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Digital preservation of dead-tree media:
The Stacks Reader is an online collection of classic journalism and writing about the arts that would otherwise be lost to history. Motivated less by nostalgia than by preservation, The Stacks Reader is a living archive of memorable storytelling—a museum for stories.
Did you hear the one about two Irishmen on a podcast?
I really enjoyed this back-and-forth discussion with Gerry on performance, waste, and more. We agreed on much, but we also clashed sometimes.
A 2015 paper by Long Tien Nguyen and Alan Kay with a proposal for digital preservation.
We discuss the problem of running today’s software decades,centuries, or even millennia into the future.
The cloud gives us collaboration, but old-fashioned apps give us ownership. Can’t we have the best of both worlds?
We would like both the convenient cross-device access and real-time collaboration provided by cloud apps, and also the personal ownership of your own data embodied by “old-fashioned” software.
This is a very in-depth look at the mindset and the challenges involved in building truly local-first software—something that Tantek has also been thinking about.
A history of typesetting from movable type to variable fonts.
A non-profit that offers digital preservation services for individuals.
Permanence means no subscriptions; a one-time payment for dedicated storage that preserves your most precious memories and an institution that will be there to protect the digital legacy of all people for all time.
I feel there is something beyond the technological that is the real trick to a site that lasts: you need to have some stake in the game. You don’t let your URLs die because you don’t want them to. They matter to you. You’ll tend to them if you have to. They benefit you in some way, so you’re incentivized to keep them around. That’s what makes a page last.
This is quite remarkable. On the surface, it’s a short article about the Y2K bug, but the hypertextual footnotes go deeper and deeper into memory, loss, grief …I’m very moved by the rawness and honesty nested within.
We should think of our code, even our designs, as running for decades, and alter our work to match.
Geocities, LiveJournal, what.cd, now Yahoo Groups. One day, Medium, Twitter, and even hosting services like GitHub Pages will be plundered then discarded when they can no longer grow or cannot find a working business model.
Considering the needs of someone who wants to make and maintain a website, without the ridiculous complexity of “modern” web tooling:
How do we make web content that can last and be maintained for at least 10 years? As someone studying human-computer interaction, I naturally think of the stakeholders we aren’t supporting. Right now putting up web content is optimized for either the professional web developer (who use the latest frameworks and workflows) or the non-tech savvy user (who use a platform).
The carbon cost of collecting and storing data no one can use is already a moral issue.
So before you add another field, let alone make a new service, can you be sure it will make enough of a difference to legitimise its impact on the planet?
The GitHub Archive Program will safely store every public GitHub repo for 1,000 years in the Arctic World Archive in Svalbard, Norway.
This is a fascinating project from Github, the Long Now Foundation, the Internet Archive, the Bodleian Library and others. All of the public code on Github on February 2nd, 2020 will be archived for 1000 years in a vault in Svalbard.
Mind you, given the amount of dependencies that most “modern” code projects rely on, I can’t foresee the code working after 1000 days.
A terrific—and fun!—talk from Zach about site deaths, owning your own content, and the indie web.
Oh, and he really did create MySpaceBook for the talk.
I saw Nicholas give this great talk at Paris Web on site deaths, the indie web, and publishing on your own site. That talk was in French, but these slides are (mostly) in English—I was able to follow along surprisingy easily!
Ignore the clickbaity headline and have a read of Whitney Kimball’s obituaries of Friendster, MySpace, Bebo, OpenSocial, ConnectU, Tribe.net, Path, Yik Yak, Ello, Orkut, Google+, and Vine.
I’m sure your content on Facebook, Twitter, and Instagram is perfectly safe.
The web embodies principles of openness and portability and access that best align with the needs, and frankly the purpose, of the cultural heritage sector.
Aaron’s talk from the 2019 Museums and the Web conference.
In 2019 the web is not “sexy” anymore and compared to native platforms it can sometimes seems lacking, but I think that speaks as much to people’s desire for something “new” as it does to any apples to apples comparison. On measure – and that’s the important part: on measure – the web affords a better and more sustainable framework for the cultural heritage to work in than any of the shifting agendas of the various platform vendors.
Given its origins and composition, the Obama library is already largely digital. The vast majority of the record his presidency left behind consists not of evocative handwritten notes, printed cable transmissions, and black-and-white photographs, but email, Word documents, and JPEGs. The question now is how to leverage its digital nature to make it maximally useful and used.