Tags: graph

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Dear Developer, The Web Isn’t About You | sonniesedge.co.uk

This is absolutely brilliant!

Forgive my excitement, but this transcript of Charlie’s talk is so, so good—an equal mix of history and practical advice. Once you’ve read it, share it. I want everyone to have the pleasure of reading this inspiring piece!

It is this flirty declarative nature makes HTML so incredibly robust. Just look at this video. It shows me pulling chunks out of the Amazon homepage as I browse it, while the page continues to run.

Let’s just stop and think about that, because we take it for granted. I’m pulling chunks of code out of a running computer application, AND IT IS STILL WORKING.

Just how… INCREDIBLE is that? Can you imagine pulling random chunks of code out of the memory of your iPhone or Windows laptop, and still expecting it to work? Of course not! But with HTML, it’s a given.

A typeface is not a tool · Klim Type Foundry

Conceding that a typeface is a tool sounds dangerously close to an excuse: toolmakers cannot be held responsible for things made with their tools, or the tasks leading up to those things. They are only responsible for the making of the tool itself. If a person decides to use a hammer to drive home a screw, then so be it. The hammer was only designed for nails. It’s not our fault the typography doesn’t look good. The typeface is just a tool — you’re using it wrong.

Ampersand: Interview with Mandy Michael – Clear(left) Thinking – Medium

I’m soooo excited that Mandy is speaking at Ampersand here in Brighton in June!

Be there or be square.

Animated SVG Radial Progress Bars - daverupert.com

Using a single path SVG, a smidge of CSS, and ~6 lines of JavaScript.

In this days of monolithic frameworks, I really like seeing modest but powerful patterns like this—small pieces that we can loosely join.

Variable Fonts

A simple resource for finding and trying variable fonts.

Design Doesn’t Care What You Think Information Looks Like | Rob Weychert

A terrific piece by Rob that is simultaneously a case study of Pro Publica work and a concrete reminder of the power of separating structure and presentation (something that I worry developers don’t appreciate enough).

Don’t get stuck on what different types of information are “supposed” to look like. They can take whatever shape you need them to.

Compressive Images Revisited - TimKadlec.com

Tim explains why that neat trick of making a really big JPEG with quality set to 0% is no longer necessary, and how the savings you make in bandwidth with that technique are nullified by the expense of the memory footprint needed.

FontDrop!

A handy browser-based tool for examining font files to see which features they support.

90 Minutes | Type Supply

Tal Leming’s thoroughly delightful (and obsessive) account of designing the 90 Minutes typeface for U.S. Soccer.

FIFA has strict regulations that govern the size and stroke weight of numbers and letters used on official match uniforms. This made me unbelievably paranoid. I had a nightmare that one of the national teams would be set for kickoff of an important match and the referee would suddenly blow the whistle and say, “Hey, hey, hey! The bottom stroke of that 2 is 1 mm too light. The United States must forfeit this match!”

It’s Dangerous to Go Stallone. Take Glyphhanger | Filament Group, Inc., Boston, MA

You’ll need to be comfortable with using the command line, but this is a very useful font subsetting tool from those clever folks at Filament Group.

Boxy SVG

This is impressive—a fully featured graphics app for creating SVGS right in your browser.

Metaballs

Metaballs, not to be confused with meatballs, are organic looking squishy gooey blobs.

Here’s the maths behind the metaballs (implemented in SVG).

Shipping system fonts to GitHub.com · @mdo

A look at the font stack that Github is using.

Resilience: Building a Robust Web That Lasts by Jeremy Keith—An Event Apart video on Vimeo

This is the rarely-seen hour-long version of my Resilience talk. It’s the director’s cut, if you will, featuring an Arthur C. Clarke sub-plot that goes from the telegraph to the World Wide Web to the space elevator.

Resilience: Building a Robust Web That Lasts by Jeremy Keith—An Event Apart video

How to use variable fonts in the real world | Clagnut

The gorgeous website for this year’s Ampersand conference might well be one of the first commercial uses of variable fonts in the wild. Here, Richard documents all the clever things Mark did to ensure good fallbacks for browsers that don’t yet support variable fonts.

Explore Georeferenced Maps - Spy viewer - National Library of Scotland

This is a fascinating way to explore time and place—a spyglass view of hundred year old maps overlaid on the digital maps of today.

Ampersand Web Typography Conference | 29 June 2018 | Brighton, UK

Save the date! The best web typography conference in the world is back in Brighton on June 29th, and this time it’s at the best venue: The Duke Of York’s.

In fact, you can do more than saving the date: you can snap up a super early bird ticket for whopping £85 saving.

Regarding the Em Dash - The Millions

I like a good em dash, me.