Tags: writing

73

sparkline

Preparing a conference talk

I gave a talk at the State Of The Browser conference in London earlier this month. It was a 25 minute spiel called The Web Is Agreement.

While I was putting the talk together, I posted some pictures of my talk preparation process. People seemed to be quite interested in that peek behind the curtain, so I thought I’d jot down the process I used.

There are two aspects to preparing a talk: the content and the presentation. I like to keep the preparation of those two parts separate. It’s kind of like writing: instead of writing and editing at the same time, it’s more productive to write any old crap first (to get it out of your head) and then go back and edit—“write drunk and edit sober”. Separating out those two mindsets allows you to concentrate on the task at hand.

So, to begin with, I’m not thinking about how I’m going to present the material at all. I’m only concerned with what I want to say.

When it comes to preparing the subject matter for a talk, step number zero is to banish your inner critic. You know who I mean. That little asshole with the sneering voice that says things like “you’re not qualified to talk about this” or “everything has already been said.” Find a way to realise that this demon is a) speaking from inside your head and b) not real. Maybe try drawing your inner critic. Ridiculous? Yes. Yes, it is.

Alright, time to start. There’s nothing more intimidating than a blank slidedeck, except maybe a blank Photoshop file, or a blank word processing document. In each of those cases, I find that starting with software is rarely a good idea. Paper is your friend.

I get a piece of A3 paper and start scribbling out a mind map. “Mind map” is a somewhat grandiose term for what is effectively a lo-fi crazy wall.

Mind mapping.
Step 1

The idea here is to get everything out of my head. Don’t self-censor. At this stage, there are no bad ideas. This is a “yes, and…” exercise, not a “no, but…” exercise. Divergent, not convergent.

Not everything will make it into the final talk. That’s okay. In fact, I often find that there’s one thing that I’m really attached to, that I’m certain will be in the talk, that doesn’t make the cut. Kill your darlings.

I used to do this mind-mapping step by opening a text file and dumping my thoughts into it. I told myself that they were in no particular order, but because a text file reads left to right and top to bottom, they are in an order, whether I intended it or not. By using a big sheet of paper, I can genuinely get things down in a disconnected way (and later, I can literally start drawing connections).

For this particular talk, I knew that the subject matter would be something to do with web standards. I brain-dumped every vague thought I had about standards in general.

The next step is what I call chunking. I start to group related ideas together. Then I give a label to each of these chunks. Personally, I like to use a post-it note per chunk. I put one word or phrase on the post-it note, but it could just as easily be a doodle. The important thing is that you know what the word or doodle represents. Each chunk should represent a self-contained little topic that you might talk about for 3 to 5 minutes.

Chunking.
Step 2

At this point, I can start thinking about the structure of the talk: “Should I start with this topic? Or should I put that in the middle?” The cost of changing my mind is minimal—I’m just moving post-it notes around.

With topics broken down into chunks like this, I can flesh out each one. The nice thing about this is that I’ve taken one big overwhelming task—prepare a presentation!—and I’ve broken it down into smaller, more manageable tasks. I can take a random post-it note and set myself, say, ten or fifteen minutes to jot down an explanation of it.

The explanation could just be bullet points. For this particular talk, I decided to write full sentences.

Expanding.
Step 3

Even though, in this case, I was writing out my thoughts word for word, I still kept the topics in separate files. That way, I can still move things around easily.

Crafting the narrative structure of a talk is the part I find most challenging …but it’s also the most rewarding. By having the content chunked up like this, I can experiment with different structures. I like to try out different narrative techniques from books and films, like say, flashback: find the most exciting part of the talk; start with that, and then give the backstory that led up to it. That’s just one example. There are many possible narrative stuctures.

What I definitely don’t do is enact the advice that everyone is given for their college presentations:

  1. say what you’re going to say,
  2. say it, and
  3. recap what you’ve said.

To me, that’s the equivalent of showing an audience the trailer for a film right before watching the film …and then reading a review of the film right after watching it. Just play the film! Give the audience some credit—assume the audience has no knowledge but infinite intelligence.

Oh, and there’s one easy solution to cracking the narrative problem: make a list. If you’ve got 7 chunks, you can always give a talk on “Seven things about whatever” …but it’s a bit of a cop-out. I mean, most films have a three-act structure, but they don’t start the film by telling the audience that, and they don’t point out when one act finishes and another begins. I think it’s much more satisfying—albeit more challenging—to find a way to segue from chunk to chunk.

Finding the narrative thread is tricky work, but at least, by this point, it’s its own separate task: if I had tried to figure out the narrative thread at the start of the process, or even when I was chunking things out, it would’ve been overwhelming. Now it’s just the next task in my to-do list.

I suppose, at this point, I might as well make some slides.

Slides.
Step 4

I’m not trying to be dismissive of slides—I think having nice slides is a very good thing. But I do think that they can become the “busy work” of preparing a presentation. If I start on the slides too soon, I find they’ll take up all my time. I think it’s far more important to devote time to the content and structure of the talk. The slides should illustrate the talk …but the slides are not the talk.

