Tags: graph

496

sparkline

Designing inspired style guides presentation slides and transcript | Stuff & Nonsense

Having spent half a decade encouraging people to make their pattern libraries public and doing my best to encourage openness and sharing, I find this kind of styleguide-shaming quite disheartening:

These all offer something different but more often than not they have something in common. They look ugly enough to have been designed by someone who enjoys configuring a router.

If a pattern library is intended to inspire, then make it inspiring. But if it’s intended to be an ever-changing codebase (made for and by the kind of people who enjoy configuring a router), then that’s where the effort and time should be concentrated.

But before designing anything—whether it’s a website or a pattern library—figure out who the audience is first.

Saving you bandwidth on Google+ through machine learning

This is an interesting use of voodoo magic (or “machine learning” as we call it now) by Google to interpolate data in a small image to create a larger version. A win for performance.

The Futures of Typography

A wonderfully thoughtful piece from Robin, ranging from the printing technologies of the 15th century right up to the latest web technologies. It’s got all my favourite things in there: typography, digital preservation, and service workers. Marvellous!

Typography Wars: Has the Internet Killed Curly Quotes? - The Atlantic

Glenn Fleishman on the war of attrition between primes and quotation marks on the web.

Google Noto Fonts

Google’s Noto (short for no-tofu; tofu being the rectangle of unicode sadness) is certainly ambitious. It has glyphs from pretty much every known alphabet …including Ogham and Linear B!

Enigma-E

An Enigma machine of one’s own.

BLIND : Rogue One

The on-screen interfaces for Rogue One have just the right retro feel next to those for The Force Awakens.

The math of CSS locks

A very very in-depth look at fluid typography in CSS using calc.

Accessibility Whack-A-Mole · An A List Apart Article

A fascinating piece by Eleanor on the typographic tweaking that the Wellcome team did to balance the competing needs of different users.

Get the Balance Right: Responsive Display Text ◆ 24 ways

Some really great CSS tips from Rich on sizing display text for multiple viewports.

History of Icons – a visual brief on icon history by FUTURAMO

An illustrated history of digital iconography.

Tentacular: Douglas Coupland on Helvetica, clip art and the gangly beast that is the internet

Douglas Coupland on web typography.

When I discuss the internet’s feel and its random rodeo of fonts, I think of the freedom, naivety, laziness, greed, cluelessness and skill I see there — it’s a cyberplace as wondrous as the bubbling cradle of pea-soup goo from which life emerged. The internet has a rawness, a Darwinian evolutionary texture. It’s a place where metrics totally unrelated to print typography dictate the look and feel.

Free Icon Design Guide - Icon Utopia

Here you go: a free book on icon design in three parts, delivered via email.

Unfathomable

A marvellous piece of writing and design. The family drama of two brothers who revolutionised the world of diving and salvage, told through beautifully typeset hypertext…

…which for some reason is rendered entirely using client-side JavaScript. Unfathomable indeed.

Web fonts, boy, I don’t know – Monica Dinculescu

Monica takes a look at the options out there for loading web fonts and settles on a smart asynchronous lazy-loading approach.

NASA – Past and Present Dreams of the Future | Benedict Redgrove

A selection from an ongoing photography project—seven years and counting—leading up to the launch of the Orion project.

How the Web Became Unreadable

Kevin writes a plea on Ev’s blog for better contrast in web typography:

When you build a site and ignore what happens afterwards — when the values entered in code are translated into brightness and contrast depending on the settings of a physical screen — you’re avoiding the experience that you create. And when you design in perfect settings, with big, contrast-rich monitors, you blind yourself to users. To arbitrarily throw away contrast based on a fashion that “looks good on my perfect screen in my perfectly lit office” is abdicating designers’ responsibilities to the very people for whom they are designing.

Can These Pornographers End ‘MILFs,’ ‘Teens,’ and ‘Thugs’? | The Nation

A fascinating look at an attempt to redefine the taxonomy of online porn.

Porn is part of the ecosystem that tells us what sex and sexuality are. Porn terms are, to use Foucault’s language, part of a network of technologies creating truths about our sexuality.

Reminds of the heady days of 2005, when it was all about tagging and folksonomies.

The project, at its most ambitious, seeks to create a new feedback loop of porn watched and made, unmoored from the vagaries of old, bad, lazy categories.

The scorpion express | Butterick’s Practical Typography

This is easily the most wrong-headed piece of writing I’ve read in a long time.

“But cus­tomers ben­e­fit from smaller file sizes too, be­cause that makes web pages faster.” Cer­tainly, that was true in 1996. And some web de­vel­op­ers per­sist with po­lit­i­cal ob­jec­tions. But with to­day’s faster con­nec­tions—even on mo­bile—op­ti­miz­ing for file size is less use­ful than ever.

I’ll leave it to you to see the logical flaws in every one of the arguments presented here by Matthew Buterick. Meanwhile I’m going to get off his lawn.