Tags: pub

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sparkline

The many formats of Resilient Web Design

If you don’t like reading in a web browser, you might like to know that Resilient Web Design is now available in more formats.

Jiminy Panoz created a lovely EPUB version. I tried it out in Apple’s iBooks app and it looks great. I tried to submit it to the iBooks store too, but that process threw up a few too many roadblocks.

Oliver Williams has created a MOBI version. That’s means you can read it on a Kindle. I plugged my old Kindle into my computer, dragged that file onto its disc image, and it worked a treat.

And there’s always the PDF versions; one in portrait and another in landscape format. Those were generated straight from the print styles.

Oh, and there’s the podcast. I’ve only released two chapters so far. The Christmas break and an untimely cold have slowed down the release schedule a little bit.

I’d love to make a physical, print-on-demand version of Resilient Web Design available—maybe through Lulu—but my InDesign skills are non-existent.

If you think the book should be available in any other formats, and you fancy having a crack at it, please feel free to use the source files.

Deep linking with fragmentions

When I was marking up Resilient Web Design I wanted to make sure that people could link to individual sections within a chapter. So I added IDs to all the headings. There’s no UI to expose that though—like the hover pattern that some sites use to show that something is linkable—so unless you know the IDs are there, there’s no way of getting at them other than “view source.”

But if you’re reading a passage in Resilient Web Design and you highlight some text, you’ll notice that the URL updates to include that text after a hash symbol. If that updated URL gets shared, then anyone following it should be sent straight to that string of text within the page. That’s fragmentions in action:

Fragmentions find the first matching word or phrase in a document and focus its closest surrounding element. The match is determined by the case-sensitive string following the # (or ## double-hash)

It’s a similar idea to Eric and Simon’s proposal to use CSS selectors as fragment identifiers, but using plain text instead. You can find out more about the genesis of fragmentions from Kevin. I’m using Jonathon Neal’s script with some handy updates from Matthew.

I’m using the fragmention support to power the index of the book. It relies on JavaScript to work though, so Matthew has come to the rescue again and created a version of the site with IDs for each item linked from the index (I must get around to merging that).

The fragmention functionality is ticking along nicely with one problem…

I’ve tweaked the typography of Resilient Web Design to within an inch of its life, including a crude but effective technique to avoid widowed words at the end of a paragraph. The last two words of every paragraph are separated by a UTF-8 no-break space character instead of a regular space.

That solves the widowed words problem, but it confuses the fragmention script. Any selected text that includes the last two words of a paragraph fails to match. I’ve tried tweaking the script, but I’m stumped. If you fancy having a go, please have at it.

Update: And fixed! Thanks to Lee.

The typography of a web book

I’m a sucker for classic old-style serif typefaces: Caslon, Baskerville, Bembo, Garamond …I love ‘em. That’s probably why I’ve always found the typesetting in Edward Tufte’s books so appealing—he always uses a combination of Bembo for body copy and Gill Sans for headings.

Earlier this year I stumbled on a screen version of Bembo used for Tufte’s digital releases called ET Book. Best of all, it’s open source:

ET Book is a Bembo-like font for the computer designed by Dmitry Krasny, Bonnie Scranton, and Edward Tufte. It is free and open-source.

When I was styling Resilient Web Design, I knew that the choice of typeface would be one of the most important decisions I would make. Remembering that open source ET Book font, I plugged it in to see how it looked. I liked what I saw. I found it particularly appealing when it’s full black on full white at a nice big size (with lower contrast or sizes, it starts to get a bit fuzzy).

I love, love, love the old-style numerals of ET Book. But I was disappointed to see that ligatures didn’t seem to be coming through (even when I had enabled them in CSS). I mentioned this to Rich and of course he couldn’t resist doing a bit of typographic sleuthing. It turns out that the ligature glyphs are there in the source files but the files needed a little tweaking to enable them. Because the files are open source, Rich was able to tweak away to his heart’s content. I then took the tweaked open type files and ran them through Font Squirrel to generate WOFF and WOFF2 files. I’ve put them on Github.

For this book, I decided that the measure would be the priority. I settled on a measure of around 55 to 60 characters—about 10 or 11 words per line. I used a max-width of 27em combined with Mike’s brilliant fluid type technique to maintain a consistent measure.

It looks great on small-screen devices and tablets. On large screens, the font size starts to get really, really big. Personally, I like that. Lots of other people like it too. But some people really don’t like it. I should probably add a font-resizing widget for those who find the font size too shocking on luxuriously large screens. In the meantime, their only recourse is to fork the CSS to make their own version of the book with more familiar font sizes.