If you don’t think of the slides as being subservient to the talk, there’s a danger that you’ll end up with a slidedeck that’s more for the speaker’s benefit than the audience’s.

It’s all too easy to use the slides as a defence mechanism. You’re in a room full of people looking towards you. It’s perfectly reasonable for your brain to scream, “Don’t look at me! Look at the slides!” But taken too far, that can be interpreted as “Don’t listen to me!”

For this particular talk, there were moments when I wanted to make sure the audience was focused on some key point I was making. I decided that having no slide at all was the best way of driving home my point.

But slidedeck style is quite a personal thing, so use whatever works for you.

It’s a similar story with presentation style. Apart from some general good advice—like, speak clearly—the way you present should be as unique as you are. I have just one piece of advice, and it’s this: read Demystifying Public Speaking by Lara Hogan—it’s really, really good!

(I had to apologise to Lara last time I saw her, because I really wanted her to sign my copy of her book …but I didn’t have it, because it’s easily the book I’ve loaned out to other people the most.)

I did a good few run-throughs of my talk. There were a few sentences that sounded fine written down, but were really clumsy to say out loud. It reminded me of what Harrison Ford told George Lucas during the filming of Star Wars: “You can type this shit, George, but you can’t say it.”

I gave a final run-through at work to some of my Clearleft colleagues. To be honest, I find that more nerve-wracking than speaking on a stage in front of a big room full of strangers. I think it’s something to do with the presentation of self.

Finally, the day of the conference rolled around, and I was feeling pretty comfortable with my material. I’m pretty happy with how it turned out. You can read The Web Is Agreement, and you can look at the slides, but as with any conference talk, you kinda had to be there.

Several people are writing

Anne Gibson writes:

It sounds easy to make writing a habit, but like every other habit that doesn’t involve addictive substances like nicotine or dopamine it’s hard to start and easy to quit.

Alice Bartlett writes:

Anyway, here we are, on my blog, or in your RSS reader. I think I’ll do weaknotes. Some collections of notes. Sometimes. Not very well written probably. Generally written with the urgency of someone who is waiting for a baby wake up.

Patrick Rhone writes:

Bottom line; please place any idea worth more than 280 characters and the value Twitter places on them (which is zero) on a blog that you own and/or can easily take your important/valuable/life-changing ideas with you and make them easy for others to read and share.

Sara Soueidan writes:

What you write might help someone understand a concept that you may think has been covered enough before. We each have our own unique perspectives and writing styles. One writing style might be more approachable to some, and can therefore help and benefit a large (or even small) number of people in ways you might not expect.

Just write.

Even if only one person learns something from your article, you’ll feel great, and that you’ve contributed — even if just a little bit — to this amazing community that we’re all constantly learning from. And if no one reads your article, then that’s also okay. That voice telling you that people are just sitting somewhere watching our every step and judging us based on the popularity of our writing is a big fat pathetic attention-needing liar.

Laura Kalbag writes:

The web can be used to find common connections with folks you find interesting, and who don’t make you feel like so much of a weirdo. It’d be nice to be able to do this in a safe space that is not being surveilled.

Owning your own content, and publishing to a space you own can break through some of these barriers. Sharing your own weird scraps on your own site makes you easier to find by like-minded folks.

Brendan Dawes writes:

At times I think “will anyone reads this, does anyone care?”, but I always publish it anyway — and that’s for two reasons. First it’s a place for me to find stuff I may have forgotten how to do. Secondly, whilst some of this stuff is seemingly super-niche, if one person finds it helpful out there on the web, then that’s good enough for me. After all I’ve lost count of how many times I’ve read similar posts that have helped me out.

Robin Rendle writes:

My advice after learning from so many helpful people this weekend is this: if you’re thinking of writing something that explains a weird thing you struggled with on the Internet, do it! Don’t worry about the views and likes and Internet hugs. If you’ve struggled with figuring out this thing then be sure to jot it down, even if it’s unedited and it uses too many commas and you don’t like the tone of it.

Khoi Vinh writes:

Maybe you feel more comfortable writing in short, concise bullets than at protracted, grandiose length. Or maybe you feel more at ease with sarcasm and dry wit than with sober, exhaustive argumentation. Or perhaps you prefer to knock out a solitary first draft and never look back rather than polishing and tweaking endlessly. Whatever the approach, if you can do the work to find a genuine passion for writing, what a powerful tool you’ll have.

Amber Wilson writes:

I want to finally begin writing about psychology. A friend of mine shared his opinion that writing about this is probably best left to experts. I tried to tell him I think that people should write about whatever they want. He argued that whatever he could write about psychology has probably already been written about a thousand times. I told him that I’m going to be writer number 1001, and I’m going to write something great that nobody has written before.

