It looks like something interesting is going on here. A new browser? It’s hard to tell from the vague marketing copy, but I suspect we’re not looking at a new rendering engine here, but perhaps a new browser interface.
What you see is the big map of a sea of literature, one where each island represents a single author, and each city represents a book. The map represents a selection of 113 008 authors and 145 162 books.
This is a poetic experiment where we hope you will get lost for a while.
Another alternative to Google Analytics—nice and lightweight too!
A people’s history of copying, from art to software.
Designers copy. We steal like great artists. But when we see a copy of our work, we’re livid.
By using static wireframes and static layouts, by separating design and development, we are often limiting our ability to have that creative dialogue with the Web and its materials. We are limiting our potential for playful exploration and for creating surprising and novel solutions. And, most importantly, we are limiting our ability to make conscious, well-informed decisions going forward. By adding more and more layers of abstraction, we are breaking the feedback loop of the creative process.
Tess calls for more precise language—like “site” and “origin”—when talking about browsers and resources:
When talking about web features with security or privacy impact, folks often talk about “first parties” and “third parties”. Everyone sort of knows what we mean when we use these terms, but it turns out that we often mean different things, and what we each think these terms mean usually doesn’t map cleanly onto the technical mechanisms browsers actually use to distinguish different actors for security or privacy purposes.
This is an excellent new tool for showing exactly what kind of tracking a site is doing:
Who is peeking over your shoulder while you work, watch videos, learn, explore, and shop on the internet? Enter the address of any website, and Blacklight will scan it and reveal the specific user-tracking technologies on the site—and who’s getting your data. You may be surprised at what you learn.
Best of all, you can inspect the raw data and analyse the methodology.
There are some accompanying explainers:
A timeline of city maps, from 1524 to 1930.
The latest edition in this wonderful series of science-fictional typography has some truly twisty turbolift tangents.
An Orbital Ring System as an alternative to a space elevator.
Representing nothing short of the most ambitious project in the history of space exploration and exploitation, the Orbital Ring System is more or less what you would imagine it to be, a gargantuan metal ring high above the Earth, spanning the length of its 40,000 kilometer-long diameter.
Own. Your. Nook. There’s power in owning your nook of the ‘net — your domain name, your design, your archives — and it’s easier than ever to do so, and run a crowdfunding campaign at the same time.
Robin Hawkes has made a lovely website to go with his newsletter all about maps and spatial goodies.
A forthcoming documentary about Stewart Brand (with music by Brian Eno).
I wrote a while back about one of my favourite photographs but this might just give it a run for its money.
It was only near the end of the 19th century that shutter speeds improved, as did emulsions, meaning that spontaneous moments could be captured. Still, smiling was not part of many cultures. It could be seen as unseemly or undignified, and many people rarely sat for photos anyway.
2010 was quite a year:
Nothing’s been quite the same since.
I remember being at that An Event Apart in Seattle where Ethan first unveiled the phrase and marvelling at how well everything just clicked into place, perfectly capturing the zeitgeist. I was in. 100%.
I must admit I’ve been wincing a little every time I see a graph with a logarithmic scale in a news article about COVID-19. It takes quite a bit of cognitive work to translate to a linear scale and get the real story.