A lovely piece of early web history—Olia Lialina describes the early Net Art scene in 2000.
The address bar is the author’s signature. It’s where action takes place, and it’s the action itself. The real action on the web doesn’t happen on the page with its animated GIFs or funny scripts, it’s concentrated in the address bar.
And how wonderful that this piece is now published on Rhizome, an online institution so committed to its mission that it’s mentioned in this seventeen year old article.
When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.
It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.
It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.
Beautiful animation work.
Don’t let James Bridle get a hold of this.
I love watching an artist at work. Right after watching the accompanying video, I ordered a robot postcard from Anton.
Wonderful calligraphy — something we don't make much use of on the web.
I don't normally like all-Flash sites and I really don't like sites that mess with my cursor* but this one works really well. * I'm looking at you, Harry Potter Twitter site with the password anti-pattern.
The latest website from Derek Powazek allows artists and businesses to hook up. Nicely done.
Scroll down to see "Anamorphic illusions drawn in a special distortion in order to create an impression of 3 dimensions when seen from one particular viewpoint." Insanely great.
This local artist does great things with mackerel. I think I might have to get a piece to hang in the new flat.
If Holbein had been a street artist, the results might have looked something like this.