I really like the idea of a shared convention for styling web components with custom properties—feels like BEM meets microformats.
Expect more poignant one-year anniversary memories this March.
We reached our disembarkation stop and stepped off. I put my mask away. We hugged and said our goodbyes. Didn’t think it would be the last time I’d ride MUNI light rail. Or hug a friend without a second thought.
First you cope and then you adapt. The kicker: once you adapt, you may not want to go back.
How do we tell our visitors our sites work offline? How do we tell our visitors that they don’t need an app because it’s no more capable than the URL they’re on right now?
Remy expands on his call for ideas on branding websites that work offline with a universal symbol, along the lines of what we had with RSS.
What I’d personally like to see as an outcome: some simple iconography that I can use on my own site and other projects that can offer ambient badging to reassure my visitor that the URL they’re visiting will work offline.
This is an interesting push by Remy to try to figure out a way we can collectively indicate to users that a site works offline.
Well, seeing as browsers have completely dropped the ball on any kind of ambient badging, it’s fair enough that we take matters into our own hands.
A meditative essay on the nature of time.
The simultaneous dimming of Betelgeuse and the global emergence of COVID-19 were curiously rhyming phenomena: disruptions of familiar, reassuring rhythms, both with latent apocalyptic potential.
Time and distance are out of place here.
We will have left a world governed by Chronos, the Greek god of linear, global, objective time measured by clocks, and arrived into a world governed by Kairos, the Greek god of nonlinear, local, subjective time, measured by the ebb and flow of local patterns of risk and opportunity. The Virus Quadrille is not just the concluding act of pandemic time but the opening act of an entire extended future.
If you dodged an accessibility lawsuit because you have physical locations, what does it mean when those physical locations close?
As movie theaters, restaurant ordering, college courses, and more move to online-first delivery, the notion of a corresponding brick-and-mortar venue falls away. If the current pandemic physical distancing measures stretch into the next year as many think, then this blip becomes the de facto new normal.
Naomi Kritzer published a short story five years ago called So Much Cooking about a food blogger in lockdown during a pandemic. Prescient.
I left a lot of the details about the disease vague in the story, because what I wanted to talk about was not the science but the individuals struggling to get by as this crisis raged around them. There’s a common assumption that if the shit ever truly hit the fan, people would turn on one another like sharks turning on a wounded shark. In fact, the opposite usually happens: humans in disasters form tight community bonds, help their neighbors, offer what they can to the community.
Decomputerization doesn’t mean no computers. It means that not all spheres of life should be rendered into data and computed upon. Ubiquitous “smartness” largely serves to enrich and empower the few at the expense of the many, while inflicting ecological harm that will threaten the survival and flourishing of billions of people.
Get an idea of how much your website is contributing to the climate crisis.
In total, the internet produces 2% of global carbon emissions, roughly the same as that bad boy of climate change, the aviation industry.
The ellipsis is the new hamburger.
It’s disappointing that Apple, supposedly a leader in interface design, has resorted to such uninspiring, and I’ll dare say, lazy design in its icons. I don’t claim to be a usability expert, but it seems to me that icons should represent a clear intention, followed by a consistent action.
The Hiding Place: Inside the World’s First Long-Term Storage Facility for Highly Radioactive Nuclear Waste - Pacific Standard
Robert McFarlane’s new book is an exploration of deep time. In this extract, he visits the Onkalo nuclear waste storage facility in Finland.
Sometimes we bury materials in order that they may be preserved for the future. Sometimes we bury materials in order to preserve the future from them.
Here’s a clever shortcut to creating a dark mode by using
The Ballad Of Halo Jones is 35 years old this year.
Where did she go? Out.
What did she do? Everything.
When in doubt, label your icons.
When not in doubt, you probably should be.
An ode for every element in the periodic table, in the form of a haiku.
I had to read through this twice, but I think I get it now (I’m not the sharpest knife in the drawer). Very useful if you’re doing theming in CSS.
The fascinating story of Charles K. Bliss and his symbolic language:
The writing system – originally named World Writing in 1942, then Semantography in 1947, and finally Blissymoblics in the 1960s – contains several hundred basic geometric symbols (“Bliss-characters”) that can be combined in different ways to represent more complex concepts (“Bliss-words”). For example, the Bliss-characters for “house” and “medical” are combined to form the Bliss-word for “hospital” or “clinic”. The modular structure invites comparison to the German language; the German word for “hospital ” – “krankenhaus” – translates directly to “sick house”.
Okay, I think I’m going to have to get this pack of three notebooks: Mercury, Gemini, and Apollo.