Austin Kleon writes:

Maybe I’m weird, but it just feels good. It feels good to reclaim my turf. It feels good to have a spot to think out loud in public where people aren’t spitting and shitting all over the place.

Tim Kadlec writes:

I write to understand and remember. Sometimes that will be interesting to others, often it won’t be.

But it’s going to happen. Here, on my own site.

You write…

Sapiens

I finally got around to reading Sapiens by Yuval Noah Harari. It’s one of those books that I kept hearing about from smart people whose opinions I respect. But I have to say, my reaction to the book reminded me of when I read Matt Ridley’s The Rational Optimist:

It was an exasperating read.

At first, I found the book to be a rollicking good read. It told the sweep of history in an engaging way, backed up with footnotes and references to prime sources. But then the author transitions from relaying facts to taking flights of fancy without making any distinction between the two (the only “tell” is that the references dry up).

Just as Matt Ridley had personal bugbears that interrupted the flow of The Rational Optimist, Yuval Noah Harari has fixated on some ideas that make a mess of the narrative arc of Sapiens. In particular, he believes that the agricultural revolution was, as he describes it, “history’s biggest fraud.” In the absence of any recorded evidence for this, he instead provides idyllic descriptions of the hunter-gatherer lifestyle that have as much foundation in reality as the paleo diet.

When the book avoids that particular historical conspiracy theory, it fares better. But even then, the author seems to think he’s providing genuinely new insights into matters of religion, economics, and purpose, when in fact, he’s repeating the kind of “college thoughts” that have been voiced by anyone who’s ever smoked a spliff.

I know I’m making it sound terrible, and it’s not terrible. It’s just …generally not that great. And when it is great, it only makes the other parts all the more frustrating. There’s a really good book in Sapiens, but unfortunately it’s interspersed with some pretty bad editorialising. I have to agree with Galen Strawson’s review:

Much of Sapiens is extremely interesting, and it is often well expressed. As one reads on, however, the attractive features of the book are overwhelmed by carelessness, exaggeration and sensationalism.

Towards the end of Sapiens, Yuval Noah Harari casts his eye on our present-day world and starts to speculate on the future. This is the point when I almost gave myself an injury with the amount of eye-rolling I was doing. His ideas on technology, computers, and even science fiction are embarrassingly childish and incomplete. And the bad news is that his subsequent books—Home Deus and 21 Lessons For The 21st Century—are entirely speculations about humanity and technology. I won’t be touching those with all the ten foot barge poles in the world.

In short, although there is much to enjoy in Sapiens, particularly in the first few chapters, I can’t recommend it.

If you’re looking for a really good book on the fascinating history of our species, read A Brief History of Everyone Who Ever Lived by Adam Rutherford . That’s one I can recommend without reservation.

The trimCache function in Going Offline

Paul Yabsley wrote to let me know about an error in Going Offline. It’s rather embarrassing because it’s code that I’m using in the service worker for adactio.com but for some reason I messed it up in the book.

It’s the trimCache function in Chapter 7: Tidying Up. That’s the reusable piece of code that recursively reduces the number of items in a specified cache (cacheName) to a specified amount (maxItems). On page 95 and 96 I describe the process of creating the function which, in the book, ends up like this:

 function trimCache(cacheName, maxItems) {
   cacheName.open( cache => {
     cache.keys()
     .then( items => {
       if (items.length > maxItems) {
         cache.delete(items[0])
         .then(
           trimCache(cacheName, maxItems)
         ); // end delete then
       } // end if
     }); // end keys then
   }); // end open
 } // end function

See the problem? It’s right there at the start when I try to open the cache like this:

cacheName.open( cache => {

That won’t work. The open method only works on the caches object—I should be passing the name of the cache into the caches.open method. So the code should look like this:

caches.open( cacheName )
.then( cache => {

Everything else remains the same. The corrected trimCache function is here:

function trimCache(cacheName, maxItems) {
  caches.open(cacheName)
  .then( cache => {
    cache.keys()
    .then(items => {
      if (items.length > maxItems) {
        cache.delete(items[0])
        .then(
          trimCache(cacheName, maxItems)
        ); // end delete then
      } // end if
    }); // end keys then
  }); // end open then
} // end function

Sorry about that! I must’ve had some kind of brainfart when I was writing (and describing) that one line of code.

You may want to deface your copy of Going Offline by taking a pen to that code example. Normally I consider the practice of writing in books to be barbarism, but in this case …go for it.

The Gęsiówka Story

While I was in Warsaw for a conference last week, I sought out a commerative plaque in a residential neighbourhood. The English translation reads:

On 5th August 1944 “Zośka” the scouts’ battalion of the “Radosław” unit Armia Krajowa captured the German concentration camp “Gęsiówka” and liberated 348 Jewish prisoners, citizens of various European countries, many of whom later fought and fell in the Warsaw Uprising.

I knew about the plaque—and the incredible events it commemorates—thanks to a piece of writing called The Gęsiówka Story by Edward Kossoy, a relative of mine.

