Tags: font

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Spectral: A New Screen-First Typeface - Library - Google Design

A rather handsome looking free serif typeface based on Gargantua. Spectral is available under an Open Font License.

Silly hover effects and the future of web typography – Pixelambacht

These experiments with transitioning variable font styles on hover might be silly, but I can see the potential for some beautiful interaction design.

V6: Typography and Proportions | Rob Weychert

Rob walks us through the typographic choices for his recent redesign:

Most of what I design that incorporates type has a typographic scale as its foundation, which informs the typeface choices and layout proportions. The process of creating that scale begins by asking what the type needs to do, and what role contrasting sizes will play in that.

Inter UI font family

A nice free and open source font designed for digital interfaces:

Inter UI is a font for highly legible text on computer screens.

eBay’s Font Loading Strategy | eBay Tech Blog

Here’s the flow that eBay use for the font-loading. They’ve decided that on the very first page view, seeing a system font is an acceptable trade-off. I think that makes sense for their situation.

Interestingly, they set a flag for subsequent visits using localStorage rather than a cookie. I wonder why that is? For me, the ability to read cookies on the server as well as the client make them quite handy for situations like this.

Visions - A Literary Science Fiction Magazine

This forthcoming sci-fi quarterly publication looks intriguing:

Each issue contains a part of a previously untranslated novel as well as essays looking at the world through the lens of different writers.

I’m loving their typeface. It’s called Marvin. It was specially made for the magazine, and available to download and use for personal use for free.

Marvin gets its distinctive voice not only from its Art Nouveau vibe but also from its almost geometrically perfect construction. Its roundness and familiarity with Bauhaus typefaces shows its roots in geometric sans serifs at the same time.

The story of its (re)construction is fascinating. (Thanks for the heads-up, Jason.)

User Interfaces for Variable Fonts · An A List Apart Article

A good introduction to variable fonts, and an exploration of the possible interface elements we might use to choose our settings: toggles? knobs? sliders? control pads?

Interface font family

Interface is a font for highly legible text on computer screens.

And it’s free!

If you really dislike FOUT, `font-display: optional` might be your jam | CSS-Tricks

Everyone’s been talking about font-display: swap as a way of taking the pain out of loading web fonts, but here Chris looks at font-display: optional and font-display: fallback as well.

The Equilateral Triangle of a Perfect Paragraph | Better Web Type

This is a fun game (I scored a measly 73/100). The idea is to develop a feeling for the balance between font-size, line-height, and line length …just like the three sides of an equilateral triangle.

Too many of them still set line-height, font size and line width as independent features when in fact they should all be considered together. The equilateral triangle is a perfect representation of how the three features work in harmony.

Font Map · An AI Experiment by IDEO

Fontlandia is yours to explore.

By leveraging AI and convolutional neural networks to draw higher-vision pattern recognition, we have created a tool that helps designers understand and see relationships across more than 750 web fonts.

Color fonts! WTF? 🌈

I only just wrapped my head around the idea of variable fonts and now here’s colour fonts to really mess with my mind.

Get started with variable fonts – Medium

Rich has posted a sneak peek of one part of his book on Ev’s blog.

Decovar: A multistyle decorative variable font by David Berlow

Here’s one of them new-fangled variable fonts that’re all the rage. And this one’s designed by David Berlow. And it’s free!

Tuna - Typeface

I like the feel of this typeface a lot.

Bubbling, strong, but very accurate.

The Futures of Typography

A wonderfully thoughtful piece from Robin, ranging from the printing technologies of the 15th century right up to the latest web technologies. It’s got all my favourite things in there: typography, digital preservation, and service workers. Marvellous!

Google Noto Fonts

Google’s Noto (short for no-tofu; tofu being the rectangle of unicode sadness) is certainly ambitious. It has glyphs from pretty much every known alphabet …including Ogham and Linear B!

Accessibility Whack-A-Mole · An A List Apart Article

A fascinating piece by Eleanor on the typographic tweaking that the Wellcome team did to balance the competing needs of different users.

Tentacular: Douglas Coupland on Helvetica, clip art and the gangly beast that is the internet

Douglas Coupland on web typography.

When I discuss the internet’s feel and its random rodeo of fonts, I think of the freedom, naivety, laziness, greed, cluelessness and skill I see there — it’s a cyberplace as wondrous as the bubbling cradle of pea-soup goo from which life emerged. The internet has a rawness, a Darwinian evolutionary texture. It’s a place where metrics totally unrelated to print typography dictate the look and feel.

Web fonts, boy, I don’t know – Monica Dinculescu

Monica takes a look at the options out there for loading web fonts and settles on a smart asynchronous lazy-loading approach.