Andy compares the impending shutdowns of Ffffound and Mlkshk. They’re quite, quite different when it comes to handling data rescue.
Brewster Kahle outlines his vision for library collaboration in curating and distributing digital works.
I’ve made one of them there “ask me anything” things so that you can ask me, well …anything.
This is wonderful meditation on the history of older technologies that degrade in varied conditions versus newer formats that fall of a “digital cliff”, all tied in to working on the web.
When digital TV fails, it fails completely. Analog TV, to use parlance of the web, degrades gracefully. The web could be similar, if we choose to make it so. It could be “the analog” web in contrast to “the digital” platforms. Perhaps in our hurry to replicate and mirror native platforms, we’re forgetting the killer strength of the web: universal accessibility.
A lovely piece of early web history—Olia Lialina describes the early Net Art scene in 2000.
The address bar is the author’s signature. It’s where action takes place, and it’s the action itself. The real action on the web doesn’t happen on the page with its animated GIFs or funny scripts, it’s concentrated in the address bar.
And how wonderful that this piece is now published on Rhizome, an online institution so committed to its mission that it’s mentioned in this seventeen year old article.
When Aaron talks, I listen. This time he’s talking about digital (and analogue) preservation, and how that can clash with licensing rules.
It is time for the sector to pick a fight with artists, and artist’s estates and even your donors. It is time for the sector to pick a fight with anyone that is preventing you from being allowed to have a greater — and I want to stress greater, not total — license of interpretation over the works which you are charged with nurturing and caring for.
It is time to pick a fight because, at least on bad days, I might even suggest that the sector has been played. We all want to outlast the present, and this is especially true of artists. Museums and libraries and archives are a pretty good bet if that’s your goal.
The text detection API is still in its experimental stage, but it opens up a lot of really interesting possibilities for the web: assistive technology to read out text, archiving tools for digitising text …it’s all part of the nascent shape detection API.
Like cuneiform crossed with the Long Now Foundation’s Rosetta Project.
He will laser-print a microscopic font onto 1-mm-thick ceramic sheets, encased in wafer-thin layers of glass. One 20 cm piece of this microfilm can store 5 million characters; whole libraries of information—readable with a 10x-magnifying lens—could be slotted next to each other and hardly take up any space.
A wonderfully thoughtful piece from Robin, ranging from the printing technologies of the 15th century right up to the latest web technologies. It’s got all my favourite things in there: typography, digital preservation, and service workers. Marvellous!
As always with sci-fi interfaces, the important part is telling the story, not realism or accuracy. Personally, I liked the way that the World War II trappings of Rogue One extended to communications and networking technologies.
Software is politics, because software is power.
The transcript of a tremendous talk by Richard Pope.
It was fun spelunking with Tantek, digging into some digital archeology in an attempt to track down a post by Ben Ward that I remembered reading years ago.
Andy is sticking with the indie web.
Here, I control my words. Nobody can shut this site down, run annoying ads on it, or sell it to a phone company. Nobody can tell me what I can or can’t say, and I have complete control over the way it’s displayed. Nobody except me can change the URL structure, breaking 14 years of links to content on the web.
I second that emotion.
The New Digital School - An Alternative to Design Education by Tiago and Cláudia Pedras — Kickstarter
You can back Tiago’s excellent New Digital School. It’s a fantastic project with the web at its heart, and I really hope it gets funded.
The Digital Transition: How the Presidential Transition Works in the Social Media Age | whitehouse.gov
Kori Schulman describes the archiving of social media and other online artefacts of the outgoing US president. It’s a shame that a lot of URLs will break, but I’m glad there’s going to be a public backup available.
Best of all, you can get involved:
In the interim, we’re inviting the American public – from students and data engineers, to artists and researchers – to come up with creative ways to archive this content and make it both useful and available for years to come. From Twitter bots and art projects to printed books and query tools, we’re open to it all.
It’s still many years away from being a viable storage option, but here’s the latest on using DNA to back up our collective data.
Magnetic tape may survive a few decades, and DVDs even longer, but they are by no means immortal. Data stored in DNA, provided it’s kept cold and dry, could last for thousands of years.
Digital seems like it’s forever because it’s infinitely reproducible, but someone has to think to make that canonical copy or it’s gone-gone.
In this five-year old eulogy for a BBS, Alexis Madrigal ponders the deaths of social networks. Friendster, MySpace, Vine …plus ça change, plus c’est la même chose.
Another typically excellent talk from Maciej, this time to the Library of Congress. Digital preservation, surveillance, machine learning …it’s all in there, and it makes for grim reading, but there’s also optimism:
My dream for the web is for it to feel like big city. A place where you rub elbows with people who are not like you. Somewhere a little bit scary, a little chaotic, full of everything you can imagine and a lot of things that you can’t. A place where there’s room for chain stores, room for entertainment conglomerates, but also room for people to be themselves, to create their own spaces, and to learn from one another.
Bookmark this page! Who knew that so much knowledge could be condensed into one document? In this case, it’s life-saving
git commands, explained in a user-centred way.
So here are some bad situations I’ve gotten myself into, and how I eventually got myself out of them in plain english.
Heartfelt congratulations to Remy on ten years of blogging.
More importantly, every single URL on my blog that’s ever been published still works, and even better than that (for me) is my archive showing off the decade of writing I’ve been producing over all this time 💪