Amber has been investigating which image formats make sense for which situations.
Choosing image format is only one step towards optimising images on the web. There are many, many other steps to consider, and so, so much to learn!
Occasionally, people e-mail me to say something along the lines of “I’ve come up with something to replace HTML!”.
Five years ago, Hixie outlined the five metrics that a competitor to the web would have to score well in:
- Be completely devoid of any licensing requirements.
- Be vendor-neutral.
- Be device-neutral and media-neutral.
- Be content-neutral.
- Be radically better than the existing Web.
You come at the king, you best not miss.
Excellent presentation slides on all things Indie Web.
Given my experience publishing Resilient Web Design as a web book, I think I should take a good look at this nascent spec.
What we envision for Packaged Web Publications is similar to the goals and techniques of Progressive Web Apps: breaking the boundaries between web sites and mobile apps, an emphasis on “offline” paradigms, and so on. The time is right to broaden the scope and power of the web to include publications.
Web developers aren’t going to shed many tears for Flash, but as Bruce rightly points out, it led the way for many standards that followed. Flash was the kick up the arse that the web needed.
He also brings up this very important question:
I’m also nervous; one of the central tenets of HTML is to be backwards-compatible and not to break the web. It would be a huge loss if millions of Flash movies become unplayable. How can we preserve this part of our digital heritage?
This is true of the extinction of any format. Perhaps this is an opportunity for us to tackle this problem head on.
Alex Kearney looks back on two years of owning her own data.
With a fully functional site up and running, I focused on my own needs and developed features to support how I wanted to use my site. In hind-sight, that’s probably the most indie thing I could’ve done, and how I should’ve started my indieweb adventure.
This really resonates with me.
One of the motivating features for joining the indieweb was the ability to keep and curate the content I create over time.
Here’s to two more years.
A great one-page intro to microformats (h-card in particular), complete with a parser that exports JSON. Bookmark this for future reference.
This is wonderful meditation on the history of older technologies that degrade in varied conditions versus newer formats that fall of a “digital cliff”, all tied in to working on the web.
When digital TV fails, it fails completely. Analog TV, to use parlance of the web, degrades gracefully. The web could be similar, if we choose to make it so. It could be “the analog” web in contrast to “the digital” platforms. Perhaps in our hurry to replicate and mirror native platforms, we’re forgetting the killer strength of the web: universal accessibility.
A Mac app for converting PNGs and JPEGs to WebP.
As always with sci-fi interfaces, the important part is telling the story, not realism or accuracy. Personally, I liked the way that the World War II trappings of Rogue One extended to communications and networking technologies.
This document provides Best Practices related to the publication and usage of data on the Web designed to help support a self-sustaining ecosystem. Data should be discoverable and understandable by humans and machines.
Chris runs through the process and pitfalls of POSSEing a site (like CSS Tricks) to Apple’s News app, Facebook’s Instant Articles, and Google’s AMP.
Hey, whatever you want. As long as…
- It’s not very much work
- The content’s canonical home is my website.
I just want people to read and like CSS-Tricks.
This is what Nick Sherman has been banging on about for years, and now the time has come for variable fonts …as long as typographers, browser makers, and standards bodies get behind it.
More details on Ev’s blog.
The history of the GIF—a tale of licensing, compression, and standards.
A cautionary tale of digital preservation.
.generation is a short film that intimately documents three millennials in the year 2054 - uncovering their relationships with technology in the aftermath of the information age.
The slides from Aaron’s talk at OS Bridge in Portland, looking at the formats and protocols powering the indie web.
I need to wrap my head around the details of this approach, but it sounds like it might be something I could do here on my site (where I feel nervous about my current dependency on a database).
Prompted by the way Craig is handling the shutdown of hi.co, Glenn Fleishman takes a look at other digital preservation efforts and talk to Laura Welcher at the Long Now Foundation.
A time capsule is bottled optimism. It makes material the belief that human beings will survive long enough to retrieve and decode artifacts of the distant past.