There’s a new image format on the browser block and it’s very performant indeed. Jake has all the details you didn’t ask for.
Just because there is now a multi-billion-dollar industry based on the abject betrayal of our privacy doesn’t mean the sociopaths who built it have any right whatsoever to continue getting away with it. They talk in circles but their argument boils down to entitlement: they think our privacy is theirs for the taking because they’ve been getting away with taking it without our knowledge, and it is valuable.
The radioactive properties of React.
An excellent explanation of the new
text-edge properties in CSS, complete with an in-depth history of leading in typography.
(I’m very happy to finally have a permanent link to point to about this, rather than a post on Ev’s blog.)
Before the hagiographical praise for working with an iPad Pro, Robin nails the fundamental shape of the design process:
I had forgotten that there are two modes of design, just as there is in writing.
The first mode is understanding the problem, getting a ten-thousand foot view of the land. It’s getting people to acknowledge that this really is the problem we need to agree upon. This work needs to happen in a sketchbook in the form of messy, back-of-the-napkin drawings or in writing. All this helps you to form a proper argument and focus your thoughts.
The second mode of design is taking that ten-thousand foot view and zooming all the way in to the hairs on the back of the rabbit; figuring out the precise UI and components, the copywriting, the animations, the everything else. This should be done in a design tool like Figma or Sketch. And this is when we should be talking about color palettes, icons, design systems, and consistency.
The problem with almost all design work is that first phase never really happens. People don’t take that ten thousand foot view of the problem and are focusing instead on the pixels; they’re trapped by the system they know too well.
Yes, yes, yes! Spot on:
I think people get stuck in that second mode because productivity in design is often tied to “how many pages or frames did I design today?” when productivity should instead be thought of as “how did my understanding of the problem change?
This sounds like seamful design:
How to enable not users but adaptors? How can people move from using a product, to understanding how it hangs together and making their own changes? How do you design products with, metaphorically, screws not nails?
Matt made this website to explain RSS to people who are as-ye unfamilar with it.
I probably need to upgrade the Huffduffer server but Maciej nails why that’s an intimidating prospect:
Doing this on a live system is like performing kidney transplants on a playing mariachi band. The best case is that no one notices a change in the music; you chloroform the players one at a time and try to keep a steady hand while the band plays on. The worst case scenario is that the music stops and there is no way to unfix what you broke, just an angry mob. It is very scary.
Matt has thoughts on RSS:
My sense is that RSS is having a mini resurgence. People are getting wary of the social media platforms and their rapacious appetite for data. We’re getting fatigued from notifications; our inboxes are overflowing. And people are saying that maybe, just maybe, RSS can help. So I’m seeing RSS being discussed more in 2020 than I have done for years. There are signs of life in the ecosystem.
This is a great talk by Hidde, looking at the history and evolution of cascading style sheets. Right up my alley!
I’ve been using Duck Duck Go for ages so I didn’t realise quite how much of a walled garden Google search has become.
41% of the first page of Google search results is taken up by Google products.
Note the fear with which publishers talk about Google (anonymously). It’s the same fear that app developers exhibit when talking about Apple (anonymously).
Ain’t centralisation something?
How do we tell our visitors our sites work offline? How do we tell our visitors that they don’t need an app because it’s no more capable than the URL they’re on right now?
Remy expands on his call for ideas on branding websites that work offline with a universal symbol, along the lines of what we had with RSS.
What I’d personally like to see as an outcome: some simple iconography that I can use on my own site and other projects that can offer ambient badging to reassure my visitor that the URL they’re visiting will work offline.
Google could have approached the “be better on mobile” problem, search optimization and revenue sharing any number of ways, obviously, but the one they’ve chosen and built out is the one that guarantees that either you let them middleman all of your traffic or they cut off your oxygen.
There’s also this observation, which is spot-on:
Google has managed to structure this surveillance-and-value-extraction machine entirely out of people who are convinced that they, personally, are doing good for the world. The stuff they’re working on isn’t that bad – we’ve got such beautiful intentions!
I linked to the first of Ethan’s short videos on accessibility last week, but it’s well worth checking out all five:
Here then are 10 stories of remaking the future that contain hope — or at least stability.
- The City and the Stars by Arthur C Clarke
- The First Fifteen Lives of Harry August by Claire North
- Revenger by Alastair Reynolds
- Children of Time by Adrian Tchaikovsky
- Do You Dream of Terra-Two? by Temi Oh
- Consider Phlebas by Iain M Banks
- Natural History by Justina Robson
- Ancillary Justice by Ann Leckie
- Way Station by Clifford D Simak
- News from Gardenia by Robert Llewellyn
This is a very nifty use of CSS gradients!
This is a great short introduction to using VoiceOver with Safari by the one and only Ethan Marcotte.
What I love about the web is that it’s a hypertext. (Though in recent years it has mostly been used as a janky app delivery platform.)
I am very much enjoying Matt’s thoughts on linking, quoting, transclusion, and associative trails.
My blog is my laboratory workbench where I go through the ideas and paragraphs I’ve picked up along my way, and I twist them and turn them and I see if they fit together. I do that by narrating my way between them. And if they do fit, I try to add another piece, and then another. Writing a post is a process of experimental construction.
And then I follow the trail, and see where it takes me.
Well, this is timely! Cassie mentioned recently that she was reading—and enjoying—the Earthsea books, which I had never got around to reading. So I’m reading them now. Then Craig mentioned in one of his newsletters that he’s also reading them. Now there’s this article…
To white protestors and accomplices, who say that they want to listen but are fearful of giving up some power so that we can all heal, I suggest you read the Earthsea cycle. You will need to learn to step away from the center to build a new world, and the Black majority in this fantasy series offers a better model than any white history.