A timeline showing the history of non-digital dataviz.
I keep coming back to this remarkable piece of writing by Cassie. Honest, resonant, and open, centred around a perfect analogy.
Lessons for web development from a home renovation project:
- Greenfield Projects Are Everyone’s Favorite
- The Last Person’s Work Is Always Bewildering
- It’s All About the Trade-Offs
- It ALWAYS Takes Longer Than You Think
- Communication, Communication, Communication!
And there’s this:
You know those old homes people love because they’re unique, have lasted for decades, and have all that character? In contrast, you have these modern subdivision homes that, while shiny and new, are often bland and identical (and sometimes shoddily built).
node_modulesis like the suburbia/subdivision of modern web development: it seems nice and fancy today, and most everyone is doing it, but in 30 years everyone will hate the idea. They’ll all need to be renovated or torn down. Meanwhile, the classical stuff that’s still standing from 100 years ago lives on but nobody seems to be building houses that way anymore for some reason. Similarly, the first website ever is still viewable in all modern web browsers. But many websites built last year on last year’s bleeding edge tech already won’t work in a browser.
HTML lets you create the structure of a website.
CSS lets you make the website look nice.
A time capsule for the long now. Laser-etched ceramic tablets in an Austrian salt mine carry memories of our civilisation in three categories: news editorials, scientific works, and personal stories.
You can contribute a personal story, your favorite poem, or newspaper articles which describe our problems, visions or our daily life.
Tokens that mark the location of the site are also being distributed across the planet.
An online museum of sounds—the recordings of analogue machines.
A nice analogy to help explain what it’s like to navigate with a screen reader—and how much well-structured markup can help make it easier.
This is wonderful meditation on the history of older technologies that degrade in varied conditions versus newer formats that fall of a “digital cliff”, all tied in to working on the web.
When digital TV fails, it fails completely. Analog TV, to use parlance of the web, degrades gracefully. The web could be similar, if we choose to make it so. It could be “the analog” web in contrast to “the digital” platforms. Perhaps in our hurry to replicate and mirror native platforms, we’re forgetting the killer strength of the web: universal accessibility.
Like cuneiform crossed with the Long Now Foundation’s Rosetta Project.
He will laser-print a microscopic font onto 1-mm-thick ceramic sheets, encased in wafer-thin layers of glass. One 20 cm piece of this microfilm can store 5 million characters; whole libraries of information—readable with a 10x-magnifying lens—could be slotted next to each other and hardly take up any space.
As always with sci-fi interfaces, the important part is telling the story, not realism or accuracy. Personally, I liked the way that the World War II trappings of Rogue One extended to communications and networking technologies.
If you enjoyed reading Marcin’s serendipitous story on Twitter, here are the pictures to accompany it.
The many benefits of an analogue detox. There’s neuroscience and everything.
It’s so important that we take the time to connect and switch on.
A look at long-term cultural and linguistic preservation through the lens of Egyptology.
An introduction to the important work of digital archivists:
Much like the family member that collects, organizes, and identifies old family photos to preserve one’s heritage, digital archivists seek to do the same for all mankind.
Amber documents her attempt to turn physical objects imbued with meaning into digital artefacts.