Journal tags: stylesheets

4

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Influence

Hidde gave a great talk recently called On the origin of cascades (by means of natural selectors):

It’s been 25 years since the first people proposed a language to style the web. Since the late nineties, CSS lived through years of platform evolution.

It’s a lovely history lesson that reminded me of that great post by Zach Bloom a while back called The Languages Which Almost Became CSS.

The TL;DR timeline of CSS goes something like this:

Håkon and Bert joined forces and that’s what led to the Cascading Style Sheet language we use today.

Hidde looks at how the concept of the cascade evolved from those early days. But there’s another idea in Håkon’s proposal that fascinates me:

While the author (or publisher) often wants to give the documents a distinct look and feel, the user will set preferences to make all documents appear more similar. Designing a style sheet notation that fill both groups’ needs is a challenge.

The proposed solution is referred to as “influence”.

The user supplies the initial sheet which may request total control of the presentation, but — more likely — hands most of the influence over to the style sheets referenced in the incoming document.

So an author could try demanding that their lovely styles are to be implemented without question by specifying an influence of 100%. The proposed syntax looked like this:

h1.font.size = 24pt 100%

More reasonably, the author could specify, say, 40% influence:

h2.font.size = 20pt 40%

Here, the requested influence is reduced to 40%. If a style sheet later in the cascade also requests influence over h2.font.size, up to 60% can be granted. When the document is rendered, a weighted average of the two requests is calculated, and the final font size is determined.

Okay, that sounds pretty convoluted but then again, so is specificity.

This idea of influence in CSS reminds me of Cap’s post about The Sliding Scale of Giving a Fuck:

Hold on a second. I’m like a two-out-of-ten on this. How strongly do you feel?

I’m probably a six-out-of-ten, I replied after a couple moments of consideration.

Cool, then let’s do it your way.

In the end, the concept of influence in CSS died out, but user style sheets survived …for a while. Now they too are as dead as a dodo. Most people today aren’t aware that browsers used to provide a mechanism for applying your own visual preferences for browsing the web (kind of like Neopets or MySpace but for literally every single web page …just think of how empowering that was!).

Even if you don’t mourn the death of user style sheets—you can dismiss them as a power-user feature—I think it’s such a shame that the concept of shared influence has fallen by the wayside. Web design today is dictatorial. Designers and developers issue their ultimata in the form of CSS, even though technically every line of CSS you write is a suggestion to a web browser—not a demand.

I wish that web design were more of a two-way street, more of a conversation between designer and end user.

There are occassional glimpses of this mindset. Like I said when I added a dark mode to my website:

Y’know, when I first heard about Apple adding dark mode to their OS—and also to CSS—I thought, “Oh, great, Apple are making shit up again!” But then I realised that, like user style sheets, this is one more reminder to designers and developers that they don’t get the last word—users do.

Code print

You know what I like? Print stylesheets!

I mean, I’m not a huge fan of trying to get the damn things to work consistently—thanks, browsers—but I love the fact that they exist (athough I’ve come across a worrying number of web developers who weren’t aware of their existence). Print stylesheets are one more example of the assumption-puncturing nature of the web: don’t assume that everyone will be reading your content on a screen. News articles, blog posts, recipes, lyrics …there are many situations where a well-considered print stylesheet can make all the difference to the overall experience.

You know what I don’t like? QR codes!

It’s not because they’re ugly, or because they’ve been over-used by the advertising industry in completely inapropriate ways. No, I don’t like QR codes because they aren’t an open standard. Still, I must grudgingly admit that they’re a convenient way of providing a shortcut to a URL (albeit a completely opaque one—you never know if it’s actually going to take you to the URL it promises or to a Rick Astley video). And now that the parsing of QR codes is built into iOS without the need for any additional application, the barrier to usage is lower than ever.

So much as I might grit my teeth, QR codes and print stylesheets make for good bedfellows.

I picked up a handy tip from a Smashing Magazine article about print stylesheets a few years back. You can the combination of a @media print and generated content to provide a QR code for the URL of the page being printed out. Google’s Chart API provides a really handy shortcut for generating QR codes:

https://chart.googleapis.com/chart?cht=qr&chs=150x150&chl=http://example.com

Except that there’s no telling how long that will continue to work. Google being Google, they’ve deprecated the simple image chart API in favour of the over-engineered JavaScript alternative. So just as I recently had to migrate all my maps over to Leaflet when Google changed their Maps API from under the feet of developers, the clock is ticking on when I’ll have to find an alternative to the Image Charts API.