The visceral reaction a few people have expressed to the font size reminds me of the flak Jeffrey received when he redesigned his personal site a few years back:

Many people who’ve visited this site since the redesign have commented on the big type. It’s hard to miss. After all, words are practically the only feature I haven’t removed. Some of the people say they love it. Others are undecided. Many are still processing. A few say they hate it and suggest I’ve lost my mind.

I wonder how the people who complained then are feeling now, a few years on, in a world with Medium in it? Jeffrey’s redesign doesn’t look so extreme any more.

Resilient Web Design will be on the web for a very, very, very long time. I’m curious to see if its type size will still look shockingly large in years to come.

Introducing Resilient Web Design

I wrote a thing. The thing is a book. But the book is not published on paper. This book is on the web. It’s a web book. Or “wook” if you prefer …please don’t prefer. Here it is:

Resilient Web Design.

It’s yours for free.

Much of the subject matter will be familiar if you’ve seen my conference talks from the past couple of years, particularly Enhance! and Resilience. But the book ended up taking some twists and turns that surprised me. It turned out to be a bit of a history book: the history of design, the history of the web.

Resilient Web Design is a short book. It’s between sixteen and seventeen megawords long. You could read the whole thing in a couple of hours. Or—because the book has seven chapters—you could take fifteen to twenty minutes out of a day to read one chapter and you’d have read the whole thing done in a week.

If you make websites in any capacity, I hope that this book will resonate with you. Even if you don’t make websites, I still hope there’s an interesting story in there for you.

You can read the whole book on the web, but if you’d rather have a single file to carry around, I’ve made some PDFs as well: one in portrait, one in landscape.

I’ve licensed the book quite liberally. It’s released under a Creative Commons attribution share-alike licence. That means you can re-use the material in any way you want (even commercial usage) as long as you provide some attribution and use the same licence. So if you’d like to release the book in some other format like ePub or anything, go for it.

I’m currently making an audio version of Resilient Web Design. I’ll be releasing it one chapter at a time as a podcast. Here’s the RSS feed if you want to subscribe to it. Or you can subscribe directly from iTunes.

I took my sweet time writing this book. I wrote the first chapter in March 2015. I wrote the last chapter in May 2016. Then I sat on it for a while, figuring out what to do with it. Eventually I decided to just put the whole thing up on the web—it seems fitting.

Whereas the writing took over a year of solid procrastination, making the website went surprisingly quickly. After one weekend of marking up and styling, I had most of it ready to go. Then I spent a while tweaking. The source files are on Github.

I’m pretty happy with the end result. I’ll write a bit more about some of the details over the next while—the typography, the offline functionality, print styles, and stuff like that. In the meantime, I hope you’ll peruse this little book at your leisure…

Resilient Web Design.

If you like it, please spread the word.

A decade on Twitter

I wrote my first tweet ten years ago.

That’s the tweetiest of tweets, isn’t it? (and just look at the status ID—only five digits!)

Of course, back then we didn’t call them tweets. We didn’t know what to call them. We didn’t know what to make of this thing at all.

I say “we”, but when I signed up, there weren’t that many people on Twitter that I knew. Because of that, I didn’t treat it as a chat or communication tool. It was more like speaking into the void, like blogging is now. The word “microblogging” was one of the terms floating around, grasped by those of trying to get to grips with what this odd little service was all about.

Twenty days after I started posting to Twitter, I wrote about how more and more people that I knew were joining :

The usage of Twitter is, um, let’s call it… emergent. Whenever I tell anyone about it, their first question is “what’s it for?”

Fair question. But their isn’t really an answer. You send messages either from the website, your mobile phone, or chat. What you post and why you’d want to do it is entirely up to you.

I was quite the cheerleader for Twitter:

Overall, Twitter is full of trivial little messages that sometimes merge into a coherent conversation before disintegrating again. I like it. Instant messaging is too intrusive. Email takes too much effort. Twittering feels just right for the little things: where I am, what I’m doing, what I’m thinking.

“Twittering.” Don’t laugh. “Tweeting” sounded really silly at first too.

Now at this point, I could start reminiscing about how much better things were back then. I won’t, but it’s interesting to note just how different it was.

  • The user base was small enough that there was a public timeline of all activity.
  • The characters in your username counted towards your 140 characters. That’s why Tantek changed his handle to be simply “t”. I tried it for a day. I think I changed my handle to “jk”. But it was too confusing so I changed it back.
  • We weren’t always sure how to write our updates either—your username would appear at the start of the message, so lots of us wrote our updates in the third person present (Brian still does). I’m partial to using the present continuous. That was how I wrote my reaction to Chris’s weird idea for tagging updates.

I think about that whenever I see a hashtag on a billboard or a poster or a TV screen …which is pretty much every day.

At some point, Twitter updated their onboarding process to include suggestions of people to follow, subdivided into different categories. I ended up in the list of designers to follow. Anil Dash wrote about the results of being listed and it reflects my experience too. I got a lot of followers—it’s up to around 160,000 now—but I’m pretty sure most of them are bots.

