket with close-cut dark curly hair that's beginning to show signs of grey. An outdoor portrait of a smiling dark-skinned woman smiling with shoulder-length black hair. A smiling white woman with long dark hair sitting on the sofa in a cosy room with a nice cup of tea.

Just look at how that line-up is coming together! There’ll be just one more announcement and then the roster will be complete.

But don’t wait for that. Grab your ticket now and I’ll see you in London on June 22nd and 23rd!

Guessing

The last talk at the last dConstruct was by local clever clogs Anil Seth. It was called Your Brain Hallucinates Your Conscious Reality. It’s well worth a listen.

Anil covers a lot of the same ground in his excellent book, Being You. He describes a model of consciousness that inverts our intuitive understanding.

We tend to think of our day-to-day reality in a fairly mechanical cybernetic manner; we receive inputs through our senses and then make decisions about reality informed by those inputs.

As another former dConstruct speaker, Adam Buxton, puts it in his interview with Anil, it feels like that old Beano cartoon, the Numskulls, with little decision-making homonculi inside our head.

But Anil posits that it works the other way around. We make a best guess of what the current state of reality is, and then we receive inputs from our senses, and then we adjust our model accordingly. There’s still a feedback loop, but cause and effect are flipped. First we predict or guess what’s happening, then we receive information. Rinse and repeat.

The book goes further and applies this to our very sense of self. We make a best guess of our sense of self and then adjust that model constantly based on our experiences.

There’s a natural tendency for us to balk at this proposition because it doesn’t seem rational. The rational model would be to make informed calculations based on available data …like computers do.

Maybe that’s what sets us apart from computers. Computers can make decisions based on data. But we can make guesses.

Enter machine learning and large language models. Now, for the first time, it appears that computers can make guesses.

The guess-making is not at all like what our brains do—large language models require enormous amounts of inputs before they can make a single guess—but still, this should be the breakthrough to be shouted from the rooftops: we’ve taught machines how to guess!

And yet. Almost every breathless press release touting some revitalised service that uses AI talks instead about accuracy. It would be far more honest to tout the really exceptional new feature: imagination.

Using AI, we will guess who should get a mortgage.

Using AI, we will guess who should get hired.

Using AI, we will guess who should get a strict prison sentence.

Reframed like that, it’s easy to see why technologists want to bury the lede.

Alas, this means that large language models are being put to use for exactly the wrong kind of scenarios.

(This, by the way, is also true of immersive “virtual reality” environments. Instead of trying to accurately recreate real-world places like meeting rooms, we should be leaning into the hallucinatory power of a technology that can generate dream-like situations where the pleasure comes from relinquishing control.)

Take search engines. They’re based entirely on trust and accuracy. Introducing a chatbot that confidentally conflates truth and fiction doesn’t bode well for the long-term reputation of that service.

But what if this is an interface problem?

Currently facts and guesses are presented with equal confidence, hence the accurate descriptions of the outputs as bullshit or mansplaining as a service.

What if the more fanciful guesses were marked as such?

As it is, there’s a “temperature” control that can be adjusted when generating these outputs; the more the dial is cranked, the further the outputs will stray from the safest predictions. What if that could be reflected in the output?

I don’t know what that would look like. It could be typographic—some markers to indicate which bits should be taken with pinches of salt. Or it could be through content design—phrases like “Perhaps…”, “Maybe…” or “It’s possible but unlikely that…”

I’m sure you’ve seen the outputs when people request that ChatGPT write their biography. Perfectly accurate statements are generated side-by-side with complete fabrications. This reinforces our scepticism of these tools. But imagine how differently the fabrications would read if they were preceded by some simple caveats.

A little bit of programmed humility could go a long way.

Right now, these chatbots are attempting to appear seamless. If 80% or 90% of their output is accurate, then blustering through the other 10% or 20% should be fine, right? But I think the experience for the end user would be immensely more empowering if these chatbots were designed seamfully. Expose the wires. Show the workings-out.

Mind you, that only works if there is some way to distinguish between fact and fabrication. If there’s no way to tell how much guessing is happening, then that’s a major problem. If you can’t tell me whether something is 50% true or 75% true or 25% true, then the only rational response is to treat the entire output as suspect.

I think there’s a fundamental misunderstanding behind the design of these chatbots that goes all the way back to the Turing test. There’s this idea that the way to make a chatbot believable and trustworthy is to make it appear human, attempting to hide the gears of the machine. But the real way to gain trust is through honesty.

