A great short talk by Tim. It’s about performance, but so much more too.
Kate’s book—a “jolly dystopia”—will get published if enough of us pledge to back it. So let’s get pledging!
There’s a curiously coloured scheme afoot in Blighty. In an effort to tackle dispiriting, spiralling levels of crime and anti-social behaviour, the government has a new solution: to dye offenders purple.
I’ve heard of people having their domain names hijacked before, but this is the first time I’ve heard of an entire top level domain being nicked.
I can’t remember the last time I was genuinely surprised, delighted, and intrigued by an online story like this.
If you feel you are being watched, you change your behavior. Big Data is supercharging this effect.
Some interesting ideas, but the tone is so alarming as to render the message meaningless.
As our weaknesses are mapped, we are becoming too transparent. This is breeding a society where self-censorship and risk-aversion are the new normal.
I stopped reading at the point where the danger was compared to climate change.
You are on a website. There are exits to the north, south, east and west.
This is a really great screencast on getting started with React. I think it works well for a few reasons:
- Sarah and Chris aren’t necessarily experts yet in React—that’s good; it means they know from experience what “gotchas” people will encounter.
- They use a practical use-case (a comment form) that’s suited to the technology.
- By doing it all in CodePen, they avoid the disheartening slog of installation and build tools—compare it to this introduction to React.
- They make mistakes. There’s so much to be learned from people sharing “Oh, I thought it would work like that, but it actually works like this.”
There’s a little bit of “here’s one I prepared earlier” but, on the whole, it’s a great step-by-step approach, and one I’ll be returning to if and when I dip my toes into React.
The first of Neil Bomkamp’s series of short films—testbeds for potential feature films.
This is a fun game (I scored a measly 73/100). The idea is to develop a feeling for the balance between font-size, line-height, and line length …just like the three sides of an equilateral triangle.
Too many of them still set line-height, font size and line width as independent features when in fact they should all be considered together. The equilateral triangle is a perfect representation of how the three features work in harmony.
Mike examines the real power of CSS custom properties compared to Sass variables—they can change at runtime.
I’m convinced that in almost all cases, responsive design logic should now be contained in variables. There is a strong argument too, that when changing any value, whether in a media query or an element scope, it belongs in a variable. If it changes, it is by definition a variable and this logic should be separated from design.
As you might expect, lots of sites just don’t work, but there are plenty of sites that work just fine—Google search, Amazon, Wikipedia, BBC News, The New York Times. Not bad!
When I was in Düsseldorf for this year’s excellent Beyond Tellerrand conference, I had the pleasure of meeting Nadieh Bremer, data visualisation designer extraordinaire. I asked her a question which is probably the equivalent of asking a chef what their favourite food is: “what’s your favourite piece of data visualisation?”
There are plenty of popular answers to this question—the Minard map, Jon Snow’s cholera map—but we had just been chatting about Nadieh’s previous life in astronomy, so one answer popped immediately to mind: the Hertzsprung-Russell diagram.
This was my favourite talk from this year’s Interaction conference—packed full of insights, and delivered superbly.
It prompted so many thoughts, I found myself asking a question during the Q&A.
A really great overview of using
prefers-reduced-motion to tone down CSS animations.
This post was written by James Craig, and I’m going to take this opportunity to say a big “thank you!” to James for all the amazing accessibility work he has been doing at Apple through the years. The guy’s a goddamn hero!
To navigate the web is to beat a path through a labyrinth of links left by others, and to thereby create associative links yourself, unspooling them like a guiding thread onto a floor already carpeted with such connections. Each thread of connection is unique, individualized: everyone draws their own map of the network as they navigate it.
Austin Kleon expands on Brian Eno’s neologism “scenius”:
Genius is an egosystem, scenius is an ecosystem.
There are some great hands-on accessibility patterns in this talk transcript from Scott.
I think this might be the first large-scale practical demonstration of the InterPlanetary File System: routing around the damage of Turkey’s censorship of Wikipedia.
Photos of analogue interfaces: switches, knobs, levers, dials, buttons, so many buttons.