Even if you can somehow justify using tracking technologies (which don’t work reliably) to make general, statistical decisions (“fewer people open our emails when the subject contains the word ‘overdraft’!”), you can’t make individual decisions based on them. That’s just wrong.
Honestly, cryptocurrencies are useless. They’re only used by speculators looking for quick riches, people who don’t like government-backed currencies, and criminals who want a black-market way to exchange money.
Bruce Schneier on the blockchain:
What blockchain does is shift some of the trust in people and institutions to trust in technology. You need to trust the cryptography, the protocols, the software, the computers and the network. And you need to trust them absolutely, because they’re often single points of failure.
Iain M.Banks and dConstruct, together at last.
I’ve linked to this before, but with the death of Iain M Banks it’s worth re-reading this fascinating insight into The Culture, one of science fictions’s few realistic utopias.
The brief mention here of The Culture’s attitude to death is apt:
Philosophy, again; death is regarded as part of life, and nothing, including the universe, lasts forever. It is seen as bad manners to try and pretend that death is somehow not natural; instead death is seen as giving shape to life.
Francis Spufford—author of the excellent Backroom Boffins—writes a cover story for the New Humanist magazine remembering Iain Banks with the middle initial M firmly to the fore: it was Iain M Banks—and his creation, The Culture—that took the seemingly passé genre of space opera to new heights.
Paul interviews the team behind Kiwibank’s responsive homepage. There are some great insights into their process here, like the way that copywriters worked side by side with developers.
A tour of the Global Seed Bank in Svalbard.
A shedload of data from The World Bank. Get parsing.
A great 1994 newsgroup posting by Iain M Banks that gives us a peek behind the scenes of the Culture: fascinating and fun.