Most of these dystopian scenarios are, after all, post-apocalyptic: the bad thing happened, the tension broke, and now so much less is at stake. The anxiety and ambivalence we feel toward late-stage capitalism, income inequality, political corruption, and environmental degradation—acute psychological pandemics in the here and now—are utterly dissolved. In a strange, wicked way, the aftermath feels fine.
A 1983 article from 73 Magazine on the surprisingly plausible Rube Goldberg/Heath Robinson device created by E.T. to call home.
A good range of answers for this year’s question, overlapping a bit with 2011’s What scientific concept would improve everybody’s cognitive toolkit?
There’s going to be an evening of astro events out at Sussex University next Wednesday, January 18th. Stargazing, an inflatable planetarium, and the Ensonglopedia of science—fun for all the family!
Well, this is nice! Susan has listed the passages she highlighted from Resilient Web Design.
In the spirit of the book, I read it in a browser, and I broke up my highlights by chapters. As usual, you should read the book yourself, these highlights are taken out of context and better when you’ve read the whole thing.
As always with sci-fi interfaces, the important part is telling the story, not realism or accuracy. Personally, I liked the way that the World War II trappings of Rogue One extended to communications and networking technologies.
I can relate to what Rachel describes here—I really like using my own website as a playground to try out new technologies. That’s half the fun of the indie web.
I had already decided to bring my content back home in 2017, but I’d also like to think about this idea of using my own site to better demonstrate and play with the new technologies I write about.
Paul is turning his excellent talk on design systems into a three part series. Here’s part one, looking at urban planning from Brasília to London.
Aaron documents how he posts to his website through his Amazon Echo. No interface left behind.
Ethan has been thinking smarty-thinky thoughts about patterns and pattern libraries.
Here’s an interesting Kickstarter project: a book about owning your notes (and syndicating them to Twitter) to complement the forthcoming micro.blog service.
I’m really touched—and honoured—that my book could have this effect.
It made me fall back in love with the web and with making things for the web.
Anna has just published a lovely new version of her excellent little book on pattern libraries. EPUB, MOBI, and PDF versions are yours for a mere $8.
Ten years on from Afonso Cuarón’s masterpiece.
Reviews of twentieth century science fiction novels and anthologies by women writers.
A lovely piece of design fiction imagining a project where asteroids are shaped and polished into just the right configuration to form part of an enormous solar-system wide optical telescope.
Once they are deployed in space, a celestial spiderweb of crisscrossed laser beams can push around clouds of those microscopic optical sensors to desired locations.
Behind the amusing banter there’s some really solid performance advice in here. Good stuff.
Client Side Rendering (CSR), or as I call it “setting money on fire and throwing it in a river” has its uses, but for this site would have been madness.
Compare and contrast Alien, Starship Troopers, and The Thing with 2001 and Roadside Picnic (and I would throw Solaris into the mix).
Plugging in a monster moves a plot right along, of course, but if that’s all it’s doing, the plot is neglecting to examine how a real biosphere would work. That would be a sensationally complex task, but given the amount of research now going on in astrobiology and exoplanetary science, the suspicion here is that experts could be summoned who could produce such a film. Even so, there is something to be said for not seeing aliens.