I want a machine to tell me when it’s guessing. That won’t make me trust it less. Quite the opposite.

After all, to guess is human.

The past is a foreign country

I tried watching a classic Western this weekend, How The West Was Won. I did not make it far. Let’s just say that in the first few minutes, the Spencer Tracy voiceover that accompanies the sweeping vistas sets out an attitude toward the indigenous population that would not fly today.

It’s one thing to be repulsed by a film from another era, but it’s even more uncomfortable to revisit the films from your own teenage years.

Tim Carmody has written about the real hero of Top Gun:

Iceman’s concern for Maverick and the safety of his fighter unit is totally understandable. He tries, however awkwardly, to discuss Goose’s death with Maverick. There’s no discussion of blame. And when they’re assigned to fly into combat together, Iceman briefly and discreetly raises the issue of Maverick’s fitness to fly with his superior officer and withdraws his concern once a decision is made.

I know someone who didn’t watch Ferris Bueller’s Day Off until they were well into adulthood. Their sympathies lay squarely with Dean Rooney.

And I think we can all agree in hindsight that Walter Peck was completely correct in his assessment of the dangers in Ghostbusters.

Oh, and The Karate Kid was the real bully.

This week, George wrote I’ve fallen out of love with Indiana Jones. Indy’s attitude of “it belongs in a museum” is the same worldview that got the Parthenon Marbles into the British Museum (instead of, y’know, the Parthenon where they belong).

Adrian Hon invites us to imagine what it would be like if the tables were turned. He wrote a short piece of speculative fiction called The Taking of Stonehenge:

We selected these archaeological sites based on their importance to our collective understanding of human and galactic history, and their immediate risk of irreparable harm from pollution, climate change, neglect, and looting. We are sympathetic to claims that preserving these sites in their “original” context is important, but our duty of care outweighs such emotional considerations.

The next four speakers for UX London 2023

I am positively giddy with excitement to tell you about some more speakers you can look forward to at UX London 2023:

A smiling dark-skinned young woman with long hair wearing a black T-shirt and a green pendant in front of a light background. A smiling light-skinned woman with long dark hair wearing a comfy-looking blue top. A smiling light-skinned man with a shaved head illuminated in front of a pitch black background. A smiling woman with wavy blonde hair, pale skin and light blue eyes wearing a dark outfit in front of a light background.

I have more confirmed speakers but I’m going to be a tease and save them for a separate announcement soon. You can expect more of the same: smart, fabulous people with all kinds of design experience that they’re going to share with you at UX London.

But why wait for another speaker announcement? Get your ticket to UX London 2023 now!

The first four speakers for UX London 2023

Please put your fingers on the desk in front of you and move them up and down rapidly in the manner of a snare drum…

I’m very happy to announce the first four speakers for UX London 2023:

A tan-skinned young man with short hair and a neatly trimmed beard wearing glasses, a baseball cap and jacket smiles in front of a wall. A brown-skinned woman with short hair and a colourful yellow top wearing a virtual reality headset looking to one side. A studio portrait of a clean-shaven light-skinned man with short dark hair in a white shirt. An outdoor portrait of a brown-skinned woman with shoulder-length black hair and glasses.

This is shaping up nicely! You can expect some more speaker announcements before too long.

But don’t wait too long to get your ticket—early-bird pricing ends this month on Friday, February 24th. Then the price goes up by £200. If you need to convince your boss, here are some reasons to attend.

I very much look forward to seeing you at Tobacco Dock on June 22nd and 23rd this year!

In between

I was chatting with my new colleague Alex yesterday about a link she had shared in Slack. It was the Nielsen Norman Group’s annual State of Mobile User Experience report.

There’s nothing too surprising in there, other than the mention of Apple’s app clips and Google’s instant apps.

Remember those?

Me neither.

Perhaps I lead a sheltered existence, but as an iPhone user, I don’t think I’ve come across a single app clip in the wild.

I remember when they were announced. I was quite worried about them.

See, the one thing that the web can (theoretically) offer that native can’t is instant access to a resource. Go to this URL—that’s it. Whereas for a native app, the flow is: go to this app store, find the app, download the app.

(I say that the benefit is theoretical because the website found at the URL should download quickly—the reality is that the bloat of “modern” web development imperils that advantage.)

App clips—and instant apps—looked like a way to route around the convoluted install process of native apps. That’s why I was nervous when they were announced. They sounded like a threat to the web.

