Addy takes a deep dive into making sure your images are performant. There’s a lot to cover here—that’s why I ended up splitting it in two for the responsive design course: one module on responsive images and one on the picture element.
If you rely on Word, Evernote or Notion, for example, then you can’t work unless you have Word, Evernote, or Notion. You are helpless without them. You are dependent.
But if you only use plain text, you can use any program on any device, forever. It gives great flexibility and peace of mind.
There’s a new image format on the browser block and it’s very performant indeed. Jake has all the details you didn’t ask for.
A great little mini case-study from Eric—if you’re exporting transparent PNGs from a graphic design tool, double-check the colour-depth settings!
I’d been saving the PNGs with no bit depth restrictions, meaning the color table was holding space for 224 colors. That’s… a lot of colors, roughly 224 of which I wasn’t actually using.
A 2015 paper by Long Tien Nguyen and Alan Kay with a proposal for digital preservation.
We discuss the problem of running today’s software decades,centuries, or even millennia into the future.
A history of typesetting from movable type to variable fonts.
I understand less than half of this great talk by Meredith L. Patterson, but it ticks all my boxes: Leibniz, Turing, Borges, and Postel’s Law.
(via Tim Berners-Lee)
A great introduction to indie web building blocks from Jamie.
A deep, deep, deep dive into the JPEG format. Best of all, it’s got interactive explanations you can tinker with, a la Nicky Case or Bret Victor.
Jason describes the next big thing in web typography: streaming fonts!
…to enable the ability for only the required part of the font be downloaded on any given page, and for subsequent requests for that font to dynamically ‘patch’ the original download with additional sets of glyphs as required on successive page views—even if they occur on separate sites.
A fellow URL fetishest!
I love me a well-designed URL scheme—here’s four interesting approaches.
URLs are consumed by machines, but they should be designed for humans. If your URL thinking stops at “uniquely identifies a page” and “good for SEO”, you’re missing out.
Here’s the talk I gave recently about indie web building blocks.
There’s fifteen minutes of Q&A starting around the 35 minute mark. People asked some great questions!
A handy in-browser image compression tool. Drag, drop, tweak, and export.
Day one of Indie Web Camp Berlin is done, and it was great! Here’s Charlie’s recap of the sessions she attended.
A good half-hour presentation by Stephen Rushe on the building blocks of the indie web. You can watch the video or look through the slides.
I’ve recently been exploring the world of the IndieWeb, and owning my own content rather than being reliant on the continued existence of “silos” to maintain it. This has led me to discover the varied eco-system of IndieWeb, such as IndieAuth, Microformats, Micropub, Webmentions, Microsub, POSSE, and PESOS.
Aw, this is so nice! Chris points to the way that The Session generates sheet music from abc text:
The SVG conversion is made possible entirely in JavaScript by an open source library. That’s the progressive enhancement part. Store and ship the basic format, and let the browser enhance the experience, if it can (it can).
Here’s another way of thinking of it: I was contacted by a blind user of The Session who hadn’t come across abc notation before. Once they realised how it worked, they said it was like having alt text for sheet music! 🤯
A nice little tutorial from Aaron.
A run-down of digital preservation technologies for very, very long-term storage …in space.
Tim explains why that neat trick of making a really big JPEG with quality set to 0% is no longer necessary, and how the savings you make in bandwidth with that technique are nullified by the expense of the memory footprint needed.
Luke Stevens is trying to get untangle the very mixed signals being sent from different parts of Google around AMP’s goals. The response he got—before getting shut down—is very telling in its hubris and arrogance.
I believe the people working on the AMP format are well-intentioned, but I also believe they have conflated the best interests of Google with the best interests of the web.