Most of my online friends and acquaintances will never understand or participate in the IndieWeb, and so I require a bridge between these worlds. On one side I choose what content to post and how it is stored, and it exists mainly on an island that few visit regularly. On the other side is nearly everyone I know, blissfully ignorant of my real home on the web and unable to see any content shared there without manual intervention or working plugins.
This does not all seem bad, though. Maintaining control will require more attention be placed on managing my content, and this time must come from somewhere. I imagine that I’ll slowly begin using social media less, writing more, and learning more about how to develop solutions to problems that arise within my setup.
If you are one of those old or young bloggers, please join in. Drop Facebook, drop Twitter and drop Medium for original thought. Own your traffic. You can use them to engage in discussion. But don’t get lost in there. Write daily. Publish as often as you have something to say. Link to other blogs.
Training a neural network to do front-end development.
I didn’t understand any of this.
Suggestions for small interface tweaks.
While not every white man who dislikes The Last Jedi overtly dislikes its gender balance or diversity, many feel a level of discomfort with this film that they can’t name, and that expresses itself through a wide variety of odd, conflicting complaints about its filmmaking.
This homepage is media-querytastic. It’s so refreshing to see this kind of fun experimentation on a personal site—have fun resizing your browser window!
A nexus of hypermedia on all things Blade Runner, from links to Tumblr blogs to embedded screenplays, documentaries, and scanned images.
Hit this URL to give yourself a design constraint (or obstruction). Kind of like Brian Eno’s oblique strategies but with different categories of constraints: formal, methodological, and conceptual.
Two decades redesigning/realigning the BBC News home page.
Rachel describes her process of putting technical talks together:
This method of creating a talk is the one that I find gets me from blank page to finished slide deck most effectively.
She also acknowledges that many other processes are available.
If you are stuck, and your usual method isn’t working, don’t be afraid to try a different approach even if just to get the ideas moving and take you away from staring at the blank page! You might discover that some types of talk benefit from an alternate starting point. There really are no rules here, other than that you do end up with a talk before you need to walk out on that stage.
If you subtract the flying cars and the jets of flame shooting out of the top of Los Angeles buildings, it’s not a far-off place. It’s fortunes earned off the backs of slaves, and deciding who gets to count as human. It’s impossible tests with impossible questions and impossible answers. It’s having empathy for the right things if you know what’s good for you. It’s death for those who seek freedom.
A thought-provoking first watch of Blade Runner …with an equally provocative interpretation in the comments:
The tragedy is not that they’re just like people and they’re being hunted down; that’s way too simplistic a reading. The tragedy is that they have been deliberately built to not be just like people, and they want to be and don’t know how.
That’s what really struck me about Kazuo Ishiguro’s Never Let Me Go: the tragedy is that these people can’t take action. “Run! Leave! Go!” you want to scream at them, but you might as well tell someone “Fly! Why don’t you just fly?”
From the library of Alexandria to the imagined canals of mars to the spots on the sun, this is a beautifully written examination of the chronology contained within the bristlecone pine.
The oldest of the living bristlecones were just saplings when the pyramids were raised. The most ancient, called Methuselah, is estimated to be more than 4,800 years old; with luck, it will soon enter its sixth millennium as a living, reproducing organism. Because we conceive of time in terms of experience, a life spanning millennia can seem alien or even eternal to the human mind. It is hard to grasp what it would be like to see hundreds of generations flow out from under you in the stream of time, hard to imagine how rich and varied the mind might become if seasoned by five thousand years of experience and culture.
There is only the briefest passing mention of the sad story of Don Currey.
The real story in this mess is not the threat that algorithms pose to Amazon shoppers, but the threat that algorithms pose to journalism. By forcing reporters to optimize every story for clicks, not giving them time to check or contextualize their reporting, and requiring them to race to publish follow-on articles on every topic, the clickbait economics of online media encourage carelessness and drama.
Make Twitter Great Again:
Fix Twitter is a browser extension to always show “replying to” in replies and threads along with an option to restore the old-school @-mentions.
There’s going to be a CodePen meetup in Brighton as part of the Brighton Digital Festival. Should be fun! See you there.
George Lucas, Ted Chiang, Greg Egan, Stanley Kubrick, Tom Stoppard, William Shakespeare, and Ridley Scott are all part of Matt’s magnificent theory that the play is the thing.
Rosencrantz and Guildenstern are replicants.
Characters look like people, except they exist for only the duration of a movie — only while they are necessary. They come with backstory and memories fully established but never experienced, partly fabricated for the job and partly drawn from real people known by the screenwriter. At the end, they vanish, like tears in rain.
More on that event with Brian Aldiss I was reminiscing about: that was the first time that Kate unveiled part of her Purple People book:
Jeremy insisted this would be an excellent opportunity for me to read an excerpt from Purple People, and so invited me onto the stage with those illustrious, wordy wizards to share an early indigo excerpt. I was quite literally shaking that night (even more than a talking tree, ho ho), but all was jolly. I read my piece without falling off the stage, and afterwards, folk made some ace and encouraging comments.
Paul Ford jots down his thoughts on that report on Ev’s blog:
The web is inherently decentralized, which has made it much easier for large companies to create large, centralized platforms. It’s a paradox and very thorny. I’m writing this on a centralized platform called Medium. Clap!
I like his geeky idea for mini self-contained social networks:
What I want is like, 5 of these little computers and whenever I see a truly trusted friend, I just give them one. And they take it home, and plug it in somewhere, and now we’re on the same, secure network together. Sharing files and with a little messageboard. Maybe after 5 computers the network can’t get any bigger. And if you unplug one your whole archive goes down. I don’t know. I’m riffing here.
A report by the Digital Currency Initiative and the Center for Civic Media. Download the PDF or read the executive summary.
In this report, we explore two important ways structurally decentralized systems could help address the risks of mega-platform consolidation: First, these systems can help users directly publish and discover content directly, without intermediaries, and thus without censorship. All of the systems we evaluate advertise censorship-resistance as a major benefit. Second, these systems could indirectly enable greater competition and user choice, by lowering the barrier to entry for new platforms. As it stands, it is difficult for users to switch between platforms (they must recreate all their data when moving to a new service) and most mega-platforms do not interoperate, so switching means leaving behind your social network.
A few technical words about Upsideclown, and some thoughts about audiences and the web (17 Aug., 2017, at Interconnected)
Matt writes about the pleasure of independent publishing on the web today:
It feels transgressive to have a website in 2017. Something about having a domain name and about coding HTML which is against the grain now. It’s something big companies do, not small groups. We’re supposed to put our content on Facebook or Medium, or keep our publishing to an email newsletter. But a website?
But he points out a tension between the longevity that you get from hosting the canonical content yourself, and the lack of unified analytics when you syndicate that content elsewhere.
There’s no simple online tool that lets me add up how many people have read a particular story on Upsideclown via the website, the RSS feed, and the email newsletter. Why not? If I add syndication to Facebook, Google, and Apple, I’m even more at sea.