New Ways of Seeing considers the impact of digital technologies on the way we see, understand, and interact with the world. Building on John Berger’s seminal Ways of Seeing from 1972, the show explores network infrastructures, digital images, systemic bias, education and the environment, in conversation with a number of contemporary art practitioners.
On an individual and small collective basis, the IndieWeb already works. But does an IndieWeb approach scale to the general public? If it doesn’t scale yet, can we, who envision and design and build, create a new generation of tools that will help give birth to a flourishing, independent web? One that is as accessible to ordinary internet users as Twitter and Facebook and Instagram?
Stylish! Retro! Sciency!
Accessibility for Vestibular Disorders: How My Temporary Disability Changed My Perspective · An A List Apart Article
This is a fascinating insight into what it’s like to use the web if you’ve got vertigo (which is way more common than you might think):
Really, there are no words to describe just how bad a simple parallax effect, scrolljacking, or even
background-attachment: fixedwould make me feel. I would rather jump on one of those 20-G centrifuges astronauts use than look at a website with parallax scrolling.
Every time I encountered it, I would put the bucket beside me to good use and be forced to lie in bed for hours as I felt the room spinning around me, and no meds could get me out of it. It was THAT bad.
These diagrams of early networks feel like manuscripts that you’d half expect to be marked with “Here be dragons” at the edges.
I love everything about this article and I can’t wait for part two.
What we tend to forget is that the environment websites and web apps occupy is one and the same. Both are subject to the same environmental pressures that the large gradient of networks and devices impose. Those constraints don’t suddenly vanish when we decide to call what we build “apps”, nor do our users’ phones gain magical new powers when we do so.
Needless to say, I endorse this message:
A handy browser extension for Chrome and Firefox:
“Hello, Goodbye” blocks every chat or helpdesk pop up in your browser.
This is a nifty visualisation by Hui Jing. It’s really handy to have elements categorised like this:
- Root elements
- Interactive elements
- Document metadata
- Tabular data
- Grouping content
- Embedded content
- Text-level semantics
There’s something deliciously appropriate about using a painting cloning service to clone a photograph of some cloned dogs.
“Did you just order an oil painting of Barbra Streisand’s dogs?” is the most Simon and Natalie thing ever.
Although this comes close:
This article by Cassie is so, so good!
First off, there’s the actual practical content on how to change the hover styles of SVGs that aren’t embedded. Then there’s the really clear walkthrough she give, making some quite complex topics very understandable. Finally, there’s the fact that she made tool to illustrate the point!
Best of all, I get to work with the super-smart developer who did all this.
This is a recording of my Evaluating Technology talk from An Event Apart in Denver just over a year ago. This was the last time I ever gave this talk, and I think you can tell that the delivery is well-practiced; I’m very happy with how this turned out.
In this 60-minute presentation recorded live at An Event Apart Denver 2017, Jeremy Keith helps you learn to evaluate tools and technologies in a way that best benefits the people who use the websites you design and develop.
A profile of Brighton, featuring Clearleft’s own Chris How.
Jigsaw puzzle companies tend to use the same cut patterns for multiple puzzles. This makes the pieces interchangeable, and I sometimes find that I can combine portions from two or more puzzles to make a surreal picture that the publisher never imagined. I take great pleasure in “discovering” such bizarre images lying latent, sometimes for decades, within the pieces of ordinary mass-produced puzzles.