Own. Your. Nook. There’s power in owning your nook of the ‘net — your domain name, your design, your archives — and it’s easier than ever to do so, and run a crowdfunding campaign at the same time.
Digital preservation of dead-tree media:
The Stacks Reader is an online collection of classic journalism and writing about the arts that would otherwise be lost to history. Motivated less by nostalgia than by preservation, The Stacks Reader is a living archive of memorable storytelling—a museum for stories.
A non-profit that offers digital preservation services for individuals.
Permanence means no subscriptions; a one-time payment for dedicated storage that preserves your most precious memories and an institution that will be there to protect the digital legacy of all people for all time.
A Public Record at Risk: The Dire State of News Archiving in the Digital Age - Columbia Journalism Review
This well-researched in-depth piece doesn’t paint a pretty picture for archiving online news:
Of the 21 news organizations in our study, 19 were not taking any protective steps at all to archive their web output. The remaining two lacked formal strategies to ensure that their current practices have the kind of longevity to outlast changes in technology.
Jason contemplates his two decades of blog posts, some of which he now feels very differently about:
Tim Berners-Lee’s idea that cool URIs don’t change is almost part of my DNA at this point, so deleting them seems wrong. Approximately no one ever reads any post on this site that’s more than a few years old, but is that an argument for or against deleting them? (If a tree falls in the woods, etc…) Should I delete but leave a note they were deleted? Should I leave the original posts but append updates citing my current displeasure?
April 7th, 2019 is going to be the 50 year anniversary of the first ever Request for Comments, known as an RFC.
Darius Kazemi is going to spend the year writing commentary on the first 365 Request For Comments from the Internt Engineering Task Force:
In honor of this anniversary, I figured I would read one RFC each day of 2019, starting with RFC 1 and ending with RFC 365. I’ll offer brief commentary on each RFC.
Never mind their recent data breach—the reason to avoid Quora is that it’s a data roach motel.
All of Quora’s efforts to lock up its community’s contributions make it incredibly difficult to preserve when that they go away, which they someday will. If you choose to contribute to Quora, they’re actively fighting to limit future access to your own work.
Flickr is removing anything over 1,000 photos on accounts that are not “pro” (paid for) in 2019. We highlight large and amazing accounts that could use a gift to go pro. We take nominations and track when these accounts are saved.
A time capsule for the long now. Laser-etched ceramic tablets in an Austrian salt mine carry memories of our civilisation in three categories: news editorials, scientific works, and personal stories.
You can contribute a personal story, your favorite poem, or newspaper articles which describe our problems, visions or our daily life.
Tokens that mark the location of the site are also being distributed across the planet.
As it turns out, some sites are much harder to archive than others. This article goes through the process of archiving traditional web sites and shows how it falls short when confronted with the latest fashions in the single-page applications that are bloating the modern web.
This is very, very good news. Following on from the recent announcement that a huge swathe of Flickr photos would soon be deleted, there’s now an update: any photos that are Creative Commons licensed won’t be deleted after all. Phew!
I wonder if I can get a refund for that pro account I just bought last week to keep my Creative Commons licensed Flickr pictures online.
I’ve got a lot of photos on Flickr (even though I don’t use it directly much these days) and I’ve paid up for a pro account to protect those photos, but I’m very worried about this:
Beginning January 8, 2019, Free accounts will be limited to 1,000 photos and videos.
That in itself is fine, but any existing non-pro accounts with more than 1000 photos will have older photos deleted until the total comes down to 1000. This means that anyone linking to those photos (or embedding them in blog posts or articles) will have broken links and images.
Tears in the rain.
A profile of Mark Graham and the team at the Internet Archive.
From smart dust and spimes, through to online journaling and social media, to machine learning, big data and digital preservation…
Is the archive where information goes to live forever, or where data goes to die?
I share many of these concerns.
The web is huge. Even bigger than Google. I love that the web preserves all the work. I don’t think anyone has the right to change the web so they no longer work.
A terrific piece by Maria Bustillos on digital preservation and the power of archives, backed up with frightening real-world examples.
Because history is a fight we’re having every day. We’re battling to make the truth first by living it, and then by recording and sharing it, and finally, crucially, by preserving it. Without an archive, there is no history.
That’s the web I want; a place with spare corners where un-monetisable enthusiasms can be preserved, even if they’ve not been updated for seven years.
Off-site backups of humanity’s knowledge and culture, stored in different media (including pyramidal crystals) placed in near-Earth orbit, the moon, and Mars.
We are developing specialized next-generation devices that we call Archs™ (pronounced “Arks”), which are designed to hold and transmit large amounts of data over long periods of time in extreme environments, including outer space and on the surfaces of other planetary bodies.
Our goal is to collect and curate important data sets and to install them on Archs™ that will be delivered to as many locations as possible for safekeeping.
To increase the chances that Archs™ will be found in the future, we aim for durability and massive redundancy across a broad diversity of locations and materials – a strategy that nature itself has successfully employed.