There have been a lot of changes to Twitter over the years. In the early days, those changes were driven by how people used the service. That’s where the @-reply convention (and hashtags) came from.

Then something changed. The most obvious sign of change was the way that Twitter started treating third-party developers. Where they previously used to encourage and even promote third-party apps, the company began to crack down on anything that didn’t originate from Twitter itself. That change reflected the results of an internal struggle between the people at Twitter who wanted it to become an open protocol (like email), and those who wanted it to become a media company (like Yahoo). The media camp won.

Of course Twitter couldn’t possibly stay the same given its incredible growth (and I really mean incredible—when it started to appear in the mainstream, in films and on TV, it felt so weird: this funny little service that nerds were using was getting popular with everyone). Change isn’t necessarily bad, it’s just different. Your favourite band changed when they got bigger. South by Southwest changed when it got bigger—it’s not worse now, it’s just very different.

Frank described the changing the nature of Twitter perfectly in his post From the Porch to the Street:

Christopher Alexander made a great diagram, a spectrum of privacy: street to sidewalk to porch to living room to bedroom. I think for many of us Twitter started as the porch—our space, our friends, with the occasional neighborhood passer-by. As the service grew and we gained followers, we slid across the spectrum of privacy into the street.

I stopped posting directly to Twitter in May, 2014. Instead I now write posts on my site and then send a copy to Twitter. And thanks to the brilliant Brid.gy, I get replies, favourites and retweets sent back to my own site—all thanks to Webmention, which just become a W3C proposed recommendation.

It’s hard to put into words how good this feels. There’s a psychological comfort blanket that comes with owning your own data. I see my friends getting frustrated and angry as they put up with an increasingly alienating experience on Twitter, and I wish I could explain how much better it feels to treat Twitter as nothing more than a syndication service.

When Twitter rolls out changes these days, they certainly don’t feel like they’re driven by user behaviour. Quite the opposite. I’m currently in the bucket of users being treated to new @-reply behaviour. Tressie McMillan Cottom has written about just how terrible the new changes are. You don’t get to see any usernames when you’re writing a reply, so you don’t know exactly how many people are going to be included. And if you mention a URL, the username associated with that website may get added to the tweet. The end result is that you write something, you publish it, and then you think “that’s not what I wrote.” It feels wrong. It robs you of agency. Twitter have made lots of changes over the years, but this feels like the first time that they’re going to actively edit what you write, without your permission.

Maybe this is the final straw. Maybe this is the change that will result in long-time Twitter users abandoning the service. Maybe.

Me? Well, Twitter could disappear tomorrow and I wouldn’t mind that much. I’d miss seeing updates from friends who don’t have their own websites, but I’d carry on posting my short notes here on adactio.com. When I started posting to Twitter ten years ago, I was speaking (or microblogging) into the void. I’m still doing that ten years on, but under my terms. It feels good.

I’m not sure if my Twitter account will still exist ten years from now. But I’m pretty certain that my website will still be around.

And now, if you don’t mind…

I’m off to grab some lunch.

Fifteen

My site has been behaving strangely recently. It was nothing that I could put my finger on—it just seemed to be acting oddly. When I checked to see if everything was okay, I was told that everything was fine, but still, I sensed something that was amiss.

I’ve just realised what it was. Last week on the 30th of September, I didn’t do or say anything special. That was the problem. I had forgotten my blog’s anniversary.

I’m so sorry, adactio.com! Honestly, I had been thinking about it for all of September but then on the day, one thing led to another, I was busy, and it just completely slipped my mind.

So this is a bit late, but anyway …happy fifteenth anniversary to this journal!

We’ve been through a lot together in those fifteen years, haven’t we, /journal? Oh, the places we’ve been and the things we’ve seen!

I remember where we were on our tenth anniversary: Bologna. Remember we were there for the first edition of the From The Front conference? Now, five years on, we’ve just been to the final edition of that same event—a bittersweet occasion.

Like I said five years ago:

It has been a very rewarding, often cathartic experience so far. I know that blogging has become somewhat passé in this age of Twitter and Facebook but I plan to keep on keeping on right here in my own little corner of the web.

I should plan something special for September 30th, 2021 …just to make sure I don’t forget.

Indie Web Camp Brighton 2016

Indie Web Camp Brighton 2016 is done and dusted. It’s hard to believe that it’s already in its fifth(!) year. As with previous years, it was a lot of fun.

IndieWebCampBrighton2016

The first day—the discussions day—covered a lot of topics. I led a session on service workers, where we brainstormed offline and caching strategies for personal websites.