My ancestral lineage is an unusual mix. I’ve got generations of Irish on my mother’s side, and generations of Eastern European jews on my father’s side.

Edward wasn’t closely related to me. He was my grandfather’s cousin. My father’s father (from whom I got my middle name, Ivan) was driving ambulances in London during the war. Meanwhile his cousin Edward in Poland was trying desperately to get his family out. Separated from his wife and daughter, he was arrested by the Russians in Ukraine and sentenced to hard labour in a gulag. He survived. His wife and child were did not. They were murdered by the nazis during Operation Harvest Festival.

Edward was a lawyer. He spent the rest of his life fighting for reparations for victims of the Holocaust. He represented tens of thousands of jews, Poles, and Roma. He lived in Tel Aviv, Munich, and finally Geneva. That was where he met the Polish war hero Wacław Micuta who first told him about what happened at Gęsiówka. What he heard sounded implausible, but when he found Gęsiówka survivors among his own clientelle, Edward was able to corrobarate Micuta’s story.

(Micuta, by the way, had much to discuss with Edward’s second wife Sonia. She fought in the Warsaw Ghetto uprising, escaping by being smuggled out in a suitcase.)

As well as being a lawyer, Edward was also an author. In 2004 he wrote The Gęsiówka Story for the journal Yad Vashem Studies. I came across it in PDF form while I was searching for more details of Edward’s life and legacy. I was completely astonished by what I read—if it were a Hollywood film, you would think it too far-fetched to be true.

I decided to transfer the story into a more durable format. I’ve marked it up, styled it, and published it here:

gesiowka.adactio.com

The subheading of The Gęsiówka Story is “A Little Known Page of Jewish Fighting History.” I certainly think it’s a piece of history that deserves to be more widely known. That’s why I’ve turned it into a web page.

When we talk about documents on the web, we usually use the word “document” as a noun. But working on The Gęsiówka Story, I came to think of the word “document” as a verb. And I think the web is well-suited to documenting the stories and experiences of our forebears.

Edward died six years ago, just one year shy of a hundred. I never got to meet him in person, which is something I very much regret. But by taking his words and working with them while trying my best to treat them with respect, I’ve come to feel a bit closer to this great man.

This was a little labour of love for me. I hope I did his words justice. And I hope you’ll read The Gęsiówka Story.

Service worker resources

At the end of my new book, Going Offline, I have a little collection of resources relating to service workers. Here’s how I introduce them:

If this book were a podcast, then this would be the point at which I would be imploring you to rate me on iTunes (or I’d be telling you about a really good mattress). Instead, I’d like to give you some hyperlinks so that you can explore some of the topics in this brief book in more detail.

It always feels a little strange to publish a list of hyperlinks in a physical book, so I figured I’d republish them here for easy access…

Explanations

Guides

Examples

Progressive web apps

Tools

Documentation

Acknowledgements

It feels a little strange to refer to Going Offline as “my” book. I may have written most of the words in it, but it was only thanks to the work of others that they ended up being the right words in the right order in the right format.

I’ve included acknowledgements in the book, but I thought it would be good to reproduce them here in the form of hypertext…

Everyone should experience the joy of working with Katel LeDû and Lisa Maria Martin. From the first discussions right up until the final last-minute tweaks, they were unflaggingly fun to collaborate with. Thank you, Katel, for turning my idea into reality. Thank you, Lisa Maria, for turning my initial mush of words into a far more coherent mush of words.

Jake Archibald and Amber Wilson were the best of technical editors. Jake literally wrote the spec on service workers so I knew I could rely on him to let me know whenever I made any factual missteps. Meanwhile Amber kept me on the straight and narrow, letting me know whenever the writing was becoming unclear. Thank you both for being so generous with your time.

Thanks to my fellow Clearlefty Danielle Huntrods for giving me feedback as the book developed.

Finally, I want to express my heartfelt thanks to everyone who has ever taken the time to write on their website about their experiences with service workers. Lyza Gardner, Ire Aderinokun, Una Kravets, Mariko Kosaka, Jason Grigsby, Ethan Marcotte, Mike Riethmuller, and others inspired me with their generosity. Thank you to everyone who’s making the web better through such kind acts of openness. To quote the original motto of the World Wide Web project, let’s share what we know.

Going Offline, available now!

The day is upon us! The hour is at hand! The book is well and truly apart!

That’s right—Going Offline is no longer available for pre-order …it’s just plain available. ABookApart.com is where you can place your order now.

If you pre-ordered the book, thank you. An email is winging its way to you with download details for the digital edition. If you ordered the paperback, the Elves Apart are shipping your lovingly crafted book to you right now.

If you didn’t pre-order the book, I grudgingly admire your cautiousness, but don’t you think it’s time to throw caution to the wind and treat yourself?

Seriously though, I think you’ll like this book. And I’m not the only one. Here’s what people are saying:

I know you have a pile of professional books to read, but this one should skip the line.

