A cautionary tale of digital preservation.
.generation is a short film that intimately documents three millennials in the year 2054 - uncovering their relationships with technology in the aftermath of the information age.
I’ve seen letterforms you people wouldn’t believe…
An in-depth, thoroughly-researched look at the threatened health of the web. It’s grim reading, for the most part, but there’s a glimmer of hope towards the end.
Remember: life is ten per cent what happens to you, ten per cent how you respond to it, and eighty per cent how good your reflexes are when the Tall Ones come at your throat with their pincers.
This is my kind of talk—John Snow’s cholera map, the Yucca Mountain think-tank, the Pioneer plaque, the Voyager record, the Drake equation, the Arecibo signal, and the love song of J. Alfred Prufrock.
♫ These are a few of my fav-our-ite things! ♫
I particularly like Ethan’s Stop Making Sense era David Byrne suit.
The act of linking to this story is making it true.
“I don’t think there’s any law against this,” I said. How could there be a law against something that’s not possible?
Michael Bierut on that logo …and graphic design in general.
Graphic designers, whether we admit it or not, are trained for the short term. Most of the things we design have to discharge their function immediately, whether it’s a design for a book or a poster, a website or an infographic, a sign system, or a business card. In school critiques, architecture and industrial design students produce models. Graphic designers produce finished prototypes. As a result, the idea that we create things that are unfinished, that can only accrue value over time, is foreign to us. It’s so easy for us to visualize the future, and so hard to admit that we really can’t. That’s what we face every time we unveil a new logo.
Science fiction as a means of energising climatic and economic change:
Fiction, and science fiction in particular, can help us imagine many futures, and in particular can help us to direct our imaginations towards the futures we want. Imagining a particular kind of future isn’t just day dreaming: it’s an important and active framing that makes it possible for us to construct a future that approaches that imagined vision. In other words, imagining the future is one way of making that future happen.
But it’s important that these visions are preserved:
It’s very likely that our next Octavia Butler is today writing on WattPad or Tumblr or Facebook. When those servers cease to respond, what will we lose? More than the past is at stake—all our imagined futures are at risk, too.
A new presentation from the wonderfully curmudgeonly Steven Pemberton, the Nosferatu of the web. Ignore the clickbaity title.
This part really, really resonated with me:
The web is the way now that we distribute information. We will need the web pages we create now to be readable in 100 years time, just as we can still read 100-year-old books.
Critical thinking without hope is cynicism. Hope without critical thinking is naïveté.
Echoing Margaret Atwood’s observation:
If we abandon hope, we’re cooked. If we rely on nothing but hope, we’re cooked. So I would say judicious hope is necessary.
Just like Nick, John Willshire has put his slides together with the audio from his gobsmackingly good dConstruct presentation on metadesign.
Nick Foster has put the audio of his fantastic dConstruct talk together with his slides.
It’s a terrific, thought-provoking presentation, superbly delivered …and it even has some relevance to progressive enhancement! (you’ll know what I mean if you watch/listen to the whole thing)
Kelli Anderson’s thesis on the Human Interference Task Force project set up to mark nuclear waste sites for future generations (a project I’ve referenced in some of my talks).
Exemplars proposing various solutions for the resilience of digital data and computation over long timeframes include the Internet Archive; redundantly distributed storage platforms such GlusterFS, LOCKSS, and BitTorrent Sync; and the Lunar supercomputer proposal of Ouliang Chang.
Each of these differs in its approach and its focus; yet each shares with Vessel and with one another a key understanding: The prospects of Earth-originating life in the future, whether vast or diminishing, depend upon our actions and our foresight in this current cultural moment of opportunity, agency, awareness, ability, capability, and willpower.
A magnificent presentation from Maciej that begins by drawing parallels between the aviation industry in the 20th century and the technology industry in the 21st:
So despite appearances, despite the feeling that things are accelerating and changing faster than ever, I want to make the shocking prediction that the Internet of 2060 is going to look recognizably the same as the Internet today.
Unless we screw it up.
And I want to convince you that this is the best possible news for you as designers, and for us as people.
But if that sounds too upbeat for you…
Too much of what was created in the last fifty years is gone because no one took care to preserve it.
We have heroic efforts like the Internet Archive to preserve stuff, but that’s like burning down houses and then cheering on the fire department when it comes to save what’s left inside. It’s no way to run a culture. We take better care of scrap paper than we do of the early Internet, because at least we look at scrap paper before we throw it away.
And then there’s this gem:
It finishes with three differing visions of the web, one of them desirable, the other two …not so much. This presentation is a rallying cry for the web we want.
Let’s reclaim the web from technologists who tell us that the future they’ve imagined is inevitable, and that our role in it is as consumers.