There was a design session looking at alternatives to simply presenting everything in a stream. Some great ideas came out of that. And there was a session all about bookmarking and linking. That one really got my brain whirring with ideas for the second day—the making/coding day.

I’ve learned from previous Indie Web Camps that a good strategy for the second day is to have two tasks to tackle: one that’s really easy (so you’ve at least got that to demo at the end), and one that’s more ambitious. This time, I put together a list of potential goals, and then ordered them by difficulty. By the end of the day, I managed to get a few of them done.

First off, I added a small bit of code to my bookmarking flow, so that any time I link to something, I send a ping to the Internet Archive to grab a copy of that URL. So here’s a link I bookmarked to one of Remy’s blog posts, and here it is in the Wayback Machine—see how the date of storage matches the date of my link.

The code to do that was pretty straightforward. I needed to hit this endpoint:

http://web.archive.org/save/{url}

I also updated my bookmarklet for posting links so that, if I’ve highlighted any text on the page I’m linking to, that text is automatically pasted in to the description.

I tweaked my webmentions a bit so that if I receive a webmention that has a type of bookmark-of, that is displayed differently to a comment, or a like, or a share. Here’s an example of Aaron bookmarking one of my articles.

The more ambitious plan was to create an over-arching /tags area for my site. I already have tag-based navigation for my journal and my links:

But until this weekend, I didn’t have the combined view:

I didn’t get around to adding pagination. That’s something I should definitely add, because some of those pages get veeeeery long. But I did spend some time adding sparklines. They can be quite revealing, especially on topics that were hot ten years ago, but have faded over time, or topics that have becoming more and more popular with each year.

All in all, a very productive weekend.

Talking about hypertext

#CSSday starts off with a great history lesson of our industry by @adactio

I’ve just published a transcript of the talk I gave at the HTML Special that preceded CSS Day a couple of weeks back. I’ve also recorded an audio version for your huffduffing pleasure.

It’s not like the usual talks I give. The subject matter was assigned to me, Mission Impossible style. PPK wanted each speaker to give an entire talk on just one HTML element. He offered me the best element of them all: the A element.

There were a few different directions I could’ve taken it. I could’ve tried to make it practical, but I quickly dismissed that idea. Instead I went in the completely opposite direction, making it as pretentious as possible. I figured a talk about hypertext could afford to be winding and circuitous, building on some of the ideas I wrote about in my piece for The Manual a few years back. It’s quite self-indulgent of me, but I used it as an opportunity to geek out about some of my favourite things; from Borges, Babbage, and Bletchley to Leibniz, Lovelace, and Licklider.

I wouldn’t usually write out an entire talk word-for-word in advance, but somehow it felt right for this one. In fact, my talk preparation this time ‘round was very similar to the process Charlotte recently wrote about:

  1. Get everything out of my head and onto a mind map.
  2. Write chunks of content in short bursts—this was when I was buddying up with Paul.
  3. Put together a slide deck of visuals to support the narrative.
  4. Practice delivering the talk so I don’t look I’m just reading off a screen.

It takes me a long time to prepare talks. As the deadline for this one approached, I was getting quite panicked. It was touch and go there for a while, but I managed to get it done in time.

I’m pleased with how it turned out. On the day, I had fun delivering it. People seemed to like it too, which was gratifying.

Although with this kind of talk, it was inevitable that I wouldn’t be able to please everyone.

I guess this talk was a one-off affair. That said, if you’re putting on an event and you think this subject matter would be appropriate, let me know. I’d be more than happy to deliver it again.

Taking an online book offline

Application Cache is—as Jake so infamously described—not a good API. It was specced and shipped before developers had a chance to figure out what they really needed, and so AppCache turned out to be frustrating at best and downright dangerous in some situations. Its over-zealous caching combined with its byzantine cache invalidation ensured it was never going to become a mainstream technology.

There are very few use-cases for AppCache, but I think I hit upon one of them. Six years ago, A Book Apart published HTML5 For Web Designers. A year and a half later, I put the book online. The contents are never going to change. There’s a second edition of the book out now but if you want to read all the extra bits that Rachel added, you’re going to have to buy the book. The website for the original book is static and unchanging. That’s what made it such a good candidate for using AppCache. I could just set it and forget.

Except that’s no longer true. AppCache is being deprecated and browsers are starting to withdraw support. Chrome is already making sure that AppCache—like geolocation—no longer works on sites that aren’t served over HTTPS. That’s for the best. In retrospect, those APIs should never have been allowed over unsecured HTTP.

I mentioned that I spent the weekend switching all my book websites over to HTTPS, so AppCache should continue to work …for now. It’s only a matter of time before AppCache is removed completely from many of the browsers that currently support it.

