Tags: film

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TANK (short film by Stu Maschwitz) - YouTube

This fun little film gives me all the feels for Battlezone …but then watching the excellent “making of” video really made me appreciate the love and attention to detail that went into this.

TANK (short film by Stu Maschwitz)

Avengers: Infinity War - Wizards vs. The Prophet

Jason Kottke had the same reaction I did to the new Avengers film:

Jeremy Keith noticed the same thing and I echo his amazement: “I was not expecting to be confronted with the wizards vs. prophets debate while watching Avengers: Infinity War”.

Color Palette Cinema

Some colour palette inspiration from films.

Why So Many Men Hate the Last Jedi But Can’t Agree on Why | Bitter Gertrude

While not every white man who dislikes The Last Jedi overtly dislikes its gender balance or diversity, many feel a level of discomfort with this film that they can’t name, and that expresses itself through a wide variety of odd, conflicting complaints about its filmmaking.

The Go-Betweens: Right Here

This looks like a rather good documentary about the best band in the world.

THE GO-BETWEENS: RIGHT HERE

Ridley Scott’s ‘Blade Runner’: A Game-Changing Science-Fiction Classic • Cinephilia & Beyond

A nexus of hypermedia on all things Blade Runner, from links to Tumblr blogs to embedded screenplays, documentaries, and scanned images.

What Do We Do with the Art of Monstrous Men?

There are many qualities one must possess to be a working writer or artist. Talent, brains, tenacity. Wealthy parents are good. You should definitely try to have those. But first among equals, when it comes to necessary ingredients, is selfishness. A book is made out of small selfishnesses. The selfishness of shutting the door against your family. The selfishness of ignoring the pram in the hall. The selfishness of forgetting the real world to create a new one. The selfishness of stealing stories from real people. The selfishness of saving the best of yourself for that blank-faced anonymous paramour, the reader. The selfishness that comes from simply saying what you have to say.

This Future Looks Familiar: Watching Blade Runner in 2017 | Tor.com

If you subtract the flying cars and the jets of flame shooting out of the top of Los Angeles buildings, it’s not a far-off place. It’s fortunes earned off the backs of slaves, and deciding who gets to count as human. It’s impossible tests with impossible questions and impossible answers. It’s having empathy for the right things if you know what’s good for you. It’s death for those who seek freedom.

A thought-provoking first watch of Blade Runner …with an equally provocative interpretation in the comments:

The tragedy is not that they’re just like people and they’re being hunted down; that’s way too simplistic a reading. The tragedy is that they have been deliberately built to not be just like people, and they want to be and don’t know how.

That’s what really struck me about Kazuo Ishiguro’s Never Let Me Go: the tragedy is that these people can’t take action. “Run! Leave! Go!” you want to scream at them, but you might as well tell someone “Fly! Why don’t you just fly?”

Robtober 2017 | Rob Weychert

What an excellent example of a responsive calendar!

2001: A Space Odyssey — A Look Behind the Future - YouTube

The following film describes an unusual motion picture now being produced in London for release all over the world, starting in early 1967.

2001: A Space Odyssey -- A Look Behind the Future

The Lost Picture Show: Hollywood Archivists Can’t Outpace Obsolescence - IEEE Spectrum

There are three parts to digital preservation: format, medium, and licensing. Film and television archives are struggling with all three.

Format:

Codecs—the software used to compress and decompress digital video files—keep changing, as do the hardware and software for playback.

Medium:

As each new generation of LTO comes to market, an older generation of LTO becomes obsolete. LTO manufacturers guarantee at most two generations of backward compatibility. What that means for film archivists with perhaps tens of thousands of LTO tapes on hand is that every few years they must invest millions of dollars in the latest format of tapes and drives and then migrate all the data on their older tapes—or risk losing access to the information altogether.

Licensing:

Studios didn’t see any revenue potential in their past work. They made money by selling movie tickets; absent the kind of follow-on markets that exist today, long-term archiving didn’t make sense economically.

It adds up to a potential cultural disaster:

If technology companies don’t come through with a long-term solution, it’s possible that humanity could lose a generation’s worth of filmmaking, or more.

leaving the future behind – Al Robertson

Science fiction isn’t about technology, it’s about people …and how people change in response to technology.

So ironically, perhaps the only way that any piece of science fiction can be sure that it will remain resonant as the years pass is to make sure that any technical speculation can drop away once it’s no longer relevant. The science will fall back to Earth like an exhausted booster section, tumbling away from the rocket that will one day reach the stars. And then we’ll be left with stories about how people change when change arrives – and that, for me, is what science fiction is.

Movies with Mikey

I know it’s just a landing page for YouTube channel of movie reviews but I really like the art direction and responsiveness of this.

The Not Quiz – Test your celebrity, music and film knowledge

This is really good fun! And thanks to service workers, it works offline too.

The rounds are:

  • Dead or Not Dead,
  • Number 1 or Not Number 1, and
  • Oscar or Not Oscar.

Bring on the Flood · thewalrus.ca

Most of these dystopian scenarios are, after all, post-apocalyptic: the bad thing happened, the tension broke, and now so much less is at stake. The anxiety and ambivalence we feel toward late-stage capitalism, income inequality, political corruption, and environmental degradation—acute psychological pandemics in the here and now—are utterly dissolved. In a strange, wicked way, the aftermath feels fine.

How E.T. Really Called Home (PDF)

A 1983 article from 73 Magazine on the surprisingly plausible Rube Goldberg/Heath Robinson device created by E.T. to call home.

From Tape Drives to Memory Orbs, the Data Formats of Star Wars Suck (Spoilers) | Motherboard

As always with sci-fi interfaces, the important part is telling the story, not realism or accuracy. Personally, I liked the way that the World War II trappings of Rogue One extended to communications and networking technologies.

Is Children of Men 2016’s Most Relevant Film? — Vulture

Ten years on from Afonso Cuarón’s masterpiece.

BLIND : Rogue One

The on-screen interfaces for Rogue One have just the right retro feel next to those for The Force Awakens.

What Comes Next Is the Future (2016) on Vimeo

Matt Griffin’s thoughtful documentary is now available for free on Vimeo. It’s a lovely look at the past, present, and future of the web, marred only by the brief appearance of yours truly.

What Comes Next Is the Future (2016)