Yummy wallpapers for your desktop, tablet, and phone, from NASA and ESA.
I thoroughly enjoyed playing this game. On the face of it, it seems like little more than a cow-clicker, but the way that the plot and the gameplay unfolds is really delightful.
This feels like the kind of game that would only work on the web—keep it in a browser tab in the background, revisiting occasionally throughout the day.
Two pieces of good news from Google:
- 85% of websites qualify as mobile-friendly, so there’s no longer a need to explicitly label them as such in search results.
- Google will down-rank sites that have annoying pop-overs demanding you download an app or sign up to an email newsletter when you’re trying to read the damn page.
A thorough explanation of
@supports from Jen, with plenty of smart strategies for using it in your CSS today.
I’m in a similar position to Remy:
But, like Remy, I’m interested in knowing what are the ideas and techniques embedded within large frameworks that will end up making their way into the web stack:
What I want to know is: what should I be taking away from React into my own continued evolution as a web developer?
There are some good responses in the comments.
There’s this really common use-case I’ve seen at Codebar and Homebrew Website Club, where someone is making a static site, but they just want a contact form that sends data via email. This looks like a handy third-party service to do just that. No registration required: it’s all done via the value of the
action attribute in the opening
Build JS apps responsibly - cover your basics, render strategically and enhance into true apps.
A wonderful investigation of a culture-shifting mobile device: the kaleidoscope. A classic Gibsonian example of the street finding its own uses for technology, this story comes complete with moral panics about the effects of augmenting reality with handheld devices.
(I’m assuming the title wasn’t written by the author—this piece deals almost exclusively with pre-Victorian England.)
Fortunately there’s a back-up on the Internet Archive, but this tale of Google’s overnight destruction of fourteen years of writing is truly infuriating.
When we use their services, we trust that companies like Google will preserve some of the most personal things we have to share. They trust that we will not read the fine print.
When you pitch your tent in someone else’s walled garden, they can tear down your home whenever they want.
Sixteen years on, this still rings true.
I realized there are dot-com people and there are web people. Dot-com people work for start-ups injected with large Silicon Valley coin, they have options, they talk options, they dream options. They have IPOs. They’re richer after four months of “web” work than many web people who’ve been doing it since the beginning. They don’t have personal sites. They don’t want personal sites. They don’t get personal sites. They don’t get personal. Web people can tell you the first site they ever saw, they can tell you the moment they knew: This, This Is It, I Will Do This. And they pour themselves into the web, with stories, with designs, with pictures.
Never let fear get in the way! Don’t be afraid to continue even when things appear to be impossible, even when the so-called “experts” say it is impossible. Don’t be afraid to stand alone, to be different, to be wrong, to make and admit mistakes, for only those who dare to fail greatly can ever achieve greatly.
A workshop for codebar students: Build a portfolio or blog site | Charlotte Jackson, Front-end developer
Charlotte did a fantastic job putting this workshop together on the weekend. It was inspiring!
When I designed the Science Hack Day logo, I never expected to one day see it recreated with florescent E. coli.
The story of Science Hack Day …as told in the Proceedings of the National Academy of Sciences of the United States of America!
(a PDF version is also available)
Two weeks ago, writer and artist Dennis Cooper was checking his Gmail when something peculiar happened: the page was refreshed and he was notified that his account had been deactivated – along with the blog that he’d maintained for 14 years.
This is why the Indie Web exists.
His advice to other artists who work predominantly online is to maintain your own domain and back everything up.
I really, really like what Ember is aiming for here:
That’s how you get the holy grail of resilience and performance:
Subsequent visits and interactions are therefore nearly instantaneous, because they don’t rely on the network.
I sincerely hope other frameworks are paying attention to this layered approach.
Oh, and I also like this observation:
There’s an age-old argument about the difference between “web pages” and “web apps”. In reality, there’s a continuum between the two.
Moonscape is a free and freely shareable high-definition documentary about the first manned Moon landing. Funded and produced by space enthusiasts from all over the world, it shows the full Apollo 11 landing and moonwalk, using only the original audio, TV and film footage and the original photographs, rescanned and restored from the best available sources, with full English subtitles (other languages will follow).
The Search For The Holy Grail: How I Ended Up With Element Queries, And How You Can Use Them Today – Smashing Magazine
Margaret Hamilton’s code after scanning and transcribing.