Seeing as I’ve got the HTML5 For Web Designers site running on HTTPS now, I might as well go all out and make it a progressive web app. By far the biggest barrier to making a progressive web app is that first step of setting up HTTPS. It’s gotten cheaper—thanks to Let’s Encrypt Certbot—but it still involves mucking around in the command line with root access; I never wanted to become a sysadmin. But once that’s finally all set up, the other technological building blocks—a Service Worker and a manifest file—are relatively easy.

In this case, the Service Worker is using a straightforward bit of logic:

  • On installation, cache absolutely everything: HTML, CSS, images.
  • When anything is requested, grab it from the cache.
  • If it isn’t in the cache, try the network.
  • If the network doesn’t work, show an offline page (or image).

Basically I’m reproducing AppCache’s overzealous approach. It works for this site because the content is never going to change. I hope that this time, I really can just set it and forget it. I want the site to be an historical artefact, available at the same URL for at least my lifetime. I don’t want to have to maintain it or revisit it every few years to swap out one API for another.

Which brings me back to the way AppCache is being deprecated…

The Firefox team are very eager to ditch AppCache as soon as possible. On the one hand, that’s commendable. They’re rightly proud of shipping Service Workers and they want to encourage people to use the better technology instead. But it sure stings for the suckers (like me) who actually went and built stuff using AppCache.

In a weird way, I think this rush to deprecate AppCache might actually hurt the adoption of Service Workers. Let me explain…

At last year’s Edge Conference, Nolan Lawson gave a great presentation on storing data in the browser. He enumerated the many ways—past and present—that we could store data locally: WebSQL, Local Storage, IndexedDB …the list goes on. He also posed the question: why aren’t more people using insert-name-of-latest-API-here? To me it seemed obvious why more people weren’t diving into using the latest and greatest option for local data storage. It was because they had been burned before. The developers who rushed into trying previous solutions end up being mocked for their choice. “Still using that ol’ thing? Pffftt!”

You can see that same attitude on display from Mozilla as they push towards removing AppCache. Like in a comment that refers to developers using AppCache in production as “the angry hordes”. Reminds me of something Tom said:

In that same Mozilla thread, Soledad echoes Tom’s point:

As a member of the devrel team: I think that this should be better addressed in a blog post that someone from the team responsible for switching AppCache off should write, so everyone can understand the reasons and ask questions to those people.

I’d rather warn people beforehand, pointing them to that post and help them with migration paths than apply emergency mitigation strategies when a lot of people find their stuff stopped working in the newer Firefox…

Bravo! That same approach should have also been taken by the Chrome team when it came to their thread about punishing display:browser in manifest files. There was absolutely no communication with developers about this major decision. I only found out about it because Paul happened to mention it to me.

I was genuinely shocked by this:

Withholding the “add to home screen” prompt like that has a whiff of blackmail about it.

I can confirm that smell. When I was making the manifest file for HTML5 For Web Designers, I really wanted to put display: browser because I want people to be able to copy and paste URLs (for the book, for individual chapters, and for sections within chapters). But knowing that if I did that, Android users would never see the “add to home screen” prompt made me question that decision. I felt strong-armed into declaring display: standalone. And no, I’m not mollified by hand-waving reassurances that the Chrome team will figure out some solution for this. Figure out the solution first, then punish the saps like me who want to use display: browser to allow people to share URLs.

Anyway, the website for HTML5 For Web Designers is now using AppCache and Service Workers. The AppCache part will probably be needed for quite a while yet to provide offline support on iOS. Apple are really dragging their heels on Service Worker support, with at least one WebKit engineer actively looking for reasons not to implement it.

There’s a lot of talk about making apps work offline, but I think it’s just as important that we consider making information work offline. Books are a great example of this. To use the tired transport tropes, the website for a book is something you might genuinely want to access when you’re on a plane, or in the underground, or out at sea.

I really, really like progressive web apps. But I also think it’s important that we don’t fall into the trap of just trying to imitate native apps on the web. I love the idea of taking the best of the web—like information being permanently available at a URL—and marrying that up with the best of native—like offline access. I also like the idea of taking the best of books—a tome of thought—and marrying it up with the best of the web—hypertext.

I’d love to see more experimentation around online/offline hypertext/books. For now, you can visit HTML5 For Web Designers, add it to your home screen, and revisit it whenever and wherever you like.

Owning my words

When I wrote a few words about progressive enhancement recently, I linked to Karolina’s great article The Web Isn’t Uniform. I was a little reluctant to link to it, not because of the content—which is great—but because of its location on Ev’s blog. I much prefer to link directly to people’s own websites (I have a hunch that those resources tend to last longer too) but I understand that Medium offers a nice low barrier to publishing.

That low barrier comes at a price. It means you have to put up with anyone and everyone weighing in with their own hot takes. The way the site works is that anyone who writes a comment on your article is effectively writing their own article—you don’t get to have any editorial control over what kind of stuff appears together with your words. There is very little in the way of community management once a piece is published.