In reality, the potential was never fulfilled (if my own experience is anything to go by). I wonder why people didn’t jump on app clips and instant apps?

Perhaps it’s because what they promise isn’t desirable from a business perspective: “here’s a way for users to accomplish their tasks without downloading your app.” Even though app clips can in theory be a stepping stone to installing the full app, from a user’s perspective, their appeal is the exact opposite.

Or maybe they’re just too confusing to understand. I think there’s an another technology that suffers from the same problem: progressive web apps.

Hear me out. Progressive web apps are—if done well—absolutely amazing. You get all of the benefits of native apps in terms of UX—they even work offline!—but you retain the web’s frictionless access model: go to a URL; that’s it.

So what are they? Are they websites? Yes, sorta. Are they apps? Yes, sorta.

That’s confusing, right? I can see how app clips and instant apps sound equally confusing: “you can use them straight away, like going to a web page, but they’re not web pages; they’re little bits of apps.”

I’m mostly glad that app clips never took off. But I’m sad that progressive web apps haven’t taken off more. I suspect that their fates are intertwined. Neither suffer from technical limitations. The problem they both face is inertia:

The technologies are the easy bit. Getting people to re-evaluate their opinions about technologies? That’s the hard part.

True of progressive web apps. Equally true of app clips.

But when I was chatting to Alex, she made me look at app clips in a different way. She described a situation where somebody might need to interact with some kind of NFC beacon from their phone. Web NFC isn’t supported in many browsers yet, so you can’t rely on that. But you don’t want to make people download a native app just to have a quick interaction. In theory, an app clip—or instant app—could do the job.

In that situation, app clips aren’t a danger to the web—they’re polyfills for hardware APIs that the web doesn’t yet support!

I love having my perspective shifted like that.

The specific situations that Alex and I were discussing were in the context of museums. Musuems offer such interesting opportunities for the physical and the digital to intersect.

Remember the pen from Cooper Hewitt? Aaron spoke about it at dConstruct 2014—a terrific presentation that’s well worth revisiting and absorbing.

The other dConstruct talk that’s very relevant to this liminal space between the web and native apps is the 2012 talk from Scott Jenson. I always thought the physical web initiative had a lot of promise, but it may have been ahead of its time.

I loved the thinking behind the physical web beacons. They were deliberately dumb, much like the internet itself. All they did was broadcast a URL. That’s it. All the smarts were to be found at the URL itself. That meant a service could get smarter over time. It’s a lot easier to update a website than swap out a piece of hardware.

But any kind of technology that uses Bluetooth, NFC, or other wireless technology has to get over the discovery problem. They’re invisible technologies, so by default, people don’t know they’re even there. But if you make them too discoverable— intrusively announcing themselves like one of the commercials in Minority Report—then they’re indistinguishable from spam. There’s a sweet spot of discoverability right in the middle that’s hard to get right.

Over the past couple of years—accelerated by the physical distancing necessitated by The Situation—QR codes stepped up to the plate.

They still suffer from some discoverability issues. They’re not human-readable, so you can’t be entirely sure that the URL you’re going to go to isn’t going to be a Rick Astley video. But they are visible, which gives them an advantage over hidden wireless technologies.

They’re cheaper too. Printing a QR code sticker costs less than getting a plastic beacon shipped from China.

QR codes turned out to be just good enough to bridge the gap between the physical and digital for those one-off interactions like dining outdoors during a pandemic:

I can see why they chose the web over a native app. Online ordering is the only way to place your order at this place. Telling people “You have to go to this website” …that seems reasonable. But telling people “You have to download this app” …that’s too much friction.

Ironically, the nail in the coffin for app clips and instant apps might’ve been hammered in by Apple and Google when they built QR-code recognition into their camera software.

The audio from dConstruct 2022

dConstruct 2022 was great fun. It was also the last ever dConstruct.

If you were there, and you’d like to re-live the magic, the audio from the talks is now available on the dConstruct Archive. Here they are:

Thanks to some service worker magic, you can select any of those talks for offline listening later.

The audio is also available on Huffduffer on the dConstruct Huffduffer account. Here’s the RSS feed that you can pop into your podcast software of choice.

If you’re more of a visual person, you can watch videos of the slides synced with the audio. They’ve all got captions too (good ones, not just automatically generated).

So have a listen in whichever way you prefer.

