A deep dive with good advice on using—and labelling—sectioning content in HTML:
This article by Cassie is so, so good!
First off, there’s the actual practical content on how to change the hover styles of SVGs that aren’t embedded. Then there’s the really clear walkthrough she give, making some quite complex topics very understandable. Finally, there’s the fact that she made tool to illustrate the point!
Best of all, I get to work with the super-smart developer who did all this.
Browsers have had consistent scrolling behavior for years, even across vendors and platforms. There’s an established set of physics, and if you muck with the physics, you can assume you’re making some people sick.
Guidelines to consider before adding swooshy parallax effects:
- Respect the Physics
- Remember that We Call Them “Readers”
- Ask for Consent
Given all the work that goes into a powerful piece of journalism—research, interviews, writing, fact-checking, editing, design, coding, testing—is it really in our best interests to end up with a finished product that some people literally can’t bear to scroll through?
I love what Ben is doing with this single-serving site (similar to my design principles collection)—it’s a collection of handy links and resources around voice UI:
Designing a voice interface? Here’s a useful list of lists: as many guiding principles as we could find, all in one place. List compiled and edited by Ben Sauer @bensauer.
BONUS ITEM: Have him run a voice workshop for you!
A web book with interactive code examples.
How can we capture the unpredictable evolutionary and emergent properties of nature in software? How can understanding the mathematical principles behind our physical world help us to create digital worlds? This book focuses on the programming strategies and techniques behind computer simulations of natural systems using Processing.
The BBC has been experimenting with some alternative layouts for some articles on mobile devices. Read on for the details, but especially for the philosophical musings towards the end—this is gold dust:
Even the subtext of Google’s marketing push around Progressive Web Apps is that mobile websites must aspire to be more like native apps. While I’m as excited about getting access to previously native-only features such as offline support and push notifications as the next web dev, I’m not sure that the mobile web should only try to imitate the kind of user interfaces that we see on native.
Do mobile websites really dream of being native apps, any more than they dreamt of being magazines?
Oh, I like this! A leaderboard of news sites, ranked by performance.
I’d love to see something like this for just about every sector …including agency websites.
This quick dip into Fractal was in last month’s Net magazine.
It’s very gratifying to see how much Fractal is resonating with people—Mark has put so much hard work into it.
Chris runs through the process and pitfalls of POSSEing a site (like CSS Tricks) to Apple’s News app, Facebook’s Instant Articles, and Google’s AMP.
Hey, whatever you want. As long as…
- It’s not very much work
- The content’s canonical home is my website.
I just want people to read and like CSS-Tricks.
A new publication from MIT. It deliberately avoids the jargon that’s often part and parcel of peer-reviewed papers, and all of the articles are published under a Creative Commons attribution licence.
The first issue is dedicated to Marvin Minsky and features these superb articles, all of which are independently excellent but together form an even greater whole…
When the cybernetics movement began, the focus of science and engineering was on things like guiding a ballistic missile or controlling the temperature in an office. These problems were squarely in the man-made domain and were simple enough to apply the traditional divide-and-conquer method of scientific inquiry.
Science and engineering today, however, is focused on things like synthetic biology or artificial intelligence, where the problems are massively complex. These problems exceed our ability to stay within the domain of the artificial, and make it nearly impossible for us to divide them into existing disciplines.
This essay proposes a map for four domains of creative exploration—Science, Engineering, Design and Art—in an attempt to represent the antidisciplinary hypothesis: that knowledge can no longer be ascribed to, or produced within, disciplinary boundaries, but is entirely entangled.
The designers of complex adaptive systems are not strictly designing systems themselves. They are hinting those systems towards anticipated outcomes, from an array of existing interrelated systems. These are designers that do not understand themselves to be in the center of the system. Rather, they understand themselves to be participants, shaping the systems that interact with other forces, ideas, events and other designers. This essay is an exploration of what it means to participate.
As our technological and institutional creations have become more complex, our relationship to them has changed. We now relate to them as we once related to nature. Instead of being masters of our creations, we have learned to bargain with them, cajoling and guiding them in the general direction of our goals. We have built our own jungle, and it has a life of its own.
A superb piece by Ross Penman on the importance of being true to the spirit of the web.
A collection of performance resources: articles, tools, talks, and books.
A great primer on using
picture. I think I’ll be referring back to this a lot.
I was interviewed for a feature in issue 257 of net magazine.
In this interview, I pause. And continue.
A great article by Susan on getting started with creating a styleguide for any project.
I’ve seen firsthand how style guides save development time, make communication regarding your front end smoother, and keep both code and design consistent throughout the site.
James gets profiled in Vanity Fair …which is, frankly, kind of weird.
It’s also so bizarre to read about his SXSW New Aesthetic panel as being such a pivotal moment: there weren’t that many of us in the room.