Karolina’s piece attracted some particularly unsavoury snark—tech bros disagreeing in their brash bullying way. I linked to a few comments, leaving out the worst of the snark, but I couldn’t resist editorialising:

Ah, Medium! Where the opinions of self-entitled dudes flow like rain from the tech heavens.

I knew even when I was writing it that it was unproductive, itself a snarky remark. Two wrongs don’t make a right. But I wanted to acknowledge that not only was bad behaviour happening, but that I was seeing it, and I wasn’t ignoring it. I guess it was mostly intended for Karolina—I wanted to extend some kind of acknowledgment that the cumulative weight of those sneering drive-by reckons is a burden that no one should have to put up with.

I knew that when I wrote about Medium being “where the opinions of self-entitled dudes flow like rain from the tech heavens” that I would (rightly) get pushback, and sure enough, I did …on Medium. Not on Twitter or anywhere else, just Medium.

I syndicate my posts to Ev’s blog, so the free-for-all approach to commenting doesn’t bother me that much. The canonical URL for my words remains on my site under my control. But for people posting directly to Medium and then having to put up with other people casually shitting all over their words, it must feel quite disempowering.

I have a similar feeling with Twitter. I syndicate my notes there and if the service disappeared tomorrow, I wouldn’t shed any tears. There’s something very comforting in knowing that any snarky nasty responses to my words are only being thrown at copies. I know a lot of my friends are disheartened about the way that Twitter has changed in recent years. I wish I could articulate how much better it feels to only use Twitter (or Medium or Facebook) as a syndication tool, like RSS.

There is an equal and opposite reaction too. I think it’s easier to fling off some thoughtless remarks when you’re doing it on someone else’s site. I bet you that the discourse on Ev’s blog would be of a much higher quality if you could only respond from your own site. I find I’m more careful with my words when I publish here on adactio.com. I’m taking ownership of what I say.

And when I do lapse and write snarky words like “Ah, Medium! Where the opinions of self-entitled dudes flow like rain from the tech heavens.”, at least I’m owning my own snark. Still, I will endeavour to keep my snark levels down …but that doesn’t mean I’m going to turn a blind eye to bad behaviour.

Content Buddy

I have a new role at Clearleft. It’s not a full-time role. It’s in addition to my existing role of …um …whatever it is I do at Clearleft.

Anyway, my new part-time role is that of being a content buddy. Sounds a little dismissive when I put it like that. Let me put in capitals…

My new part-time role is that of being a Content Buddy.

This is Ellen’s idea. She’s been recruiting Content Guardians and Content Buddies. The Guardians will be responsible for coaxing content out of people, encouraging to write that blog post, article, or case study. The role of the Content Buddy is to help shepherd those pieces into the world.

I have let it be known throughout the office that I am available—day or night, rain or shine—for proof-reading, editing, and general brain-storming and rubber-ducking.

On my first official day as a Content Buddy on Friday I helped Ben polish off a really good blog post (watch this space), listened to a first run-through of Charlotte’s upcoming talk at the Up Front conference in Manchester (which is shaping up to be most excellent), and got together with Paul for a mutual brainstorming session for future conference talks. The fact that Paul is no longer a full-time employee at Clearleft is a mere technicality—Content Buddies for life!

Paul is preparing a talk on design systems for Smashing Conference in Freiburg in September. I’m preparing a talk on the A element for the HTML Special part of CSS Day in Amsterdam in just one month’s time (gulp!). We had both already done a bit of mind-mapping to get a jumble of ideas down on paper. We learned that from Ellen’s excellent workshop.

Talk prep, phase 1: doodling.

Then we started throwing ideas back and forth, offering suggestions, and spotting patterns. Once we had lots of discrete chunks of stuff outlined (but no idea how to piece them together), we did some short intense spurts of writing using the fiendish TheMostDangerousWritingApp.com. I looked at Paul’s mind map, chose a topic from it for him, and he had to write on that non-stop for three to five minutes. Meanwhile he picked a topic from my mind map and I had to do the same. It was exhausting but also exhilarating. Very quickly we had chunks of content that we could experiment with, putting them in together in different ways to find different narrative threads. I might experiment with publishing them as short standalone blog posts.

The point was not to have polished, finished content but rather to get to the “shitty first draft” stage quickly. We were following Hemingway’s advice:

Write drunk, edit sober.

…but not literally. Mind you, I could certainly imagine combining beer o’clock on Fridays with Content Buddiness. That wasn’t an option on this particular Friday though, as I had to run off to band practice with Salter Cane. A very different, and altogether darker form of content creation.

Independently published

Jessica writes about The Heroine’s Journey.

Remy explains Why I love working with the web.

Ludwig dreams of designers and developers working Together.

