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Get started with variable fonts – Medium

Rich has posted a sneak peek of one part of his book on Ev’s blog.

Functional Minimalism for Web Design

According to this, the forthcoming Clearleft redesign will be totally on fleek.

Decovar: A multistyle decorative variable font by David Berlow

Here’s one of them new-fangled variable fonts that’re all the rage. And this one’s designed by David Berlow. And it’s free!

Tuna - Typeface

I like the feel of this typeface a lot.

Bubbling, strong, but very accurate.

Visual Design meetup, Brighton

Are you a UI designer? In Brighton? Well, feel in this form if you’re interested in gathering with like-minded people.

This local, monthly and free meetup will let designers show their work, share any methods, processes and tools and ask for the odd critique.

The Invention of Wireless Cryptography—The Appendix

A marvellous story of early twentieth century espionage over the airwaves.

In one proposal, hidden instructions were interspersed within regular, ordinary-looking messages by slightly lengthening the spaces between dots and dashes.

Designing inspired style guides presentation slides and transcript | Stuff & Nonsense

Having spent half a decade encouraging people to make their pattern libraries public and doing my best to encourage openness and sharing, I find this kind of styleguide-shaming quite disheartening:

These all offer something different but more often than not they have something in common. They look ugly enough to have been designed by someone who enjoys configuring a router.

If a pattern library is intended to inspire, then make it inspiring. But if it’s intended to be an ever-changing codebase (made for and by the kind of people who enjoy configuring a router), then that’s where the effort and time should be concentrated.

But before designing anything—whether it’s a website or a pattern library—figure out who the audience is first.

Saving you bandwidth on Google+ through machine learning

This is an interesting use of voodoo magic (or “machine learning” as we call it now) by Google to interpolate data in a small image to create a larger version. A win for performance.

The Futures of Typography

A wonderfully thoughtful piece from Robin, ranging from the printing technologies of the 15th century right up to the latest web technologies. It’s got all my favourite things in there: typography, digital preservation, and service workers. Marvellous!

Typography Wars: Has the Internet Killed Curly Quotes? - The Atlantic

Glenn Fleishman on the war of attrition between primes and quotation marks on the web.

Google Noto Fonts

Google’s Noto (short for no-tofu; tofu being the rectangle of unicode sadness) is certainly ambitious. It has glyphs from pretty much every known alphabet …including Ogham and Linear B!

Enigma-E

An Enigma machine of one’s own.

BLIND : Rogue One

The on-screen interfaces for Rogue One have just the right retro feel next to those for The Force Awakens.

The math of CSS locks

A very very in-depth look at fluid typography in CSS using calc.

Accessibility Whack-A-Mole · An A List Apart Article

A fascinating piece by Eleanor on the typographic tweaking that the Wellcome team did to balance the competing needs of different users.

Get the Balance Right: Responsive Display Text ◆ 24 ways

Some really great CSS tips from Rich on sizing display text for multiple viewports.

History of Icons – a visual brief on icon history by FUTURAMO

An illustrated history of digital iconography.

Tentacular: Douglas Coupland on Helvetica, clip art and the gangly beast that is the internet

Douglas Coupland on web typography.

When I discuss the internet’s feel and its random rodeo of fonts, I think of the freedom, naivety, laziness, greed, cluelessness and skill I see there — it’s a cyberplace as wondrous as the bubbling cradle of pea-soup goo from which life emerged. The internet has a rawness, a Darwinian evolutionary texture. It’s a place where metrics totally unrelated to print typography dictate the look and feel.

Free Icon Design Guide - Icon Utopia

Here you go: a free book on icon design in three parts, delivered via email.