Lívia De Paula Labate

It is so good. So, so good. I cannot recommend it enough.

Sara Soueidan

Super approachable and super easy to follow regardless of your level of knowledge.

—also Sara Soueidan

You’re gonna want to preorder a copy, believe me.

Mat Marquis

Beautifully explained without being patronising.

Chris Smith

I very much look forward to hearing what you think of Going Offline. Get your copy today and let me know what you think of it. Like I said, I think you’ll like this book. Apart.

Timing

Apple Inc. is my accidental marketing department.

On April 29th, 2010, Steve Jobs published his infamous Thoughts on Flash. It thrust the thitherto geek phrase “HTML5” into the mainstream press:

HTML5, the new web standard that has been adopted by Apple, Google and many others, lets web developers create advanced graphics, typography, animations and transitions without relying on third party browser plug-ins (like Flash). HTML5 is completely open and controlled by a standards committee, of which Apple is a member.

Five days later, I announced the first title from A Book Apart: HTML5 For Web Designers. The timing was purely coincidental, but it definitely didn’t hurt that book’s circulation.

Fast forward eight years…

On March 29th, 2018, Apple released the latest version of iOS. Unmentioned in the press release, this update added service worker support to Mobile Safari.

Five days later, I announced the 26th title from A Book Apart: Going Offline.

For a while now, quite a few people have cited Apple’s lack of support as a reason why they weren’t investigating service workers. That excuse no longer holds water.

Once again, the timing is purely coincidental. But it can’t hurt.

That new-book smell

The first copies of Going Offline showed up today! This is my own personal stash, sent just a few days before the official shipping date of next Monday.

I am excite!

To say I was excited when I opened the box of books would be an understatement. I was positively squealing with joy!

Others in the Clearleft office shared in my excitement. Everyone did that inevitable thing, where you take a fresh-out-of-the-box book, open it up and press it against your nose. It’s like the bookworm equivalent of sniffing glue.

Actually, it basically is sniffing glue. I mean, that’s what’s in the book binding. But let’s pretend that we’re breathing in the intoxicating aroma of freshly-minted words.

If you’d like to bury your nose in a collection of my words glued together in a beautifully-designed package, you can pre-order the book now and await delivery of the paperback next week.

Technical balance

Two technical editors worked with me on Going Offline.

Jake was one of the tech editors. He literally (co-)wrote the spec on service workers. There ain’t nuthin’ he don’t know about the code involved. His job was to catch any technical inaccuracies in my writing.

The other tech editor was Amber. She’s relatively new to web development. While I was writing the book, she had a solid grounding in HTML and CSS, but not much experience in JavaScript. That made her the perfect archetypal reader. Her job was to point out whenever I wasn’t explaining something clearly enough.

My job was to satisfy both of them. I needed to explain service workers and all its associated APIs. I also needed to make it approachable and understandable to people who haven’t dived deeply into JavaScript.

I deliberately didn’t wait until I was an expert in this topic before writing Going Offline. I knew that the more familiar I became with the ins-and-outs of getting a service worker up and running, the harder it would be for me to remember what it was like not to know that stuff. I figured the best way to avoid the curse of knowledge would be not to accrue too much of it. But then once I started researching and writing, I inevitably became more au fait with the topic. I had to try to battle against that, trying to keep a beginner’s mind.

My watchword was this great piece of advice from Codebar:

Assume that anyone you’re teaching has no knowledge but infinite intelligence.

It was tricky. I’m still not sure if I managed to pull off the balancing act, although early reports are very, very encouraging. You’ll be able to judge for yourself soon enough. The book is shipping at the start of next week. Get your order in now.

The audience for Going Offline

My new book, Going Offline, starts with no assumption of JavaScript knowledge, but by the end of the book the reader is armed with enough code to make any website work offline.

I didn’t want to overwhelm the reader with lots of code up front, so I’ve tried to dole it out in manageable chunks. The amount of code ramps up a little bit in each chapter until it peaks in chapter five. After that, it ramps down a bit with each subsequent chapter.

This tweet perfectly encapsulates the audience I had in mind for the book:

Some people have received advance copies of the PDF, and I’m very happy with the feedback I’m getting.

Honestly, that is so, so gratifying to hear!

Words cannot express how delighted I am with Sara’s reaction:

She’s walking the walk too:

That gives me a warm fuzzy glow!

If you’ve been nervous about service workers, but you’ve always wanted to turn your site into a progressive web app, you should get a copy of this book.

Table of Contents for Going Offline

A few people on Twitter have asked about the table of contents for my new book about service workers, Going Offline. Fair enough—why not see the menu before placing your order?

