Tags: graph

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sparkline

Type in the digital era is a mess

Marcin explains why line height works differently in print and the web. Along the way, he hits upon this key insight about CSS:

Web also took away some of the control from typesetters. What in the print era were absolute rules, now became suggestions.

Remember that every line of CSS you write is a suggestion to the browser.

Unraveling The JPEG

A deep, deep, deep dive into the JPEG format. Best of all, it’s got interactive explanations you can tinker with, a la Nicky Case or Bret Victor.

Progressive Font Enrichment: reinventing web font performance | Responsive Web Typography

Jason describes the next big thing in web typography: streaming fonts!

…to enable the ability for only the required part of the font be downloaded on any given page, and for subsequent requests for that font to dynamically ‘patch’ the original download with additional sets of glyphs as required on successive page views—even if they occur on separate sites.

Public Sans

A free and open source neutral sans-serif typeface, released as part of version two of the design system for the US federal government.

Science and Tech Ads on Flickr

Stylish! Retro! Sciency!

Martin ad

Intro to Font Metrics

Font metrics help the computer determine things like the default spacing between lines, how high or low sub and super scripts should go, and how to align two differently sized pieces of text next to each other.

An Atlas of Cyberspaces- Historical Maps

These diagrams of early networks feel like manuscripts that you’d half expect to be marked with “Here be dragons” at the edges.

NASA’s Visual Universe

An interesting way of navigating through a massive amount of archival imagery from NASA.

All you need to know about hyphenation in CSS | Clagnut by Richard Rutter

Everything you need to know about hyphenation on the web today, from Rich’s galaxy brain.

Hyphenation is a perfect example of progressive enhancement, so you can start applying the above now if you think your readers will benefit from it – support among browsers will only increase.

Earthrise on Vimeo

Jim Lovell, Frank Borman, and Bill Anders describe the overview effect they experienced on the Apollo 8 mission …and that photo.

The ineffectiveness of lonely icons | Matt Wilcox, Web Developer & Tinkerer

When in doubt, label your icons.

When not in doubt, you probably should be.

1969 & 70 - Bell Labs

PIctures of computers (of the human and machine varieties).

Programming Fonts - Test Drive

Monospaced fonts you can use in your text editor. Most of them are …not good. But then there are gems like Mark Simonson’s Anonymous Pro, David Jonathan Ross’s Input, and Erik Spiekerman’s Fira Mono. And there’s always good ol’ Droid Sans.

Bodoni*

An open source version of Bodoni:

Bodoni* is the first ever no-compromises Bodoni family, built for the digital age. Years in the making, this font family includes a whopping 56 font files, ensuring you will have the perfect Bodoni for every situation.

Owltastic • Web design by Meagan Fisher Couldwell

My goodness, Meagan’s new site design is absolutely gorgeous! The colour palette, the typography, the texture, the motion design …it all communicates character and personality. Beautiful work!

Oh Hello Ana - Colours of 2018

I love this idea of comparing human colour choices to those of a computer:

I decided to do two things: the top three most used colours of the photo decided by “a computer” and my hand picked choices. This method ended up revealing a couple of things about me.

I also love that this was the biggest obstacle to finding representative imagery:

I wanted this to be an exciting task but instead I only found repeated photos of my cat.

Stepping away from Sass

I think Cathy might’ve buried the lede:

The knock on effect of this was removing media queries. As I moved towards some of the more modern features of CSS the need to target specific screen sizes with unique code was removed.

But on the topic of Sass, layout is now taken care of with CSS grid, variables are taken care of with CSS custom properties, and mixins for typography are taken care of with calc().

Personally, I’ve always found the most useful feature of Sass to simply be that you can have lots of separate Sass files that get combined into one CSS file—very handy for component libraries.