A history of typesetting from movable type to variable fonts.
A really nice open-source font-previewing tool for the Mac.
Everything you ever wanted to know about variable fonts, gathered together into one excellent website.
In this interview, Biance Berning says:
Cassie Evans from Clearleft is an interesting person to follow as she combines web animation with variable font technology, essentially exploring the technology’s practicality and expression.
We’re only just scratching the surface of what variable fonts can do within more interactive and immersive spaces. I think we’ll see a lot more progress and experimentation with that as time goes on.
This is the transcript of a brilliant presentation by Scott—read the whole thing! It starts with a much-needed history lesson that gets to where we are now with the dismal state of performance on the web, and then gives a whole truckload of handy tips and tricks for improving performance when it comes to styles, scripts, images, fonts, and just about everything on the front end.
Play around with this variable font available soon from Google Fonts in monospaced and sans-serif versions.
Some excellent explanations for these five pieces of sensible typography advice:
- Set your base font size in relative units
- Check the colour of your type and only then its contrast
- Use highly legible fonts
- Shape your paragraphs well
- Correctly use the heading levels
Each typeface highlights a piece of history from a specific underrepresented race, ethnicity, or gender—from the Women’s Suffrage Movement in Argentina to the Civil Rights Movement in America.
Jason describes the next big thing in web typography: streaming fonts!
…to enable the ability for only the required part of the font be downloaded on any given page, and for subsequent requests for that font to dynamically ‘patch’ the original download with additional sets of glyphs as required on successive page views—even if they occur on separate sites.
Font metrics help the computer determine things like the default spacing between lines, how high or low sub and super scripts should go, and how to align two differently sized pieces of text next to each other.
An open source version of Bodoni:
Bodoni* is the first ever no-compromises Bodoni family, built for the digital age. Years in the making, this font family includes a whopping 56 font files, ensuring you will have the perfect Bodoni for every situation.
This checklist came in very handy during a performance-related workshop I was running today (I may have said the sentence “Always ask yourself What Would Zach Do?”).
- Start Important Font Downloads Earlier (Start a Web Font load)
- Prioritize Readable Text (Behavior while a Web Font is loading)
- Make Fonts Smaller (Reduce Web Font load time)
- Reduce Movement during Page Load (Behavior after a Web Font has loaded)
The first two are really straightforward to implement (with
font-display). The second two take more work (with subsetting and the font loading API).
font-feature-settings value demonstrated in one single page.
The history and restoratin of a neglected typeface, complete with this great explanation of optical sizing:
Nix illustrated the point with an analogy: “Imagine if we all decided that 10-year-old boys would be the optimal human form,” he says. “Rather than having babies, we just shrunk 10-year-old boys to baby size, and enlarge them to the size of a full grown man. That’s kind of what we’re combatting.”
This is a great interview with Rich on all things related to web typography—including, of course, variable fonts.
I’m so lucky that I literally get to work side by side with Rich; I get to geek out with him about font stuff all the time.