Photos of analogue interfaces: switches, knobs, levers, dials, buttons, so many buttons.
Fontlandia is yours to explore.
By leveraging AI and convolutional neural networks to draw higher-vision pattern recognition, we have created a tool that helps designers understand and see relationships across more than 750 web fonts.
I only just wrapped my head around the idea of variable fonts and now here’s colour fonts to really mess with my mind.
Two new typefaces, designed to be deliberately lacking in expression.
The write-up of the making of the typefaces is as open and honest as the finished output. This insight into the design process rings very, very true:
Post rationalisation is an open secret in the design industry. Only when a project is finished can it be written up, the messy process is delineated and everything seems to follow a logical sequence up until the final thing is unveiled, spotless and perfect.
However, I suspect the process is largely irrational for most designers. There is a point where all the input has been processed, all the shit drawings, tenuous concepts and small ideas have been thrown away and you just work towards the finish, too exhausted and distracted to even know if it’s worth anything or not. And, if you’re lucky, someone or something will come along and validate the work.
A free ten part email course on web typography for designers and developers. The end results will be gathered together into a book.
An alternative history of technology, emphasising curation over innovation:
We start to see the intangibles – the standards and ideologies that help to create and order technology systems, making them work at least most of the time. We start to see that technological change does not demand that we move fast and break things. Understanding the role that standards, ideologies, institutions – the non-thing aspects of technology – play, makes it possible to see how technological change actually happens, and who makes it happen.
Rich has posted a sneak peek of one part of his book on Ev’s blog.
According to this, the forthcoming Clearleft redesign will be totally on fleek.
Here’s one of them new-fangled variable fonts that’re all the rage. And this one’s designed by David Berlow. And it’s free!
I like the feel of this typeface a lot.
Bubbling, strong, but very accurate.
Are you a UI designer? In Brighton? Well, feel in this form if you’re interested in gathering with like-minded people.
This local, monthly and free meetup will let designers show their work, share any methods, processes and tools and ask for the odd critique.
A marvellous story of early twentieth century espionage over the airwaves.
In one proposal, hidden instructions were interspersed within regular, ordinary-looking messages by slightly lengthening the spaces between dots and dashes.
Having spent half a decade encouraging people to make their pattern libraries public and doing my best to encourage openness and sharing, I find this kind of styleguide-shaming quite disheartening:
These all offer something different but more often than not they have something in common. They look ugly enough to have been designed by someone who enjoys configuring a router.
If a pattern library is intended to inspire, then make it inspiring. But if it’s intended to be an ever-changing codebase (made for and by the kind of people who enjoy configuring a router), then that’s where the effort and time should be concentrated.
But before designing anything—whether it’s a website or a pattern library—figure out who the audience is first.
This is an interesting use of voodoo magic (or “machine learning” as we call it now) by Google to interpolate data in a small image to create a larger version. A win for performance.
A wonderfully thoughtful piece from Robin, ranging from the printing technologies of the 15th century right up to the latest web technologies. It’s got all my favourite things in there: typography, digital preservation, and service workers. Marvellous!
Glenn Fleishman on the war of attrition between primes and quotation marks on the web.
An Enigma machine of one’s own.
This is my kind of T-shirt.