  1. Introducing Service Workers Does what is says on the tin. It also talks about switching to HTTPS. This chapter is online at A List Apart so you can try before you buy.
  2. Preparing for Offline This chapter talks about how you register a service worker, and introduces the concept of promises in JavaScript.
  3. Making Fetch Happen Yes, this chapter title is a Mean Girls reference; fight me. The chapter explains fetch events and shows how a service worker can intercept them.
  4. Cache Me if you Can This puntastic chapter is all about caching, and shows you can use caches in your service worker script.
  5. Service Worker Strategies This is the heart of the book, where you get decide what kind of strategy you want to implement—when to go to the network, when to go a cache, and so on. And as a last resort, you can have a custom offline page.
  6. Refining Your Service Worker Building on the previous chapter, this one looks at how you can use different strategies for different kinds of files—images, pages, etc.
  7. Tidying Up This chapter is about good service worker hygiene like deleting old caches. It also introduces some more coding style options.
  8. The Offline Experience By this chapter, the service worker script is done. But there’s still plenty of room for enhancements on that custom offline page, including the use of offline storage.
  9. Progressive Web Apps The book finishes with an explanation of progressive web apps, and a step-by-step guide to creating your own web app manifest.

Sound good? Pre-order your copy of the book now and you’ll have it in your hands ten days from now.

Live-blogging An Event Apart Seattle

I tried do some live-blogging at An Event Apart Seattle. I surprised myself by managing to do all six talks on the first day. I even managed one or two after that, but that was the limit of my stamina. Torre, on the other hand, managed to live-blog every single talk—amazing!

Some of the talks don’t necessarily lend themselves to note-taking—ya kinda had to be there. But some of the the live-blogging I did ended up being surprisingly coherent.

Anyway, I figured it would be good to recap all the ones I managed to do here in one handy list.

  1. Beyond Engagement: the Content Performance Quotient by Jeffrey Zeldman. I think I managed to document the essence of what Jeffrey was getting at: for many sites, engagement isn’t the right metric to measure—the idea of a Content Performance Quotient is one alternative.
  2. Digital Marketing Strategies for the Busy “Web Master” by Sarah Parmenter. The structure of Sarah’s talk lent itself well to live-blogging, but I strongly disagreed with one or two of her suggestions (like encouraging people to install the disgusting abomination that is Facebook Pixel).
  3. Scenario-Driven Design Systems by Yesenia Perez-Cruz. This one was hard to live-blog because it was so packed with so many priceless knowledge bombs—an absolutely brilliant presentation, right up my alley!
  4. Graduating to Grid by Rachel Andrew. The afternoon sessions, with their emphasis on CSS, were definitely tricky to capture. I didn’t even try to catch most of the code, but I think I managed to get down most of Rachel’s points about learning new CSS.
  5. Fit For Purpose: Making Sense of the New CSS by Eric Meyer. There was a fair bit of code in this one, and lots of gasp-inducing demos too, so my account probably doesn’t do it justice.
  6. Everything You Know About Web Design Just Changed by Jen Simmons. There was no way I could document the demos, but I think I managed to convey the excitement in Jen’s talk.
  7. Navigating Team Friction by Lara Hogan. I only managed to do two talks on the second day, but I think they came out the best. Lara’s talk was packed full with great advice, but it was so clearly structured that I think I managed to get most of the main points down.
  8. Designing Progressive Web Apps by Jason Grigsby. I had a vested interest in the topic of Jason’s talk so I was scribing like crazy. Apart from a few missing diagrams, I think my notes managed to convey most of Jason’s message.

Of course the one talk I definitely couldn’t live-blog was my own. I’ve documented lists of links relating to the subject matter of my talk, but if you weren’t at An Event Apart Seattle, then the only other chance to see the talk is at An Event Apart Boston in June. That’s the only other time I’m giving it.

I thoroughly enjoyed giving the talk in Seattle, particularly when I treated the audience to a scoop: I announced my new book, Going Offline, during the talk (I had been scheming with Katel at A Book Apart and we co-ordinated the timing to a tee).

Announcing Going Offline from A Book Apart

I decided that I wanted a new mug.

I already have one very nice mug. It was sent to me by A Book Apart because I wrote the book HTML5 For Web Designers back in 2010. If I wanted another nice mug, it was clear what I had to do. I had to write another book.

So I’ve written a book. It’s called Going Offline and it’s available to pre-order now. It will start shipping a few weeks from now.

I think you will enjoy this book. Here’s why…

You have a website or you make websites for other people. You’re comfortable with HTML and CSS, but maybe you’re a bit apprehensive about JavaScript (like me). You keep hearing lots of talk about service workers and progressive web apps. You’re intrigued. But you’re put off by the resources out there. They all assume a certain level of JavaScript knowledge. What you need is a step-by-step guide to help you make your website work offline …a guide that won’t assume you’re already comfortable with code.

Does that sound like you? Then Going Offline is for you.

Thinking about it, a more accurate title for the book would’ve been Service Workers For Web Designers …although even that would assume too much existing knowledge (like, what the heck a service worker is in the first place).

Pre-order Going Offline today and it will be in your hands in just a few weeks.

Alas, I have no idea when my new mug will be ready.