Now that I’ve added the audio from the last dConstruct to the dConstruct archive, it feels like the closing scene of Raiders Of The Lost Ark. Roll credits.

That was dConstruct 2022

dConstruct 2022 happened last Friday, September 9th.

And what an event it was! All eight talks were superb. To have eight speakers and not a single dud is pretty great. To have eight speakers and each one be absolutely brilliant is more than I could’ve hoped for.

Hidde has written a summary of the talks. I loved each and every one. I got to sit there in the front row of the beautiful Duke of York’s cinema and watch these supersmart people blow my mind.

With six of the eight speakers having spoken at previous dConstructs, there was a lot of nostalgia in the air on Friday.

It was the last dConstruct.

A lot of people seemed surprised by this even though I kept saying it was a one-off event. Really, the last dConstruct happened in 2015. This year’s event was a one-time-only anniversary event.

Obviously because the day was so great, people expressed sadness and disappointment that there wouldn’t be another. But like I said, if a band like The Velvet Underground reforms to do one last gig, that’s pretty cool; but if a band like The Velvet Underground reforms to go on endless tours, that’s kind of sad. It’s time to move on. Have one last blow-out and go out in style.

And who knows? Maybe there’ll be some other kind of dConstructy gathering in a different format. Perhaps an evening salon event is more suited to this kind of interdisciplinary mish-mash. But as a one-day conference, dConstruct is now officially over.

To be honest, there was never any doubt that dConstruct 2022 would be an excellent day of talks. I knew that each of the speakers would deliver the goods. I played it somewhat safe with the line-up. Because this was a kind of “best of” event, I could draw upon speakers from previous years who were guaranteed to be mesmerising.

In a weird way, that also highlights the biggest problem with this year’s dConstruct. Even though every individual talk was terrific, when you pull back and look at the line-up in aggregate, you can’t help but notice its lack of diversity.

That’s on me.

I could show you the list of people I tried to get. I could talk you through the spots that fell through. But all I’d be doing is giving you excuses. I could show that my intentions were good, but intentions don’t matter as much as actions. The proof of the pudding is in the eating, and what we ate last Friday was wonderful but also sadly representative of dConstruct’s homogenous history. For that reason alone, it’s time to draw a line under dConstruct.

It was a bittersweet send-off. On the one hand, I got to enjoy a day of brilliant talks. On the other hand, I’m pretty disappointed in myself that the line-up wasn’t more diverse. I can make all the claims I want about valuing diversity, but they’re hollow without meaningful results.

So that’s enough looking to the past. I’m bidding farewell to dConstruct and setting my sights on the future, a future that features more and different voices.

If you came along to dConstruct 2022, thank you! If you enjoyed attending dConstruct just half as much as I enjoyed hosting it …well, then I enjoyed it twice as much as you.

One day to dConstruct

Just one more sleep until dConstruct—squee!

Not that I anticipate getting much sleep. My sleepnessness will partly be like that of a child on the night before Christmas. But my sleepnessness will also inevitably be that of an adult neurotically worrying about trifling details.

In reality, everything is all set. Thanks to the stellar Clearleft events team, I don’t need to lose any sleep. But my stupid brain can’t help but run a conveyer belt of potential problems through my mind: what about dongles? Power? Timings? What if there’s an impromptu rail strike? A deluge? Other emergencies you can’t even imagine?

I try to ignore those pestering pointless questions and instead think about the fantastic talks we’re going to get. I’m genuinely excited about each and every speaker. I’m pretty sure that once the day begins, I’ll forget all my worries and bliss out to the mind-expanding presentations.

The day before a conference feels kind of like the build-up to a battle. All the strategic decisions have been made, everything is in place, and now there’s nothing to do but wait.

I’ve communicated (or maybe over-communicated) all the relevant details to the speakers. And one week ago I sent one final email to the attendees with details of the schedule and some suggestions for lunch.

I also included this request:

Could you do me a favour? Would you mind getting a hold of a Covid test sometime in the next week and taking a test a day or two before dConstruct? (And if you test positive, please don’t come to the event.)

If you can’t get hold of a test (I know it can be tricky), then could you please bring a mask to wear when inside the venue?

I think asking everyone to take a test is a reasonable request, and nobody has objected to it. I worry that it’s yet another form of hygiene theatre (like providing anti-bacterial handwash for an airborne virus). After all, the antigen tests are most effective when you’ve already got symptoms. Taking a test when you don’t have symptoms might well give a negative result, but it doesn’t necessarily mean you don’t have Covid. Still, it’s a little intervention that might catch an infection that otherwise would’ve spread further.

