The Demo → Demo Loop - daverupert.com
I’m 100% convinced that working demo-to-demo is the secret formula to making successful creative products.
I’m 100% convinced that working demo-to-demo is the secret formula to making successful creative products.
A typeface co-designed with a tree over the course of five years.
Yes, a tree.
Occlusion Grotesque is an experimental typeface that is carved into the bark of a tree. As the tree grows, it deforms the letters and outputs new design variations, that are captured annually.
- Each voice is individual and matters
- Slow is ok
- Diversified and independent is good
- Not fitting a pattern is ok
- Not being easily commodified is ok
I’m honoured to mentioned in the same paragraph as Seth Godin and Chris Coyier (and I too have really been enjoying Chris’s writing).
Write about what you learn. It pushes you to understand topics better. Sometimes the gaps in your knowledge only become clear when you try explaining things to others. It’s OK if no one reads what you write. You get a lot out of just doing it for you.
Lots of good advice from Addy:
Saying no is better than overcommitting.
I believe that we haven’t figured out when and how to give a developer access to an abstraction or how to evaluate when an abstraction is worth using. Abstractions are usually designed for a set of specific use-cases. The problems, however, start when a developer wants to do something that the abstraction did not anticipate.
Smart thoughts from Surma on the design of libraries, frameworks, and other abstractions:
Abstractions that take work off of developers are valuable! Of course, they are. The problems only occur when a developer feels chained to the abstractions in a situation where they’d rather do something differently. The important part is to not force patterns onto them.
This really resonated with parts of my recent talk at CSS Day when I was talking about Sass and jQuery:
If you care about DX and the adoption of your abstraction, it is much more beneficial to let developers use as much of their existing skills as possible and introduce new concepts one at a time.
Here’s the video of my opening talk at this year’s CSS Day, which I thoroughly enjoyed!
It’s an exciting time for CSS! It feels like new features are being added every day. And yet, through it all, CSS has managed to remain an accessible language for anyone making websites. Is this an inevitable part of the design of CSS? Or has CSS been formed by chance? Let’s take a look at the history—and some alternative histories—of the World Wide Web to better understand where we are today. And then, let’s cast our gaze to the future!
Even when each new layer of complexity starts to bring zero or even negative returns on investment, people continue trying to do what worked in the past. At some point, the morass they’ve built becomes so dysfunctional and unwieldy that the only solution is collapse: i.e., a rapid decrease in complexity, usually by abolishing the old system and starting from scratch.
WebPageTest just got even better! Now you can mimic the results of what would’ve previously required actually shipping, like adding third-party scripts, switching from a client-rendered to a server-rendered architecture and other changes that could potentially have a big effect on performance. Now you can run an experiment to get the results before actual implementation.
This is a terrific resource! A pattern library of interactive components: tabs, switches, dialogs, carousels …all the usual suspects.
Each component has an example implementation along with advice and a checklist for ensuring its accessible.
It’s so great to have these all gathered together in one place!
Good news and bad news…
The good news is that web notifications are coming to iOS—my number one wish!
The bad news is that it won’t happen until next year sometime.
Miriam has a wishlist for scaling up the indie web approach:
What I would like to see is a tool that helps bring the entire system together in one place. Somewhere that non-technical people can:
- build their own site, with support for feeds/mentions
- see what feeds are available on other sites, and subscribe to them
- easily respond to other sites, and see the resulting threads
(Oh, and by linking to this post, this should show up as a bookmark—I’m also testing Miriam’s webmention setup.)
Jim shares his thoughts on my recent post about declarative design systems. He picks up on the way I described a declarative design systems as “a predefined set of boundary conditions that can be used to generate components”:
I like this definition of a design system: a set of boundaries. It’s about saying “don’t go there” rather than “you can only go here”. This embraces the idea of constraints as the mother of invention: it opens the door to creativity while keeping things bounded.
A stylesheet to imitate paper—perfect for low-fidelity prototypes that you want to test.
Decades before fiber optic cable spanned the bottom of the ocean to link continents, the airborne voice of a spring songbird did.
Mario Popova writes of an interspecies broadcast:
Those were the early days of broadcasting and recorded music, when the technology was both too primitive and too expensive to make the joy of music as ambient as air; the days before we made our Faustian deal with the technocrats who made music cheap and musicians poor so that we could stream it anytime anywhere with no recompense or thought of the souls from which the stream pours.
A century of sci-fi book covers.
Paul Ford:
The web was born to distribute information on computers, but the technology industry can never leave well enough alone. It needs to make everything into software. To the point that your internet browser is basically no longer a magical book of links but a virtual machine that can simulate a full-fledged computer.
How a writing system went from being a dream (literally) to a reality, codified in unicode.
A well-written evisceration of cryptobollocks signed by Bruce Scheier, Tim Bray, Molly White, Cory Doctorow, and more.
If you’re a concerned US computer scientist, technologist or developer, you’ve got till June 10th to add your signature before this is submitted to congress.
Another post prompted by my recent musings on writing alt
text. This time Michelle looks at the case of text-as-images.