Just change it

Amber and I often have meta conversations about the nature of learning and teaching. We swap books and share ideas and experiences whenever we’re trying to learn something or trying to teach something. A topic that comes up again and again is the idea of “the curse of knowledge“—it’s the focus of Steven Pinker’s book The Sense Of Style. That’s when the author/teacher can’t remember what it’s like not to know something, which makes for a frustrating reading/learning experience.

This is one of the reasons why I encourage people to blog about stuff as they’re learning it; not when they’ve internalised it. The perspective that comes with being in the moment of figuring something out is invaluable to others. I honestly think that most explanatory books shouldn’t be written by experts—the “curse of knowledge” can become almost insurmountable.

I often think about this when I’m reading through the installation instructions for frameworks, libraries, and other web technologies. I find myself put off by documentation that assumes I’ve got a certain level of pre-existing knowledge. But now instead of letting it get me down, I use it as an opportunity to try and bridge that gap.

The brilliant Safia Abdalla wrote a post a while back called How do I get started contributing to open source?. I definitely don’t have the programming chops to contribute much to a codebase, but I thoroughly agree with Safia’s observation:

If you’re interested in contributing to open source to improve your communication and empathy skills, you’re definitely making the right call. A lot of open source tools could definitely benefit from improvements in the documentation, accessibility, and evangelism departments.

What really jumps out at me is when instructions use words like “simply” or “just”. I’m with Brad:

“Just” makes me feel like an idiot. “Just” presumes I come from a specific background, studied certain courses in university, am fluent in certain technologies, and have read all the right books, articles, and resources. “Just” is a dangerous word.

But rather than letting that feeling overwhelm me, I now try to fix the text. Here are a few examples of changes I’ve suggested, usually via pull requests on Github repos:

They all have different codebases in different programming languages, but they’re all intended for humans, so having clear and kind documentation is a shared goal.

I like suggesting these kinds of changes. That initial feeling of frustration I get from reading the documentation gets turned into a warm fuzzy feeling from lending a helping hand.

Words I wrote in 2017

I wrote 78 blog posts in 2017. That works out at an average of six and a half blog posts per month. I’ll take it.

Here are some pieces of writing from 2017 that I’m relatively happy with:

Going Rogue. A look at the ethical questions raised by Rogue One

In AMP we trust. My unease with Google’s AMP format was growing by the day.

A minority report on artificial intelligence. Revisiting two of Spielberg’s films after a decade and a half.

Progressing the web. I really don’t want progressive web apps to just try to imitate native apps. They can be so much more.

CSS. Simple, yes, but not easy.

Intolerable. A screed. I still get very, very angry when I think about how that manifestbro duped people.

Акула. Recounting a story told by a taxi driver.

Hooked and booked. Does A/B testing lead to dark patterns?

Ubiquity and consistency. Different approaches to building on the web.

I hope there’s something in there that you like. It always a nice bonus when other people like something I’ve written, but I write for myself first and foremost. Writing is how I figure out what I think. I will, of course, continue to write and publish on my website in 2018. I’d really like it if you did the same.

Brian Aldiss

After the eclipse I climbed down from the hilltop and reconnected with the world. That’s when I heard the news. Brian Aldiss had passed away.

He had a good innings. A very good innings. He lived to 92 and was writing right up to the end.

I’m trying to remember the first thing I read by Brian Aldiss. I think it might have been The Billion Year Spree, his encyclopaedia of science fiction. The library in my hometown had a copy when I was growing up, and I was devouring everything SF-related.

Decades later I had the great pleasure of meeting the man. It was 2012 and I was in charge of putting together the line-up for that year’s dConstruct. I had the brilliant Lauren Beukes on the line-up all the way from South Africa and I thought it would be fun to organise some kind of sci-fi author event the evening before. Well, one thing led to another: Rifa introduced me to Tim Aldiss, who passed along a request to his father, who kindly agreed to come to Brighton for the event. Then Brighton-based Jeff Noon came on board. The end result was an hour and a half in the company of three fantastic—and fantastically different—authors.

I had the huge honour of moderating the event. Here’s the transcript of that evening and here’s the audio.

That evening and the subsequent dConstruct talks—including the mighty James Burke—combined to create one of the greatest weekends of my life. Seriously. I thought it was just me, but Chris has also written about how special that author event was.

Brian Aldiss, Jeff Noon, and Lauren Beukes on the Brighton SF panel, chaired by Jeremy Keith

Brian Aldiss was simply wonderful that evening. He regaled us with the most marvellous stories, at times hilarious, at other times incredibly touching. He was a true gentleman.

I’m so grateful that I’ll always have the memory of that evening. I’m also very grateful that I have so many Brian Aldiss books still to read.

