Most of these dystopian scenarios are, after all, post-apocalyptic: the bad thing happened, the tension broke, and now so much less is at stake. The anxiety and ambivalence we feel toward late-stage capitalism, income inequality, political corruption, and environmental degradation—acute psychological pandemics in the here and now—are utterly dissolved. In a strange, wicked way, the aftermath feels fine.
Paul takes a look at the year ahead on the web and likes what he sees. There’s plenty of new browser features and APIs of course, but more interesting:
The web reaching more people as they come online with Mobile. There is still a huge amount of potential and growth in India, Indonesia, China, Thailand, Vietnam, all of Africa. You name it, mobile is growing massively still and the web is accessible on all of these devices.
Matt Griffin’s thoughtful documentary is now available for free on Vimeo. It’s a lovely look at the past, present, and future of the web, marred only by the brief appearance of yours truly.
The fascinating history of India’s space program is the jumping-off point for a comparison of differing cultural attitudes to space exploration in Anab’s transcript of her Webstock talk, published on Ev’s blog.
From astronauts to afronauts, from cosmonauts to vyomanauts, how can deep space exploration inspire us to create more democratic future visions?
A cautionary tale of digital preservation.
.generation is a short film that intimately documents three millennials in the year 2054 - uncovering their relationships with technology in the aftermath of the information age.
I’ve seen letterforms you people wouldn’t believe…
An in-depth, thoroughly-researched look at the threatened health of the web. It’s grim reading, for the most part, but there’s a glimmer of hope towards the end.
Remember: life is ten per cent what happens to you, ten per cent how you respond to it, and eighty per cent how good your reflexes are when the Tall Ones come at your throat with their pincers.
This is my kind of talk—John Snow’s cholera map, the Yucca Mountain think-tank, the Pioneer plaque, the Voyager record, the Drake equation, the Arecibo signal, and the love song of J. Alfred Prufrock.
♫ These are a few of my fav-our-ite things! ♫
I particularly like Ethan’s Stop Making Sense era David Byrne suit.
The act of linking to this story is making it true.
“I don’t think there’s any law against this,” I said. How could there be a law against something that’s not possible?
Michael Bierut on that logo …and graphic design in general.
Graphic designers, whether we admit it or not, are trained for the short term. Most of the things we design have to discharge their function immediately, whether it’s a design for a book or a poster, a website or an infographic, a sign system, or a business card. In school critiques, architecture and industrial design students produce models. Graphic designers produce finished prototypes. As a result, the idea that we create things that are unfinished, that can only accrue value over time, is foreign to us. It’s so easy for us to visualize the future, and so hard to admit that we really can’t. That’s what we face every time we unveil a new logo.
Science fiction as a means of energising climatic and economic change:
Fiction, and science fiction in particular, can help us imagine many futures, and in particular can help us to direct our imaginations towards the futures we want. Imagining a particular kind of future isn’t just day dreaming: it’s an important and active framing that makes it possible for us to construct a future that approaches that imagined vision. In other words, imagining the future is one way of making that future happen.
But it’s important that these visions are preserved:
It’s very likely that our next Octavia Butler is today writing on WattPad or Tumblr or Facebook. When those servers cease to respond, what will we lose? More than the past is at stake—all our imagined futures are at risk, too.
A new presentation from the wonderfully curmudgeonly Steven Pemberton, the Nosferatu of the web. Ignore the clickbaity title.
This part really, really resonated with me:
The web is the way now that we distribute information. We will need the web pages we create now to be readable in 100 years time, just as we can still read 100-year-old books.
Critical thinking without hope is cynicism. Hope without critical thinking is naïveté.
Echoing Margaret Atwood’s observation:
If we abandon hope, we’re cooked. If we rely on nothing but hope, we’re cooked. So I would say judicious hope is necessary.
Just like Nick, John Willshire has put his slides together with the audio from his gobsmackingly good dConstruct presentation on metadesign.
Nick Foster has put the audio of his fantastic dConstruct talk together with his slides.
It’s a terrific, thought-provoking presentation, superbly delivered …and it even has some relevance to progressive enhancement! (you’ll know what I mean if you watch/listen to the whole thing)