I’m assuming that everyone coming to dConstruct is vaccinated. Maybe that’s naive on my part, but I figure if you’re intelligent enough to get a dConstruct ticket, you’re intelligent enough to protect yourself and others. So we won’t be requesting proof of vaccination. I hope my naivety aligns with reality.

See, this is all one more thing for my brain to gnaw on when I should be thinking about what a fantastic day of talks I’ve got ahead of me. Roll on tomorrow!

dConstruct update

Not long now until the last ever dConstruct. It’s on Friday of next week, that’s the 9th of September. And there are still a few tickets available if you haven’t got yours yet.

I have got one update to the line-up to report. Sadly, Léonie Watson isn’t going to be able to make it after all. That’s a shame.

But that means there’s room to squeeze in one more brilliant speaker from the vaults of the dConstruct archive.

I’m very pleased to announce that Seb Lee-Delisle will be returning, ten years after his first dConstruct appearance.

Back then he was entertaining us with hardware hacking and programming for fun. That was before he discovered lasers. Now he’s gone laser mad.

Don’t worry though. He’s fully qualified to operate lasers so he’s not going to take anyone’s eye out at dConstruct. Probably.

The schedule for dConstruct 2022

The last ever dConstruct will happen just over three weeks from now, on Friday, September 9th.

That’s right—if you don’t have your ticket for this event, you won’t get another chance. The conference with its eye on the future will become a thing of the past.

dConstruct is going to go out with a bang, a veritable fireworks display of mind bombs. A calligrapher, a writer, a musician, and a nueroscientist will be on the line-up alongside designers and technologists.

Here’s the schedule for the day:

8:30Registration begins
9:50Opening remarks
10:00George Oates
10:30Lauren Beukes
11:00Break
11:30Seb Lester
12:00Daniel Burka
12:30Lunch
14:00Sarah Angliss
14:30Matt Webb
15:00Break
15:30Léonie Watson
16:00Anil Seth
16:30Closing remarks

So the first talk starts at 10am and the last talk finishes at 4:30pm—all very civilised. Then we can all go to the pub.

There isn’t an official after-party but we can collectively nominate a nearby watering hole—the Unbarred taproom perhaps, or maybe The Hare And Hounds or The Joker—they’re all within cat-swinging distance of The Duke Of York’s.

Lunch isn’t provided but there are some excellent options nearby (and you’ll have a good hour and a half for the lunch break so there’s no rush).

The aforementioned Joker has superb hot wings from Lost Boys Chicken (I recommed the Rufio sauce if you like ‘em spicy, otherwise Thuddbutt is a good all ‘rounder).

The nearby Open Market has some excellent food options, including Casa Azul for superb Mexican food, and Kouzina for hearty Greek fare.

And the famous Bardsley’s fish’n’chips is just ‘round the corner too.

So there’ll be plenty of food for the soul to match the food for your brain that’ll be doled up at dConstruct 2022.

The line-up for dConstruct 2022 …revealed!

Alright, I’ve kept you in suspense for long enough. It’s time to reveal the magnificent line-up for dConstruct 2022.

I’ll now put names to the teasing list of descriptions I previously provided

A technologist, product designer, and writer who defies categorisation. They’ve headed up a design studio, co-founded a start-up, and now consult on super-clever machine learning stuff. Their blog is brilliant.

This is Matt Webb. Matt previously spoke at dConstruct back in 2007, when he gave a talk called The Experience Stack

An award-winning author from South Africa whose work has recently been adapted for television. Some of their work is kind of sci-fi, some of it is kind of horror, some of it is kind of magical realism, and all of it is great.

This is Lauren Beukes. Lauren previously spoke at dConstruct in 2012, when she gave a talk called Imagined Futures.

An artist and designer who has created logos and illustrations for NASA, Apple, and Intel as well as custom typefaces for British Airways and Waitrose. A lover of letterforms, they are now one of the world’s highest-profile calligraphers posting their mesmerising work on Instagram.

This is Seb Lester.

A Canadian digital designer who has previously worked in the agency world, at Silicon Valley startups, and even venture capital. But now they’re doing truly meaningful work, designing for busy healthcare workers in low-income countries.

This is Daniel Burka. Daniel previously spoke at dConstruct back in 2008, when he gave a talk called Designing for Interaction.

