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Maybe You Don’t Need a Date Picker | Adrian Roselli

In some situations, a date picker is overkill:

I have relied on plain text inputs as date fields with custom validation for the site, typically using the same logic on the client and the server. For known dates — birthdays, holidays, anniversaries, etc — it has tested well.

How to Kill IE11 - What the Deaths of IE6 and IE8 Tell Us About Killing IE | Mike Sherov

An interesting look at the mortality causes for Internet Explorer 6 and Internet Explorer 8, and what they can tell us for the hoped-for death of Internet Explorer 11.

I disagree with the conclusion (that we should actively block IE11—barring any good security reasons, I don’t think that’s defensible), but I absolutely agree that we shouldn’t be shipping polyfills in production just for IE11. Give it your HTML. Give it your CSS. Withhold modern JavaScript. If you’re building with progressive enhancement (and you are, right?), then giving IE11 users a sub-par experience is absolutely fine …it’s certainly better than blocking them completely.

Spurious Correlations

Correlation does not imply causation.

The Decolonial Atlas

The Decolonial Atlas is a growing collection of maps which, in some way, help us to challenge our relationships with the land, people, and state. It’s based on the premise that cartography is not as objective as we’re made to believe.

For example: Names and Locations of the Top 100 People Killing the Planet — a cartogram showing the location of decision makers in the top 100 climate-hostile companies.

This map is a response to the pervasive myth that we can stop climate change if we just modify our personal behavior and buy more green products. Whether or not we separate our recycling, these corporations will go on trashing the planet unless we stop them.

Lights at sea

Lighthouses of the world, mapped.

Dark Patterns at Scale: Findings from a Crawl of 11K Shopping Websites

1,841 instances of dark patterns on ecommerce sites, in the categories of sneaking, urgency, misdirection, social proof, scarcity, obstruction, and forced action. You can browse this overview, read the paper, or look at the raw data.

We conducted a large-scale study, analyzing ~53K product pages from ~11K shopping websites to characterize and quantify the prevalence of dark patterns.

In defence of graceful degradation and where progressive enhancement comes in by Adam Silver

This does a really good job of describing the difference between progressive enhancement and graceful degradation …but I don’t buy the conclusion: I don’t think that feature detection equates to graceful degradation. I do agree though that, when it comes to JavaScript, the result of progressive enhancement is that the language degrades gracefully.

This is progressive enhancement. An approach to making interfaces that ensures JavaScript degrades gracefully—something that HTML and CSS do automatically.

But there’s a difference between something degrading gracefully (the result) and graceful degradation (the approach).

mathieudutour/medium-to-own-blog: Switch from Medium to your own blog in a few minutes

Following on from Stackbit’s tool, here’s another (more code-heavy) way of migrating from Ev’s blog to your own site.

Have we reached Peak Data?

Matt’s publishing a newsletter on the past, present, and future of tracking:

The last 100 years have been a journey to see how to measure ghosts - how to measure the invisible audiences at the end of technological distribution networks. With every decade, these ghosts have come more and more into focus, ending with a the last ten years of social media and digital advertising that has created unimaginable amounts of data about everything we see, read, click and like.

He sees the pendulum swinging the other way now …for those who can afford it:

If there’s one constant in the economics of audience data over the last 100 years, is that we only get free services if we pay for them with our attention. This has been true for commercial radio and television, free newspapers, mobile games and digital content. If we want privacy, we have to pay for it, and not everyone can afford this. Will the right to become a ghost only be for the people with money to buy premium products?

Medium | Stackbit

This is very handy! Export your data from Ev’s blog and then import it into a static site generator of your choice.

You may have noticed the recent movement of people looking to get off Medium. Most of us are motivated by a desire to own our content, have data portability and get more control over how/where our content is displayed and monetized. Most importantly many of us consider our blog/site to be a core part of our online identity and while Medium offers a fantastic writing experience it sacrifices other important values. Luckily there’s a modern approach to running your blog which aligns with these ideals, its called the JAMstack and its all around us.

W3C and WHATWG to work together to advance the open Web platform | W3C Blog

It’s Armistice Day in the world of HTML:

WHATWG maintains the HTML and DOM Living Standards.

W3C stops independent publishing of a designated list of specifications related to HTML and DOM and instead will work to take WHATWG Review Drafts to W3C Recommendations.

It feels like the loop is finally being closed on what I wrote about in the opening chapter of HTML5 For Web Designers back in 2010.

How Ireland became Europe’s data watchdog - BBC News

The coming GDPR storm:

Ireland’s Data Protection Commissioner, Helen Dixon, is expected to circulate her decisions on some cases by July or August, with final rulings made by the end of the year.

(That’s my sister-in-law, that is.)

Plain Text vs. HTML Emails: Which Is Better? [New Data]

Spoiler: it’s plain text. Every time.

Nothing boosts opens and clicks as well as an old school, plain-text email.

I feel vindicated.

People say they prefer HTML emails ..but they actually prefer plain-text.

This seems like a plausable explanation:

Think about how you email colleagues and friends: Do you usually add images or use well-designed templates? Probably not, and neither does your audience. They’re used to using email to communicate in a personal way, so emails from companies that look more personal will resonate more.

Now get off my lawn, you pesky HTML-email lovin’ kids.

Playdate. A New Handheld Gaming System

Well, this is interesting. Panic, the little software company that could, are making a handheld gaming device. This is like the hardware equivalent of the indie web.

Bruce Lawson’s personal site  : Structured data and Google

Bruce wonders why Google seems to prefer separate chunks of JSON-LD in web pages instead of interwoven microdata attributes:

I strongly feel that metadata that is separated from the user-visible data associated with it highly susceptible to metadata partial copy-paste necrosis. User-visible text is also developer-visible text. When devs copy/ paste that, it’s very easy to forget to copy any associated metadata that’s not interleaved, leading to errors.

Complexity Explorables

A cornucopia of interactive visualisations. You control the horizontal. You control the vertical. Networks, flocking, emergence, diffusion …it’s all here.

Earth day at Clearleft

Isn’t this just lovely?

Cassie made a visualisation of the power we’re getting from the solar panels we installed on the roof of the Clearleft building.

I highly recommend reading her blog post about the process too. She does such a great job of explaining how she made API calls, created SVGs, and calculated animations.

Goodbye Google Analytics, Hello Fathom - daverupert.com

Dave stops feeding his site’s visitors data to Google. I wish more people (and companies) would join him.

There’s also an empowering #indieweb feeling about owning your analytics too. I pay for the server my analytics collector runs on. It’s on my own subdomain. It’s mine.

Brendan Dawes - The Art of Cybersecurity

Some lovely data visualisation by Brendan:

The work features three main components — the threats, represented by black obelisk style objects, the system which detects and deals with these threats, represented by an organic mesh like structure, and finally the creativity that is allowed to flow because the threats have been neutralised.