For now, I’ve got the QR code generation happening on The Session for individual discussions, events, recordings, sessions, and tunes. For the tunes, there’s also a separate URL for each setting of a tune, specifically for printing out. I’ve added a QR code there too.

Experimenting with print stylesheets and QR codes.

I’ve been thinking about another potential use for QR codes. I’m preparing a new talk for An Event Apart Seattle. The talk is going to be quite practical—for a change—and I’m going to be encouraging people to visit some URLs. It might be fun to include the biggest possible QR code on a slide.

I’d better generate the images before Google shuts down that API.

Print stylesheets

CSS Naked Day was fun. It felt almost voyeuristic to peek under the CSS skirts of so many sites. It also made me realise that the browser default styles are what people are going to see if they decide to print out a page from many CSS-based sites.

I’ve had a rudimentary print stylesheet in place for Adactio for a while now, although I should probably revisit it and tweak it some time. But a lot of other sites that I’ve designed have been woefully lacking in print stylesheets.

For instance, the situation with the DOM Scripting site was brought home to me when I received this message from Adam Messinger:

Would it be possible to get a print stylesheet for the errata page that does a better job of preserving the table layout? As it is now, it’s sometimes hard to tell which page numbers match up to what errors. Just some borders on the table would help a lot.

That one made me slap my forehead. Of course! If ever there was a web page that was likely to be printed out, the errata for a printed book would be it.

As well as adding borders to the errata table, I set to work on creating a stylesheet for the whole site. It was fairly quickly and painless. I hid the navigation, let the content flow into one column, set the font sizes in points and used a minimum amount of colour.

DOM Scripting blog on screen DOM Scripting blog in print

I did much the same for Jessica’s site, WordRidden.

WordRidden on screen WordRidden in print

Principia Gastronomica was crying out for a print stylesheet. Half of the entries on that blog are recipes. Most people don’t have computer screens in their kitchens so it’s very likely that the recipes will be printed out.

A lot of the entries on Principia Gastronomica make heavy use of images. Everyone likes pictures of food, after all. I was faced with the question of whether or not to include these images in the printed versions.

In the end, I decided not to include the images. Firstly, it’s a real pain trying to ensure that the images don’t get split over two pages (page-break-before would be a draconian and wasteful solution). Secondly, I bowed to Jessica’s wisdom and experience in this matter. She often prints out recipes from sites like Epicurious and, when she does, she wants just the facts. Also, these are pages that are likely to printed out in the home, probably on a basic inkjet printer, rather than in an office equipped with a nice laser printer.

Principia Gastronomica on screen Principia Gastronomica in print

If you’re implementing a print stylesheet for your site, I highly recommend reading Richard’s guide, The Elements of Typographic Style Applied to the Web. All the advice is good for screen styles, but is especially applicable to print.

These articles on A List Apart are also required reading:

In an interview over on Vitamin, Eric makes the point that context is everything when deciding which stylesheets to serve up. Clearly, articles on a A List Apart are likely to printed out to be read, but the front page is more likely to be printed out to get a hard copy of the design.

For a detailed anatomy of a print stylesheet, be sure to read the latest in Mark’s Five Simple Steps to Typesetting on the web series: Printing the web.

Naked

My site has no stylesheets (“how does it smell?”, etc.) but you probably won’t even notice because chances are your reading this in a feedreader.

In any case, it’s nice just to look at the flow of the document sans styles. Notice the “More information” h2 tag that is normally hidden from view. With styles enabled, the visual layout makes this heading redundant but without styles, or for non-visual user-agents, it’s a useful marker.

The man responsible for this CSS nakedness is Dustin Diaz, himself no stranger to nudity.

I had a pleasant chat with Dustin yesterday which forms the basis for the latest episode of his podcast. It was fun for me. I don’t know how much fun it’ll be to listen back to. I ramble on about JavaScript, comments, food blogging and George Clooney. Listen for yourself.