A multi-instrumentalist musician, producer and robotic artist who composes for film, theatre and the concert stage. They play a mean theremin.

This is Sarah Angliss. Sarah previously spoke at dConstruct in 2013, when she gave a talk called Tech and the Uncanny.

An Australian designer and entrepreneur. They work in the cultural heritage sector and they’re an expert on digital archives. Their latest challenge is working out how to make an online photography archive last for 100 years.

This is George Oates. George previously spoke at dConstruct back in 2007, where she and Denise Wilton had a conversation called Human Traffic.

A tireless defender of web standards and co-author of the Inclusive Design Principles. They’re a member of the W3C Advisory Board and of the BIMA Inclusive Design Council. Expect some thoughtful takes on the intersection of accessibility and emerging technologies.

This is Léonie Watson.

A professor of neuroscience who is also a bestselling author. They conduct experiments on people’s brains and then talk about it afterwards. Their talks have been known to be mind-altering.

This is Anil Seth.

That’s quite a line-up, isn’t it?

Deducing the full line-up just from those descriptions wasn’t easy, but Hidde de Vries managed it. So Hidde gets a free ticket to dConstruct 2022 …or, at least, he would if it weren’t for the fact that he already has a ticket (because Hidde is smart; be like Hidde). So a friend of Hidde’s is getting a free ticket instead (because Hidde is generous; be like Hidde).

If you’ve been putting off getting a ticket for dConstruct 2022 until you knew what the line-up would be, well, put off no longer.

You’ll want to be at the Duke of York’s in Brighton on Friday, September 9th. With this line-up of eight supersmart speakers, you know it’s going to be a fantastic day!

The line-up for dConstruct 2022

The line-up for dConstruct 2022 is complete!

If you haven’t yet got your ticket, it’s not too late.

Now here’s the thing…

When I announced the event back in May, I said:

I’m currently putting the line-up together. I’m not revealing anything just yet, but trust me, you will want to be there.

I still haven’t revealed anything, and I’m kind of tempted to keep it that way. Imagine showing up at an event and not knowing who’s going to be speaking. Is this is the best idea or the worst idea?

I suspect I’m going to have to announce the line-up at some point, but today is not that day. I’m going to string it out a bit longer.

But I am going to describe the line-up. And I’m going to throw in a challenge. The first person to figure out the complete line-up gets a free ticket. Send a tweet to the @dConstruct Twitter account with your deductions.

Ready? Here’s who’s speaking at dConstruct 2022 on Friday, September 9th in The Duke Of Yorks in Brighton…

  1. A technologist, product designer, and writer who defies categorisation. They’ve headed up a design studio, co-founded a start-up, and now consult on super-clever machine learning stuff. Their blog is brilliant.
  2. An award-winning author from South Africa whose work has recently been adapted for television. Some of their work is kind of sci-fi, some of it is kind of horror, some of it is kind of magical realism, and all of it is great.
  3. An artist and designer who has created logos and illustrations for NASA, Apple, and Intel as well as custom typefaces for British Airways and Waitrose. A lover of letterforms, they are now one of the world’s highest-profile calligraphers posting their mesmerising work on Instagram.
  4. A Canadian digital designer who has previously worked in the agency world, at Silicon Valley startups, and even venture capital. But now they’re doing truly meaningful work, designing for busy healthcare workers in low-income countries.
  5. A multi-instrumentalist musician, producer and robotic artist who composes for film, theatre and the concert stage. They play a mean theremin.
  6. An Australian designer and entrepreneur. They work in the cultural heritage sector and they’re an expert on digital archives. Their latest challenge is working out how to make an online photography archive last for 100 years.
  7. A tireless defender of web standards and co-author of the Inclusive Design Principles. They’re a member of the W3C Advisory Board and of the BIMA Inclusive Design Council. Expect some thoughtful takes on the intersection of accessibility and emerging technologies.
  8. A professor of neuroscience who is also a bestselling author. They conduct experiments on people’s brains and then talk about it afterwards. Their talks have been known to be mind-altering.

Sounds pretty freaking great, right?

Some further clues…

Many of these people have spoken at dConstruct in the past. After all, this year’s one-off event is going to be a kind of “best of.” So you might want to have a nose around the dConstruct archive.

Also, I’ve mentioned some nationalities like Australian, Canadian, and South African, but my self-imposed carbon footprint policy for this event forbids me from flying anyone in. So that’s a clue too.

