This broke my brain.
The challenge: in the fewest resources possible, render meaningful text.
- How small can a font really go?
- How many bytes of memory would you need (to store it and run it?)
- How much code would it take to express it?
Lets see just how far we can take this!
Each typeface highlights a piece of history from a specific underrepresented race, ethnicity, or gender—from the Women’s Suffrage Movement in Argentina to the Civil Rights Movement in America.
Jason describes the next big thing in web typography: streaming fonts!
…to enable the ability for only the required part of the font be downloaded on any given page, and for subsequent requests for that font to dynamically ‘patch’ the original download with additional sets of glyphs as required on successive page views—even if they occur on separate sites.
A free and open source neutral sans-serif typeface, released as part of version two of the design system for the US federal government.
Font metrics help the computer determine things like the default spacing between lines, how high or low sub and super scripts should go, and how to align two differently sized pieces of text next to each other.
Monospaced fonts you can use in your text editor. Most of them are …not good. But then there are gems like Mark Simonson’s Anonymous Pro, David Jonathan Ross’s Input, and Erik Spiekerman’s Fira Mono. And there’s always good ol’ Droid Sans.
An open source version of Bodoni:
Bodoni* is the first ever no-compromises Bodoni family, built for the digital age. Years in the making, this font family includes a whopping 56 font files, ensuring you will have the perfect Bodoni for every situation.
Nick demonstrates the responsive power of variable fonts by recreating a lovely design from Jacob Jongert.
Grab that browser window and get squishin’!
Feedbin has removed third-party iframes and JavaScript (oEmbed provides a nice alternative), as well as stripping out Google Analytics, and even web fonts that aren’t self-hosted. This is excellent!
A font made of corporate logos.
This checklist came in very handy during a performance-related workshop I was running today (I may have said the sentence “Always ask yourself What Would Zach Do?”).
- Start Important Font Downloads Earlier (Start a Web Font load)
- Prioritize Readable Text (Behavior while a Web Font is loading)
- Make Fonts Smaller (Reduce Web Font load time)
- Reduce Movement during Page Load (Behavior after a Web Font has loaded)
The first two are really straightforward to implement (with rel="preload" and font-display). The second two take more work (with subsetting and the font loading API).
Every single font-feature-settings value demonstrated in one single page.
The history and restoratin of a neglected typeface, complete with this great explanation of optical sizing:
Nix illustrated the point with an analogy: “Imagine if we all decided that 10-year-old boys would be the optimal human form,” he says. “Rather than having babies, we just shrunk 10-year-old boys to baby size, and enlarge them to the size of a full grown man. That’s kind of what we’re combatting.”
This is a great interview with Rich on all things related to web typography—including, of course, variable fonts.
I’m so lucky that I literally get to work side by side with Rich; I get to geek out with him about font stuff all the time.
A fun way to play around with the options in variable fonts.
This is very neat! Test out how Google Fonts will look on your website: type in your URL and away you go. Works well on mobile too.
Rob attended the excellent Ampersand event last Friday and he’s made notes for each and every talk.
I have to admit, I didn’t realise that text reszing behaved differently for user preferences compared to page zoom. For that reason alone, I’m going to avoid setting font sizes in pixels.
If 2 to 3% (or more!) of your users are relying on a custom font size, you should know that so you can either support that user preference or make a conscious decision to not support it. Doing anything less is frankly irresponsible, especially considering that users with larger font sizes may be using those sizes to compensate for visual disabilities.
I find this soooo relatable:
I know when I look at a design (heck, even if I know I’m not going to be building it), my front-end brain starts triggering all sorts of things I know will be related to the task.
Difference is, Chris comes up with some very, very clever techniques.