Annalee Newitz:
When we imagine future tech, we usually focus on the ways it could turn humans into robotic workers, easily manipulated by surveillance capitalism. And that’s not untrue. But in this story, I wanted to suggest that there is a more subversive possibility. Modifying our bodies with technology could bring us closer to the natural world.
If we’re serious about creating a sustainable future, perhaps we should change this common phrase from “Form follows Function” to “Form – Function – Future”. While form and function are essential considerations, the future, represented by sustainability, should be at the forefront of our design thinking. And actually, if sustainability is truly at the forefront of the way we create new products, then maybe we should revise the phrase even further to “Future – Function – Form.” This revised approach would place our future, represented by sustainability, at the forefront of our design thinking. It would encourage us to first ask ourselves, “What is the most sustainable way to design X?” and then consider how the function of X can be met while ensuring it remains non-harmful to people and the planet.
Bosses have certain goals, but don’t want to be blamed for doing what’s necessary to achieve those goals; by hiring consultants, management can say that they were just following independent, expert advice. Even in its current rudimentary form, A.I. has become a way for a company to evade responsibility by saying that it’s just doing what “the algorithm” says, even though it was the company that commissioned the algorithm in the first place.
Once again, absolutely spot-on analysis from Ted Chiang.
I’m not very convinced by claims that A.I. poses a danger to humanity because it might develop goals of its own and prevent us from turning it off. However, I do think that A.I. is dangerous inasmuch as it increases the power of capitalism. The doomsday scenario is not a manufacturing A.I. transforming the entire planet into paper clips, as one famous thought experiment has imagined. It’s A.I.-supercharged corporations destroying the environment and the working class in their pursuit of shareholder value. Capitalism is the machine that will do whatever it takes to prevent us from turning it off, and the most successful weapon in its arsenal has been its campaign to prevent us from considering any alternatives.
Maggie Appleton:
An exploration of the problems and possible futures of flooding the web with generative AI content.
I not only worry that “cli-fi” might not be an effective form of environmental expression – I have come to believe that the genre might be actively dangerous, stunting our cultural ability to imagine a future worth living in or fighting for.
Stick a singularity in your “effective altruism” pipe and smoke it.
Solarpunk and synthetic biology as a two-pronged approach to the future:
Neither synbio nor Solarpunk has all the right answers, but when they are joined in a symbiotic relationship, they become greater than the sum of their parts. If people could express what they needed, and if scientists could champion those desires — then Solarpunk becomes a will and synbio becomes a way.
Manufactured inevitability a.k.a bullshit:
There’s a standard trope that tech evangelists deploy when they talk about the latest fad. It goes something like this:
- Technology XYZ is arriving. It will be incredible for everyone. It is basically inevitable.
- The only thing that can stop it is regulators and/or incumbent industries. If they are so foolish as to stand in its way, then we won’t be rewarded with the glorious future that I am promising.
We can think of this rhetorical move as a Reverse Scooby-Doo. It’s as though Silicon Valley has assumed the role of a Scooby-Doo villain — but decided in this case that he’s actually the hero. (“We would’ve gotten away with it, too, if it wasn’t for those meddling regulators!”)
The critical point is that their faith in the promise of the technology is balanced against a revulsion towards existing institutions. (The future is bright! Unless they make it dim.) If the future doesn’t turn out as predicted, those meddlers are to blame. It builds a safety valve into their model of the future, rendering all predictions unfalsifiable.
Video visions of aspirational futures made from the 1950s to the 2010s, mostly by white dudes with bullshit jobs.
This observation feels spot-on to me:
The shift that I noticed, totally anecdotally, is literary writers are starting to write more dystopian climate futures and science fiction writers are starting to write about climate solutions.
I really like the format of this bit of journo-fiction. An interview from the future looking back at the turning point of today.
It probably helps that I’m into nuclearpunk just as much as solarpunk, so I approve this message.
Atomkraft? Ja, bitte!
This chimes with something I’ve been pondering: we anticipate big breakthoughs in software—AI!, blockchain!, metaverse! chatbots!—but in reality the field is relatively stagnant. Meanwhile in areas like biology, there’s been unexpected advances. Or maybe, as Terence indicates, it’s all about the hype.
I want to posit that, in a time of great uncertainty—in an era of climate change and declining freedom, of attrition and layoffs and burnout, of a still-unfolding rearrangement of our relationship to work—we would do well to build more space for practicing the future. Not merely anticipating it or fearing it or feeding our anxiety over the possibilities—but for building the skill and strength and habits to nurture the future we need. We can’t control what comes next, of course. But we can nudge, we can push, we can guide and shape, we can have an impact. We can move closer to the future we want to live in, no matter how far away it seems to be.
Not much stays in one place for one long, especially when it comes to digital artifacts. When the Yahoo Groups archive was summarily deleted by parent company Verizon just a few years ago, fandom suffered massive losses, just as it had during the Livejournal purges of the late 02000s, and during the Tumblr porn ban in 02018. Fandom preservation, then, ties into the larger issue of digital preservation as a whole, and specifically the question of how individual and group emotions and experiences — which make up so much of what it means to be a fan — can be effectively documented, annotated, and saved.
A terrfic presentation from Matt Jones (with the best talk title ever). Pace layers, seamful design, solarpunk, and more.
I really enjoyed this deep dive into some design fiction work done by Fabien Girardin, Simone Rebaudengo, and Fred Scharmen.
(Remember when Simone spoke at dConstruct about toasters? That was great!)
I love these notes on my recent talk!
Everything old is new again:
In our current “information age,” or so the story goes, we suffer in new and unique ways.
But the idea that modern life, and particularly modern technology, harms as well as helps, is deeply embedded in Western culture: In fact, the Victorians diagnosed very similar problems in their own society.
Here’s the video of my opening talk at this year’s CSS Day, which I thoroughly enjoyed!
It’s an exciting time for CSS! It feels like new features are being added every day. And yet, through it all, CSS has managed to remain an accessible language for anyone making websites. Is this an inevitable part of the design of CSS? Or has CSS been formed by chance? Let’s take a look at the history—and some alternative histories—of the World Wide Web to better understand where we are today. And then, let’s cast our gaze to the future!
A fascinating and inspiring meditation on aerodynamics.