The game is afoot! Tweet your deductions to the @dConstruct Twitter account or, even better, write a blog post and tweet the link, mentioning @dConstruct. The first correct answer gets a free ticket.

For everyone else, you can still get a ticket.

Wildlife Photographer Of The Year on the Clearleft podcast

Episode three of the Clearleft podcast is here!

This one is a bit different. Whereas previous episodes focused on specific topics—design systems, service design—this one is a case study. And, wow, what a case study! The whole time I was putting the episode together, I kept thinking “The team really did some excellent work here.”

I’m not sure what makes more sense: listen to the podcast episode first and then visit the site in question …or the other way around? Maybe the other way around. In which case, be sure to visit the website for Wildlife Photographer Of The Year.

That’s right—Clearleft got to work with London’s Natural History Museum! A real treat.

Myself and @dhuntrods really enjoyed our visit to the digitisation department in the Natural History Museum. Thanks, Jen, Josh, Robin, Phaedra, and @scuff_el!

This episode of the podcast ended up being half an hour long. It should probably be shorter but I just couldn’t bring myself to cut any of the insights that Helen, James, Chris, and Trys were sharing. I’m probably too close to the subject matter to be objective about it. I’m hoping that others will find it equally fascinating to hear about the process of the project. Research! Design! Dev! This has got it all.

I had a lot of fun with the opening of the episode. I wanted to create a montage effect like the scene-setting opening of a film that has overlapping news reports. I probably spent far too long doing it but I’m really happy with the final result.

And with this episode, we’re halfway through the first season of the podcast already! I figured a nice short run of six episodes is enough to cover a fair bit of ground and give a taste of what the podcast is aiming for, without it turning into an overwhelming number of episodes in a backlog for you to catch up with. Three down and three to go. Seems manageable, right?

Anyway, enough of the backstory. If you haven’t already subscribed to the Clearleft podcast, you should do that. Then do these three things in whichever order you think works best:

Hemimastigophora

Probably fewer than a hundred people in the world have seen what you’re looking at right now.

Jessica and I were taking turns at the microscope when we were told that.

Let me back up a bit and explain how we found ourselves in this this situation…

It all started with The Session, the traditional Irish music community site that I run. There’s a big focus on getting together and playing music—something that’s taken a big hit during this global pandemic. Three sections of the website are devoted to face-to-face gatherings: events (like concerts and festivals), sessions, and the most recent addition, trips.

The idea with trips is that you input somewhere you’re going to be travelling to, along with the dates you’ll be there. It’s like a hyper-focused version of Dopplr. The site then shows you if any events are happening, if there are any sessions on, and also if there are any members of the site in that locality (if those members have added their location to their profiles).

Last August, I added the trips I would be taking in the States. There’s be a trip to Saint Augustine to hang out with Jessica’s family, a trip to Chicago to speak at An Event Apart, and a trip to New York for a couple of days because that’s where the ocean liner was going to deposit us after our transatlantic crossing.

A fellow member of The Session named Aaron who is based in New York saw my trip and contacted me to let me know about the session he goes to (he plays tin whistle). Alas, that session didn’t coincide with our short trip. But he also added:

I work at the American Museum of Natural History, and if you have time and interest, I can provide you with vouchers for tickets to as many special exhibits and such as you’d like!

Ooh, that sounded like fun! He also said:

In fact I could give you a quick behind-the-scenes tour if you’re interested.

Jessica and I didn’t have any set plans for our time in New York, so we said why not?

That’s how we ended spending a lovely afternoon being shown around the parts of the museum that the public don’t usually get to see. It’s quite the collection of curiosities back there!

There’s also plenty of research. Aaron’s particular area was looking into an entirely different kingdom of life—neither animal, nor plant, nor fungus. Remarkably, these microscopic creatures were first identified—by a classmate of Aaron’s—by happenstance in 2016:

The hemimastigotes analyzed by the Dalhousie team were found by Eglit during a spring hike with some other students along the Bluff Wilderness Trail outside Halifax a couple of years ago. She often has empty sample vials in her pockets or bags, and scooped a few tablespoons of dirt into one of them from the side of the trail.

That’s like a doctor announcing that they’d come across a hitherto-unknown limb on the human body. The findings were published in the paper, Hemimastigophora is a novel supra-kingdom-level lineage of eukaryotes in 2018.

In the “backstage” area of the American Museum of Natural History, Aaron had samples of them. He put them under the microscope for us. As we took turns looking at them wriggling their flagella, Aaron said:

Probably fewer than a hundred people in the world have seen what you’re looking at right now.