Charlotte documents her technique Teaching the order of margins in CSS.

Craig field-tests The Leica Q.

Robin thinks about The New Web Typography.

Michael dives deep into A Complete History of the Millennium Falcon.

What do they all have in common? Nothing …other than the fact that each person chose to write on their own website. I’m grateful for that. These are all wonderful pieces of writing—they deserve a long life.

New edition

Six years ago I wrote a book and the brand new plucky upstart A Book Apart published it.

Six years! That’s like a geological age in internet years.

People liked the book. That’s very gratifying. I’m quite proud of it, and it always gives me a warm glow when someone tells me they enjoyed reading it.

Jeffrey asked me a while back about updating the book for a second edition—after all, six years is crazy long time for a web book to be around. I said no, because I just wouldn’t have the time, but mostly because—as the old proverb goes—you can step in the same river twice. Proud as I am of HTML5 For Web Designers, I consider it part of my past.

“What about having someone else update it?” Well, that made me nervous. I feel quite protective of my six year old.

“What about Rachel Andrew?” Ah, well, that’s a different story! Absolutely—if there’s one person I trust to bring the up to date, it’s Rachel.

She’s done a fine, fine job. The second edition of HTML5 For Web Designers is now available.

I know what you’re going to ask: how much difference is there between the two editions? Well, in the introduction to the new edition, I’m very pleased to say that Rachel has written:

I’ve been struck by how much has remained unchanged in that time.

There’s a new section on responsive images. That’s probably the biggest change. The section on video has been expanded to include captioning. There are some updates and tweaks to the semantics of some of the structural elements. So it’s not a completely different book; it’s very much an update rather than a rewrite.

If you don’t have a copy of HTML5 For Web Designers and you’ve been thinking that maybe it’s too out-of-date to bother with, rest assured that it is now bang up to date thanks to Rachel.

Jeffrey has written a lovely new foreword for the second edition:

HTML5 for Web Designers is a book about HTML like Elements of Style is a book about commas. It’s a book founded on solid design principles, and forged at the cutting edge of twenty-first century multi-device design and development.

Quakepunk

There’s an article in The New Yorker by Kathryn Schulz called The Really Big One. It’s been creating quite a buzz, and rightly so. It’s a detailed and evocative piece about the Cascadia fault:

When the next very big earthquake hits, the northwest edge of the continent, from California to Canada and the continental shelf to the Cascades, will drop by as much as six feet and rebound thirty to a hundred feet to the west—losing, within minutes, all the elevation and compression it has gained over centuries.

But there’s another hotspot on the other side of the country: the New Madrid fault line. There isn’t (yet) an article about in The New Yorker. There’s something better. Two articles by Maciej:

  1. Confronting New Madrid and
  2. Confronting New Madrid (Part 2).

The New Madrid Seismic Zone earned its reputation on the strength of three massive earthquakes that struck in the winter of 1811-1812. The region was very sparsely settled at the time, and became more sparsely settled immediately afterwards, as anyone with legs made it their life’s mission to get out of southern Missouri.

The articles are fascinating and entertaining in equal measure. No surprise there. I’ve said it before and I’ll say it again, Maciej Cegłowski is the best writer on the web. Every so often I find myself revisiting Argentina On Two Steaks A Day or A Rocket To Nowhere just for the sheer pleasure of it.

I want to read more from Maciej, and there’s a way to make it happen. If we back him on Kickstarter, he’ll take a trip to the Antarctic and turn it into words:

Soliciting donations to take a 36-day voyage to the Ross Ice Shelf, Bay of Whales and subantarctic islands, and write it up real good.

Let’s make it happen. Let’s throw money at him like he’s a performing monkey. Dance, writer-boy, dance!

Indie Web Camp Brighton 2015

Indie Web Camp Brighton 2015 is a wrap, and what a fun weekend it turned out to be.

I was really pleased with the turnout; not just the number of people who came along—many of them from very far afield—but also the range of skill levels and backgrounds represented. What a lovely bunch!

Indie Web Camp Brighton group photo

We kicked off the first day with a show’n’tell: people demoed their sites, showed their posting interfaces, and talked about what they’d like to improve. That sparked plenty of ideas for the afternoon discussions. But in between we had a nice long lunch break—it was a lovely sunny day in Brighton so we took full advantage of the sun, the street food, and the ice cream.

We wrapped up the first day around 5pm and I immediately dashed off to start loading in and sound checking for a Salter Cane gig that evening. That turned out to be a lot of fun—the audience were great—but I was completely knackered by the end of the day.

The weather on Sunday was far gloomier, but that was okay—we spent the whole day indoors anyway, coding and hacking away at stuff. Quite a few people were adding h-entry and h-card to their sites so I helped them out whenever I could. Meanwhile I was working on trying to get an SMS interface to my site working using the Twilio API.