I’ve barely made a dent into the ludicrously prolific output of the man. I’ve read just some of his books:

  • Non-stop—I’m a sucker for generation starship stories,
  • Hothouse—ludicrously lush and trippy,
  • Greybeard—a grim vision of a childless world before Children Of Men,
  • The Hand-reared Boy—filthy, honest and beautifully written,
  • Heliconia Spring—a deep-time epic …and I haven’t even read the next two books in the series!

Then there are the short stories. Hundreds of ‘em! Most famously Super-Toys Last All Summer Long—inspiration for the Kubrick/Spielberg A.I. film. It’s one of the most incredibly sad stories I’ve ever read. I find it hard to read it without weeping.

Passed by a second-hand book stall on the way into work. My defences were down. Not a bad haul for a fiver.

Whenever a great artist dies, it has become a cliché to say that they will live on through their work. In the case of Brian Aldiss and his astounding output, it’s quite literally true. I’m looking forward to many, many years of reading his words.

My sincerest condolences to his son Tim, his partner Alison, and everyone who knew and loved Brian Aldiss.

Posting to my site

I was idly thinking about the different ways I can post to adactio.com. I decided to count the ways.

Admin interface

This is the classic CMS approach. In my case the CMS is a crufty hand-rolled affair using PHP and MySQL that I wrote years ago. I log in to an admin interface and fill in a form, putting the text of my posts into a textarea. In truth, I usually write in a desktop text editor first, and then paste that into the textarea. That’s what I’m doing now—copying and pasting Markdown from the Typed app.

Directly from my site

If I’m logged in, I get a stripped down posting interface in the notes section of my site.

Notes posting interface

Bookmarklet

This is how I post links. When I’m at a URL I want to bookmark, I hit the “Bookmark it” bookmarklet in my browser’s bookmarks bar. That pops open a version of the admin interface tailored specifically for links. I really, really like bookmarklets. The one big downside is that they don’t work on mobile.

Text message

This is something I knocked together at Indie Web Camp Brighton 2015 using the Twilio API. It’s handy for posting notes if I’m travelling somewhere and data is at a premium. But I don’t use it that often.

Instagram

Thanks to Aaron’s OwnYourGram service—and the fact that my site has a micropub endpoint—I can post images from Instagram to my site. This used to happen instantaneously but Instagram changed their API rules for the worse. Between that and their shitty “algorithmic” timeline, I find myself using the service less and less. At this point I’m only on their for the doggos.

Swarm

Like OwnYourGram, Aaron’s OwnYourSwarm allows me to post check-ins and photos from the Swarm app to my site. Again, micropub makes it all possible.

OwnYourGram and OwnYourSwarm are very similar and could probably be abstracted into a generic service for posting from third-party apps to micropub endpoints. I’d quite like to post my check-ins on Untappd to my site.

Other people’s admin interfaces

Thanks to rel="me" and IndieAuth, I can log into other people’s posting interfaces using my own website as the log-in, and post to my micropub endpoint, like this. Quill is a good example of this. I don’t use it that much, but I really should—the editor interface is quite Medium-like in its design.

Anyway, those are the different ways I can update my website that I can think of right now.

Syndication

In terms of output, I’ve got a few different ways of syndicating what I post here:

Just so you know, if you comment on one of my posts on Facebook, I probably won’t see it. But if you reply to a copy of one of posts on Twitter or Instagram, it will show up over here on adactio.com thanks to the magic of Brid.gy and webmention.

Words

I like words. I like the way they can be tethered together to produce a satisfying sentence.

Jessica likes words even more than I do (that’s why her website is called “wordridden”). She studied linguistics and she’s a translator by trade—German into English. Have a read of her post about translating Victor Klemperer to get an inkling of how much thought and care she puts into it.

Given the depth of enquiry required for a good translation, I was particularly pleased to read this remark by John Le Carré:

No wonder then that the most conscientious editors of my novels are not those for whom English is their first language, but the foreign translators who bring their relentless eye to the tautological phrase or factual inaccuracy – of which there are far too many. My German translator is particularly infuriating.

That’s from an article called Why we should learn German, but it’s really about why we should strive for clarity in our use of language:

Clear language — lucid, rational language — to a man at war with both truth and reason, is an existential threat. Clear language to such a man is a direct assault on his obfuscations, contradictions and lies. To him, it is the voice of the enemy. To him, it is fake news. Because he knows, if only intuitively, what we know to our cost: that without clear language, there is no standard of truth.

It reminds me of one of my favourite Orwell essays, Politics and the English Language:

Political language — and with variations this is true of all political parties, from Conservatives to Anarchists — is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.

But however much I agree with Le Carré’s reprise of Orwell’s call for clarity, I was brought up short by this:

Every time I hear a British politician utter the fatal words, “Let me be very clear”, these days I reach for my revolver.

Le Carré’s text was part of a speech given in Berlin, where everyone would get the reference to the infamous Nazi quote—Wenn ich Kultur höre … entsichere ich meinen Browning—and I’m sure it was meant with a sly wink. But words matter.

Words are powerful. Words can be love and comfort — and words can be weapons.