Ten of us reminisce about where we were and what we were doing a decade ago.
Ten years ago I was writing on my blog. Lots of other people were writing on their blogs back then too. That would soon change, though. Twitter and Facebook were picking up steam and soon they’d be luring bloggers away with enticing and seductive short-form convenience. I’ve stubbornly continued writing on my own site. I fully intend to keep on writing there for the next ten years too.
The World Wide Web, with all of its pages, blogs and so on- has allowed human expression in ways that would have been uneconomic and out of reach before. The most dramatic effect has been this ability for almost anyone to express himself or herself whenever they want to- and potentially be heard by many others.
Vint Cerf there, taking part in this wide-ranging discussion with, among others, Kevin Kelly and Bob Metcalfe.
The introduction leans a bit too heavily on Nicholas Carr for my liking, but it ends up in a good place.
The internet connects us cognitively and becomes a membrane through which our minds can interact, manifesting a whole new iteration of our species, who have begun to exist in a connected symbiotic relationship with technology.
The internet is the first technology we have created, that makes us more human.
A cautionary tale of digital preservation.
.generation is a short film that intimately documents three millennials in the year 2054 - uncovering their relationships with technology in the aftermath of the information age.
The website for Brighton’s astronomy meet up:
Every month we will have one or two talks aimed at beginners with an interest in learning more about astronomy, but assuming no prior knowledge.
Also, we will take our telescopes out to observe in and around Brighton on clear evenings - on the seafront, Hove and Preston Park, Devil’s Dyke and beyond.
The video of my talk on hypertext at the HTML Special before CSS Day. I’m pretty with my delivery here. There’s a bit of Q&A afterwards as well.
Dan Gillmor and Kevin Marks report on the Decentralized Web Summit:
Kahle framed the gathering with three key questions: How can we build a reliable decentralized web? How can we make it more private? And how do we keep it fun and evolving?
One more tool for making pattern libraries. This one looks fairly simple and straightforward.
There’s something so grim about the resigned acceptance of centralisation here.
It’s in general no longer about the creativity, it’s about the business.
Striking that balance between the reusability of modular components and maintaining a big-picture vision of the overall design:
We should always strive to use patterns in an application. For example, consistent use of colors and font sizes can quickly indicate to the user elements in the UI that can be interacted with. However, avoid using a pattern just because it has been implemented before; rather, use it because it really solves the problem at hand.
It is a sad and beautiful world wide web:
The technology that let people make web sites never went away. You can still set up a site as if it were 1995. But culture changes, as do expectations. It takes a certain set of skills to create your own web site, populate it with cool stuff, set up a web server, and publish your own cool-stuff web pages. I would argue that those skills should be a basic part of living in a transparent and open culture where individuals are able to communicate on an equal field of play. Some fellow nerds would argue the same. But most everyone else, statistically, just uses Facebook and plays along.
Paul Ford shines a light on the solution:
Standing against this tide of centralization is the indie web movement. Perhaps “movement” is too strong—it’s more an aesthetic of independence and decentralization. The IndieWebCamp web page states: “When you post something on the web, it should belong to you, not a corporation.” You should own your information and profit from it. You should have your own servers. Your destiny, which you signed over to Facebook in order to avoid learning a few lines of code, would once again be your own.
Beautiful, beautiful writing:
We could still live in that decentralized world, if we wanted to. Despite the rise of the all-seeing database, the core of the internet remains profoundly open. I can host it from my apartment, on a machine that costs $35. You can link to me from your site. Just the two of us. This is an age of great enterprise, no time to think small. Yet whatever enormous explosion tears through our digital world next will come from exactly that: an individual recognizing the potential of the small, where others see only scale.
The slides from Aaron’s talk at OS Bridge in Portland, looking at the formats and protocols powering the indie web.
I’ve seen letterforms you people wouldn’t believe…
A catalogue of objects and observations from cities around the world.
This beautiful poster could be the ideal decoration for your home or office.
You can download the original size (DIN A3) and print it to hang it on the walls in your office or wherever you want.
A wonderful rallying cry for the indie web:
Do it yourself. Strip it down. Keep control. Make it for your community. Don’t do it for the money.
