Luke has been asking people to imagine ways of augmenting the world. Spimes are back, baby!
Joschi gives the backstory to last week’s excellent Material conference in Iceland that he and Brian organised. I love that this all started with a conversation at Indie Web Camp Brighton back in 2014.
Amber describes Material much better than I could:
There’s an element of magic in the air that you get to grasp and breathe in when you gather in the same place with so many different people – people with stories and paths they could write books about. The passion, the ideas, the stories of difficult journeys (the behind-the-scenes that you never see on social media). All of this makes not a basic recipe for a good time, but one for a delicious, enlightening experience that I’ve not seen replicated in any other environment.
The only thing she neglects to mention is that her talk was very much part of what made the event so special.
A Weekly Journal of Visual Essays
Some lovely data visualisation here.
In July we started receiving audio signals from outside the solar system, and we’ve been studying them since.
Tweets contain sound samples on Soundcloud, data visualisations, and notes about life at the observatory …all generated by code.
ARP is a fictional radio telescope observatory, it’s a Twitter & SoundCloud bot which procedurally generates audio, data-visualisations, and the tweets (and occasionally long-exposure photography) of an astronomer/research scientist who works at ARP, who is obsessive over the audio messages, and who runs the observatory’s Twitter account.
When I was in Düsseldorf for this year’s excellent Beyond Tellerrand conference, I had the pleasure of meeting Nadieh Bremer, data visualisation designer extraordinaire. I asked her a question which is probably the equivalent of asking a chef what their favourite food is: “what’s your favourite piece of data visualisation?”
There are plenty of popular answers to this question—the Minard map, Jon Snow’s cholera map—but we had just been chatting about Nadieh’s previous life in astronomy, so one answer popped immediately to mind: the Hertzsprung-Russell diagram.
Fontlandia is yours to explore.
By leveraging AI and convolutional neural networks to draw higher-vision pattern recognition, we have created a tool that helps designers understand and see relationships across more than 750 web fonts.
A gorgeous visualisation of satellites in Earth orbit. Click around to grasp the scale of the network.
aria-current attribute is very handy and easy to implement. Léonie explains it really well here.
Watching this data visualisation on its high speed setting is quite hypnotic.
J. Renée Beach writes on Ev’s blog about three things to consider when planning for offline experiences:
- Reach, and
How will you express to your users that the content is up to date, safe and available across their network?
If you’re in need of some long-term perspective right now—because, let’s face it, the short-term outlook is looking pretty damn bleak—then why not explore some of Max Roser’s data visualisations? Have a look at some of the global trends in inequality, disease, hunger, and conflict.
Clever! By exploiting the redirect pattern that most social networks use for logging in, and assuming that site’s favicon isn’t stored in a CDN, it’s possible to figure out whether someone is logged into that site.
I’m no fan of mega menus, and if a site were being designed from scratch, I’d do everything I could to avoid them, but on some existing projects they’re an unavoidable necessity (the design equivalent of technical debt). In those situations, this looks like a really nice, responsive approach.
I’ve been thinking about this a lot lately. It feels like a user’s browser history is an incredibly rich seam of valuable information just waiting to be presented in a more interesting way.
One way of implementing the growing/shrinking navigation pattern—an alternative to just shoving everything behind a hamburger icon.
Turbolinks intercepts all clicks on
a hreflinks to the same domain. When you click an eligible link, Turbolinks prevents the browser from following it. Instead, Turbolinks changes the browser’s URL using the History API, requests the new page using
XMLHttpRequest, and then renders the HTML response.
During rendering, Turbolinks replaces the current
bodyelement outright and merges the contents of the
documentobjects, and the HTML
htmlelement, persist from one rendering to the next.
Here’s the mustard it’s cutting:
It depends on the HTML5 History API and Window.requestAnimationFrame. In unsupported browsers, Turbolinks gracefully degrades to standard navigation.
This approach matches my own mental model for building on the web—I might try playing around with this on some of my projects.