The actual coding part went pretty quickly, but then I hit a wall. Whenever Twilio tried to reach a URL on my site, it would time out with a 504 error. I couldn’t figure out what was going on. On a hunch, I tried sending it to a subdomain that wasn’t being served over HTTPS. That worked fine. Now, I can’t imagine that Twilio is actually unable to work with secure endpoints, so it must be something to do with the way that I’ve enabled HTTPS on my domain. Anyway, the HTTP subdomain solution worked, and eleven minutes before demo time I finally had something to show.

We finished the day and the event with the quickfire demos. As always, there was some really impressive stuff—it’s quite amazing how much can get done in such a short space of time. Then we tidied up and headed across the street to the pub for a well-deserved pint.

All in all, a great weekend.

100 × 100

For 100 days I wrote and published a blog post that was 100 words long. This was all part of the 100 Days project running at Clearleft. It was by turns fun, annoying, rewarding, and tedious.

It feels nice to have 10,000 words written by the end of it even if many of those words were written in haste, without much originality and often without much enthusiasm. There were many evenings when I was already quite tired and then remembered that I had to bash out 100 words. On those occasions, it really felt like a chore, but then, that’s the whole point of the exercise—that you do it every day regardless of how motivated or not you feel on that day.

I missed the daily deadline once. I could make the excuse that it was a really late night of carousing, but I knew in advance that I was going to be out so I could’ve written my 100 words ahead of time—I didn’t.

My exercise of choice wasn’t too arduous. Some of the other Clearlefties picked far more ambitious tasks. Alas, many of them didn’t make it to the finish line, probably because they set their own bar so high. I knew that I wanted to do something that involved writing, and I picked the 100 words constraint simply because it sounded cute.

Lots of people reading my posts thought that 100 words was the upper limit in the same way that 140 characters is the upper limit on Twitter. But for me, the whole point of the exercise was that each post needed to be 100 words exactly. Now I kind of want to write a Twitter client that only lets you post tweets that are exactly 140 characters.

Writing a post that needed to be an exact number of words long was where the challenge lay, but it was also where the reward was found. It was frustrating to have to excise words or even whole sentences just to make the word count fit, but it was also very satisfying when the final post felt like a fully-formed thing.

I realised a few weeks into the project that the piece of software I was writing in (and relying on for an accurate word count) was counting hyphenated phrases as one word. So the phrase “dog-eat-dog world” was counted as two words, not four. I worried that maybe I had already published some posts that were over 100 words long. Later on, I tried to avoid hyphenating, or else I’d add in the hyphens after I had hit the 100 word point. In any case, there may be some discrepancy in the word count between the earlier posts and the later ones.

That’s the thing about an exercise that involves writing exactly 100 words; it leads to existential questions like “what is a word anyway?”

Some of the posts made heavy use of hyperlinks. I wondered whether this was cheating. But then I decided that, given the medium I was publishing on, it would be weird not to have any hyperlinks. And the pieces still stand on their own if you don’t follow any of the links.

Most of the posts used observations from that day for their subject matter—diary-like slices of life. But occasionally I’d put down some wider thought—like days 15, 73, 81, or 98. Still, I suspect it’s the slice-of-life daily updates that will be most interesting to read back on in years to come.

100 words 100

100 words 099

This is the penultimate post in my 100 days project.

I’ve had quite a few people tell me how much they’re enjoying reading my hundred word posts. I thank them. Then I check: “You know they’re exactly 100 words long, right?”

“Really?” they respond. “I didn’t realise!”

“But that’s the whole point!” I say. The clue is in the name. It’s not around 100 words—it’s exactly 100 words every day for 100 days.

That’s the real challenge: not just the writing, but the editing, rearranging, and condensing.

After all, it’s not as if I can just stop in the

100 words 074

We had an epic front-end pow-wow today. With plenty of Beerleft Goldenrods on hand we ploughed through discussing current client work and then turned to our guests. Today we were joined by Tracy Osborn, who told us all about her lovely new self-published book, Hello Web App. Then we got a demo from our friends at the confusingly named Ind.ie—no relation to the indie web—who gave us a demo of what they’ve been working on. We gave our feedback, including a heartfelt plea to dial down the rhetoric in their public pronouncements.

Then we went to the beach.

100 words 070

My friend Jeffrey has been writing on his website for twenty years. There are very few things on the web that last that long. I’m very, very glad that his website is one of them.

I remember finding Zeldman.com—and Ask Dr. Web, and the Ad Graveyard—back when I was first “going online.” I remember being so grateful for his generosity, but I also remember that what really struck me was the warmth and humility in the writing.

My own website will turn twenty in another few years. I never would have started it if it weren’t for Jeffrey.