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The Guardian has moved to https 🔒 | Info | The Guardian

Details of The Guardian’s switch to HTTPS.

Smithsonian 3D Apollo 11 Command Module

This is so wonderful! A 3D fly-through of the Apollo 11 command module, right in your browser. It might get your fan whirring, but it’s worth it.

Click through for lots of great details on the interface controls, like which kinds of buttons and switches were chosen for which tasks.

And there’s this lovely note scrawled near the sextant by Michael Collins (the coolest of all the astronauts):

Spacecraft 107, alias Apollo 11, alias ‘Columbia.’ The Best Ship to Come Down the Line. God Bless Her.

The Digital Transition: How the Presidential Transition Works in the Social Media Age | whitehouse.gov

Kori Schulman describes the archiving of social media and other online artefacts of the outgoing US president. It’s a shame that a lot of URLs will break, but I’m glad there’s going to be a public backup available.

Best of all, you can get involved:

In the interim, we’re inviting the American public – from students and data engineers, to artists and researchers – to come up with creative ways to archive this content and make it both useful and available for years to come. From Twitter bots and art projects to printed books and query tools, we’re open to it all.

Mapping the Sneakernet – The New Inquiry

When it seems like all our online activity is being tracked by Google, Facebook, and co., it comforts me to think of all the untracked usage out there, from shared (or fake) Facebook accounts to the good ol’ sneakernet:

Packets of information can be distributed via SMS and mobile 3G but also pieces of paper, USB sticks and Bluetooth.

Connectivity isn’t binary. Long live the papernet!

The Ruins of Dead Social Networks - The Atlantic

Digital seems like it’s forever because it’s infinitely reproducible, but someone has to think to make that canonical copy or it’s gone-gone.

In this five-year old eulogy for a BBS, Alexis Madrigal ponders the deaths of social networks. Friendster, MySpace, Vine …plus ça change, plus c’est la même chose.

Overview | Atlassian Design Guidelines

A nicely-documented styleguide from Atlassian. It’s not a component library, though—there’s no code here.

Rockets of India – Medium

The fascinating history of India’s space program is the jumping-off point for a comparison of differing cultural attitudes to space exploration in Anab’s transcript of her Webstock talk, published on Ev’s blog.

From astronauts to afronauts, from cosmonauts to vyomanauts, how can deep space exploration inspire us to create more democratic future visions?

Hatnote Listen to Wikipedia

Listen to the sound of Wikipedia’s recent changes feed. Bells indicate additions and string plucks indicate subtractions. Pitch changes according to the size of the edit; the larger the edit, the deeper the note.

Pragmatic, Practical, and Progressive Theming with Custom Properties by Harry Roberts

Harry demonstrates a really good use for CSS custom properties—allowing users to theme an interface.

Can These Pornographers End ‘MILFs,’ ‘Teens,’ and ‘Thugs’? | The Nation

A fascinating look at an attempt to redefine the taxonomy of online porn.

Porn is part of the ecosystem that tells us what sex and sexuality are. Porn terms are, to use Foucault’s language, part of a network of technologies creating truths about our sexuality.

Reminds of the heady days of 2005, when it was all about tagging and folksonomies.

The project, at its most ambitious, seeks to create a new feedback loop of porn watched and made, unmoored from the vagaries of old, bad, lazy categories.

The Typekit Blog | Variable fonts, a new kind of font for flexible design

This is what Nick Sherman has been banging on about for years, and now the time has come for variable fonts …as long as typographers, browser makers, and standards bodies get behind it.

More details on Ev’s blog.

Aria-Controls is Poop | HeydonWorks

I wrote a while back about how I switched from using a button to using a link for progressive disclosure patterns. That looks like it was a good move—if I use a button, I’d need to use aria-controls and, as Heydon outlines here, the screen reader support is pants.

How we made the RioRun progressive web app | Info | The Guardian

The devs at The Guardian walk through the process of building a progressive web app for the Olympics. There were some gotchas with the life cycle of service workers, but the pay-off was worth it:

Once you get there though, it’s quite magical when you load the page on a phone, switch it to airplane mode, reload, and continue using the app as though nothing was wrong.

Empire of the Air: The Imperial Airship Service

The first in a series of articles looking at the history of British airships a century ago …just in time for the revival.

Creating An Accessible Modal Dialog

In the same vein as Hugo’s script, Ire walks through the steps involved in making an accessible modal window. Seeing all the thinking and code required for this really highlights the need for a way of making the document in the background inert.

React Isomorphic Demo

It is possible to use React without relying completely on client-side JavaScript to render all your content—though it’s certainly not the default way most tutorials teach React. This ongoing tutorial aims to redress that imbalance.

Besides the main benefit of server rendering giving faster page loads, it also enables large amounts of the site to run without JavaScript. There are many reasons why you would want this, but my personal reasons are that it allows you to completely drop support JavaScript in older browsers, but still have the site function.

Web Design in 4 minutes

This is a wonderful way of progressively explaining the layered approach to building for the web that Charlotte was teaching in her Codebar workshop.

Dennis Cooper fears censorship as Google erases blog without warning | Books | The Guardian

Two weeks ago, writer and artist Dennis Cooper was checking his Gmail when something peculiar happened: the page was refreshed and he was notified that his account had been deactivated – along with the blog that he’d maintained for 14 years.

This is why the Indie Web exists.

His advice to other artists who work predominantly online is to maintain your own domain and back everything up.

How to Make Sense of Any Mess

Did you know that Abby Covert’s book is available online in its gloriously hyperlinked entirety?