An online museum of sounds—the recordings of analogue machines.
This is an interesting tool: mess around with styles on any site inside Chrome’s dev tools, and then hit a button to have the updated styles saved to a URL (a Gist on Github).
This strikes me as a sensible way of thinking about machine learning: it’s like when we got relational databases—suddenly we could do more, quicker, and easier …but it doesn’t require us to treat the technology like it’s magic.
An important parallel here is that though relational databases had economy of scale effects, there were limited network or ‘winner takes all’ effects. The database being used by company A doesn’t get better if company B buys the same database software from the same vendor: Safeway’s database doesn’t get better if Caterpillar buys the same one. Much the same actually applies to machine learning: machine learning is all about data, but data is highly specific to particular applications. More handwriting data will make a handwriting recognizer better, and more gas turbine data will make a system that predicts failures in gas turbines better, but the one doesn’t help with the other. Data isn’t fungible.
A really deep dive into the
lang attribute, and the
:lang() pseudo-class (hitherto unknown to me). This is all proving really useful for a little side project I’m working on.
I love this idea (and implementation)—instead of treating braille signage as something “separate but equal”, this typeface attempts to unify lettering and braille into one.
Braille Neue is a universal typeface that combines braille with existing characters. This typeface communicates to both the sighted and blind people in the same space.
A deep dive into the
:focus pseudo-class and why it’s important.
That’s the web I want; a place with spare corners where un-monetisable enthusiasms can be preserved, even if they’ve not been updated for seven years.
Training a neural network to do front-end development.
I didn’t understand any of this.
Ethan points out the tension between net neutrality and AMP:
The more I’ve thought about it, I think there’s a strong, clear line between ISPs choosing specific kinds of content to prioritize, and projects like Google’s Accelerated Mobile Project. And apparently, so does the FCC chair: companies like Google, Facebook, or Apple are choosing which URLs get delivered as quickly as possible. But rather than subsidizing that access through paid sponsorships, these companies are prioritizing pages republished through their proprietary channels, using their proprietary document formats.
The world-wide-web always scared the hell out of those who want to control what people consume and what their career is. The web was the equaliser.
A heartfelt missive by Christian on the eve of the US potentially losing net neutrality. I agree with every single word he’s written.
I hope that people still care that the web flows, no matter for whom or what the stream carries. The web did me a lot of good, and it can do so for many others. But it can’t do that if it turns into Cable TV. I’ve always seen the web as my media to control. To pick what I want to consume and question it by comparing it. A channel for me to publish and be scrutinised by others. A read-write medium. The only one we have. Let’s do more of the write part.
The museum exhibits over 800 carefully selected and sorted web sites that show web design trends between the years 1995 and 2005.
[selectors] Functional pseudo-class like :matches() with 0 specificity · Issue #1170 · w3c/csswg-drafts
A really interesting proposal from Lea that would allow CSS authors to make full use of selectors but without increasing specificity. Great thoughts in the comments too.
But real problems are messy. Tech culture prefers to solve harder, more abstract problems that haven’t been sullied by contact with reality. So they worry about how to give Mars an earth-like climate, rather than how to give Earth an earth-like climate. They debate how to make a morally benevolent God-like AI, rather than figuring out how to put ethical guard rails around the more pedestrian AI they are introducing into every area of people’s lives.
We’ve gone through the invention step. The infrastructure came out of DARPA and the World Wide Web itself came out of CERN.
We’ve gone through the hobbyist step. Everyone now knows what the internet is, and some of the amazing things it’s capable of.
We’ve gone through the commercialization step. Monopolies have emerged, refined, and scaled the internet.
But the question remains: can we break with the tragic history that has befallen all prior information empires? Can this time be different?
The first part of this article is a great history lesson in the style of Tim Wu’s The Master Switch. The second part is a great explanation of net neutrality, why it matters, and how we can fight for it.
If you do nothing, we will lose the war for the open internet. The greatest tool for communication and creativity in human history will fall into the hands of a few powerful corporations and governments.
Send messages when you’re back online with Service Workers and Background Sync – Twilio Cloud Communications Blog
This example of using background sync looks like it’s specific to Twilio, but the breakdown of steps is broad enough to apply to many situations:
On the page we need to:
- Register a Service Worker
- Intercept the “submit” event for our message form
- Place the message details into IndexedDB, an in browser database
- Register the Service Worker to receive a “sync” event
Then, in the Service Worker we need to:
- Listen for sync events
- When a sync event is received, retrieve the messages from IndexedDB
- For each message, send a request to our server to send the message
- If the message is sent successfully, then remove the message from IndexedDB
And that’s it.
When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.
It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.
It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.
Are you an EU/EEA national living in the UK? Worried about your rights and options post-Brexit?
Alex has an organised an event at 68 Middle Street for March 16th with an immigration advisor, The £5 ticket fee is refundable after the event or you can donate it to charity.
This is a wonderful service! Handcrafted artisanal passwords made with a tried and trusted technique:
You roll a die 5 times and write down each number. Then you look up the resulting five-digit number in the Diceware dictionary, which contains a numbered list of short words.
That’s the description from the site’s creator, Mira:
Please keep in mind when ordering that I am a full-time sixth grade student with a lot of homework.
She’s the daughter of Julia Angwin, author of Dragnet Nation.