Link tags: control

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Standardizing `select` And Beyond: The Past, Present And Future Of Native HTML Form Controls — Smashing Magazine

While a handful of form controls can be easily styled by CSS, like the button element, most form controls fall into a bucket of either requiring hacky CSS or are still unable to be styled at all by CSS.

Despite form controls no longer taking a style or technical dependency on the operating system and using modern rendering technology from the browser, developers are still unable to style some of the most used form control elements such as select. The root of this problem lies in the way the specification was originally written for form controls back in 1995.

Stephanie goes back in time to tell the history of form controls on the web, and how that history has led to our current frustrations:

The current state of working with controls on the modern web is that countless developer hours are being lost to rewriting controls from scratch, as custom elements due to a lack of flexibility in customizability and extensibility of native form controls. This is a massive gap in the web platform and has been for years. Finally, something is being done about it.

Amen!

MSEdgeExplainers/explainer.md at main · MicrosoftEdge/MSEdgeExplainers

This is great! Ideas for allowing more styling of form controls. I agree with the goals 100% and I like the look of the proposed solutions too.

The team behind this are looking for feedback so be sure to share your thoughts (I’ll probably formulate mine into a blog post).

Easily rename your Git default branch from master to main - Scott Hanselman

Nice and straightforward. Locally:

git branch -m master main git push -u origin main

Then on the server:

git branch -m master main git branch -u origin/main

On github.com, go into the repo’s settings and update the default branch.

Thanks for this, Scott!

P.S. Don’t read the comments.

Write Libraries, Not Frameworks by Brandon Smith

This is a very clear description of the differences between libraries and frameworks, along with the strengths and weaknesses of both.

A library is a set of building blocks that may share a common theme or work well together, but are largely independent.

A framework is a context in which someone writes their own code.

I very much agree with the conclusion:

If your framework can be a library without losing much, it probably should be.

“Link In Bio” is a slow knife

For a closed system, those kinds of open connections are deeply dangerous. If anyone on Instagram can just link to any old store on the web, how can Instagram — meaning Facebook, Instagram’s increasingly-overbearing owner — tightly control commerce on its platform? If Instagram users could post links willy-nilly, they might even be able to connect directly to their users, getting their email addresses or finding other ways to communicate with them. Links represent a threat to closed systems.

Anil Dash on the war on hyperlinks.

It may be presented as a cost-saving measure, or as a way of reducing the sharing of untrusted links. But it is a strategy, designed to keep people from the open web, the place where they can control how, and whether, someone makes money off of an audience. The web is where we can make sites that don’t abuse data in the ways that Facebook properties do.

GitSheet

A handy translation of git commands into English.

You really don’t need all that JavaScript, I promise

The transcript of a fantastic talk by Stuart. The latter half is a demo of Portals, but in the early part of the talk, he absolutely nails the rise in popularity of complex front-end frameworks:

I think the reason people started inventing client-side frameworks is this: that you lose control when you load another page. You click on a link, you say to the browser: navigate to here. And that’s it; it’s now out of your hands and in the browser’s hands. And then the browser gives you back control when the new page loads.

Can “Indie” Social Media Save Us? | The New Yorker

This is a really great, balanced profile of the Indie Web movement. There’s thoughtful criticism alongside some well-deserved praise:

If we itemize the woes currently afflicting the major platforms, there’s a strong case to be made that the IndieWeb avoids them. When social-media servers aren’t controlled by a small number of massive public companies, the incentive to exploit users diminishes. The homegrown, community-oriented feel of the IndieWeb is superior to the vibe of anxious narcissism that’s degrading existing services.

Eintrag “Take back your web – Tantek Çelik @ Beyond Tellerrand Conference, Düsseldorf 2019” beim Webrocker

Tom shares his thoughts on Tantek’s excellent closing talk at Beyond Tellerrand this week:

Yes, the message of this rather sombre closing talk of this year’s Beyond Tellerrand Conference Düsseldorf is important. Watch it. And then go out, take care of yourself and others, away from the screen. And then come back and publish your own stuff on your own site. Still not convinced? ok, then, please read Matthias Ott’s great article (published on his own site btw), and then start using your own site.

