Beautifully restored high-resolution photographs of the Earth taken by Apollo astronauts.
Professional web designer on a closed course. Do not attempt.
An experimental image font made using the University of Plymouth’s unique letterpress workshop.
The font is intended for display purposes only, and not is suitable for body text.
A genuinely interesting (and droll) deep dive into derp learning …for typography!
This responds to your Freedom of Information Act (FOIA) request, which was received by this office on 5 February 2016 for “A digital/electronic copy of the NSA old security posters from the 1950s and 1960s.”
The graphic design is …um, mixed.
An excellent explainer from Trys and James of their supersmart Utopia approach:
Utopia encourages the curation of a system small enough to be held in short-term memory, rather than one so sprawling it must be constantly referred to.
I don’t think I agree with Don Knuth’s argument here from a 2014 lecture, but I do like how he sets out his table:
Why do I, as a scientist, get so much out of reading the history of science? Let me count the ways:
- To understand the process of discovery—not so much what was discovered, but how it was discovered.
- To understand the process of failure.
- To celebrate the contributions of many cultures.
- Telling historical stories is the best way to teach.
- To learn how to cope with life.
- To become more familiar with the world, and to know how science fits into the overall history of mankind.
Ainissa Ramirez recounts the story of the transatlantic telegraph cable, the Apollo project of its day.
This could give a big boost to web performance!
You don’t have to use web fonts—there are some pretty nice options if you stick to system fonts (like Georgia, Charter, and Palatino).
This is easily my favourite use of a machine learning algorithm.
Oh, nice! A version of the classic Proxima Nova that’s a variable font that allows you to vary weight, width, and slant.
Sounds like some convergent thinking with the ideas behind Utopia.
I think that the idea that that any typographic attribute (including variable font parameters) can be a function (linear, exponential, stepped, Bezier, random, or otherwise) of any given input variable (user preference, screen dimensions, connection speed, time of day, display language, or whatever else) is an incredibly powerful one, and worth exploring as an aesthetic as well as a technical proposition.
Here’s a demo you can play with.
There are some beautiful illustrations in this online exhibition of data visualisation in the past few hundred years.
A terrific in-depth look at improving the performance of web fonts.
This is a truly wonderful web page! It’s an explanation from first principles of how cameras and lenses work.
Then you realise that every post ever published on this personal site is equally in-depth and uses the same content-first progressive enhancement approach.
A fascinating look at the history of calendrical warfare.
From the very beginning, standardized global time zones were used as a means of demonstrating power. (They all revolve around the British empire’s GMT, after all.) A particularly striking example of this happened in Ireland. In 1880, when the United Kingdom of Great Britain and Ireland declared GMT the official time zone for all of Great Britain, Ireland was given its own time zone. Dublin Mean Time was twenty-five minutes behind GMT, in accordance with the island’s solar time. But in the aftermath of the 1916 Easter Rising, London’s House of Commons abolished the uniquely Irish time zone, folding Ireland into GMT, where it remains to this day.