And this is where I start to understand what my friend Rebecca Gates means when she says that technologists and designers have a lot to learn from punk and indie rock. Leave the expensive, large scale, commercial arena rock to Facebook, Google, and Twitter.
We can be The Ramones.
And Bad Brains.
We can press our own records, and run our own labels.
We can make our own spaces based on our own values.
Such a shame that it’s only on Medium—the MOR of online publishing.
I need to wrap my head around the details of this approach, but it sounds like it might be something I could do here on my site (where I feel nervous about my current dependency on a database).
Stuart’s ideas for Lighthouse sound a lot like the resilience validator tool that Scott mentioned recently.
This is our chance to help stamp out sites that don’t do things right, and help define that a progressive web app should actually be progressive.
If you have ideas on this, please file an issue.
Jeffrey’s right. Instagram’s new deal with developers is openly hostile. It probably means the end of OwnYourGram in its current form …a service whose existence is frankly the only reason I’m able to use Instagram at all.
Smart thinking from Alex on how browsers could better indicate that a website is a progressive web app (and would therefore benefit from being added to the home screen). Ambient badging, he calls it.
Wouldn’t it be great if there were a button in the URL bar that appeared whenever you landed on a PWA that you could always tap to save it to your homescreen? A button that showed up in the top-level UI only when on a PWA? Something that didn’t require digging through menus and guessing about “is this thing going to work well when launched from the homescreen?”
Why Get on the Indie Web?
In a word, autonomy.
- What is the Indie Web?
- How Can You Get on the Indie Web?,
- Where is the Indie Web? and
- Who is the Indie Web?
The Indie Web is made of people. It’s made by me. It can be made by you too. There’s no gatekeeper. You can join anytime without anyone’s permission. The Indie Web is made by everyone.
A plug-in for Craft CMS for receiving webmentions. I’ll have to tell Charlotte about this (she’s using Craft for her site).
A lovely interactive demonstration of evolution, based on the original code Richard Dawkins used for Climbing Mount Improbable.
Jessman5 on Twitter: “I made a poster from @adactio’s talk about Resilience. :) This took me way too long…”
I love this illustration that Jess made of my Resilience talk at the Render conference.
Ariel and Lisa have redesigned the excellent Spacehack site and it’s looking stellar!
A typically superb article by Aaron. Here, he breaks down a resilient approach to building for the web by examining the multiple ways you could add a button to a page. There’s a larger lesson here too:
We don’t control where our web-based products go or how our users access them. All we can do is imagine as many less-than-perfect scenarios as possible and do our best to ensure our creations will continue to do what they’re supposed to do. One of the easiest ways to do that is to be aware of and limit our dependencies.
While the open web still exists, we really dropped the ball protecting and strengthening it. Fewer people’s first choice for publishing is to start a web site hosted at their own domain. Like the destruction of Pennsylvania Station, sometimes you only know in hindsight that you’ve made a mistake. We were so caught up in Twitter and Facebook that we let the open web crumble. I’m not giving up — I think we can get people excited about blogging and owning their own content again — but it would have been easier if we had realized what we lost earlier.
By publishing to my own web site first…
- I feel like I’m curating a library rather than throwing loose papers into a raging torrent.
- I have the ability to quickly move to another platform if I so wish
- I can choose how things look and feel
- I can track, or not track, any metric I’d like to
- I can publish several different types of media: photos, audio
- I can turn discussion on or off
A good introduction to the Indie Web approach:
This post was primarily directed at friends and colleagues that already blog in other spaces, and wonder why/how they would re-post content to Medium or elsewhere.
The newest Kirby Ferguson video looks at remixing through the lens of the newest Star Wars film.
Nudibranchia or other opisthobranchia compared to the various looks of David Bowie.
Marvellous insights from Mark on how the robustness principle can and should be applied to styeguides and pattern libraries (‘sfunny—I was talking about Postel’s Law just this morning at An Event Apart in Boston).
Being liberal in accepting things into the system, and being liberal about how you go about that, ensures you don’t police the system. You collaborate on it.
So, what about the output? Remember: be ’conservative in what you do’. For a design system, this means your output of the system – guidelines, principles, design patterns, code, etc etc. – needs to be clear, unambiguous, and understandable.
