I have to keep reminding myself that I do have some control. I can build The Medium I want. I can cling to what’s good.
Girls on Neopets took what they needed from the site and used the skills acquired there to further develop a burgeoning digital girls’ culture, whether it be in expanding their guild pages into personal sites, teaching others to code, or exchanging those skills for economic gain in Neopets.
I have anecdotal evidence from a few people that Neopets was their introduction to web design and development.
A beautiful piece of writing from Virginia Heffernan on how to cope with navigating the overwhelming tsunami of the network.
The trick is to read technology instead of being captured by it—to maintain the whip hand.
If you subtract the flying cars and the jets of flame shooting out of the top of Los Angeles buildings, it’s not a far-off place. It’s fortunes earned off the backs of slaves, and deciding who gets to count as human. It’s impossible tests with impossible questions and impossible answers. It’s having empathy for the right things if you know what’s good for you. It’s death for those who seek freedom.
A thought-provoking first watch of Blade Runner …with an equally provocative interpretation in the comments:
The tragedy is not that they’re just like people and they’re being hunted down; that’s way too simplistic a reading. The tragedy is that they have been deliberately built to not be just like people, and they want to be and don’t know how.
That’s what really struck me about Kazuo Ishiguro’s Never Let Me Go: the tragedy is that these people can’t take action. “Run! Leave! Go!” you want to scream at them, but you might as well tell someone “Fly! Why don’t you just fly?”
Alan Kay’s initial description of a “Dynabook” written at Xerox PARC in 1972.
Some great ideas here about using metaphors when explaining technical topics.
I really like these four guidelines for good metaphors:
If research on biases has told us anything, it is that humans make better decisions when we learn to recognize and correct for bias.
An excellent rebuttal of that vile manifestbro, and an informative history lesson to boot.
You can’t cherry-pick a couple of scientific studies you like and use them to justify your arguments against diversity programs, while carefully ignoring the mountains of other scientific studies that show both how and why diversity programs are good, beneficial to all, and worth investing in.
I wish I could be this calm in refuting pseudoscientific bollocks, but I get so worked up by it that I’d probably undermine my own message. I’m glad that Faruk took the time to write this down.
Paul has published the slides and transcript of his knock-out talk at Patterns Day. This a must-read: superb stuff!
Design systems are an attempt to add a layer of logic and reasoning over a series decisions made by complex, irrational, emotional human beings. As such, they are subject to individual perspectives, biases, and aspirations.
How does the culture in which they are made effect the resulting design?
If you feel you are being watched, you change your behavior. Big Data is supercharging this effect.
Some interesting ideas, but the tone is so alarming as to render the message meaningless.
As our weaknesses are mapped, we are becoming too transparent. This is breeding a society where self-censorship and risk-aversion are the new normal.
I stopped reading at the point where the danger was compared to climate change.
- People v. Dronimos
- Writers v. A.I. Rowling
- The Algorithm Defense
This was my favourite talk from this year’s Interaction conference—packed full of insights, and delivered superbly.
It prompted so many thoughts, I found myself asking a question during the Q&A.
Brewster Kahle outlines his vision for library collaboration in curating and distributing digital works.
That library was a Pandorica of fabulous, interwoven randomness, as rich as plum cake. Push a seed of curiosity in between any two books and it would grow, overnight, into a rainforest hot with monkeys and jaguars and blowpipes and clouds. The room was full, and my head was full. What a magical system to place around a penniless girl.
A website dedicated to one of the most, um, interesting solutions to the Yucca Mountain nuclear waste storage problem:
- Engineer cats that change colour in response to radiation.
- Create the culture/legend/history that if your cat changes colour, you should move some place else.
There are T-shirts!
Absolute gold dust from Mike!
I think that having regular 1:1s is really important, but I’m sure I’m not doing them as effectively as I could—the advice in here is going to be invaluable.
There are three types of employees in the world when it comes to disclosing issues:
- Those who will always tell you about problems.
- Those who will never tell you about problems.
- Those who will tell you about problems when asked in the right way.
I love my ones and am frustrated by my twos, but I feel like at least 9 out of 10 people are actually threes.
When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.
It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.
It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.
I like Mike’s “long zoom” view here where the glass is half full and half empty:
Several years from now, I want to be able to look back on this time the same way people look at other natural disasters. Without that terrible earthquake, we would have never improved our building codes. Without that terrible flood, we would have never built those levees. Without that terrible hurricane, we would have never rebuilt this amazing city. Without that terrible disease, we would have never developed antibodies against it.
It doesn’t require giving any credit to the disaster. The disaster will always be a complete fucking disaster. But it does involve using the disaster as an opportunity to take a hard look at what got us here and rededicate our energy towards things that will get us out.
Matt takes a look at the history of scheduled broadcast media—which all began in Hungary in 1887 via telephone—and compares it to the emerging media context of the 21st century; the stream.
If the organizing principle of the broadcast schedule was synchronization — millions seeing the same thing at the same time — then the organizing principle of the stream is de-contextualization — stories stripped of their original context, and organized into millions of individual, highly personalized streams.