If you treat data as a constraint in your design and development process, you’ll likely be able to brainstorm a large number of different ways to keep data usage to a minimum while still providing an excellent experience. Doing less doesn’t mean it has to feel broken.
I would very much like this to become a reality.
Never-Slow Mode (“NSM”) is a mode that sites can opt-into via HTTP header. For these sites, the browser imposes per-interaction resource limits, giving users a better user experience, potentially at the cost of extra developer work. We believe users are happier and more engaged on fast sites, and NSM attempts to make it easier for sites to guarantee speed to users. In addition to user experience benefits, sites might want to opt in because browsers could providing UI to users to indicate they are in “fast mode” (a TLS lock icon but for speed).
The web embodies principles of openness and portability and access that best align with the needs, and frankly the purpose, of the cultural heritage sector.
Aaron’s talk from the 2019 Museums and the Web conference.
In 2019 the web is not “sexy” anymore and compared to native platforms it can sometimes seems lacking, but I think that speaks as much to people’s desire for something “new” as it does to any apples to apples comparison. On measure – and that’s the important part: on measure – the web affords a better and more sustainable framework for the cultural heritage to work in than any of the shifting agendas of the various platform vendors.
This is an excellent UX improvement in Chrome. For sites like The Session, where page loads are blazingly fast, this really makes them feel like single page apps.
Our goal with this work was for navigations in Chrome between two pages that are of the same origin to be seamless and thus deliver a fast default navigation experience with no flashes of white/solid-color background between old and new content.
This is exactly the kind of area where browsers can innovate and compete on the UX of the browser itself, rather than trying to compete on proprietary additions to what’s being rendered.
Books in the public domain, lovingly designed and typeset, available in multiple formats for free. Great works of fiction from Austen, Conrad, Stevenson, Wells, Hardy, Doyle, and Dickens, along with classics of non-fiction like Darwin’s The Origin of Species and Shackleton’s South!
min() gets better support (it’s currently in Safari), we’ll be able to create container queryish declarations like this:
grid-template-columns: repeat(auto-fill, minmax(min(10rem, 100%), 1fr));
Mike follows up on the changes made by email startup Superhuman after his initial post:
I will say this: if you were skeptical of Superhuman’s commitment to privacy and safety after reading the last article, you should probably be even more skeptical after these changes. The company’s efforts demonstrate a desire to tamp down liability and damage to their brand, but they do not show an understanding of the core problem: you should not build software that surreptitiously collects data on people in a way that would surprise and frighten them.
A really excellent analysis by Mike of a dark pattern in the Superhuman email app.
That’s right. A running log of every single time you have opened my email, including your location when you opened it. Before we continue, ask yourself if you expect this information to be collected on you and relayed back to your parent, your child, your spouse, your co-worker, a salesperson, an ex, a random stranger, or a stalker every time you read an email.
Exactly! This violates the principle of least surprise. Also, it’s just plain wrong.
Amazingly though, Mike has been getting pushback from guys on Twitter (and it’s always guys) who don’t think this is a big deal.
Anyway, read the whole thing—it’s fair, balanced, and really well written.
If you ignore the slightly insulting and condescending clickbaity title, this is a handy run-down of eight browser features with good support:
- extra arguments in
- extra arguments in
defaultCheckedproperty for checkboxes,
wholeTextfor strings of text,
If we continue as we are, who will maintain the maintainers?
In the world of open source, we tend to give plaudits and respect to makers …but maintainers really need our support and understanding.
Users and new contributors often don’t see, much less think about, the nontechnical issues—like mental health, or work-life balance, or project governance—that maintainers face. And without adequate support, our digital infrastructure, as well as the people who make it run, suffer.
Spoiler: it’s plain text. Every time.
Nothing boosts opens and clicks as well as an old school, plain-text email.
I feel vindicated.
People say they prefer HTML emails ..but they actually prefer plain-text.
This seems like a plausable explanation:
Think about how you email colleagues and friends: Do you usually add images or use well-designed templates? Probably not, and neither does your audience. They’re used to using email to communicate in a personal way, so emails from companies that look more personal will resonate more.
Now get off my lawn, you pesky HTML-email lovin’ kids.
Coming to your inbox soon:
The Training Commission is a speculative fiction email newsletter about the compromises and consequences of using technology to reckon with collective trauma. Several years after a period of civil unrest and digital blackouts in the United States, a truth and reconciliation process has led to a major restructuring of the federal government, major tech companies, and the criminal justice system.
At Codebar the other night, I was doing an intro chat with some beginners. At one point I touched on DNS. This explanation is great for detailing what’s going on under the hood.
What would Wiener think of the current human use of human beings? He would be amazed by the power of computers and the internet. He would be happy that the early neural nets in which he played a role have spawned powerful deep-learning systems that exhibit the perceptual ability he demanded of them—although he might not be impressed that one of the most prominent examples of such computerized Gestalt is the ability to recognize photos of kittens on the World Wide Web.
Thorough (and grim) research from Chris.
A terrific six-part series of short articles looking at the people behind the history of Artificial Intelligence, from Babbage to Turing to JCR Licklider.
- When Charles Babbage Played Chess With the Original Mechanical Turk
- Invisible Women Programmed America’s First Electronic Computer
- Why Alan Turing Wanted AI Agents to Make Mistakes
- The DARPA Dreamer Who Aimed for Cyborg Intelligence
- Algorithmic Bias Was Born in the 1980s
- How Amazon’s Mechanical Turkers Got Squeezed Inside the Machine
The history of AI is often told as the story of machines getting smarter over time. What’s lost is the human element in the narrative, how intelligent machines are designed, trained, and powered by human minds and bodies.
I missed this when it was first posted three years ago, but now I think I’ll be revisiting this 12 minute interview every few months.
Everything that Kyle says here is spot on, nuanced, and thoughtful. He talks about abstraction, maintainability, learning, and complexity.
I want a transcript of the whole thing.
An online documentary series featuring interviews with smart people about the changing role of design.
As technology becomes more complex and opaque, how will we as designers understand its potential, do hands-on work, translate it into forms people can understand and use, and lead meaningful conversations with manufacturers and policymakers about its downstream implications? We are entering a new technology landscape shaped by artificial intelligence, advanced robotics and synthetic biology.
So far there’s Kevin Slavin, Molly Wright Steenson, and Alexandra Daisy Ginsberg, with more to come from the likes of Matt Jones, Anab Jain, Dan Hill, and many, many more.
A few common gotchas when using BEM, and how to deal with them.
There’s something deliciously appropriate about using a painting cloning service to clone a photograph of some cloned dogs.
“Did you just order an oil painting of Barbra Streisand’s dogs?” is the most Simon and Natalie thing ever.
Although this comes close: