Tags: graph

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The Equilateral Triangle of a Perfect Paragraph | Better Web Type

This is a fun game (I scored a measly 73/100). The idea is to develop a feeling for the balance between font-size, line-height, and line length …just like the three sides of an equilateral triangle.

Too many of them still set line-height, font size and line width as independent features when in fact they should all be considered together. The equilateral triangle is a perfect representation of how the three features work in harmony.

Standard Ebooks: Free and liberated ebooks, carefully produced for the true book lover.

Beautifully designed and typeset eBooks of royalty-free works—yours for the taking and reading.

There’s a styleguide if you want to get involved on the production side too.

Christina Xu: Convenient Friction: Observations on Chinese UX in Practice on Vimeo

This was my favourite talk from this year’s Interaction conference—packed full of insights, and delivered superbly.

It prompted so many thoughts, I found myself asking a question during the Q&A.

Control Panel | Flickr

Photos of analogue interfaces: switches, knobs, levers, dials, buttons, so many buttons.

Font Map · An AI Experiment by IDEO

Fontlandia is yours to explore.

By leveraging AI and convolutional neural networks to draw higher-vision pattern recognition, we have created a tool that helps designers understand and see relationships across more than 750 web fonts.

Color fonts! WTF? 🌈

I only just wrapped my head around the idea of variable fonts and now here’s colour fonts to really mess with my mind.

Untitled Sans & Serif Design Information · Klim Type Foundry

Two new typefaces, designed to be deliberately lacking in expression.

The write-up of the making of the typefaces is as open and honest as the finished output. This insight into the design process rings very, very true:

Post rationalisation is an open secret in the design industry. Only when a project is finished can it be written up, the messy process is delineated and everything seems to follow a logical sequence up until the final thing is unveiled, spotless and perfect.

However, I suspect the process is largely irrational for most designers. There is a point where all the input has been processed, all the shit drawings, tenuous concepts and small ideas have been thrown away and you just work towards the finish, too exhausted and distracted to even know if it’s worth anything or not. And, if you’re lucky, someone or something will come along and validate the work.

Better Web Typography for a Better Web

A free ten part email course on web typography for designers and developers. The end results will be gathered together into a book.

Most of the time, innovators don’t move fast and break things | Aeon Essays

An alternative history of technology, emphasising curation over innovation:

We start to see the intangibles – the standards and ideologies that help to create and order technology systems, making them work at least most of the time. We start to see that technological change does not demand that we move fast and break things. Understanding the role that standards, ideologies, institutions – the non-thing aspects of technology – play, makes it possible to see how technological change actually happens, and who makes it happen.

Get started with variable fonts – Medium

Rich has posted a sneak peek of one part of his book on Ev’s blog.

Functional Minimalism for Web Design

According to this, the forthcoming Clearleft redesign will be totally on fleek.

Decovar: A multistyle decorative variable font by David Berlow

Here’s one of them new-fangled variable fonts that’re all the rage. And this one’s designed by David Berlow. And it’s free!

Tuna - Typeface

I like the feel of this typeface a lot.

Bubbling, strong, but very accurate.

Visual Design meetup, Brighton

Are you a UI designer? In Brighton? Well, feel in this form if you’re interested in gathering with like-minded people.

This local, monthly and free meetup will let designers show their work, share any methods, processes and tools and ask for the odd critique.

The Invention of Wireless Cryptography—The Appendix

A marvellous story of early twentieth century espionage over the airwaves.

In one proposal, hidden instructions were interspersed within regular, ordinary-looking messages by slightly lengthening the spaces between dots and dashes.

Designing inspired style guides presentation slides and transcript | Stuff & Nonsense

Having spent half a decade encouraging people to make their pattern libraries public and doing my best to encourage openness and sharing, I find this kind of styleguide-shaming quite disheartening:

These all offer something different but more often than not they have something in common. They look ugly enough to have been designed by someone who enjoys configuring a router.

If a pattern library is intended to inspire, then make it inspiring. But if it’s intended to be an ever-changing codebase (made for and by the kind of people who enjoy configuring a router), then that’s where the effort and time should be concentrated.

But before designing anything—whether it’s a website or a pattern library—figure out who the audience is first.

Saving you bandwidth on Google+ through machine learning

This is an interesting use of voodoo magic (or “machine learning” as we call it now) by Google to interpolate data in a small image to create a larger version. A win for performance.

The Futures of Typography

A wonderfully thoughtful piece from Robin, ranging from the printing technologies of the 15th century right up to the latest web technologies. It’s got all my favourite things in there: typography, digital preservation, and service workers. Marvellous!

Typography Wars: Has the Internet Killed Curly Quotes? - The Atlantic

Glenn Fleishman on the war of attrition between primes and quotation marks on the web.

Google Noto Fonts

Google’s Noto (short for no-tofu; tofu being the rectangle of unicode sadness) is certainly ambitious. It has glyphs from pretty much every known alphabet …including Ogham and Linear B!