I feel like my problem with design in general today is that folks want to burn everything to the ground and start again all the time. Whether that’s with a website, or a new web standard, or a political policy. They don’t want to fix what’s wrong with things bit by bit, everyone wants Thing 2.0 whilst jumping over all the small improvements that are required to get there.
- The developed world used less water, despite population growth
- The (whole) world became less transphobic than it once was
- The ozone layer started healing
- Investment in green energy far, far exceeded investment in fossil fuels
- The world got greener
- Homicide rates fell worldwide
- Weather forecasting became a lot more accurate
- The number of people without electricity fell below one billion
- Universal health care went from privileged ideal to global ambition
Craig compares and contrasts books to “attention monsters”:
That is, any app / service / publication whose business is predicated on keeping a consumer engaged and re-engaged for the benefit of the organization (often to the detriment of the mental and physical health of the user), dozens if not hundreds or thousands of times a day.
This isn’t a “the web is doomed, DOOMED, I tells ya” kind of blog post. It’s more in the “the web in its current form isn’t sustainable and will collapse into a simpler, more sustainable form, possibly several” genre.
Baldur points to the multiple causes of the web’s current quagmire.
I honestly have no idea on how to mitigate this harm or even how long the decline is going to take. My hope is that if we can make the less complex, more distributed aspects of the web safer and more robust, they will be more likely to thrive when the situation has forced the web as a whole to break up and simplify.
We construct top-10 lists for movies, games, TV—pieces of work that shape our souls. But we don’t sit around compiling lists of the world’s most consequential bits of code, even though they arguably inform the zeitgeist just as much.
This is a fascinating way to look at the history of computing, by focusing in on culturally significant pieces of code. The whole list is excellent, but if I had to pick a favourite …well, see if you can guess what it is.
As a resident of Brighton—home to the most beautiful of bandstands—this bit of background to their history is fascinating.
The web embodies principles of openness and portability and access that best align with the needs, and frankly the purpose, of the cultural heritage sector.
Aaron’s talk from the 2019 Museums and the Web conference.
In 2019 the web is not “sexy” anymore and compared to native platforms it can sometimes seems lacking, but I think that speaks as much to people’s desire for something “new” as it does to any apples to apples comparison. On measure – and that’s the important part: on measure – the web affords a better and more sustainable framework for the cultural heritage to work in than any of the shifting agendas of the various platform vendors.
This is a great how-to from Darius Kazemi!
The main reason to run a small social network site is that you can create an online environment tailored to the needs of your community in a way that a big corporation like Facebook or Twitter never could. Yes, you can always start a Facebook Group for your community and moderate that how you like, but only within certain bounds set by Facebook. If you (or your community) run the whole site, then you are ultimately the boss of what goes on. It is harder work than letting Facebook or Twitter or Slack or Basecamp or whoever else take care of everything, but I believe it’s worth it.
There’s a lot of good advice for community management and the whole thing is a lesson in writing excellent documentation.
My hypothesis: these algorithms — driven by the all-consuming need for engagement in order to sell ads — are part of what’s destroying western liberal democracy, and my app will not contribute to that.
The Decolonial Atlas is a growing collection of maps which, in some way, help us to challenge our relationships with the land, people, and state. It’s based on the premise that cartography is not as objective as we’re made to believe.
For example: Names and Locations of the Top 100 People Killing the Planet — a cartogram showing the location of decision makers in the top 100 climate-hostile companies.
This map is a response to the pervasive myth that we can stop climate change if we just modify our personal behavior and buy more green products. Whether or not we separate our recycling, these corporations will go on trashing the planet unless we stop them.
How to speak Silicon Valley: decoding tech bros from microdosing to privacy | US news | The Guardian
Every one of these is chef’s kiss.
If we continue as we are, who will maintain the maintainers?
In the world of open source, we tend to give plaudits and respect to makers …but maintainers really need our support and understanding.
Users and new contributors often don’t see, much less think about, the nontechnical issues—like mental health, or work-life balance, or project governance—that maintainers face. And without adequate support, our digital infrastructure, as well as the people who make it run, suffer.
Each typeface highlights a piece of history from a specific underrepresented race, ethnicity, or gender—from the Women’s Suffrage Movement in Argentina to the Civil Rights Movement in America.
Tim looks at the common traits of companies that have built a good culture of web performance:
- Top-down support
- Clear targets
- Knowledge sharing
- Culture of experimentation
- User focused, not tool focused
Few companies carry all of these characteristics, so it’s important not to get discouraged if you feel you’re missing a few of them. It’s a process and not a quick one. When I’ve asked folks at companies with all or most of these characteristics how long it took them to get to that point, the answer is typically in years, rarely months. Making meaningful changes to culture is much slower and far more difficult than making technical changes, but absolutely critical if you want those technical changes to have the impact you’re hoping for.
Bullet comments, or 弹幕 (“danmu”), are text-based user reactions superimposed onto online videos: a visual commentary track to which anyone can contribute.
A fascinating article by Christina Xu on this overwhelming collaborative UI overlaid on Chinese video-sharing sites:
In the West, the Chinese internet is mostly depicted in negative terms: what websites and social platforms are blocked, what keywords are banned, what conversations and viral posts are scrubbed clean from the web overnight. This austere view is not inaccurate, but it leaves out what exactly the nearly 750 million internet users in China do get up to.
Take a look at bullet comments, and you’ll have a decent answer to that question. They represent the essence of Chinese internet culture: fast-paced and impish, playfully collaborative, thick with rapidly evolving inside jokes and memes. They are a social feature beloved by a generation known for being antisocial. And most importantly, they allow for a type of spontaneous, cumulative, and public conversation between strangers that is increasingly rare on the Chinese internet.
Coming to your inbox soon:
The Training Commission is a speculative fiction email newsletter about the compromises and consequences of using technology to reckon with collective trauma. Several years after a period of civil unrest and digital blackouts in the United States, a truth and reconciliation process has led to a major restructuring of the federal government, major tech companies, and the criminal justice system.
What makes a startup ecosystem thrive?
What do people plan to do once they’re over 35?
Is an income of $160K enough to survive?
What kind of car does Mark Zuckerberg drive?