Shane gave a talk recently where he outlined his reasons for publishing on the indie web:
Most people reading this will probably have an account at most or all of these sites: Facebook, Instagram, Twitter, YouTube, Vimeo, Tumblr, Wordpress. Many also had accounts at Friendster, Tribe, MySpace, Delicious, Magnolia, Gowalla, Geocities. But no one has an account at any of those (on the second list) anymore. And all of the content that we created on those sites is gone.
All of those super emo feeling you posted to MySpace, they’re all gone. Some of the great web designers of our generation got started on Geocities. That stuff is gone forever. And sure, it was sparkling animated GIFs and neon colors. But that’s important history. Yahoo bought it, left it alone for a while, and then decided one day to turn it off.
Oh, how I wish I could make it to this event!
June 8th-9th at Internet Archive, featuring Vint Cerf, Brewster Kahle, and more.
We are bringing together a diverse group of Web architects, activists, engineers, archivists, scholars, journalists, and other stakeholders to explore the technology required to build a Decentralized Web and its impact.
Lovely, lovely pictures from last weekend’s brilliant Indie Web Camp in Düsseldorf.
Here’s the video of the talk I just gave at the Beyond Tellerrand conference in Düsseldorf: Resilience.
Absolutely brilliant stuff from Mandy (again). A long hard at today’s tech industry’s narrow approach to bots and artificial intelligence compared to some far more interesting and imaginative approaches in fiction:
- Ann Leckie’s superb Imperial Radch series,
- Kim Stanley Robinson’s Aurora, and
- Alex Garland’s Ex Machina.
So in addition to frightening ramifications for privacy and information discovery, they also reinforce gendered stereotypes about women as servants. The neutral politeness that infects them all furthers that convention: women should be utilitarian, performing their duties on command without fuss or flourish. This is a vile, harmful, and dreadfully boring fantasy; not the least because there is so much extraordinary art around AI that both deconstructs and subverts these stereotypes. It takes a massive failure of imagination to commit yourself to building an artificial intelligence and then name it “Amy.”
I really enjoyed chatting to Ade on The Design Jones podcast. I rambled on about design, the web, and all that stuff.
If you want to go to the Indie Web Summit on June 3rd to 5th (and you should), there’s a travel assistance fund:
If you are a member of a group that is typically underrepresented (e.g. if you are not straight, white, cis and male), and otherwise could not afford to travel to IndieWeb Summit on your own, an anonymous donor has established a $1000 fund to assist individuals from underrepresented backgrounds with travel and/or lodging costs for the Indieweb Summit in Portland.
Mike’s blog is back on the Indie Web.
As someone who designs things for a living, there is a certain amount of professional pride in creating one’s own presence on the internet. It’s kind of like if an architect didn’t design their own house.
I’ve been on the web for most of my life, but, without a site to call home, I haven’t been of the web for far too long.
Mark has dumped his brains!
Seriously, there is a lot of thought that has gone into this, and it’s just the beginning: Mark recounts the experience that Clearleft has had with delivering pattern libraries, laying the groundwork for releasing the library-generating tool that he has been building.
Watch this space.
Eric asked me some questions and I was only too happy to give some answers.
Discover exotic places with local hosts in a galaxy far, far away.
An ongoing photography project from Curtis:
Beyond Work tells stories about humans at work, with no judgement or glorification. It’s an attempt at unearthing the social, cultural and functional world of work, that’s become invisible in everyday life.
Marc writes about why you (yes, you!) should come to Indie Web Camp in Düsseldorf in just under two week’s time.
Great photos from a great gathering.
I wasn’t aware of the forthcoming
SameSite attribute for cookies—sounds very sensible indeed.
As well as compèring the event, Chris took the time to make notes at the Clarity conference, dedicated to all things patterny.
A trip down memory lane with Håkon.
It’s not like the web has been done. This is history in the making. The web is only 25 years old. It’s going to be around for a long time, so there are lots of things to develop.
You know that front-end pattern libraries have hit the mainstream when the Nielsen Norman Group get in on the action.
As ever, I’m not sure their sweeping generalisations can be applied to every project, but their checklist approach makes for a good starting point.
Not to sound all “Get off my lawn, kids!” but I think there might be something to this. When you’re requiring hundreds of dependencies to do little tasks that you should be able to code yourself, something’s not right.