Union

The nation I live in has decided to impose sanctions on itself. The government has yet to figure out the exact details. It won’t be good.

Today marks the day that the ironically-named Kingdom of Great Britain and Northern Ireland officially leaves the European Union. Nothing will change on a day to day basis (until the end of this year, when the shit really hits the fan).

Looking back on 2019, I had the pleasure and privelige of places that will remain in the European Union. Hamburg, Düsseldorf, Utrecht, Miltown Malbay, Kinsale, Madrid, Amsterdam, Paris, Frankfurt, Antwerp, Berlin, Vienna, Cobh.

Maybe I should do a farewell tour in 2020.

Grüße aus Hamburg!

Auf Wiedersehen, Düsseldorf!

Going for a stroll in Utrecht at dusk.

The road to Miltown.

Checked in at Kinsale Harbour. with Jessica

Checked in at La Casa del Bacalao. Tapas! — with Jessica

Hello Amsterdam!

Indoor aviation.

Guten Tag, Frankfurt.

Catch you later, Antwerp.

The Ballardian exterior of Tempelhof.

Losing my religion.

Boats in Cobh.

Marty’s mashup

While the Interaction 19 event was a bit of a mixed bag overall, there were some standout speakers.

Marty Neumeier was unsurprisingly excellent. I’d seen him speak before, at UX London a few years back, so I knew he’d be good. He has a very reassuring, avuncular manner when he’s speaking. You know the way that there are some people you could just listen to all day? He’s one of those.

Marty’s talk at Interaction 19 was particularly interesting because it was about his new book. Now, why would that be of particular interest? Well, this new book—Scramble—is a business book, but it’s written in the style of a thriller. He wanted it to be like one of those airport books that people read as a guilty pleasure.

One rainy night in December, young CEO David Stone is inexplicably called back to the office. The company’s chairman tells him that the board members have reached the end of their patience. If David can’t produce a viable turnaround plan in five weeks, he’s out of a job. His only hope is to try something new. But what?

I love this idea!

I’ve talked before about borrowing narrative structures from literature and film and applying them to blog posts and conference talks—techniques like flashback, in media res, etc.—so I really like the idea of taking an entire genre and applying it to a technical topic.

The closest I’ve seen is the comic that Scott McCloud wrote for the release of Google Chrome back in 2008. But how about a romantic comedy about service workers? Or a detective novel about CSS grid?

I have a feeling I’ll be thinking about Marty Neumeier’s book next time I’m struggling to put a conference talk together.

In the meantime, if you want to learn from the master storyteller himself, Clearleft are running a two-day Brand Master Workshop with Marty on March 14th and 15th at The Barbican in London. Early bird tickets are on sale until this Thursday, so don’t dilly-dally if you were thinking about nabbing your spot.

Vienna

Back in December 1997, when Jessica and I were living in Freiburg, Dan came to visit. Together, we boarded a train east to Vienna. There we would ring in the new year to the sounds of the Salonorchester Alhambra, the band that Dan’s brother Andrew was playing in (and the band that would later be my first paying client when I made their website—I’ve still got the files lying around somewhere).

That was a fun New Year’s ball …although I remember my mortification when we went for gulash beforehand and I got a drop on the pristine tux that I had borrowed from Andrew.

My other memory of that trip was going to the Kunsthistorisches Museum to see the amazing Bruegel collection. It’s hard to imagine that ever being topped, but then this year, they put together a “once in a lifetime” collection, gathering even more Bruegel masterpieces together in Vienna.

Jessica got the crazy idea in her head that we could go there. In a day.

Looking at the flights, it turned out to be not such a crazy idea after all. Sure, it meant an early start, but it was doable. We booked our museum tickets, and then we booked plane tickets.

That’s how we ended up going to Vienna for the day this past Monday. It was maybe more time than I’d normally like to spend in airports in a 24 hour period, but it was fun. We landed, went into town for a wiener schnitzel, and then it was off to the museum for an afternoon of medieval masterpieces. Hunters in the Snow, the Tower of Babel, and a newly restored Triumph of Death sent from the Prado were just some of the highlights.

There’s a website to accompany the exhibition called Inside Bruegel. You can zoom on each painting to see the incredible detail. You can even compare the infrared and x-ray views. Dive in and explore the world of Pieter Bruegel the Elder.

The Battle between Carnival and Lent