This was an absolute delight to read! Usually when you read security-related write-ups, the fun comes from the cleverness of the techniques …but this involved nothing cleverer than dev tools. In this instance, the fun is in the telling of the tale.
Own. Your. Nook. There’s power in owning your nook of the ‘net — your domain name, your design, your archives — and it’s easier than ever to do so, and run a crowdfunding campaign at the same time.
An experiment to crowdfund the implementation of web standards in browsers.
I’m not sure how I feel about this.
More of the whimsical web!
A collection of truly personal sites.
This site is meant to showcase how a more personal web could look like, and hopefully give you some inspiration to make your own corner of the web a bit weirder.
Of course Cassie’s site is included!
Some good thought morsels from Robin on product design:
Bad product design is when folks talk more about the UI than what the UI is built on top of.
There’s a lot of talk about how great design is invisible—mostly boring conversations with little substance—but! I think that’s true when it comes to product design.
Bad product design is when your interface looks like your org chart.
We should celebrate our hobbies for the joy-giving activities they are, and recognize that they don’t need to become anything bigger than that. And of course that’s not to say they those hobbies can’t turn into something bigger — it’s incredible when your passions and your occupation overlap — but it should be because you want to rather than that you feel pressured to. Not every activity you do needs to become a big official thing.
Sometimes me think me should just tear bull pictogram down. Can bull pictogram really be worth it? Sure, pictogram help advance caveculture and foster writing system. But what good that stuff if whole cave society is just bunch of brainwashed bull-pictogram-watchers? You know what Aiden say yesterday? When he grow up, he want be bull-pictogram-painter! That not real job! Real job hunter! Or at least gatherer! How many bull-pictogram-painters world need?
JavaScript is fickle. It can fail to load. It can be disabled. It can be blocked. It can fail to run. It probably is fine most of the time, but when it fails, everything tends to go bad. And having such a hard point of failure is not ideal.
This is a very important point:
It’s important not to try making the no-JS experience work like the full one. The interface has to be revisited. Some features might even have to be removed, or dramatically reduced in scope. That’s also okay. As long as the main features are there and things work nicely, it should be fine that the experience is not as polished.
Some photos from a lively discussion between Alex Russell and me at View Source in Amsterdam led Remy to create this meme generator.
You can see some results here and here.
This is not to be confused with a certain other photo which has led to its own memification here and here.
It’s all fun and games until you realise that everything in here was inspired by actual interfaces out there on the web.
Tom makes an endpoint for generating QR codes so you don’t have to rely on the Google Charts API.
He also provides a good definition of “serverless”:
Now, serverless is a very silly buzzword dreamed up by someone from the consultant class who love coming up with terrible names, so I promise I won’t use it any further. Your code obviously run on a server. It just means it runs on a server someone else manages.
Amazon call it a ‘Lambda Function’. Google call it a ‘Cloud Function’. Microsoft Azure call it simply a ‘Function’. But none of those are very descriptive, because, well, anyone who writes any kind of programming language generally writes functions pretty much all the time in much the same way as anyone who writes English writes paragraphs, and we don’t call our blogging software “Cloud Paragraphs”. (Someone will now, I’m guessing.)
Well, this is interesting. Panic, the little software company that could, are making a handheld gaming device. This is like the hardware equivalent of the indie web.
Heydon cracks me up—his Patterns Day is going to have you crying with laughter; guaranteed!
Here he is talking about custom properties in CSS as part of his Making Future Interfaces video series.
It’s not funny, cause it’s true.
As the commercial viability of the web grew, we saw more and more users become consumers and not creators. Many consumers see websites as black boxes full of magic that they could never understand. Because of this, they would never think to try to create something.
This is a shame. We lost a little piece of the magic of the web when this culture came about.
A call to action to create a fan site about something you love. It would be an unmonetisable enthusiasm. But it’s still worth doing:
- The act of creation itself is fun!
- Sharing something you love with the world is worthwhile.
- You’ll learn something.
So here’s the challenge:
- Create a Fan Site.
- Help someone create a Fan Site.
- Create a webring.
Wheeee! Another fun experiment from Cameron.
During the internet of 2006, consumer products let anyone edit CSS. It was a beautiful mess. As the internet grew up, consumer products stopped trusting their users, and the internet lost its soul.
The internet of 2019 is vital societal infrastructure. We depend on it to keep in touch with family, to pay for things, and so much more.
Just because it got serious doesn’t mean it can’t be fun and weird.
This is an excellent case study!
The technical details are there if you want them, but far more important is consideration that went into every interaction. Every technical decision has a well thought out justification.
Craig writes about reading and publishing, from the memex and the dynabook to the Kindle, the iPhone, and the iPad, all the way back around to plain ol’ email and good old-fashioned physical books.
We were looking for the Future Book in the wrong place. It’s not the form, necessarily, that needed to evolve—I think we can agree that, in an age of infinite distraction, one of the strongest assets of a “book” as a book is its singular, sustained, distraction-free, blissfully immutable voice. Instead, technology changed everything that enables a book, fomenting a quiet revolution. Funding, printing, fulfillment, community-building—everything leading up to and supporting a book has shifted meaningfully, even if the containers haven’t. Perhaps the form and interactivity of what we consider a “standard book” will change in the future, as screens become as cheap and durable as paper. But the books made today, held in our hands, digital or print, are Future Books, unfuturistic and inert may they seem.