But, for the love of all that is programming, write your own bloody basic programming functions. Taking on dependencies for these one-liners is just nuts.
That said, you don’t want reinvent hundreds of wheels either (as most of the comments point out). There’s a balance to be had.
Markdown gets its own media type: text/markdown.
The act of linking to this story is making it true.
“I don’t think there’s any law against this,” I said. How could there be a law against something that’s not possible?
I’m so happy that Ember is moving to a server-side rendering model. Not only that, but as Tom points out here, it’s crucial that the server-side rendering is the default and the client-side functionality than becomes an enhancement.
Just recently on a Clearleft project, some of us were discussing whether there was a reason not to use
rems instead of
ems for media queries. Apart from one older browser implementation difference, we couldn’t come up with much.
Some in-depth research here supports the use of
em values for media queries. Very good to know.
A lovely outlook on designing with progressive enhancement:
There will always be users coming from places you didn’t expect, using devices you didn’t test for.
It’s in German, but this presentation by Joschi is a great introduction to Indie Web ideas and building blocks.
The Buckminster Fuller Institute has put together this collection of resources which explain the ideas behind “comprehensive anticipatory design science.”
Seems especially relevant in light of the first issue of the Journal of Design and Science from MIT.
The legacy of the Black Mountain College lives on.
A brief history of lunar sci-fi.
No matter how much we want the science fiction dream to come true – and personally I would love it – the reality is that a lunar colony is very unlikely to ever be financially viable. It would be no surprise if we saw more expeditions to the moon, but all those wonderful visions of the high frontier recreated in space are more likely to apply to destinations with a better long-term future, like Mars, rather than the moon.
A new publication from MIT. It deliberately avoids the jargon that’s often part and parcel of peer-reviewed papers, and all of the articles are published under a Creative Commons attribution licence.
The first issue is dedicated to Marvin Minsky and features these superb articles, all of which are independently excellent but together form an even greater whole…
When the cybernetics movement began, the focus of science and engineering was on things like guiding a ballistic missile or controlling the temperature in an office. These problems were squarely in the man-made domain and were simple enough to apply the traditional divide-and-conquer method of scientific inquiry.
Science and engineering today, however, is focused on things like synthetic biology or artificial intelligence, where the problems are massively complex. These problems exceed our ability to stay within the domain of the artificial, and make it nearly impossible for us to divide them into existing disciplines.
This essay proposes a map for four domains of creative exploration—Science, Engineering, Design and Art—in an attempt to represent the antidisciplinary hypothesis: that knowledge can no longer be ascribed to, or produced within, disciplinary boundaries, but is entirely entangled.
The designers of complex adaptive systems are not strictly designing systems themselves. They are hinting those systems towards anticipated outcomes, from an array of existing interrelated systems. These are designers that do not understand themselves to be in the center of the system. Rather, they understand themselves to be participants, shaping the systems that interact with other forces, ideas, events and other designers. This essay is an exploration of what it means to participate.
As our technological and institutional creations have become more complex, our relationship to them has changed. We now relate to them as we once related to nature. Instead of being masters of our creations, we have learned to bargain with them, cajoling and guiding them in the general direction of our goals. We have built our own jungle, and it has a life of its own.
Everything you never knew you wanted to know about the Millennium Falcon, wrapped up in one unsurprisingly insanely detailed essay from Michael.
Mappa Mundi Rubrum.
Ignacio asked me some questions. I was happy to answer them.
Myself and Batesy spent last week in Ipswich doing an intense design sprint with Suffolk Libraries. Leon has written up process from his perspective as the client—I’ll try to get a case study up on the Clearleft website soon.
This is really great write-up; it captures the sense of organised chaos:
I can’t recommend this kind of research sprint enough. We got a report, detailed technical validation of an idea, mock ups and a plan for how to proceed, while getting staff and stakeholders involved in the project — all in the space of 5 days.
There’s that Acheulean hand ax again.
The first ever object to be designed by man 1.7 million years ago was a flint hand axe. Flint has the same molecular structure as a crystal and they both consist of silica. The project juxtaposes the flint hand axe with the latest crystal technology; Xero chaton the world’s smallest precision cut crystal measuring 0.6mm in diameter, smaller than a grain of sand.