A Cataloged Archive of Information Relating to the Now Closed Mystery Flesh Pit National Park
HTML lets you create the structure of a website.
CSS lets you make the website look nice.
Today was a good day …and here are the very good photos.
Isn’t this just lovely?
Cassie made a visualisation of the power we’re getting from the solar panels we installed on the roof of the Clearleft building.
I highly recommend reading her blog post about the process too. She does such a great job of explaining how she made API calls, created SVGs, and calculated animations.
Here are the slides for the opening keynote I delivered at the New Adventures conference in Nottingham on Thursday. They make no sense out of context like this. You kinda had to be there (or suggest to some other conference that I should deliver this talk again—hint, hint).
This looks like a really interesting two-day event here in Brighton in November. Like Indie Web Camp, it features one day of talks followed by one day of making.
After a day of tech talks from project teams using their skills for social good, you’ll have the chance to take part in workshops and hackathons to use your own talents for a worthy cause.
And you get to go up the i360.
It is common to refer to universally popular social media sites like Facebook, Instagram, Snapchat, and Pinterest as “walled gardens.” But they are not gardens; they are walled industrial sites, within which users, for no financial compensation, produce data which the owners of the factories sift and then sell. Some of these factories (Twitter, Tumblr, and more recently Instagram) have transparent walls, by which I mean that you need an account to post anything but can view what has been posted on the open Web; others (Facebook, Snapchat) keep their walls mostly or wholly opaque. But they all exercise the same disciplinary control over those who create or share content on their domain.
Professor Alan Jacobs makes the case for the indie web:
We need to revivify the open Web and teach others—especially those who have never known the open Web—to learn to live extramurally: outside the walls.
What do I mean by “the open Web”? I mean the World Wide Web as created by Tim Berners-Lee and extended by later coders. The open Web is effectively a set of protocols that allows the creating, sharing, and experiencing of text, sounds, and images on any computer that is connected to the Internet and has installed on it a browser that can interpret information encoded in conformity with these protocols.
This resonated strongly with me:
To teach children how to own their own domains and make their own websites might seem a small thing. In many cases it will be a small thing. Yet it serves as a reminder that the online world does not merely exist, but is built, and built to meet the desires of certain very powerful people—but could be built differently.
Although design gets conflated with creation, its the act of improving what already exists — organising a room, editing a text, refining an interface, refactoring a codebase — that I enjoy the most.
A fascinating bit of cartographic reverse engineering, looking at how Google has an incredible level of satellite-delivered building detail that then goes into solving the design problem of marking “commercial corridors” (or Areas Of Interest) on their maps.
Ben points to a new product aiming to ease the pain of connected devices bumping up against the harsh realities of shearing layers:
By exposing the ‘hardwiring’ of our electrical systems, Conduct emphasises how much we rely on existing systems to power our ‘new’ technology – the rate of change and advancement in our traditional technologies moves at a much slower pace than our mobile app-based world and there are physical limitations as a result of this hardwired legacy.
I am—unsurprisingly—in favour of exposing the seams like this.
World of Concrete: Inside the Industry That’s Building Trump’s America Brick by Brick - The Atlantic
Fear and concrete in Las Vegas: a great piece of infrastructure reportage by Georgina.
I think it’s worth revisiting this post by Laurie on a regular basis for a shot of perspective and inspiration.
The web saved my life and then built me a new one. A single living entity, it touches everything in the world and is always getting better — and I can help. I owe it so much; if I can help it out, make it better in any small way, how can I possibly refuse? And if I can make it easier for other people to help make it better, then my efforts are multiplied.
I can very much relate to Jonathan’s learning process (except for the bit about reading Hacker News—spit):
I think I read about 20-30 times more than I write, but the writing part is still crucial for helping me get stuff straight in my own head.
Still a few days left to back this great project for Brighton:
Build, tinker, make and play! For anyone with imagination, The Brighton Makerlab lets ages 8 to 80 create cool stuff with technology.
A look at the architectural history of the network hubs of New York: 32 Avenue of the Americas and 60 Hudson Street. Directed by Davina Pardo and written by her husband Andrew Blum, author of Tubes: A Journey to the Centre of the Internet.
These buildings were always used as network hubs. It’s just that the old networks were used to house the infrastructure of telephone networks (these were the long line buildings).
In a way, the big server hotel of New York—111 Eight Avenue—was also always used to route packets …it’s just that the packets used to be physical.