Most of these dystopian scenarios are, after all, post-apocalyptic: the bad thing happened, the tension broke, and now so much less is at stake. The anxiety and ambivalence we feel toward late-stage capitalism, income inequality, political corruption, and environmental degradation—acute psychological pandemics in the here and now—are utterly dissolved. In a strange, wicked way, the aftermath feels fine.
aria-current attribute is very handy and easy to implement. Léonie explains it really well here.
Ten years on from Afonso Cuarón’s masterpiece.
One might think sending messages to other stars would be a massive, expensive job. No. It isn’t. The Cosmic Call was essentially a crowdfunded hobby project.
I really like this list of observations (Vasilis pointed it my way). I feel like it encapsulates some of what I was talking about in chapter two of Resilient Web Design. The only point I’d take issue with now is the very last one.
Some great thoughts here from Francis on how crafting solid HTML is information architecture.
A fascinating piece by Eleanor on the typographic tweaking that the Wellcome team did to balance the competing needs of different users.
Details of The Guardian’s switch to HTTPS.
This is so wonderful! A 3D fly-through of the Apollo 11 command module, right in your browser. It might get your fan whirring, but it’s worth it.
Click through for lots of great details on the interface controls, like which kinds of buttons and switches were chosen for which tasks.
And there’s this lovely note scrawled near the sextant by Michael Collins (the coolest of all the astronauts):
Spacecraft 107, alias Apollo 11, alias ‘Columbia.’ The Best Ship to Come Down the Line. God Bless Her.
The Digital Transition: How the Presidential Transition Works in the Social Media Age | whitehouse.gov
Kori Schulman describes the archiving of social media and other online artefacts of the outgoing US president. It’s a shame that a lot of URLs will break, but I’m glad there’s going to be a public backup available.
Best of all, you can get involved:
In the interim, we’re inviting the American public – from students and data engineers, to artists and researchers – to come up with creative ways to archive this content and make it both useful and available for years to come. From Twitter bots and art projects to printed books and query tools, we’re open to it all.
When it seems like all our online activity is being tracked by Google, Facebook, and co., it comforts me to think of all the untracked usage out there, from shared (or fake) Facebook accounts to the good ol’ sneakernet:
Packets of information can be distributed via SMS and mobile 3G but also pieces of paper, USB sticks and Bluetooth.
Connectivity isn’t binary. Long live the papernet!
Digital seems like it’s forever because it’s infinitely reproducible, but someone has to think to make that canonical copy or it’s gone-gone.
In this five-year old eulogy for a BBS, Alexis Madrigal ponders the deaths of social networks. Friendster, MySpace, Vine …plus ça change, plus c’est la même chose.
A nicely-documented styleguide from Atlassian. It’s not a component library, though—there’s no code here.
The fascinating history of India’s space program is the jumping-off point for a comparison of differing cultural attitudes to space exploration in Anab’s transcript of her Webstock talk, published on Ev’s blog.
From astronauts to afronauts, from cosmonauts to vyomanauts, how can deep space exploration inspire us to create more democratic future visions?
Listen to the sound of Wikipedia’s recent changes feed. Bells indicate additions and string plucks indicate subtractions. Pitch changes according to the size of the edit; the larger the edit, the deeper the note.
Harry demonstrates a really good use for CSS custom properties—allowing users to theme an interface.
A fascinating look at an attempt to redefine the taxonomy of online porn.
Porn is part of the ecosystem that tells us what sex and sexuality are. Porn terms are, to use Foucault’s language, part of a network of technologies creating truths about our sexuality.
Reminds of the heady days of 2005, when it was all about tagging and folksonomies.
The project, at its most ambitious, seeks to create a new feedback loop of porn watched and made, unmoored from the vagaries of old, bad, lazy categories.
This is what Nick Sherman has been banging on about for years, and now the time has come for variable fonts …as long as typographers, browser makers, and standards bodies get behind it.
More details on Ev’s blog.
I wrote a while back about how I switched from using a button to using a link for progressive disclosure patterns. That looks like it was a good move—if I use a button, I’d need to use
aria-controls and, as Heydon outlines here, the screen reader support is pants.
The devs at The Guardian walk through the process of building a progressive web app for the Olympics. There were some gotchas with the life cycle of service workers, but the pay-off was worth it:
Once you get there though, it’s quite magical when you load the page on a phone, switch it to airplane mode, reload, and continue using the app as though nothing was wrong.