A profile of Brewster Kahle and the Internet Archive in the San Francisco Chronicle.
On the detail and world-building in 40 years of William Gibson’s work.
Letters to a Young Technologist is a collection of essays addressed to young technologists, written by a group of young technologists.
Rationality does not work for ethical decisions. It can help you determine means, “what’s the best way to do this” but it can’t determine ends.
It isn’t even that great for means.
This sounds like an interesting long-term storage project, but colour me extremely sceptical of their hand-wavey vagueness around their supposedly flawless technical solution:
This technology will be revealed to the world in the near future.
Also, they keep hyping up the Svalbard location as though it were purpose-built for this project, rather than the global seed bank (which they don’t even mention).
This might be a good way to do marketing, but it’s a shitty way to go about digital preservation.
The World Wide Web at its best is a mechanism for people to share what they know, almost always for free, and to find one’s community no matter where you are in the world.
When we find remains of beavers, we assume they built beaver dams, even if we don’t immediately find remnants of such dams. The beaver dams are part of what biologists would call the animal’s extended phenotype, an unavoidable necessity of the ecological niche that the beaver occupies. When we find Homo sapiens skeletons, however, we instead imagine the people naked, feasting on berries, without shelter, and without social differentiation.
An excellent thoughtful piece from Angela Saini (as always):
Popular opinion, “common sense” and the closely related priors of scientific enquiry have never been reliable guides when it comes to decoding human difference. After all, European biologists once thought it was obvious that colour-coded races were different species or breeds that had evolved separately on each continent. It was obvious to taxonomist Carl Linnaeus that monster-like and feral races of humans surely existed somewhere in the world. More recently, neuroscientists were happily insisting that women were innately less intelligent than men because they had smaller brains. A few neuroscientists still do.
History shows that many supposed “facts” about human nature were actually always cultural constructions. Race is one. Gender is another. Now, some researchers believe that sex—generally seen as determined by anatomy, including chromosomes, hormones and genitalia—may to some extent be constructed, too. Binary categories of male and female, they say, certainly don’t fully encompass all the natural variation and complexity that we see in our species.
An audio mix for every year of recorded sound, 1859 to the present.
Currently up to 1936.
Robin asked a question:
What is a work of science fiction (a book, not a movie, thanks) that could only have been written in the last ten years? AND/OR, what’s a work of science fiction that hinges on experiences and feelings new in the last ten years? AND/OR, what’s a work of science fiction that represents the current leading edge of the genre’s speculative and stylistic development?
The responses make for interesting reading, especially ahead of Wednesday’s event.
Lysenko vs. Vavilov feels like the 20th century version of Edison vs. Tesla.
The idea that your job should be the primary source of meaning in your life is an elaborately made trap, propped up across industries, designed to make you a loyal worker who uses the bulk of their intellectual and creative capacity to further their own career.
I had this vision of the great bonfire at the end of time, and how there’s this conveyor belt moving towards it, filled with everything we’ve ever made: every word, every image, every artifact of culture and society, getting closer to the fire all the time.
And the job of places like the Library, of most institutions, and of a significant part of culture, is to keep shoving everything back, away from the fire, to find ways to restore and revive and convert it so that it stays accessible and meaningful and useful and beautiful.
And the job of the rest of the culture is to come up with new things to put on the conveyor belt, making that work so much harder. Sorry.
You catch more flies with honey than Tailwind.
I’d maybe simplify this people problem a bit: the codebase is easy to change, but the incentives within a company are not. And yet it’s the incentives that drive what kind of code gets written — what is acceptable, what needs to get fixed, how people work together. In short, we cannot be expected to fix the code without fixing the organization, too.
A short web book on the past, present and future of interfaces, written in a snappy, chatty style.
From oral communication and storytelling 500,000 years ago to virtual reality today, the purpose of information interfaces has always been to communicate more quickly, more deeply, to foster relationships, to explore, to measure, to learn, to build knowledge, to entertain, and to create.
We interface precisely because we are human. Because we are intelligent, because we are social, because we are inquisitive and creative.
We design our interfaces and they in turn redefine what it means to be human.
Now this is the kind of response I was hoping to stir up with the first season of the Clearleft podcast!
With echos of design’s subjugation reverberating across all six episodes, this first season inadvertently told the story of how my profession has been captured by a desire to serve business interests above all others, while being disarmed by its tendency for introspection and need to be recognised.
Can digital design redeem itself? I hope so. Maybe in the next season of the Clearleft podcast, we’ll find out how.