A good range of answers for this year’s question, overlapping a bit with 2011’s What scientific concept would improve everybody’s cognitive toolkit?
I love this recasting of the internet into a fantastical medieval setting. Standards become spells, standards bodies become guilds and orders of a coven, and technologies become instruments of divination. Here, for example, is the retelling of IPv4:
The Unique Rune of the Fourth Order is the original and formative Unique Rune, still commonly in use. All existing Unique Runes of the Fourth Order were created simultaneously in the late 1970’s by the Numberkeepers, at a time when Rough Telepathy was a small and speculative effort tightly affiliated with the Warring Kingdom of the United States. There were then and are now 4.3 billion Unique Runes of the Fourth Order, a number which cannot be increased. The early Numberkeepers believed 4.3 billion would be more than enough. However, this number is no longer sufficient to provision the masses hungry to never disengage from participation in Rough Telepathy, and the Merchants eager to harness Rough Telepathy as a “feature” in new and often unnecessary consumer products. This shortage has caused considerable headache among the Fiefdoms, the Regional Telepathy Registers, and the Coven.
This is a clever technique by Dave—use viewport units to make a lightweight lightbox.
This is a wonderful service! Handcrafted artisanal passwords made with a tried and trusted technique:
You roll a die 5 times and write down each number. Then you look up the resulting five-digit number in the Diceware dictionary, which contains a numbered list of short words.
That’s the description from the site’s creator, Mira:
Please keep in mind when ordering that I am a full-time sixth grade student with a lot of homework.
She’s the daughter of Julia Angwin, author of Dragnet Nation.
A marvellous piece of writing and design. The family drama of two brothers who revolutionised the world of diving and salvage, told through beautifully typeset hypertext…
Continuous web death.
The modern journalist is not an expert on the web. They and their colleagues have spent a large part of the last twenty-five years dismissing the open web at every stage. They are not the people you can trust to either accurately assess the web or to make usable websites. You can’t even trust them to make sensible decisions about web strategy. Just look at their damn websites!
Andy is sticking with the indie web.
Here, I control my words. Nobody can shut this site down, run annoying ads on it, or sell it to a phone company. Nobody can tell me what I can or can’t say, and I have complete control over the way it’s displayed. Nobody except me can change the URL structure, breaking 14 years of links to content on the web.
I second that emotion.
It’s Geek Mental Help Week from Monday. You can get involved.
I believe that talking about mental health issues and sharing our experiences—not just those of people who suffer, but also those who live with and support us—can help everyone. Whether you struggle with your own mental health or care for someone who does, you can help others to understand how you cope. Geek Mental Help Week is all about sharing those experiences.
Heartfelt congratulations to Remy on ten years of blogging.
More importantly, every single URL on my blog that’s ever been published still works, and even better than that (for me) is my archive showing off the decade of writing I’ve been producing over all this time 💪
A brief history of space concept art—Norman Rockwell, Chesney Bonestell, Robert McCall, Pat Rawlings, David Meltzer …all the classics.
I thoroughly enjoyed playing this game. On the face of it, it seems like little more than a cow-clicker, but the way that the plot and the gameplay unfolds is really delightful.
This feels like the kind of game that would only work on the web—keep it in a browser tab in the background, revisiting occasionally throughout the day.
Here’s another clever CSS technique. It uses flexbox to add horizontal lines either side of centred content.
This is witchcraft. I’ve been deconstructing the CSS to figure out how this works and it’s really clever.
(Hint: try commenting out some of the CSS and see what happens.)
Margaret Hamilton’s code after scanning and transcribing.
It is a sad and beautiful world wide web:
The technology that let people make web sites never went away. You can still set up a site as if it were 1995. But culture changes, as do expectations. It takes a certain set of skills to create your own web site, populate it with cool stuff, set up a web server, and publish your own cool-stuff web pages. I would argue that those skills should be a basic part of living in a transparent and open culture where individuals are able to communicate on an equal field of play. Some fellow nerds would argue the same. But most everyone else, statistically, just uses Facebook and plays along.
Paul Ford shines a light on the solution:
Standing against this tide of centralization is the indie web movement. Perhaps “movement” is too strong—it’s more an aesthetic of independence and decentralization. The IndieWebCamp web page states: “When you post something on the web, it should belong to you, not a corporation.” You should own your information and profit from it. You should have your own servers. Your destiny, which you signed over to Facebook in order to avoid learning a few lines of code, would once again be your own.
Beautiful, beautiful writing:
We could still live in that decentralized world, if we wanted to. Despite the rise of the all-seeing database, the core of the internet remains profoundly open. I can host it from my apartment, on a machine that costs $35. You can link to me from your site. Just the two of us. This is an age of great enterprise, no time to think small. Yet whatever enormous explosion tears through our digital world next will come from exactly that: an individual recognizing the potential of the small, where others see only scale.
Why Get on the Indie Web?
In a word, autonomy.
- What is the Indie Web?
- How Can You Get on the Indie Web?,
- Where is the Indie Web? and
- Who is the Indie Web?
The Indie Web is made of people. It’s made by me. It can be made by you too. There’s no gatekeeper. You can join anytime without anyone’s permission. The Indie Web is made by everyone.
A typically superb article by Aaron. Here, he breaks down a resilient approach to building for the web by examining the multiple ways you could add a button to a page. There’s a larger lesson here too:
We don’t control where our web-based products go or how our users access them. All we can do is imagine as many less-than-perfect scenarios as possible and do our best to ensure our creations will continue to do what they’re supposed to do. One of the easiest ways to do that is to be aware of and limit our dependencies.
Here’s a nice little pattern from Dave—showing data tables one column at a time on smaller screens.
Shane gave a talk recently where he outlined his reasons for publishing on the indie web:
Most people reading this will probably have an account at most or all of these sites: Facebook, Instagram, Twitter, YouTube, Vimeo, Tumblr, Wordpress. Many also had accounts at Friendster, Tribe, MySpace, Delicious, Magnolia, Gowalla, Geocities. But no one has an account at any of those (on the second list) anymore. And all of the content that we created on those sites is gone.
All of those super emo feeling you posted to MySpace, they’re all gone. Some of the great web designers of our generation got started on Geocities. That stuff is gone forever. And sure, it was sparkling animated GIFs and neon colors. But that’s important history. Yahoo bought it, left it alone for a while, and then decided one day to turn it off.
I’ve been on the web for most of my life, but, without a site to call home, I haven’t been of the web for far too long.