Bookin’. — Ethan Marcotte
The twelve(!) year old photo that Ethan has illustrated this post with still makes my heart sing.
The twelve(!) year old photo that Ethan has illustrated this post with still makes my heart sing.
Where and when were these photographs taken?
It’s like that Chronophoto game I linked to with an added dimension of location.
I wish more publishers and services took this approach to evaluating technology:
We scrutinize third-party services before including them in our articles or elsewhere on our site. Many include trackers or analytics that would collect data on our readers. These may be standard across much of the web, but we don’t use them.
Some great ideas for view transitionts in here! Also:
If you look at any of the examples on a browser that does not support them, the pages still function just fine. The transitions are an extra that’s layered on top if and when your browser supports them. Another concrete example of progressive enhancement in practice.
Considering the average website is less than ten years old, that old warning from your parents that says to “be careful what you post online because it’ll be there forever” is like the story your dad told you about chocolate milk coming from brown cows, a well-meant farce. On the contrary, librarians and archivists have implored us for years to be wary of the impermanence of digital media; when a website, especially one that invites mass participation, goes offline or executes a huge dump of its data and resources, it’s as if a smallish Library of Alexandria has been burned to the ground. Except unlike the burning of such a library, when a website folds, the ensuing commentary from tech blogs asks only why the company folded, or why a startup wasn’t profitable. Ignored is the scope and species of the lost material, or what it might have meant to the scant few who are left to salvage the digital wreck.
This short story feels like a prequel to Maneki Neko.
The thinking behind the minimal JavaScript framework, Strawberry:
Even without specialized syntax, you can do a lot of what the usual frontend framework does—with similar conciseness—just by using
Proxy
andWebComponents
.
This is the kind of press release I like.
In some ways, the fervor around AI is reminiscent of blockchain hype, which has steadily cooled since its 2021 peak. In almost all cases, blockchain technology serves no purpose but to make software slower, more difficult to fix, and a bigger target for scammers. AI isn’t nearly as frivolous—it has several novel use cases—but many are rightly wary of the resemblance. And there are concerns to be had; AI bears the deceptive appearance of a free lunch and, predictably, has non-obvious downsides that some founders and VCs will insist on learning the hard way.
This is a good level-headed overview of how generative language model tools work.
If something can be reduced to patterns, however elaborate they may be, AI can probably mimic it. That’s what AI does. That’s the whole story.
There’s very practical advice on deciding where and when these tools make sense:
The sweet spot for AI is a context where its choices are limited, transparent, and safe. We should be giving it an API, not an output box.
AMP succeeded spectacularly. Then it failed. And to anyone looking for a reason not to trust the biggest company on the internet, AMP’s story contains all the evidence you’ll ever need.
This is a really good oral history of how AMP soured Google’s reputation.
Full disclosure: I’m briefly cited:
“When it suited them, it was open-source,” says Jeremy Keith, a web developer and a former member of AMP’s advisory council. “But whenever there were any questions about direction and control… it was Google’s.”
As an aside, this article contains a perfect description of the company cultures of Facebook, Apple, and Google:
“You meet with a Facebook person and you see in their eyes they’re psychotic,” says one media executive who’s dealt with all the major platforms. “The Apple person kind of listens but then does what it wants to do. The Google person honestly thinks what they’re doing is the best thing.”
Spot. On.
Bosses have certain goals, but don’t want to be blamed for doing what’s necessary to achieve those goals; by hiring consultants, management can say that they were just following independent, expert advice. Even in its current rudimentary form, A.I. has become a way for a company to evade responsibility by saying that it’s just doing what “the algorithm” says, even though it was the company that commissioned the algorithm in the first place.
Once again, absolutely spot-on analysis from Ted Chiang.
I’m not very convinced by claims that A.I. poses a danger to humanity because it might develop goals of its own and prevent us from turning it off. However, I do think that A.I. is dangerous inasmuch as it increases the power of capitalism. The doomsday scenario is not a manufacturing A.I. transforming the entire planet into paper clips, as one famous thought experiment has imagined. It’s A.I.-supercharged corporations destroying the environment and the working class in their pursuit of shareholder value. Capitalism is the machine that will do whatever it takes to prevent us from turning it off, and the most successful weapon in its arsenal has been its campaign to prevent us from considering any alternatives.
Taking the child on a tour through punctuation, Mr. Stops introduces him to a cast of literal “characters”: there is Counsellor Comma, who knows “neither guile nor repentance” in his pursuit of “dividing short parts of a sentence”; Ensign Semicolon struts with militaristic pride, for “into two or more parts he’ll a sentence divide”; and The Exclamation Point is “struck with admiration”, his face “so long, and thin and pale”.
This anthology of Steve Jobs interviews, announcements and emails is available to read for free as a nicely typeset web book.
A short list of opinions on typography. I don’t necessarily agree with all of it, but it’s all fairly sensible advice.
I don’t agree with all of these takes-of-varying-spiciness, but Rich Harris is always worth paying attention to.
Ahmad runs through some of the scenarios where text-wrap: balance
could be handy.
Even though it’s not well-supported yet in browsers, there’s no reason not to start adding it to sites now; it’s classic progressive enhancement.
A lovely bit of real-time data visualisation from Robin:
It’s a personal project created at home in Wales with an aim to explore and visualise renewable energy systems. Specifically, it aims to visualise live generation from renewable energy systems around Great Britain and to show where that generation is physically coming from.
This isn’t an opinion piece. This is documentation.
You can’t JavaScript your way out of an excess-JavaScript problem.
How browser fingerprinting works and what you can do about it (if you use Firefox).
Check out the demo that Rich has put together to go with Amelia’s proposed syntax.