Into the Personal-Website-Verse · Matthias Ott – User Experience Designer

There is one alternative to social media sites and publishing platforms that has been around since the early, innocent days of the web. It is an alternative that provides immense freedom and control: The personal website. It’s a place to write, create, and share whatever you like, without the need to ask for anyone’s permission.

A wonderful and inspiring call to arms for having your own website—a place to express yourself, and a playground, all rolled into one.

Building and maintaining your personal website is an investment that is challenging and can feel laborious at times. Be prepared for that. But what you will learn along the way does easily make up for all the effort and makes the journey more than worthwhile.

AMP as your web framework – The AMP Blog

The bait’n’switch is laid bare. First, AMP is positioned as a separate format. Then, only AMP pages are allowed ranking in the top stories carousel. Now, let’s pretend none of that ever happened and act as though AMP is just another framework. Oh, and those separate AMP pages that you made? Turns out that was all just “transitional” and you’re supposed to make your entire site in AMP now.

I would genuinely love to know how the Polymer team at Google feel about this pivot. Everything claimed in this blog post about AMP is actually true of Polymer (and other libraries of web components that don’t have the luxury of bribing developers with SEO ranking).

Some alternative facts from the introduction:

AMP isn’t another “channel” or “format” that’s somehow not the web.

Weird …because that’s exactly how it was sold to us (as a direct competitor to similar offerings from Apple and Facebook).

It’s not an SEO thing.

That it outright false. Ask any company actually using AMP why they use it.

It’s not a replacement for HTML.

And yet, the article goes on to try convince you to replace HTML with AMP.

Goodbye Google Analytics, Hello Fathom - daverupert.com

Dave stops feeding his site’s visitors data to Google. I wish more people (and companies) would join him.

There’s also an empowering #indieweb feeling about owning your analytics too. I pay for the server my analytics collector runs on. It’s on my own subdomain. It’s mine.

Google AMP lowered our page speed, and there’s no choice but to use it - unlike kinds

What happens when you’re AMP pages are slower than your regular pages …but you’re forced to use AMP anyway if you want to appear in the top stories carousel.

AMP isn’t about speed. It’s about control.

The elephant in the room here is pre-rendering: that’s why Google aren’t using page speed alone as a determining factor for what goes in the carousel.

Always Own Your Platform

Stop giving away your work to people who don’t care about it. Host it yourself. Distribute it via methods you control. Build your audience deliberately and on your own terms.

Cache-Control for Civilians – CSS Wizardry

Harry breaks down cache-control headers into steps that even I can understand. I’ll be using this a reference for sure.

What would a world without pushbuttons look like? | Aeon Essays

A history of buttons …and the moral panic and outrage that accompanies them.

By looking at the subtexts behind complaints about buttons, whether historically or in the present moment, it becomes clear that manufacturers, designers and users alike must pay attention to why buttons persistently engender critiques. Such negativity tends to involve one of three primary themes: fears over deskilling; frustration about lack of user agency/control; or anger due to perceptions of unequal power relations.

Website Accessibility Begins with Responsive Web Design

I recently asked a friend who happens to be blind if he’d share some sites that were built really well—sites that were beautifully accessible. You know what he said? “I don’t use the web. Everything is broken.”

Everything is broken. And it’s broken because we broke it.

But we can do better.

Control Panel

Analogue switches, dials, and buttons, buttons, buttons (just like that Flickr group I linked to).

GitHub Is Microsoft’s $7.5 Billion Undo Button - Bloomberg

Paul Ford explains version control in a way that is clear and straightforward, while also being wistful and poetic.

I had idle fantasies about what the world of technology would look like if, instead of files, we were all sharing repositories and managing our lives in git: book projects, code projects, side projects, article drafts, everything. It’s just so damned … safe. I come home, work on something, push the changes back to the master repository, and download it when I get to work. If I needed to collaborate with other people, nothing would need to change. I’d just give them access to my repositories (repos, for short). I imagined myself handing git repos to my kids. “These are yours now. Iteratively add features to them, as I taught you.”

Scripting News: The Internet is going the wrong way

The Internet is a place for the people, like parks, libraries, museums, historic places. It’s okay if corporations want to exploit the net, like DisneyLand or cruise lines, but not at the expense of the natural features of the net.