(you know my opinion of Adam Curtis’s
I watched The Social Dilemma last night and to say it’s uneven would be like saying the Himalayas are a little bumpy.
I’m shocked at how appealing so many people find the idea that social networks are uniquely responsible for all of society’s ills.
This cartoon super villain view of the world strikes me as a kind of mirror image of the right-wing conspiracy theories which hold that a cabal of elites are manipulating every world event in secret. It is more than a little ironic that a film that warns incessantly about platforms using misinformation to stoke fear and outrage seems to exist only to stoke fear and outrage — while promoting a distorted view of how those platforms work along the way.
What a brilliant homage! And what a spot-on pop-cultural reference for The Situation.
2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors.
This is an epic deep dive into the 1984 sequel to 2001: A Space Odyssey.
For all its flaws, I have a soft spot for this film (and book).
A forthcoming documentary about Stewart Brand (with music by Brian Eno).
I’d watch this game show:
Welcome to the first installment of a new series on Typewolf, where I’ll be identifying the fonts used in popular things. The focus here is on anything you might encounter in contemporary visual culture—movie posters, TV shows, book covers, etc.
I enjoyed this documentary on legendary sound designer and editor Walter Murch. Kinda makes me want to rewatch The Conversation and The Godfather.
Here’s a BBC adaption of that J.G. Ballard short story I recorded. It certainly feels like a story for our time.
While we’re all confined to quarters during The Situation, Gary Hustwit is offering one of his films for free every week. The fantastic Helvetica is just about to finish its run, but every one of Gary’s films is worth watching (and rewatching): Helvetica, Objectified, Urbanized, and Rams.
Filmmaker Gary Hustwit is streaming his documentaries free worldwide during the global COVID crisis. Each week we’ll be posting another film here. We hope you enjoy them, and please stay strong.
This is quite a beautiful homage to Kubrick’s masterpiece.
Brendan describes the software he’s using to get away from Adobe’s mafia business model.
Ooh! A documentary on Claude Shannon—exciting!
I just finished reading A Mind At Play, the (very good) biography of Claude Shannon, so this film feels very timely.
Mixing contemporary interviews, archival film, animation and dialogue drawn from interviews conducted with Shannon himself, The Bit Player tells the story of an overlooked genius who revolutionized the world, but never lost his childlike curiosity.
Thorough (and grim) research from Chris.
There’s a new reissue of the twenty year old documentary on Justin Hall’s links.net and the early days of the web.
An online documentary series featuring interviews with smart people about the changing role of design.
As technology becomes more complex and opaque, how will we as designers understand its potential, do hands-on work, translate it into forms people can understand and use, and lead meaningful conversations with manufacturers and policymakers about its downstream implications? We are entering a new technology landscape shaped by artificial intelligence, advanced robotics and synthetic biology.
So far there’s Kevin Slavin, Molly Wright Steenson, and Alexandra Daisy Ginsberg, with more to come from the likes of Matt Jones, Anab Jain, Dan Hill, and many, many more.