A directory of the regular science, technology, and creative events happening in Brighton.
Cameron counts the ways in which Flash was like a polyfill.
Yeah, that’s right: The Man In Blue is back!
Jon’s worried that thinking about components first might damage the big picture.
One doesn’t create a design system starting with a loose collection of parts before creating the whole.
Won’t somebody think of the parents!?
Without creative direction, a design system becomes a group of disconnected elements existing alongside one another.
This is a superbly-written, empathetic, nuanced look at the issues around Creative Commons licensing, particularly the danger of inferring a “spirit” in a legal agreement.
“Spirit” as it’s being used in this conversation is a relative term. You have the spirit of the user, the spirit of the license, the spirit of the community, the spirit of the service, and the spirit of the law. All these can align and all these can diverge and that’s OK. It is also the reason we have a legal system that sets clear parameters for how things can be interpreted: Spirit is relative, legal decisions and documents are not (at least in theory). The whole idea of a legal contract (under which we can find CC licenses) is that there is no room for interpretation. The meaning of the document is singular, unambiguous, and not up for debate. Of course this is purely theoretical, but that’s the idea anyway.
The problem arises when the spirit – or intent – of the user when applying a license differs from the actual legal interpretation of that same license.
The title is harsh, but this is a good summation of the issues involved in choosing a Creative Commons licence.
Open licensing is about giving up control so that other people can benefit. That’s all it will cost you: control. Having control feels nice. But you should ask yourself what it really gets you. And you should think about what others might gain if you were able to let go.
Think carefully and decide what you need. No one is going to make you tick that Creative Commons box. But when you do, it’s a promise.
Here’s the Creative Commons licensed music that was playing during the breaks at Responsive Day Out 2.
A nice feature on Seb in the latest issue of Make magazine.
If you liked the music that was playing in the breaks during dConstruct, here’s the playlist of CC-Attribution tracks as chosen by Tantek.
I’m going to be attending Seb’s CreativeJS and HTML5 course in Brighton on September 13th and 14th …and I strongly suspect that it’s going to be great.
A crowd-funded, creative commons licensed sci-fi film currently in production.
This is your one-stop shop for envelope-pushing in the browser:
Download Calexico live in Nuremburg, licensed under a Creative Commons attribution non-commercial share-alike license.
Get Creative Commons stickers at the click of a button thanks to Brian and the Moo API.
Caroline Lucas MEP » Blog Archive » Green MEP Joins Forces With Music Legend To Protest ‘Corporate Bully’ Copyright Proposals In Euro-Parliament
My representative in the European Parliament is full of WIN!
The entire text of this seminal work is online in HTML, licensed under a Creative Commons Attribution-Noncommercial 3.0 Unported License.
The official website of the Obama-Biden presidential transition team is switching over to using a Creative Commons attribution licence. This bodes very well indeed.